Browsed by
Category: Vintage Treasures

Random Reviews: “Arthur Sternbach Brings the Curveball to Mars” by Kim Stanley Robinson

Random Reviews: “Arthur Sternbach Brings the Curveball to Mars” by Kim Stanley Robinson

The Martians, Cover by Peter Elson
The Martians, Cover by Peter Elson

Back in the days of Usenet, I started to put together a bibliography of science fiction that were built around baseball. One of the stories on that list is Kim Stanley Robinson’s “Arthur Sternbach Brings the Curveball to Mars.” Originally published in Robinson’s collection The Martians, a companion collection of short fiction to supplement his Mars trilogy that included Red Mars, Green Mars, and Blue Mars. Four months after “Arthur Sternback Brings the Curveball to Mars” was first published in the UK, it made its US debut in the August 1999 issue of Asimov’s Science Fiction, one month before the collection would be released in the U.S. by Bantam Spectra.

Since that time, the story has been reprinted in Robinson’s collections A Short, Sharp Shock, The Best of Kim Stanley Robinson, and Stan’s Kitchen and the anthologies Future Sports, The Hard SF Renaissance, New Skies, and Field of Fantasies (a collection of speculative fiction baseball stories). Demonstrating that interest in baseball is not limited to the US, the story has been translated into French, German, Spanish, and Romanian, in all but the last case as part of the original collection. The Romanian translation appeared in Sci-Fi Magazin.

Read More Read More

Dumas’ Musketeers: Finding their Future in the Past

Dumas’ Musketeers: Finding their Future in the Past


Court of Daggers by Alexandre Dumas,
translated by Lawrence Ellsworth (Substack, 2022)

Besides compiling the Cinema of Swords series, you might be aware of my other ongoing adventure fiction project, editing and translating new, modern editions of Alexandre Dumas’ Musketeers novels. This is an adventure in itself, as The Three Musketeers and its sequels amount to almost two million words in French, and the new English editions of the Musketeers Cycle will fill nine volumes when completed. Thus, it’s a big, multi-year project — and meanwhile the very shape of book publishing is shifting beneath our feet. But it’s shifting in ways you may find interesting, as the kind of genre fiction we celebrate here at Black Gate is even more susceptible to these changes than other literary forms.

The standard business of mainstream book publishing — at least, what seems standard because it’s what we grew up with — is under pressure from many different directions: cost of goods keeps increasing, which cuts into already slim profit margins, megacorp consolidation means fewer publishers and more homogeneity, and the internet, video games, and new digital platforms are all vying for the attention of an audience that is increasingly open to such new attractions.

Read More Read More

Vintage Treasures: Zelde M’Tana by F.M. Busby

Vintage Treasures: Zelde M’Tana by F.M. Busby


Zelde M’Tana (Dell, May 1980). Cover uncredited

F.M. Busby was a prolific SF writer in the 70s and 80s, with a number of popular series, including the Demu Trilogy and the Slow Freight trilogy. But his most ambitious sequence was Rissa Kerguelen, the tale of a young woman who leads a rebellion against a tyrannical Earth, which ran to eight volumes. It’s been out of print since the 80s. The book I want to talk about today is the final one in the sequence, a prequel of sorts, which focused on the origin of one of its most popular characters, Zelde M’Tana.

Zelde M’Tana is memorable for a lot of reasons. But the most obvious is that it featured a Black heroine on the cover, extremely unusual for a mass market paperback in 1980 (and, frankly, for the next 30 years). It’s one of the first times I can recall seeing a Black protagonist on a cover, and it certainty stuck out. I can’t recall exactly what I thought, but I’m reasonably sure that I took it as a marketing statement, a signal that the book was targeted for a Black audience, and I let it sit on the shelf while my eye wandered towards more comfortably familiar covers with white protagonists.

There’s a word in the English language for people like me, White folks who avoided books with Black people on the covers for reasons of simple unfamiliarity. That word is racist.

Read More Read More

Random Reviews: “The Modern Cyrano” by Stephen Baxter

Random Reviews: “The Modern Cyrano” by Stephen Baxter

The Hunters of Pangaea, Cover by Richard Hescox
The Hunters of Pangaea, Cover by Richard Hescox

Not only did Stephen Baxter win the first Sidewise Award for Best Short Story and the second Sidewise Award for Best Novel, but he went on to serve on the Sidewise Award jury for several years, so he has very strong alternate history credentials. His short story “The Modern Cyrano” is subtle alternate history set during the middle of the nineteenth century.

