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Category: Vintage Treasures

Vintage Treasures: The Seven Deadly Sins of Science Fiction, edited by Isaac Asimov, Charles G. Waugh, and Martin H. Greenberg

Vintage Treasures: The Seven Deadly Sins of Science Fiction, edited by Isaac Asimov, Charles G. Waugh, and Martin H. Greenberg

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The Seven Deadly Sins of Science Fiction and The Seven Cardinal Virtues of Science Fiction
(Fawcett Crest, 1980 and 1981). Covers by Jerome Podwil

Back in the day, there was a pretty reliable formula for a successful science fiction anthology.

Went like this: Step one, find a fresh theme. Could be anything. Unicorns, space dreadnaughts, cats (cats were always a good choice). Step two, find a bunch of science fiction stories. Step three, put Isaac Asimov’s name on the cover.

In 1978, Asimov put out his first anthology with Martin H. Greenberg, who was famously gifted at the production side of things, and over the next decade or so they published over a hundred together, usually with Charles G. Waugh, a psychology professor in Maine. Charles picked the stories, Isaac wrote the intros, and Marty did everything else.

It was an inspired partnership, and it produced many celebrated volumes, including Isaac Asimov’s Wonderful Worlds of Science Fiction (10 books), Isaac Asimov’s Magical Worlds of Fantasy (12 books), and many Mammoth Books of Science Fiction. But for me the real gems of the enterprise were some of the one-offs, including The Seven Deadly Sins of Science Fiction, and its sequel The Seven Cardinal Virtues of Science Fiction.

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As Subversively Funny and Modern as Anything Ever Written: The Confidence-Man: His Masquerade by Herman Melville

As Subversively Funny and Modern as Anything Ever Written: The Confidence-Man: His Masquerade by Herman Melville

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The Confidence-Man: His Masquerade (Dover Thrift Editions,
November 2017). Cover: New Orleans Map, Currier and Ives, 1885

Last night I finished re-reading Herman Melville’s The Confidence-Man: His Masquerade. I had not read it in many years — I first read it in the mid-1970s in a graduate seminar on Hawthorne and Melville taught by the wonderful Professor Elizabeth Schultz at the University of Kansas.

It’s perhaps my favorite Melville book, and a significant influence on my writing; my first solo novel Good News From Outer Space was an attempt to cross the figure of the multiply-disguised Confidence Man from Melville’s book with the shape-changing aliens of classic science fiction.

It all takes place in a single day — April Fool’s Day — on a steamboat that leaves St. Louis for points south, carrying a carnival of American character types, among them a confidence man who assumes eight different disguises as he interacts with, and bilks, various passengers during the the course of the day. It’s been described as a series of sketches or conversations. But that description does not do justice to the ways in which this book deconstructs America — and friendship and society and capitalism and progress and nature and religion and language itself — pretty much anything that any of us put faith in.

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Vintage Treasures: The Best Science Fiction of the Year 12, edited by Terry Carr

Vintage Treasures: The Best Science Fiction of the Year 12, edited by Terry Carr

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The Best Science Fiction of the Year 12 (Timescape/Pocket Books, July 1983)

I recently found a copy of Terry Carr’s 1983 anthology The Best Science Fiction of the Year 12 in a paperback collection I bought on eBay, and I was astonished at just how many great tales it contained.

There’s Connie Willis’s Hugo & Nebula Award winner “Firewatch,” the story of a time-traveling history student doing research during the London Blitz who discovers much more than he bargained for; Joanna Russ’s famous novella “Souls,” a Hugo award-winner in which a resourceful Abbess faces off against invading Vikings; Bruce Sterling’s first short story sale, the Shaper/Mechanist novelette “Swarm;” William Gibson’s early cyberpunk classic (and Nebula nominee) “Burning Chrome;” and Robert Silverberg’s Nebula Award nominee “The Pope of the Chimps,” in which a group of chimpanzees taught sign language develop a religion centered around humans.

There’s even a fine tale by my friend Bill Johnson, whom I worked with for years at Motorola in the 90s, “Meet Me at Apogee.”

