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Category: Vintage Treasures

Alan Brown on Cordwainer Smith’s Classic Norstrilia

Alan Brown on Cordwainer Smith’s Classic Norstrilia

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First paperback release of Norstrilia (Ballantine, 1975), with the infamous “dog-derived undergirls”
back cover text (they “smelled of romance all the time.”) Cover by Gray Morrow

For the past six years Alan Brown has had an entertaining biweekly series at Tor.com on our favorite topic — vintage SF & fantasy. He’s covered Keith Laumer’s Bolo, Poul Anderson’s Flandry of Terra, Andre Norton’s The Beast Master, Joe Haldeman’s The Forever War, Spider Robinson’s Callahan’s Crosstime Saloon, David Brin’s Startide Rising, and about a jillion others.

Last week he took a look at Cordwainer Smith’s classic 1975 novel Norstrilia, originally published as two shorter works, The Planet Buyer (1964) and The Underpeople (1968). According to fannish legend, Smith’s publishers at Pyramid Books in the 60s felt it was too long, so he obliged them by breaking it up into two smaller novels. It was eventually published in the original format, under the title Norstrilia, by Lester del Rey at Ballantine Books in 1975.

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Vintage Treasures: The Hugo Winners, Volumes 4 & 5, edited by Isaac Asimov

Vintage Treasures: The Hugo Winners, Volumes 4 & 5, edited by Isaac Asimov

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The Hugo Winners, Volume 4 and Volume 5 (Doubleday, April 1985 and April 1986). Covers by Kiyoshi Kanai and Tita Nasol

Last week I looked back at three of the finest science fiction anthologies ever published, The Hugo Winners, Volumes 1, 2, & 3. The first two volumes, included in my introductory order with the Science Fiction Book Club in 1976, were essentially my introduction to science fiction, and they bear much of the responsibility for turning me into a lifelong fan of SF — and especially short SF.

Asimov eventually edited nine volumes of The Hugo Winners before his death in 1992. Each was enriched with his signature breezy and light-hearted story introductions, which portrayed the entirety of the American science fiction community as a tight-knit clubhouse of friendly and brilliant eccentrics. There may have been an element of truth to that at the start (the number of Americans who made a living as full-time SF writers was surprisingly small in the 60s and 70s), but by the 80s Asimov no longer knew the majority of authors he was introducing personally, and it showed.

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The Timeless Strangeness of “Scanners Live in Vain”

The Timeless Strangeness of “Scanners Live in Vain”

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Fantasy Book No. 6, January 1950, first appearance of
“Scanners Live in Vain” by Cordwainer Smith. Cover by Jack Gaughan

I recently had occasion to reread Cordwainer Smith’s Science Fiction Hall of Fame story “Scanners Live in Vain.” This was probably my fifth rereading over the years (soon followed by a sixth!) — it’s a story I’ve always loved, but for some reason this time through it struck me even more strongly. It is a truly great SF story; and I want to take a close look at what makes it work.

In this series I often discuss the background details of a story’s publication history, and of its author, first — and these are especially interesting in the case of this story; but I don’t want to bury the lede either. So I’ll discuss the story first, and then go over the history of its publication, and its author’s career. As ever in these essays, the discussion will be rife with spoilers.

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Vintage Treasures: The Hugo Winners, Volumes 1, 2 and 3, edited by Isaac Asimov

Vintage Treasures: The Hugo Winners, Volumes 1, 2 and 3, edited by Isaac Asimov

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The Hugo Winners, Volumes I & II and The Hugo Winners, Volume 3 (Doubleday, 1972 and 1977).
Cover designs by F. & J. Silversmiths, Inc, and Robert Jay Silverman

I’ve written 1,973 Vintage Treasures articles for Black Gate. (That seems like a lot. Is it a lot? If it were, the paperbacks waiting to be written up wouldn’t be threatening to topple over in a spine-crushing avalanche, right? Still seems like a lot, somehow.) My Vintage Treasures pieces aren’t reviews, sometimes because it’s been so long since I’ve read the book in question that I don’t trust myself to do it justice — and sometimes because I haven’t read it at all.

But mostly because I know from experience it takes me forever to assemble a decently thoughtful piece on a book I really enjoyed (or really didn’t enjoy — that takes even longer). In the time it takes me to produce a review I’m happy with, I can write four or five chatty Vintage Treasures, and that seems like a fair trade.

