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Category: Vintage Treasures

The Mystery of Steven Klaper, Agent of Insight

The Mystery of Steven Klaper, Agent of Insight


Agents of Insight (Tor, October 1986). Cover by Barclay Shaw

Back in 2017 I bought a copy of Agents of Insight, and thought it would be interesting to do a brief write up of the genre-blending science fiction-P.I. novel for Black Gate. But I immediately ran into a problem. The author, Steven Klaper, was a complete mystery. This was the only work of any kind I can find published under that name. No other novels, short stories, comics, nothing. When that happens, I automatically assume the name is a pseudonym — and I’m usually right. But even after 30 years, I couldn’t find any record of the name “Steven Klaper” used by a more well-known writer.

I made a plea on for information on Facebook, and Gordon van Gelder, publisher of The Magazine of Fantasy and Science Fiction, immediately offered a useful suggestion.

Thirty-one years isn’t that long ago and there are plenty of Tor Books employees with long memories like Beth Meacham and Claire Eddy who probably know if Klaper was a pen name for, say, the guy who published as Samuel Holt or if in fact Klaper was just a guy who only ever published one book.

Tor Editor extraordinaire Beth Meacham did indeed remember Steven, and this is where things got interesting.

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One of the Best Swordfights in Fantasy: Dray Prescot 20: A Sword for Kregen by Alan Burt Akers

One of the Best Swordfights in Fantasy: Dray Prescot 20: A Sword for Kregen by Alan Burt Akers


Dray Prescot 20: A Sword for Kregen (DAW Books, August 1979). Cover by Richard Hescox

About 1979, while in college at Arkansas Tech University, I visited a local used bookstore and found a copy of A Sword for Kregen.

The great cover, drawn by Richard Hescox (who I got a chance to meet), had what looked like a human locked in a sword fight with a creature with four arms and a tail with a hand on it. The four arms immediately reminded me of the Tharks of Barsoom. No way I was leaving the store without that book. It only cost me $1.17. (The price is still written on the cover.)

The book proved to be Sword & Planet and had one of the best swordfights I’d ever read. And, the human hero turned out ‘not’ to be the best swordsman in the fight. I’d never imagined such a thing from reading Edgar Rice Burrough’s Barsoom books and the works of Gardner Fox and others. I fell in love. And best of all, the cover said this was #20 of a series! I had a lot more good reading ahead of me, and I didn’t know the half of it.

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Vintage Treasures: Neutron Star by Larry Niven

Vintage Treasures: Neutron Star by Larry Niven


Neutron Star (Ballantine Bools, April 1968). Cover artist unknown

As I was preparing last week’s Vintage Treasures article (on Poul Anderson’s Fire Time), I realized that the next book on deck was Neutron Star, by Larry Niven, one of the most important science fiction collections of the 20th Century. And I simultaneously realized we’ve never done a Vintage Treasures feature on Niven before, a pretty serious oversight. (For comparison purposes, as I was assembling reference links at the bottom of my Fire Time piece, there simply wasn’t room to include the dozens of articles we’ve written on Anderson.) In fact, other than a pair of reviews by Fletcher Vredenburgh, two blog posts on Convergent Series by Steven Silver, and a note on the 1973 Skylark Award by Rich Horton, we’ve had virtually no coverage of Niven at all on Black Gate.

I’m to blame for this. Niven is, unquestionably, one of the most important science fiction writers alive today. But I was never a fan of his novels (I made two attempts to read his classic Ringworld, before giving up for good in the early 80s). His short stories, however, are a different matter, and I’m very glad to finally have the chance to discuss his first collection, the groundbreaking Neutron Star, first published as a paperback original by Ballantine Books in April 1968.

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Vintage Treasures: Fire Time by Poul Anderson

Vintage Treasures: Fire Time by Poul Anderson


Fire Time by Poul Anderson (Ballantine Books, November, 1975). Cover by Darrell Sweet

Poul Anderson was a terrifically prolific and popular science fiction writer, in a way I don’t think it’s possible to be today. I mean that in the sense that, yes, he wrote a lot of books — a ridiculous number of books, really. He published hundreds of novels and short stories in his lifetime. (How many, exactly? I have no idea. No one knows. Modern counting methods have failed us. Though there are studious attempts online, and I find this one at Book Series in Order particularly handy.)