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Random Reviews: “The Wonderful Conspiracy” by Spider Robinson

Random Reviews: “The Wonderful Conspiracy” by Spider Robinson

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Cover by Vincent di Fate
Cover by Vincent di Fate

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week, I rolled 40,770 which turned out to be Spider Robinson’s short story “The Wonderful Conspiracy.”

One of the things I’m hoping to get out of this series, from a personal point of view, is to discover authors and short stories that I’ve owned and have never read. Of course, I’m also hoping to share those discoveries, good or bad, with the readers of Black Gate.

The Wonderful Conspiracy is the final story of Spider Robinson’s first Callahan book, Callahan’s Crosstime Saloon and it has the appropriately maudlin nostalgia of a bar nearing closing time. Robinson has set the story on New Year’s Eve when the bar is mostly empty, save for employees Mike Callahan and Fast Eddie, as well as inveterate drinkers Long-Drink McGonnigle, the Doc, and Robinson’s narrator.

Although “The Wonderful Conspiracy” has many of the signature tropes of a Callahan story, including the series of puns and breaking of glasses, it is a lower energy story, just five men sitting around talking. Set at the end of the year and in a bar that is practically empty, the discussion between the men turns introspective, led by Long-Drink.

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Flood Monsters and Ghost Riders: The Year’s Best Horror Stories Series VIII, edited by Karl Edward Wagner

Flood Monsters and Ghost Riders: The Year’s Best Horror Stories Series VIII, edited by Karl Edward Wagner

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The Year’s Best Horror Stories: Series VIII (DAW, July 1980). Cover by Michael Whelan

The Year’s Best Horror Stories: Series VIII was the eighth volume in DAW’s Year’s Best Horror Stories, copyrighted and printed in 1980. This was the first volume edited by horror author and editor Karl Edward Wagner (1945–1994). Artist Michael Whelan (1950–) appears for a sixth time in a row on the cover. I have been very impressed with Whelan’s variety. The covered and walking corpse is a good horrific image for this volume.

All of the authors of The Year’s Best Horror Stories: Series VIII were male. Eleven were American, four were British, one Belgian (Eddy C. Bertin is back). Wagner included four stories from professional magazines, five stories from books (all anthologies), and seven total stories came from professional fanzines, especially Whispers and Midnight Sun. You get the sense that Wagner searched far and wide for horror stories in the most obscure places.

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Vintage Treasures: The City, Not Long After by Pat Murphy

Vintage Treasures: The City, Not Long After by Pat Murphy

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The City, Not Long After (Bantam Spectra, February 1990). Cover by Mark Harrison

Bantam Spectra was, without a doubt, the imprint where the action was at the end of the last century. Founded by Lou Aronica in 1985, it published some of the very best science fiction and fantasy of the 80s and 90s, including David Brin’s The Postman (1985) and The Uplift War (1987), William Gibson’s Mona Lisa Overdrive (1988), Sheri S. Tepper’s The Gate to Women’s Country (1989), Neal Stephenson’s Snow Crash (1992), Kim Stanley Robinson’s Red Mars, Green Mars, and Blue Mars (1993 – 96), and a little book titled A Game of Thrones by George R.R. Martin (and its sequels). The imprint was eventually retired in 2009, but not until it had published hundreds of fine books and launched a great many careers.

Pat Murphy published two memorable books with Bantam Spectra, both in 1990, the Philip K. Dick Award-winning collection Points of Departure and the Mythopoeic and Arthur C. Clarke Award-nominated novel The City, Not Long After, a postapocalyptic tale of a depopulated San Francisco.

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Random Reviews: “Yuli” by Daniel Abraham

Random Reviews: “Yuli” by Daniel Abraham

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Cover by Rovina Cai
Cover by Rovina Cai

“Yuli” is a character study of a mercenary who has retired and is taking care of his teenage grandson. Unexpectedly living in a small house in the US, Yuli has allowed himself to lose the edge he held as an elite mercenary. He sits around his house all day, chain smoking and drinking, occasionally eating at a local diner where some other former mercenaries get together. He listens to his grandson playing a fantasy role-playing game as their conversation comes up through the house’s vents, not fully understanding what they are doing.

