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Category: Vintage Treasures

Chess in Sword & Planet Fiction, Part III: From Zelazny to Infinity

Chess in Sword & Planet Fiction, Part III: From Zelazny to Infinity

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Pawn to Infinity, edited by Fred Saberhagen with Joan Saberhagen (Ace Books,
June 1982), and Unicorn Variations by Roger Zelazny (Timescape Books,
February 1984). Cover artists: unknown, and Gerry Daly

Pawn to Infinity: Ace Books, 1982, cover artist unknown, though this is a very cool cover. Although not Sword & Planet specifically, this is definitely the greatest collection of fantasy and SF stories to involve chess or a chess like game ever published.

There are many great stories in here, and at least two masterpieces: “The Immortal Game” by Poul Anderson, and “Unicorn Variation” by Roger Zelazny. There are other fine stories by Fritz Leiber, Fred Saberhagen (who also edited the collection) and George R. R. Martin. There’s a great old Ambrose Bierce story in it called “Moxon’s Master.”

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Enter the Prince of Darkness:Dracula by Bram Stoker

Enter the Prince of Darkness:Dracula by Bram Stoker

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“Listen to them—the children of the night. What music they make!”

Dracula to Jonathan Harker

I’ve heard tell my generation had nightmares about nuclear war, worried someone was going to press the big red button and trigger the annihilation of the world.

Not me. I was scared of vampires.

Heck, some nights I didn’t even have nightmares because I was too scared to sleep, convinced they were hiding behind the mottled sycamore trees that lined my block. I’m not sure where it came from. Probably from watching The Night Stalker TV movie (1972, dir. John Llewellyn Moxley) in which vampire Janos Skorzeny ravages sleazy seventies Las Vegas. It introduced the world to monster-hunter, Carl Kolchak and I saw it when I was seven or eight (thanks, Mom!). That fear disappeared quickly enough, but I was left with a taste for vampire stories.

I must have read some vampire stories in the various horror anthologies I bought regularly, though none spring to mind. I saw tons of movies and read stacks of horror comics featuring the bloodsucking fiends. It was two novels, though, that cemented my taste for the Central European monsters: Salem’s Lot (1975, Stephen King) and They Thirst (1981, Robert McCammon). They’re both big books, packed with characters and inventive takes on the idea of a master vampire trying to take over somewhere, a misbegotten Maine town in the first book and all of Los Angeles in the second.

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G.W. Thomas on Science Fiction of the 30s by Damon Knight

G.W. Thomas on Science Fiction of the 30s by Damon Knight

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Conan the Barbarian: Archie Style! From Everything Archie
#111 (May 1984). Art by Stan Goldberg and Larry Lapick.

G.W. Thomas has gradually become my favorite genre blogger. Not just because of his constant stream of content — he posts every two days at Dark Worlds Quarterly, and has been doing so for nearly a decade — but because of his endlessly zany topics. In the past few months he’s covered Haunted Houses in 50s comics, the Top Ten Ghostbreakers from Weird Tales, Werewolves of EC Comics, Space Heroes of the Golden Age, Fearless Vampire Killers of the pulps, Top Ten Fantasy Fight Scenes from 1980-1985 sword & sorcery flicks, Plant Monsters, Conan in Archie Comics, and so, so much more. For pulp and comic enthusiasts of a Certain Age, G.W. has tapped a nostalgic mother lode.

He also delves pretty deep into more serious topics of real interest, like that time he wrote a one-sentence review of every story in Damon Knight’s classic anthology Science Fiction of the 30s, complete with the original pulp illustrations.

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Chess in Sword & Planet Fiction, Part II: Dray Prescot and Gor

Chess in Sword & Planet Fiction, Part II: Dray Prescot and Gor

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Dray Prescot 20: A Sword for Kregen (DAW, August 1979) and Players of Gor
(DAW Books, March 1984). Covers by Richard Hescox and Ken Kelly

My second exposure to Sword & Planet chess came in one of my favorite Sword & Planet books, which I’ve mentioned in this series already a couple of times. This was A Sword for Kregen, by Alan Burt Akers (aka Ken Bulmer). In this book, Dray Prescot, our earthman hero, becomes a living Jikaida piece in a battle to the death.

Jikaida is war game similar to chess, although considerably more complicated. There are several different variations played across the world of Kregen. It’s usually played on a board of much more than 100 squares of either black and white or blue and yellow. There are typically 36 pieces to a side, arranged in three ranks. I never tried to play Jikaida, though the rules are available. Here’s a link to an online description of the game.

John Norman also introduced an S&P version of chess in his Gor series. He called it Kaissa, which is clearly a nod to the Goddess of chess — Caissa — who first appeared in a 1527 poem by Hieronymus Vida telling the story of a chess game between the Gods Apollo and Mercury.

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Chess in Sword & Planet Fiction: The Chessmen of Mars by Edgar Rice Burroughs

Chess in Sword & Planet Fiction: The Chessmen of Mars by Edgar Rice Burroughs

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The Chessmen of Mars (Ace Books, December 1962). Cover by Roy Krenkel, Jr.

Chess in Sword & Planet fiction: I learned the basic rules of chess in grade school and liked that it was a game that didn’t require luck. I didn’t do well at “luck!” The first adult I played was my brother-in-law, who rather gleefully mopped the floor with me. Out of resentment, I began to study and in our next game, probably when I was about 16, I mopped the floor with him.

I played quite a bit in college and actually joined a chess club in graduate school and began to study the game seriously. I got close to “expert” level, still well below Master level, before realizing I had to quit serious chess if I were going to be able to do my graduate work. Both were very time consuming and chess wasn’t going to pay the bills so it had to go bye bye.

