Black Gate

Science Fiction Discoveries (Bantam Books, August 1976). Cover artist uncredited

Five years ago Steven H Silver had a daily column at Black Gate in which he covered Science Fiction Birthdays for a full year. His choice for November 4, 2018 was Kara Dalkey, and Rich Horton had this to say in the comments.

I suppose the only other candidates were M. T. Anderson (I’ve liked a couple of his recentish short pieces a fair bit) and an interesting one: Babette Rosmond, who had a couple of pieces in Unknown in the early ’40s, then a quite interesting short novel, Error Hurled, in a Fred and Carol Pohl anthology in the ’70s.

Rosmond of course was an important editor — first at Street and Smith (Doc Savage was one of her titles) and later in magazines like Seventeen. She also wrote several contemporary novels (including one set among pulp editors), and she was an activist for more woman-led treatment of breast cancer. Interesting person.

The anthology in question was Science Fiction Discoveries, published in 1976, the fourth anthology Fred and Carol edited together, and the first to contain all-original stories. It had an impressive line-up — including a Thousand Worlds novelette by George R. R. Martin, an Azlaroc tale by Fred Saberhagen, and stories by Robert Sheckley, Scott Edelstein, Roger Zelazny, Doris Piserchia, and others. But the contributor that captured my interest was Babette Rosmond, with the complete novel Error Hurled, her sole science fiction publication. Rich is right — Rosmond was a fascinating person, for multiple reasons.

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Combat SF (Ace Books, June 1981). Cover by Vincent Di Fate

Military science fiction has a long and honorable history, from Heinlein’s Starship Troopers to Joe Haldeman’s The Forever War and John Scalzi’s Old Man’s War. It’s not nearly as prevalent on bookstore shelves as it used to be. Some people say that’s because science fiction is no longer a male-dominated genre that panders to young male power fantasies. And those people are mostly right.

But there’s still plenty of military science fiction that I remember fondly — especially the anthologies. The 70s and 80s was a golden age of mass market SF anthologies, and plenty of the better ones had military themes, like Joe Haldeman’s Tomorrow’s Warfare series (Body Armor: 2000, Supertanks, Space-Fighters), David Drake’s Space trilogy (Space Gladiators, Space Infantry, Space Dreadnoughts), and Jerry Pournelle’s There Will Be War.

But my favorite military SF from the era were the standalone anthologies. Including Combat SF, edited by Gordon R. Dickson, a terrific volume which includes stories by Arthur C. Clarke, Keith Laumer, Frank M. Robinson, David Drake, Joseph Green, Poul Anderson, Fred Saberhagen, Joe Haldeman, James White, Harry Harrison, Gene Wolfe, Hal Clement, and others.

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Frontier of the Dark (Ace Books, January 1984). Cover by Attila Hejja

A. Bertram Chandler was an enormously prolific science fiction author whom we haven’t covered much at Black Gate. He wrote some 200 short stories and over 40 novels, and is chiefly remembered today for his popular tales of the pioneer Rim Worlds, especially the adventures of John Grimes.

Chandler began his career as a merchant marine officer in the UK, eventually commanding ships in the Australian and New Zealand merchant navies, including the Australian aircraft carrier HMAS Melbourne. He drew heavily from his long career sailing everything from tramp steamers to troop ships to infuse his fiction with a distinctly naval flavor.

His 1984 novel Frontier of the Dark, published the year he died, is a significant departure. A science fiction horror tale featuring werewolves in space, it bears the dedication, “For Harlan Ellison, who made me do it.”

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Nightfrights (Peacock/Penguin, 1975). Cover by David Smee

They say that science fiction and fantasy readers love to identify with their heroes. To imagine themselves learning that they’re a wizard, attending Hogwarts School of Witchcraft and Wizardry. Or being called to participate in The Hunger Games, or captain a starship.

I get it. I’m 59 years old, and the instant I saw the cover of the 1975 edition of Nightfrights I identified with the wide-eyed old coot on the cover. That’s what qualifies as an intrepid hero I can identify with these days. Awakened in the middle of the night, called upon to investigate the inhuman shrieks in the backyard, telling ourselves it’s just raccoons but knowing in our heart that’s it’s ghouls. Or Bughuul, from that Sinister movie I just watched on Prime. Or our neighbor Jerry, driven mad by fumes from his lawnmower. Don’t come any closer Jerry, I’ve got Alice’s rolling pin, and I know how to use it.

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The Year’s Best Horror Stories: Series XIII (DAW Books, October 1985). Cover by Michael Whelan

The Year’s Best Horror Stories: Series XIII was the thirteenth in the DAW Year’s Best Horror series, and the sixth edited by the great Karl Edward Wagner (1945–1994). The book was copyrighted and printed in 1985. Michael Whelan returns as cover artist after taking a hiatus from Series XII. This marked Whelan’s tenth cover for the series! The newest cover is more fantasy than horror with an elf or goblin-like human playing a bone as a flute in a Pan-like fashion. There is a darkness to the art that is suggestive of horror or darker fantasy. Whelan’s diverse choice of artistic topics for horror does not disappoint.

This volume contained seventeen different authors. All male. Nine were American, six were British, and there is one returning Canadian author, Vincent McHardy and a returning German-born author, David J. Schow. Six of these stories came from books. Another six came from professional magazines. Two came from fanzines, one from a convention program, one from a chapbook, one from a journal, and one from a comic book. Considering the pre-internet era of this volume, Wagner is impressive in that he seemed to read everything from everywhere, looking for good horror.

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