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Category: Vintage Treasures

Six Thousand Years of Galactic Empires, Space Pirates, and Fuzzies: H. Beam Piper’s Rich Future History

Six Thousand Years of Galactic Empires, Space Pirates, and Fuzzies: H. Beam Piper’s Rich Future History

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H. Beam Piper’s Federation and Empire (Ace Books, February 1982 and May 1981). Covers by Michael Whelan

H. Beam Piper is an enduring favorite of mine. I love his SF adventure tales, including The Fuzzy Papers and the stories in his Paratime sequence. But I haven’t really dipped into his more ambitious work, the Future History that tied together most of his longer stories. The Zarthani website dedicated to Piper’s work summarizes it succinctly:

Piper’s Terro-human Future History is a future-historical science-fiction series which imagines the expansion of the human race from its origins on Earth (Terra) out into the galaxy. Consisting of the novels of Piper’s famous Fuzzy trilogy — Little Fuzzy (1962), Fuzzy Sapiens (…1964) — and Fuzzies and Other People (published posthumously in 1984), Piper’s novels Uller Uprising (1952), Four-Day Planet (1961), Junkyard Planet (1963) — also known as The Cosmic Computer, and Space Viking (1962), and eight Piper stories originally published in pulp science-fiction magazines between 1957 and 1962 (originally reissued, along with an additional, previously-unpublished story, in the Piper collections Federation and Empire edited by John F. Carr, and more recently in Carr’s The Rise of the Terran Federation), the Terro-human Future History spans over thirty millennia of future history.

Piper’s Future History has been much celebrated and discussed since his death, and we’re long overdue for a closer look here. Grab your beverage of choice, settle back in your favorite chair, and let’s dive in.

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Random Reviews: “The Food Farm” by Kit Reed

Random Reviews: “The Food Farm” by Kit Reed

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Orbit 2, Edited by Damon Knight
Orbit 2, Edited by Damon Knight

Kit Reed’s “The Food Farm” first appeared in Damon Knight’s Orbit 2 in 1967. It has been reprinted in Judith Merril’s SF 12, Voyages: Scenarios for a Ship Called Earth, Fat, Women of Wonder, Alpha 6, The Science Fiction Weight-Loss Book, Weird Women, Wired Women, and The Story Until Now: A Great Big Book of Stories, as well as being translated into German, French, Spanish, Dutch, and Portuguese.

In this story, Reed offers up Nelly, a teenage girl who is obsessed with two things: the singer Tommy Fango and eating. While her parents do not have any problem with her musical tastes, they are concerned with her voracious appetite and do everything they can to control her caloric intake. Their concerns makes them take extreme steps to keep her from eating too much, including locking her in her room. Nothing they could do, including starving Nelly worked as Nelly would break out of her room in the middle of the night to find food, either in the refrigerator or outside the house if necessary.  Eventually, her parents sent her to the facility of the title, where food is not made available.

Seen through Nelly’s eyes, everything about the place is torture with the sole exception of her roommate, Ramona, who tries to help her get used to the idea of living on the massively reduced rations they are allowed. Ramona also has access to a recording of Tommy Fango, although the girls are only able to listen to it once a day. Although Ramona is able to come up with ways to make it through her days and tries to get Nelly to try her methods, Nelly refuses to give in, insisting in wallowing in the lack of food and focusing her energy on the matron who controlled her access to food.

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Vintage Treasures: Planets Three by Frederik Pohl

Vintage Treasures: Planets Three by Frederik Pohl

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Planets Three by Frederik Pohl (Berkley Books, 1982). Cover by Gregg Hinlicky

I admire Frederik Pohl. He had a nearly 75-year career in science fiction, from the early stories he published as a young teen in the 1930s all the way to the Hugo Award he won in 2010 for his superb early blog, The Way the Future Blogs, at the age of 90. He was an astute and prolific fan writer, an agent, and a legendary editor, winning three successive Hugos for Best Editor for his work at IF magazine in the 60s.

