Black Gate

Science fiction fans naturally know H.G. Wells best for his scientific romances. But after 1905, he wrote relatively little in that genre. Instead, he turned his efforts variously to the Fabian Society, Britain’s indigenous socialist movement; to surveys of human knowledge for general audiences, in the style later followed by Isaac Asimov (I read my grandmother’s copy of The Outline of History, and I still have the four volumes of The Science of Life); and to realistic novels, starting with Love and Mr. Lewisham in 1900.

Joan and Peter is a curious amalgam of these interests — a realistic novel about changing class relations and cultural attitudes in England, much of whose storyline focuses on the problems of the English educational system as experienced by its title characters. This gives Wells a chance to explain things to his readers, though he’s often fairly good at enlivening the presentation beyond big lumps of exposition.

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Warlocks and Warriors, edited by L. Sprague De Camp
(Berkley Medallion, January 1971). Cover by Jim Steranko

Warlocks and Warriors (1970) was edited by L. Sprague De Camp, who did quite a few anthologies around this time while also busy editing and rewriting Robert E. Howard’s Conan tales. It’s certainly a good collection, and quite varied, though not all these fit the heroic fantasy label associated with the collection. Certainly, not all are Sword & Sorcery (S&S). The cover is by the great Jim Steranko.

The anthology contains:

An intro by de Camp
“Turutal” by Ray Capella
“The Gods of Niom Parma” by Lin Carter
“The Hills of the Dead” by Robert E. Howard (a Solomon Kane tale)
“Thunder in the Dawn” by Henry Kuttner (Elak of Atlantis)
“Thieves’ House” by Fritz Leiber (Fafhrd & the Gray Mouser)
“Black God’s Kiss” by C. L. Moore (Jirel of Joiry)
“Chu-Bu and Sheemish” by Lord Dunsany
“The Master of the Crabs” by Clark Ashton Smith (Zothique)
“The Valley of the Spiders” by H. G. Wells
“The Bells of Shoredan” by Roger Zelazny (Dilvish)

The Ray Capella story, “Tutural,” is set in Robert Howard’s Hyborian Age but is not about Conan or a “Clonan.” One might consider it fan work but it’s quite well written. Capella’s full name was Raul Garcia-Capella (1933 – 2010), and you’ll sometimes see his work under just Raul Capella.

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Stand on Zanzibar (Del Rey/Ballantine, June 1976). Cover by Murray Tinkelman

Watching their sets in a kind of trance
Were people in Mexico, people in France.
They don’t chase Jones but their dreams are the same—
Mr. and Mrs. Everywhere, that’s the right name!
Herr und Frau Uberall or les Partout,
A gadget on the set makes them look like you.

Stand on Zanzibar is perhaps John Brunner’s most significant novel. Up until then, he had written competent science fiction on familiar themes such as psionics (Telepathist) and time travel (The Productions of Time). With Stand on Zanzibar he began writing larger books that were no longer purely ways of playing with such standard ideas, but examinations of our own world in a fantastic mirror. At the same time, they used a more sophisticated literary method — not the surrealism that inspired much of the New Wave, but a naturalism similar to nineteenth-century fiction.

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