I’m going to break with that tradition here to offer up at least a partial review of The Hugo Winners, the groundbreaking 1962 anthology edited by Isaac Asimov, and its two follow-up volumes, The Hugo Winners, Volume II (1971) and Volume III (1977), all published in hardcover by Doubleday. They are perhaps the most important SF anthologies ever published, and I’ve read them so many times I’m pretty sure I can talk about them entirely from memory.

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Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

Vintage Treasures: The Arbor House Treasury of Horror and the Supernatural compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg

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The Arbor House Treasury of Horror and the Supernatural (Arbor House, May 1981)

Back in February I surveyed all ten Arbor House Treasuries, calling them a “Hearty Library of Genre Fiction.” I wanted to take a closer look at a few (and I did crack open The Arbor House Treasury of Great Science Fiction Short Novels, edited by Martin H. Greenberg and Robert Silverberg), and this long Memorial Day weekend I’m settling down with The Arbor House Treasury of Horror and the Supernatural, a massive volume compiled by Bill Pronzini, Barry N. Malzberg, and Martin H. Greenberg.

This is a feast of a book, nearly 600 pages in hardcover, packed with 41 stories by Edgar Allan Poe, Bram Stoker, Winston Churchill, H. G. Wells, Ambrose Bierce, H. P. Lovecraft, Robert Bloch, Cornell Woolrich, William Faulkner, Theodore Sturgeon, Fritz Leiber, Fredric Brown, Karl Edward Wagner, Thomas M. Disch, Robert Silverberg, Ramsey Campbell, Jack Dann, C. M. Kornbluth, Robert Sheckley, Joyce Carol Oates, Stephen King, and dozens of others. It’s a the kind of thing you build a month-long book club project around.

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Random Reviews: “Lt. Privet’s Love Song” by Scott Thomas

Random Reviews: “Lt. Privet’s Love Song” by Scott Thomas

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The Solaris Book of New Fantasy, Cover by Jon Sullivan
The Solaris Book of New Fantasy, Cover by Jon Sullivan

“Lt. Privet’s Love Story” is set in a complex fantasy kingdom which is ruled by sibling monarchs who command a massive and powerful navy. Scott Thomas focuses his attention on a remote seaport, the activities that brought two of the royal navy ships to the seaport, and the actions of a lieutenant that threatens to cause further harm to the fleet.

The title character serves on the frigate North Swan in a fantasy world. After his ship was mysteriously damaged by a ghostly red ship, it put into the harbor at New Crown for repairs. While in port, he becomes smitten with Hazel, the daughter of the local innkeeper. Although one would think that level-headedness and logic were good traits for a lieutenant in a royal navy, Privet fails to demonstrate either of those traits.  Rather than court the barmaid, he goes to Old Crown, located on top of the mountain at which New Crown is at the base, and purchases a love philtre from the twin Deerfield Sisters.

As may be expected, Privet’s used of the magic potion causes difficulties. Having been befriended by Captain Moorsparrow of the Swift Cannon, and his wife, Privet learns that the fleet’s flagship has also been fired upon by the mysterious red ship. To make matters worse, the Swift Cannon was carrying one of the heirs to the throne and was now also in port for repairs, which would delay the repairs to the North Swan.

Naturally, Moorsparrow’s wife winds up unintentionally drinking the love potion, which leads Moorsparrow to challenge Privet to a duel, a situation which will either deprive the royal navy of a ship’s captain or the reader of a character who is presented as the hero, and certainly the protagonist, of the short story. A deadly outcome for the duel is only averted by the sudden reappearance of the red ship.

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Random Reviews: “Undead Camels Ate Their Flesh” by Jason Fischer

Random Reviews: “Undead Camels Ate Their Flesh” by Jason Fischer

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Dreaming Again, Cover by Darren Holt
Dreaming Again, Cover by Darren Holt

Often when authors discuss their writing process, they refer to bringing two seemingly disparate ideas together to create a story. Jason Fischer clearly followed this idea in writing the incredibly titled “Undead Camels Ate Their Flesh.”

The first story involves an undead man making his way through the Australian outback. As the story opens, the zombie finds itself hungry and surrounded by a herd of feral camels. He makes a snack out of one of the camels, allowing the wounded creature to continue on its way and infecting the rest of its herd.

The other story concerns Trevor Flannigan and Kevin “Swanny” Swanwick, two small time crooks who kill Buchanan, a local farm owner. Their story tells of their flight from the murder scene ahead of the police, as well as a look at Chief Inspector Wallis, who happens to be Buchanan’s brother-in-law and is trying to track them down and bring them to justice.