His first love was writing, of course, and it’s not hard to sense some frustration at his mid-career lack of success, especially as he watched his fellow Futurians and friends enjoy stellar careers, including Isaac Asimov, Donald Wollheim, Damon Knight, Cyril Kornbluth, and many others. Asimov, whom Pohl had known since they were both teenage fans in Brooklyn, had such name-brand recognition that virtually everything he’d written was still in print in the 70s and 80s — certainly not the case for Pohl, whose early output languished in obscurity in moldering pulp magazines.

Then came Gateway.

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Talking Terry Pratchett

Talking Terry Pratchett

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It’s always a good time to talk about Terry Pratchett! He was, simply, brilliant. Pratchett, who passed away in 2015 from Alzheimer’s, wrote the terrific fantasy series, Discworld. He gets my vote as one of the great satirists of our time. And he used classical fantasy tropes to do it! Did I mention, ‘brilliant’?

I re-read (and listen to) Pratchett books throughout the year. I got in the mood again recently, and did a mini-binge. Discworld is fantasy world, with the entertainingly horrible city of Ankh-Morpork at its center. Parody, homage, satire – they are fantastic books. Pratchett pokes fun at our world (especially, society) though these books. If you Google search, ‘Terry Pratchett quotes.’ you will get some absolutely terrific ones. Most are from his books, but real-life ones can be pretty hilarious, too. The man was just incredibly funny. Add in being very observant, and a good writer, and you have the ingredients of a great author.

JINGO

It started when I decided to listen to a Pratchett audio book during the work day last week. I’ve read the series a couple times, and I can miss a bit here and there as I work. Jingo is one of the City Watch books. There are several ‘sub-series’ in the Discworld series, involving central characters. My favorite is the one with Sam Vimes and the City Watch. They are essentially very entertaining police procedurals, in a fantasy world. They’re a blast.

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An Adventure to be Had: A Journey Through the Art of Darrell K. Sweet

An Adventure to be Had: A Journey Through the Art of Darrell K. Sweet

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The Arrival of Gandalf, Darrell K. Sweet (2010)

“A Sweet cover promised an adventure to be had.” — Irene Gallo, Tor.com

Growing up a child of the late 60s, I stumbled my way into fantasy novels in the dying years of the 70s and through into the 80s. Across this time, there was one man who influenced the books I chose to read more than any other, and by quite a significant margin. No, it was not a particularly skilled author, or a philanthropist uncle who funded my addiction, nor was it a sibling or friendly role model who led by example. The man who guided me through the fantasy/sci-fi landscape of my youth was Darrell K. Sweet, a cover artist.

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Random Reviews: “Dead Men on TV” by Pat Murphy

Random Reviews: “Dead Men on TV” by Pat Murphy

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Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard
Full Spectrum, edited by Lou Aronica and Shawna McCarthy, Cover by Peter Stallard

Pat Murphy is best known for her 1986 Nebula Award winning novel The Falling Woman or her 1987 Nebula Award winning novelette “Rachel in Love.” The following year, she published the short story “Dead Men on TV” in the debut volume of Full Spectrum, edited by Lou Aronica and Shawna McCarthy.

The unnamed narrator of “Dead Men on TV” spends her nights watching old movies on television, specifically films in which her late father appeared. Through the story, she reveals that her family life had not been great. Her mother was not prepared for the lifestyle that being married to a Hollywood actor entailed and committed suicide when the narrator was young. Her father, who had ignored her mother before she killed herself, shifted his efforts to ignoring his daughter after he was widowed, focusing on his career and living the lifestyle of a star.

Watching television, therefore, is her way of attempting to reconnect with her father’s memory and build an ersatz relationship with him. Her need, however, to watch his films when they are on, no matter the time of day, is clearly unhealthy. Although she has videotaped many of his movies, she feels closer to him when watching them at a time that other people could be watching them as well, leading to many late nights in front of the screen.

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Vintage Treasures: The Gods of Bal-Sagoth by Robert E. Howard

Vintage Treasures: The Gods of Bal-Sagoth by Robert E. Howard

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The Gods of Bal-Sagoth (Ace, 1979). Cover by Sanjulian

I didn’t discover Robert E. Howard through Conan. In fact, it was decades after I started reading fantasy before I read my first Conan story (“The Tower of the Elephant,” for the record.)