Written as a series of entries in Queen Victoria’s journal during the period from September 1849 through May 1851, Baxter details the deaths of two of Prince Albert’s close friends and Victoria’s political allies. In the pages of her diary, Victoria plays amateur sleuth, noting down the details of their deaths as well as an accusation raised in both cases that the unexpected death of George Anson and the accidental death of Lord Palmerston were both caused by Isambard Kingdom Brunel, who was nearby around the time of both deaths.

In the 1850s of Baxter’s tale, Brunel, in addition to the massive engineering projects he was undertaking in our world, including the Great Exhibition, Brunel is also experimenting with a form of rocket. His push to move England forward has stuck in the craw of Charles Sibthorp, an ultraconservative member of Parliament who wanted England to remain the way it was in his youth in the 1700s. An antagonist to Prince Albert, Sibthorp views anything to support the Great Exhibition as an evil to be fought against.

The story’s arc is pretty straight forward from the moment the characters are introduced, but the enjoyment of the story comes from the combination of reading Victoria’s diary and seeing her putting the clues together and a nineteenth century Nancy Drew and the side notes that Baxter includes to provide the reader with the context needed to fully understand the characters and motivations. He has managed to incorporate his “data dumps” into the story in a realistic and entertaining way.

Read More Read More

Six Thousand Years of Galactic Empires, Space Pirates, and Fuzzies: H. Beam Piper’s Rich Future History

Six Thousand Years of Galactic Empires, Space Pirates, and Fuzzies: H. Beam Piper’s Rich Future History


H. Beam Piper’s Federation and Empire (Ace Books, February 1982 and May 1981). Covers by Michael Whelan

H. Beam Piper is an enduring favorite of mine. I love his SF adventure tales, including The Fuzzy Papers and the stories in his Paratime sequence. But I haven’t really dipped into his more ambitious work, the Future History that tied together most of his longer stories. The Zarthani website dedicated to Piper’s work summarizes it succinctly:

Piper’s Terro-human Future History is a future-historical science-fiction series which imagines the expansion of the human race from its origins on Earth (Terra) out into the galaxy. Consisting of the novels of Piper’s famous Fuzzy trilogy — Little Fuzzy (1962), Fuzzy Sapiens (…1964) — and Fuzzies and Other People (published posthumously in 1984), Piper’s novels Uller Uprising (1952), Four-Day Planet (1961), Junkyard Planet (1963) — also known as The Cosmic Computer, and Space Viking (1962), and eight Piper stories originally published in pulp science-fiction magazines between 1957 and 1962 (originally reissued, along with an additional, previously-unpublished story, in the Piper collections Federation and Empire edited by John F. Carr, and more recently in Carr’s The Rise of the Terran Federation), the Terro-human Future History spans over thirty millennia of future history.

Piper’s Future History has been much celebrated and discussed since his death, and we’re long overdue for a closer look here. Grab your beverage of choice, settle back in your favorite chair, and let’s dive in.

Read More Read More

Random Reviews: “The Food Farm” by Kit Reed

Random Reviews: “The Food Farm” by Kit Reed

Orbit 2, Edited by Damon Knight
Orbit 2, Edited by Damon Knight

Kit Reed’s “The Food Farm” first appeared in Damon Knight’s Orbit 2 in 1967. It has been reprinted in Judith Merril’s SF 12, Voyages: Scenarios for a Ship Called Earth, Fat, Women of Wonder, Alpha 6, The Science Fiction Weight-Loss Book, Weird Women, Wired Women, and The Story Until Now: A Great Big Book of Stories, as well as being translated into German, French, Spanish, Dutch, and Portuguese.

In this story, Reed offers up Nelly, a teenage girl who is obsessed with two things: the singer Tommy Fango and eating. While her parents do not have any problem with her musical tastes, they are concerned with her voracious appetite and do everything they can to control her caloric intake. Their concerns makes them take extreme steps to keep her from eating too much, including locking her in her room. Nothing they could do, including starving Nelly worked as Nelly would break out of her room in the middle of the night to find food, either in the refrigerator or outside the house if necessary.  Eventually, her parents sent her to the facility of the title, where food is not made available.

Seen through Nelly’s eyes, everything about the place is torture with the sole exception of her roommate, Ramona, who tries to help her get used to the idea of living on the massively reduced rations they are allowed. Ramona also has access to a recording of Tommy Fango, although the girls are only able to listen to it once a day. Although Ramona is able to come up with ways to make it through her days and tries to get Nelly to try her methods, Nelly refuses to give in, insisting in wallowing in the lack of food and focusing her energy on the matron who controlled her access to food.