But more meaningfully, I mean that every visit to the science fiction section of a well stocked bookstore for the first few decades of my life presented you with dozens of titles by Poul Anderson. Yes, he wrote a lot of books, but unlike most writers his books remained in print — often for decades. He was a reliable presence on bookstore shelves the way Isaac Asimov and Robert A. Heinlein were, or J.R.R. Tolkien and Stephen King are today. In other words, he was a midlist writer who was treated like a bestselling author, and that never happens any more.

I read a lot of Poul Anderson as a result (a lot of folks did). But one book that escaped me, though I was always interested, was his 1974 SF novel Fire Time.

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Howard Andrew Jones and Todd McAulty on Exploring the Fine Art of Short Epic Fantasy

Howard Andrew Jones and Todd McAulty on Exploring the Fine Art of Short Epic Fantasy

Image by Tor.com

It’s been three years since I’ve had the chance to partner with Black Gate‘s first managing editor, the ever-creative Howard Andrew Jones, on a feature article for Tor.com. Back in 2019-2020 we wrote a series of pieces showcasing overlooked fantasy authors and games, including Five Forgotten Swordsmen and Swordswomen of Fantasy, Five Classic Sword-and-Planet Sagas, and Traveller: A Classic Science Fiction Simulator. (I co-wrote those articles as ‘Todd McAulty,’ the byline I use for writing fiction.)

In honor of the publication of Howard’s breakout novel Lord of a Shattered Land, we looked back at some of the greatest fantasy sagas of all time — in particular, those that began as humble series of short stories, before they exploded into novels. They include Karl Edward Wagner’s classic Kane, Michael Moorcock’s groundbreaking Elric, and Stephen King’s bestselling The Dark Tower. Special shout-out to our Black Gate regulars who braved the trip to Tor.com to read and comment, including Rich Horton (ecbatan), Eugene R, NOLAbert, James Enge, and Joe Hoopman. Thanks team!

Check out the complete article at Tor.com, and don’t forget to grab a hardcover copy of Lord of a Shattered Land while they’re still available!

A British Country Mystery in Space: Murder on Usher’s Planet by Atanielle Annyn Noël

A British Country Mystery in Space: Murder on Usher’s Planet by Atanielle Annyn Noël


Murder on Usher’s Planet (Avon, April 1987). Cover by Jill Bauman

I’m going to be reviewing a few novels, of ‘70s/’80s vintage, that were foisted on me generously given to me by Black Gate’s panjandrum, John O’Neill. For his sins, he gets to publish these reviews here in Black Gate!

I exaggerate – I bought some of these novels of my own volition (though often because John alerted me to their existence with a Black Gate Vintage Treasures article!) and I am sincerely grateful to John for those he did give to me, and those he made me aware of, either by pointing them out at a convention, or by writing about them. The novels I’m looking at now do cluster in the ‘70s and ‘80s – a period James Davis Nicoll likes to call the “Disco Era.” And I think it’s worthwhile to consider books from that period – when I was a teenager or a newly hatched adult – especially the more obscure books. But this does mean a good many of these reviews might not be, er, entirely positive!

The first review to fit this paradigm might be my look at Mick Farren’s The Song of Phaid the Gambler (1981). And now we come to Murder on Usher’s Planet, by Atanielle Annyn Noël, published by Avon in 1987 (just as the Phaid the Gambler books appeared in the US.) This actually was a gift from John – we were wandering through the dealers’ room at the Chicago Pulp and Paper convention a few months ago, and I noticed this book, largely I think because of the author’s unusual name; and John grabbed it (along with a few others for himself, as I recall), and having bought it, pressed it on me – suggesting that if I read it I should review it for Black Gate. And here we are!

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Goth Chick News: Kicking Off Spooky Season with a Ghost Story

Goth Chick News: Kicking Off Spooky Season with a Ghost Story


Ghost Story (Pocket Books paperback reprint, September 1, 1989)

When fall finally starts descending on Chicagoland there are a few rituals which are essential to getting me in the mood for Spooky Season. Granted, this time of year isn’t dramatically different from the rest of the year around here, considering. But there are certain things that ramp up the countdown to October 31st.