I bring the game up here because I remember with distinct pleasure discovering Edgar Rice Burroughs’ The Chessmen of Mars. Wow! A whole book in which a chess-like game plays a major role, and where living chess pieces must fight for the control of squares during the game. I know this isn’t the first time someone used the concept of living chess pieces but it was my first exposure to it. It sent my imagination soaring.

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Tarzan and Beyond: Philip Jose Farmer, Part II

Tarzan and Beyond: Philip Jose Farmer, Part II

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Tarzan Alive and Doc Savage: His Apocalyptic Life (Playboy
Paperbacks, August 1981 and July 1981). Covers: uncredited, Ken Barr

Read the first half of this article, The World of Tiers and Beyond: Philip Jose Farmer, Part I.

Continuing our examination of Farmer’s pastiches, Farmer soon gave up the Grandrith and Caliban names and went full on with the characters in two fictional biographies called Tarzan Alive (1972) and Doc Savage: His Apocalyptic Life (1973), both from Playboy’s Science Fiction line.

The cover for Tarzan Alive is very cool but is uncredited. Ken Barr seems to have done the Doc Savage cover and it’s also very cool. I liked both of these books pretty well. The Tarzan book rambles a bit. The Doc Savage is better than many of the original Doc Savage novels. It references quite a few. These books are true to the characters and have none of the bizarre sexual exploits described in A Feast Unknown.

These books also suggest that Tarzan, Doc Savage, and such other fictional characters as Sherlock Holmes are all related to each other and are the product of inherited mutations caused by a meteor that struck England in 1795 called either the Wold Cottage or the Wold Newton Meteor.

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Some Remarks on an Unremarkable Space Opera: Galactic Gambit by Roy C. Dudley

Some Remarks on an Unremarkable Space Opera: Galactic Gambit by Roy C. Dudley

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Galactic Gambit (Lenox Hill Press, September 1971). Cover by Herbstman

In my recent looks at less-remembered novels of the ’70s and ’80s I’ve covered some obscurish works by well-remembered writers (Phyllis Eisenstein, L. Sprague de Camp) and some obscurish works by less well known but hardly unknown writers (Gerard Klein, Mick Farren), and even some quite little known writers (Atanielle Annyn Noel).

But this time I’m trying for something truly obscure — a hardcover from 1971 that is the only novel by its writer, from a publishing company that offered microscopic advances ($300) and sold only to libraries. The only semblance of a review of this novel I could find is in the Science Fiction Encyclopedia (of course!) and it reads in full: “US printing technician and author of Galactic Gambit (1971), an unremarkable Space Opera.”

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The World of Tiers and Beyond: Philip Jose Farmer, Part I

The World of Tiers and Beyond: Philip Jose Farmer, Part I

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The World of Tiers, Volumes 1 and 2 (Science Fiction Book Club, November 1981). Covers by Boris Vallejo

Philip Jose Farmer (1918 – 2009). Farmer was a versatile writer. I discovered him from his Sword & Planet work with his World of Tiers series, but went on to read a lot of other books by him, including some pastiches he wrote in ERB’s universe. I’ll be discussing him here in two posts.

My introduction to Farmer came through the Science Fiction Book Club. They offered the first five books in The World of Tiers in a two-volume set, and I still have mine (shown here, with covers by Boris Vallejo.) I read them straight through and looked for more. There weren’t any. Not at the time. Years later, another book (More than Fire) was published, but I haven’t read it. I did read a connected book called Red Orc’s Rage.

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The End of Time and Me: Michael Moorcock’s Dancers at the End of Time

The End of Time and Me: Michael Moorcock’s Dancers at the End of Time

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The Dancers at the End of Time trilogy: An Alien Heat, The Hollow Lands,
and The End of All Songs (Avon Books, September and November 1977,
and June 1978). Cover art by Stanislaw Fernandes

When I discovered Moorcock in the early 1980s, I read his trilogy Dancers at the End of Time and the associated novel A Messiah at the End of Time. I remember enjoying the trilogy, though I have only vague memories of the stand-alone novel. Back in 2017, I re-read Moorcock’s Elric series and wrote about it for Black Gate. In 2020, I did the same for his Corum novels and in 2022, I revisited Erekose. Rather than look at Hawkmoon, which I last re-read in 2010, I decided to dive into The End of Time sequence.

In addition to The Dancers at the End of Time trilogy and the novel The Transformation of Miss Mavis Ming (also published as Messiah at the End of Time and Constant Fire), Moorcock has written several short stories that belong to the sequence: “Pale Roses,” “White Stars,” “Ancient Shadows,” “Elric at the End of Time,” and “Sumptuous Dress: A Question of Size at the End of Time.” Although most were published before I read the trilogy, I believe I missed all of them with the exception of “Elric at the End of Time.”

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The Tuvela Theory: The Demon Breed by James H. Schmitz

The Tuvela Theory: The Demon Breed by James H. Schmitz

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The Demon Breed (Ace Books, September 1979). Cover by Bob Adragna

Earlier this year, I visited my city library during a book sale. One of the things I spotted on their shelves was a novel by James H. Schmitz that I wasn’t familiar with. I’ve liked Schmitz since I discovered his story “Novice” in the collection Analog 2 — so I bought this one.

The Demon Breed came out in 1968, fairly late in Schmitz’s career, which lasted from 1943 to 1974. Like a large part of his work, it first appeared in Analog, where it was serialized as The Tuvela. Most of what he wrote was short fiction, including his best known story, “The Witches of Karres,” expanded into a novel with the same title in 1966; The Demon Breed is one of only four novels, and by today’s standards, a fairly short one.

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