Behind both of these stories is the background of an Australia settled by the English, but invaded by the forces of Danish king Christian. Although the Danes don’t appear in Fischer’s story, their influence is felt throughout. After killing Buchanan and finding a safe full of krone with King Christian’s face on it, Trev realizes Buchanan was a spy. Trev and Swanny also discover that no matter how much money they got from their heist, they are unable to spend it as the flee, first to Pimba, and then on to Alice Springs, trying to get away from anyone chasing them.

Wallis is Fischer’s answer to Inspecter Javert, following the trail no matter where it leads, even as his realizes that the beaten-up car he is driving may not be able to return him and his quarry to civilization and justice. Even as Willis begins his chase after Trev and Swanny, he realizes that Buchanan was into something unsavory after finding a Danish krone amidst the crime scene. Nevertheless, his task is to bring Buchanan’s murderers to justice. There will be enough time to look into Buchanan’s crimes later.

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Vintage Treasures: Out of the Everywhere and Other Extraordinary Visions by James Tiptree, Jr.

Vintage Treasures: Out of the Everywhere and Other Extraordinary Visions by James Tiptree, Jr.

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Out of the Everywhere (Del Rey, 1981). Cover by Rick Sternbach

Out of the Everywhere and Other Extraordinary Visions was the last paperback Tiptree collection to appear in her lifetime, and the third from Del Rey. It includes two original novellas, “Out of the Everywhere” and “With Delicate Mad Hands,” the Hugo nominee “Time-Sharing Angel,” and one of the greatest science fiction stories of the 20th Century (very possibly the greatest), “The Screwfly Solution.”

The first four stories in the collection, including “Your Faces, O My Sisters! Your Faces Filled of Light!” and “The Screwfly Solution,” were published under the pseudonym Raccoona Sheldon (instead of Tiptree, also a pseudonym; the author’s real name was Alice Sheldon). These are the bulk of the Raccoona Sheldon tales, the only one not collected here is “Morality Meat,” which eventually appeared in Crown of Stars (1988). In his article “Where to Start with the Works of James Tiptree, Jr.” at Tor.com, Lee Mandelo argues that the Sheldon and Tiptree stories are fundamentally quite different.

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Random Reviews: “Arthur Sternbach Brings the Curveball to Mars” by Kim Stanley Robinson

Random Reviews: “Arthur Sternbach Brings the Curveball to Mars” by Kim Stanley Robinson

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The Martians, Cover by Peter Elson
The Martians, Cover by Peter Elson

Back in the days of Usenet, I started to put together a bibliography of science fiction that were built around baseball. One of the stories on that list is Kim Stanley Robinson’s “Arthur Sternbach Brings the Curveball to Mars.” Originally published in Robinson’s collection The Martians, a companion collection of short fiction to supplement his Mars trilogy that included Red Mars, Green Mars, and Blue Mars. Four months after “Arthur Sternback Brings the Curveball to Mars” was first published in the UK, it made its US debut in the August 1999 issue of Asimov’s Science Fiction, one month before the collection would be released in the U.S. by Bantam Spectra.

Since that time, the story has been reprinted in Robinson’s collections A Short, Sharp Shock, The Best of Kim Stanley Robinson, and Stan’s Kitchen and the anthologies Future Sports, The Hard SF Renaissance, New Skies, and Field of Fantasies (a collection of speculative fiction baseball stories). Demonstrating that interest in baseball is not limited to the US, the story has been translated into French, German, Spanish, and Romanian, in all but the last case as part of the original collection. The Romanian translation appeared in Sci-Fi Magazin.
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Dumas’ Musketeers: Finding their Future in the Past

Dumas’ Musketeers: Finding their Future in the Past

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Court of Daggers by Alexandre Dumas,
translated by Lawrence Ellsworth (Substack, 2022)

Besides compiling the Cinema of Swords series, you might be aware of my other ongoing adventure fiction project, editing and translating new, modern editions of Alexandre Dumas’ Musketeers novels. This is an adventure in itself, as The Three Musketeers and its sequels amount to almost two million words in French, and the new English editions of the Musketeers Cycle will fill nine volumes when completed. Thus, it’s a big, multi-year project — and meanwhile the very shape of book publishing is shifting beneath our feet. But it’s shifting in ways you may find interesting, as the kind of genre fiction we celebrate here at Black Gate is even more susceptible to these changes than other literary forms.

The standard business of mainstream book publishing — at least, what seems standard because it’s what we grew up with — is under pressure from many different directions: cost of goods keeps increasing, which cuts into already slim profit margins, megacorp consolidation means fewer publishers and more homogeneity, and the internet, video games, and new digital platforms are all vying for the attention of an audience that is increasingly open to such new attractions.

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