For example, a more than average quantity of gothic elements appears in the décor, the sweatshirts come out, and the scent of pumpkin candles permeates every room along with the music of Midnight Syndicate. September also finds me revisiting quite a few literary favorites as nothing sets the fall tone better than a good ghost story, and in this case, I mean that literally. Ghost Story by Peter Straub remains to this day, the only novel that scares the snot out of me every time I read it.

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To Violate the Prime Directive: West of the Sun by Edgar Pangborn

To Violate the Prime Directive: West of the Sun by Edgar Pangborn


West of the Sun
(Dell, July 1980). Cover by Richard Corben

Edgar Pangborn is remembered now as a writer for his postapocalyptic series Tales of a Darkening World, which began in 1962 with “The Golden Horn,” later turned into the first part of Davy, one of the nominees for the 1965 Hugo Award for Best Novel. But he began writing science fiction a decade earlier, with his novelette “Angel’s Egg,” and two years later, his first science fiction novel, West of the Sun, which I’ve just reread.

Even this early, Pangborn was already doing the kind of writing that came to be called humanistic science fiction. There is advanced technology in West of the Sun: It takes place on a planet of Alpha Centauri, arrived at after a decade of space travel, which implies speeds nearly half the speed of light; and the starship Argo carries various useful small devices. But all of them are lost, or stop working, during the events of the novel. The Argo is — in the literary sense — a vehicle: It exists to get the characters into the story, which is about something else entirely.

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Vintage Treasures: Shadow of Earth by Phyllis Eisenstein

Vintage Treasures: Shadow of Earth by Phyllis Eisenstein


Shadow of Earth
(Dell, September 1979). Cover artist uncredited

We lost Phyllis Eisenstein almost three years ago, in December 2020. She was a friend of mine, and I miss the long conversations we used to have at Windycon and the Windy City Pulp & Paper Show. I’ll never forget the greeting she shouted at me in 2015 (“I’m retired!”) after she finally quit her advertising job. She had numerous writing projects she wanted to complete. She died of a stroke five years later, at the age of 74.

Phyllis was an enormously respected author who influenced modern fantasy in profound ways (George R.R. Martin dedicated A Storm of Sword to her, in gratitude for her contribution to Game of Thrones), but I always thought her own fiction was unjustly overlooked. Her series Tales of Alaric the Minstrel (ten stories and two novels, Born to Exile and In the Red Lord’s Reach) was her most popular, but her catalog also included the Book of Elementals trilogy and two standalone novels. Today I want to look back at one of her first novels, Shadow of Earth (1979).

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THE ONCE AND FUTURE KING, PT2 by T.H. WHITE

THE ONCE AND FUTURE KING, PT2 by T.H. WHITE

“Thomas, my idea of those knights was a sort of candle, like these ones here. I have carried it for many years with a hand to shield it from the wind. It has flickered often. I am giving you the candle now — you won’t let it out?”

“It will burn.”

King Arthur to Tom of Warwick, p. 647 The Once and Future King

Read the first part of this review, Might For Right: The Once And Future King, Part 1 By T.H. White.

The first two volumes, The Sword in the Stone (1938) and The Queen of Air and Darkness (1939), of T.H. White’s The Once and Future King focus on the rise of Arthur Pendragon and the foundation of his kingdom, where right, not might, is the rule. The following two volumes, The Ill-Made Knight (1940) and The Candle in the Wind (1958), tell the story of Lancelot and Guenever’s affair and subsequent rot and collapse of the Round Table and Arthur’s kingdom. At the end of The Queen of Air and Darkness, White reminds the reader that in the tales of King Arthur, sin comes home to roost and that sometimes, even innocence isn’t enough to prevent ruination. In these two books, however, no one is innocent.

Lancelot made his first appearance in The Queen of Air and Darkness when his father lent his aid to Arthur for the Battle of Bedegraine.  It was then as a young boy that he had decided he would dedicate himself to Arthur’s vision of a better world.

Ill-Made Knight is the name Lancelot takes for himself. He is no Franco Nero or even a Robert Taylor (both played Lancelot in the movies), but instead a misshapen, ugly man.

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