Although the role-playing sessions in which the party is preparing to go up against a dragon seems almost like a non sequitur grafted onto the story, Abraham actually builds it as a parallel to Yuli’s own life, with Yuli taking on the role of the first dragon, Aufganir.

Yuli’s life is turned upside down when one of his former companions, Wrona, warns him that some people who they upset several years earlier may have discovered where they are living. Abraham isn’t overly concerned about Wrona’s well-being and, aside from a flashback, he promptly disappears from the story after delivering his warning, but the news wakes Yuri from his dragon-like stupor and he quits smoking and drinking, focusing on getting back into shape, and building up his situational awareness, mirroring the role-playing his grandson’s friends are doing in the basement. …

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Vintage Treasures: Life During Wartime by Lucius Shepard

Vintage Treasures: Life During Wartime by Lucius Shepard

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Life During Wartime (Bantam Spectra paperback reprint, July 1991). Cover by Mark Harrison

In April 1986 Lucius Shepard published his famous novella “R&R” in Isaac Asimov’s Science Fiction Magazine. It was the tale of young David Mingolla, an American draftee reluctantly fighting a war in a near-future Central America, where psychics predict enemy movements and soldiers are fed a cocktail of experimental combat drugs. It was an immediate hit, nominated for a Hugo Award and winning the SF Chronicle, Locus, and Nebula Awards.

Shepard expanded it into Life During Wartime in 1987, his most successful novel, nominated for the Locus, Dick, and Clarke awards. I read it in the summer of 1988 and found it filled with haunting scenes. It’s perhaps the most memorable SF depiction of war I’ve ever seen, a scathing indictment of American interventionism, with insane A.I’s (who still make more sense than the war), secret psy-ops, a Heart of Darkenss-like trek through a twisted and lethal jungle, and the dark secret of the war’s origins waiting for Mingolla at the end of his harrowing journey.

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Vintage Treasures: The Budayeen Trilogy by George Alec Effinger

Vintage Treasures: The Budayeen Trilogy by George Alec Effinger

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The Budayeen Trilogy: When Gravity Fails, A Fire in the Sun, and The Exile Kiss
(Bantam Spectra, 1988, 1990, and 1992). Covers by Jim Burns (When Gravity Fails), and Paul Youll & Steve Youll

George Alec Effinger’s Budayeen trilogy, sometimes called the Marîd Audran trilogy, is one of the enduring early classics of cyberpunk.

It had its birth in his short story “The City on the Sand,” originally published in the April 1973 issue The Magazine of Fantasy and Science Fiction. It was his first story set in the futuristic walled city of Budayeen, the city in the sand, a place of dark shadows and even darker inhabitants. Eventually Effinger set nine tales in Budayeen, including his most famous story, the Hugo and Nebula Award-winner “Schrödinger’s Kitten,” and all three of his most popular novels: When Gravity Fails (1987), A Fire in the Sun (1989), and The Exile Kiss (1991), featuring the street-smart detective Marîd Audran.

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Alan Brown on Cordwainer Smith’s Classic Norstrilia

Alan Brown on Cordwainer Smith’s Classic Norstrilia

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First paperback release of Norstrilia (Ballantine, 1975), with the infamous “dog-derived undergirls”
back cover text (they “smelled of romance all the time.”) Cover by Gray Morrow

For the past six years Alan Brown has had an entertaining biweekly series at Tor.com on our favorite topic — vintage SF & fantasy. He’s covered Keith Laumer’s Bolo, Poul Anderson’s Flandry of Terra, Andre Norton’s The Beast Master, Joe Haldeman’s The Forever War, Spider Robinson’s Callahan’s Crosstime Saloon, David Brin’s Startide Rising, and about a jillion others.

Last week he took a look at Cordwainer Smith’s classic 1975 novel Norstrilia, originally published as two shorter works, The Planet Buyer (1964) and The Underpeople (1968). According to fannish legend, Smith’s publishers at Pyramid Books in the 60s felt it was too long, so he obliged them by breaking it up into two smaller novels. It was eventually published in the original format, under the title Norstrilia, by Lester del Rey at Ballantine Books in 1975.

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