No, it was Howard’s rich fiction collections from Ace Books in the late 70s and early 80s that really introduced me to the master of 20th Century sword & sorcery. They were filled with enthralling tales of blood-stained history, dark adventure, and unexpected horror, like “Worms of the Earth,” “Pigeons From Hell,” and “The Gods of Bal-Sagoth.”

And those gorgeous Sanjulian covers!

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Neverwhens, Where Fantasy and History Collide: Tanith Lee’s Cyrion

Neverwhens, Where Fantasy and History Collide: Tanith Lee’s Cyrion

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Cyrion (DAW, 1982, cover by Ken W. Kelly)

The Empress of Dreams

I hardly need to sing the praises of the late Tanith Lee (1947 – 2015).  A two-time World Fantasy winner, Horror Grandmaster, Hugo nominee, yadda yadda yadda, she rose out of nowhere writing sword & sorcery (generally a male-dominated field) with the Nebula-nominated The Birthgrave, and went on to pen 70 novels, 300 short stories and create a style of lush, dark fantasy perhaps best represented by her two best-known series: The Tales of the Flat Earth and The Books of Paradys.

Lee was goth before goths, and alternative before we knew that was a thing. Her style, which was lush and baroque, but not always straightforward for the reader, prose designed to read aloud. Her settings and atmospheres were strongly in the tradition of “the Weird,” owing much to the influence of writers such as Lord Dunsany and Jack Vance.

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Vintage Treasures: Heroic Fantasy edited by Gerald W. Page and Hank Reinhardt

Vintage Treasures: Heroic Fantasy edited by Gerald W. Page and Hank Reinhardt

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Heroic Fantasy (DAW, 1979). Cover by Jad

If you were a sword & sorcery fan in the 70s and 80s, there wasn’t a lot to get excited about. Lin Carter’s Flashing Swords anthologies. Andrew J. Offutt’s Swords Against Darkness, naturally. And the occasional Conan pastiche and Lancer paperback.

And there was Gerald W. Page and Hank Reinhardt’s one-shot anthology Heroic Fantasy, which came out of nowhere, never had a sequel, but was packed with terrific original stories by Charles Saunders, Andre Norton, Adrian Cole, E. C. Tubb, Tanith Lee, H. Warner Munn, Darrell Schweitzer, F. Paul Wilson, and Manly Wade Wellman — and kept readers talking for years.

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Random Reviews: “Slaves of the Magic Lamp” by Anthony R. Lewis

Random Reviews: “Slaves of the Magic Lamp” by Anthony R. Lewis

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Aladdin: Master of the Lamp, DAW 1992, Cover by Maren
Aladdin: Master of the Lamp, DAW 1992, Cover by Maren

In November 1992, Disney released the animated film Aladdin, with Scott Weinger providing the title character’s voice, Linda Larkin portraying his love, Jasmine, and the late and lamented Robin Williams voicing the Genie. About the same time, Mike Resnick and Martin H. Greenberg edited an original anthology designed to take advantage of Disney’s new film. DAW Books published Aladdin: Master of the Lamp in December 1992, containing more than forty original stories by authors ranging from Janet Kagan and George Alex Effinger to Kate Daniel and Mark Aronson.

Atypical of most original anthologies, Aladdin: Master of the Lamp contains two stories each by Jack C. Haldeman II, Anthony R. Lewis, and Barry N. Malzberg. Lewis, who is best known as the Chair of twenty-ninth Worldcon, Noreascon, in 1970, and for the work he has done with NESFA Press, has also written several short stories, including “Fair Exchange,” which opens Resnick’s anthology, and “Slaves of the Magic Lamp,” which appears about half-way through.

Lewis elects to structure his story as a tale within a tale, although it isn’t clear that such a conceit is necessary, aside from playing homage to the version of the Aladdin story told in One Thousand and One Nights. In this case, the narrator is Lady Vashti, a cat/shapeshifter who exists outside the bounds of the physical world.

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