Read More Read More

Vintage Treasures: Planets Three by Frederik Pohl

Vintage Treasures: Planets Three by Frederik Pohl


Planets Three by Frederik Pohl (Berkley Books, 1982). Cover by Gregg Hinlicky

I admire Frederik Pohl. He had a nearly 75-year career in science fiction, from the early stories he published as a young teen in the 1930s all the way to the Hugo Award he won in 2010 for his superb early blog, The Way the Future Blogs, at the age of 90. He was an astute and prolific fan writer, an agent, and a legendary editor, winning three successive Hugos for Best Editor for his work at IF magazine in the 60s.

His first love was writing, of course, and it’s not hard to sense some frustration at his mid-career lack of success, especially as he watched his fellow Futurians and friends enjoy stellar careers, including Isaac Asimov, Donald Wollheim, Damon Knight, Cyril Kornbluth, and many others. Asimov, whom Pohl had known since they were both teenage fans in Brooklyn, had such name-brand recognition that virtually everything he’d written was still in print in the 70s and 80s — certainly not the case for Pohl, whose early output languished in obscurity in moldering pulp magazines.

Then came Gateway.

Read More Read More

Talking Terry Pratchett

Talking Terry Pratchett

It’s always a good time to talk about Terry Pratchett! He was, simply, brilliant. Pratchett, who passed away in 2015 from Alzheimer’s, wrote the terrific fantasy series, Discworld. He gets my vote as one of the great satirists of our time. And he used classical fantasy tropes to do it! Did I mention, ‘brilliant’?

I re-read (and listen to) Pratchett books throughout the year. I got in the mood again recently, and did a mini-binge. Discworld is fantasy world, with the entertainingly horrible city of Ankh-Morpork at its center. Parody, homage, satire – they are fantastic books. Pratchett pokes fun at our world (especially, society) though these books. If you Google search, ‘Terry Pratchett quotes.’ you will get some absolutely terrific ones. Most are from his books, but real-life ones can be pretty hilarious, too. The man was just incredibly funny. Add in being very observant, and a good writer, and you have the ingredients of a great author.

JINGO

It started when I decided to listen to a Pratchett audio book during the work day last week. I’ve read the series a couple times, and I can miss a bit here and there as I work. Jingo is one of the City Watch books. There are several ‘sub-series’ in the Discworld series, involving central characters. My favorite is the one with Sam Vimes and the City Watch. They are essentially very entertaining police procedurals, in a fantasy world. They’re a blast.

Read More Read More

An Adventure to be Had: A Journey Through the Art of Darrell K. Sweet

An Adventure to be Had: A Journey Through the Art of Darrell K. Sweet

The Arrival of Gandalf, Darrell K. Sweet (2010)

“A Sweet cover promised an adventure to be had.” — Irene Gallo, Tor.com

Growing up a child of the late 60s, I stumbled my way into fantasy novels in the dying years of the 70s and through into the 80s. Across this time, there was one man who influenced the books I chose to read more than any other, and by quite a significant margin. No, it was not a particularly skilled author, or a philanthropist uncle who funded my addiction, nor was it a sibling or friendly role model who led by example. The man who guided me through the fantasy/sci-fi landscape of my youth was Darrell K. Sweet, a cover artist.

Read More Read More

Random Reviews: “Dead Men on TV” by Pat Murphy

Random Reviews: “Dead Men on TV” by Pat Murphy

Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard
Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard

Pat Murphy is best known for her 1986 Nebula Award winning novel The Falling Woman or her 1987 Nebula Award winning novelette “Rachel in Love.” The following year, she published the short story “Dead Men on TV” in the debut volume of Full Spectrum, edited by Lou Aronica and Shawna McCarthy.

The unnamed narrator of “Dead Men on TV” spends her nights watching old movies on television, specifically films in which her late father appeared. Through the story, she reveals that her family life had not been great. Her mother was not prepared for the lifestyle that being married to a Hollywood actor entailed and committed suicide when the narrator was young. Her father, who had ignored her mother before she killed herself, shifted his efforts to ignoring his daughter after he was widowed, focusing on his career and living the lifestyle of a star.

Watching television, therefore, is her way of attempting to reconnect with her father’s memory and build an ersatz relationship with him. Her need, however, to watch his films when they are on, no matter the time of day, is clearly unhealthy. Although she has videotaped many of his movies, she feels closer to him when watching them at a time that other people could be watching them as well, leading to many late nights in front of the screen.

Read More Read More