Browsed by
Category: Star Trek

Green Orc Blues

Green Orc Blues

stscrabbleRecently I had occasion to visit the toy store — a rarity in a life spent avoiding children as much as possible — and was sort of blown away by how different it was than I remembered. The last time I was in a toy store was probably as a pre-teen buying Advanced Dungeons & Dragons books (yes, unbelievable as it seems, Fiend Folio and Unearthed Arcana used to share self space with Teddy Ruckspin and Cabbage Patch Kids at the local Toys ‘R Us) and, while I wasn’t surprised to see a complete lack of anything RPG in my visit, what did impress me is just how much fantasy and scifi oriented material I did find — you might even say the place was a juvenile spec fic warehouse, though with a side order of dinosaurs, pirates, and the occasional pony.

But that is sort of obvious, right? SF and fantasy have always been big components of children’s toys, especially for boys, at least since the Star Wars explosion of the late seventies. And that’s true of course, though things seem far slicker and better presented these days (thinking especially of the tremendous Star Trek display I saw as soon as I walked in the door — kids today just don’t stand a chance against stuff like that). And all that big name, blockbuster-fodder stuff was there in abundance, and had permeated down to the smallest level and mutated into weird, unexpected forms: a Transformers chess set, Star Wars Battleship, and the mesmerizingly implausible Star Trek Scrabble (!?!).

Read More Read More

Going Portentiously Where Everyone Has Gone Before

Going Portentiously Where Everyone Has Gone Before

Okay, so I’m interested in seeing what everyone is calling “the reboot” of Star Trek, though I could be content to wait until the DVD comes out. And, sure, there’s a lot of buzz (as well as some discussion in this forum), if only because the franchise appears to be doing something interesting, for a change. Fine. But all this blather about the “significance” of Star Trek, particularly this article by Dave Itzkoff in The New York Times is really too much.

Itzkoff characterizes Star Trek as “supremely influential,” and I guess in that it has promoted grown-ups dressing in space pajamas and wearing pointy ears and expecting to be taking seriously, I suppose he’s right.

Look, I’m old enough to have watched the original Star Trek when it was first on television. As I recall, I lost interest sometime in the middle of the second season. Because, even then I realized what a lot of commentators such as Itzkoff overlook: for a supposed science fiction series, it was pretty bad science fiction.

Read More Read More

The Future Is Now

The Future Is Now

trekfinal2Star Trek (2009)
Directed by J. J. Abrams. Starring Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Ben Cross, Winona Ryder.

I wrote a review of the new movie Star Trek for my own blog within a few hours of seeing the film on Friday morning. I have nothing against that review, but it’s definitely the sort of free-form exercise I do on my personal blog, and it goes deep into the story and specific details for general readers. I never intended to put such a review on my Black Gate blog.

But Star Trek deserves it’s own take on Black Gate, one geared toward the specific audience. This isn’t truly a review, but an essay analysis of a cultural phenomenon that takes into account the many other reviews I’ve now read of the movie since I saw it (I purposely avoided reading others reviews before seeing the film) and the reaction of people I know who have seen it so I can paint a canvas of the sort of zeitgeist we’re experiencing.

Although Black Gate takes heroic fantasy as its theme, while the Star Trek franchise is science fiction, the people who read this magazine and its website belong to a genre community of which Star Trek forms one of the cornerstones. It doesn’t matter if you like Star Trek or not… if you count yourself a fan of anything that is “genre,” Star Trek has a place in your universe. Star Trek is the personification of “fandom.”

A few days before the new movie hit theaters, I wrote a short essay examining my own relation to Trek fandom. You can read that if you want to know where on the “Trekker” scale I stand, if that’s of interest to you regarding reading the rest of this essay.

Read More Read More

Parallel Universe

Parallel Universe

When it comes to the parallel universes we visit in speculative fiction, some of my personal favorites are the ones where Rome never fell, the one where Spock has a goatee, and Universe R. I don’t know if anyone’s written about Parallel Universe R, or named it before, but I imagine a lot of you have thought about it. It’s that other place where great artistic works were never lost. It’s the land where overlooked, forgotten, or underappreciated poets, playwrights, authors, and artists were encouraged and celebrated and lived on to craft more work. I don’t mean the Egoverse where you’re the top of the charts or have written a chain of bestsellers — this one is for the artists you wish had gotten a better deal. Universe R can’t be completely logical, of course. For instance, if the Library of Alexandria had survived, then we’d probably be further along with a lot of developments and some of the later artists might not ever have been born. When I think about Universe R I don’t worry about it making that kind of sense.

I dropped by my counterpart’s home in Universe R to look around his shelves: The work of Aeschylus, Sophlocles, and Euripides came to us complete in Universe R, rather than just a few plays from each, and the works of Menander and Sappho reached us whole, rather than just a few tantalizing fragments. Jumping ahead a bit, Chaucer finished The Canterbury Tales, though he had to live to 90 to pull it off, and it takes up a huge chunk of a shelf. There’s no confusion over Shakespeare folios and I see one fine copy of his Cardenio and other tantalizing things lost to history. On the music rack, Bach’s work was better preserved so that some of his music wasn’t lost because it was sold as fish wrappers. Mozart lived to a ripe old age, cranking out more and more astonishing and varied works.

On my fiction shelf in Parallel Universe R I can find all the great historical swashbuckling novels Harold Lamb wrote when he almost gave up fiction in the 1930s, just as his prose was at its peak. Near it is a complete run of all of Robert E. Howard’s fiction. He went back to writing fantasy a few times after the 1930s, but he turned also to westerns and teamed up with Hollywood producers to create some western film masterpieces. His DVDs are over there on the other shelf, next to the run of the original Star Trek. Here in Universe R the dogs of Star Trek’s second season never got made and the show didn’t get thrown to the wolves in the third season — thanks to the diligent work of the story editors and producers, the final three years of the show built upon the promise of early episodes. When a sequel series finally came out, Captain Sulu was also a resounding success. (Sure, I dare to discuss Bach and Sophocles and Robert E. Howard and Star Trek and Shakespeare in the same entry.) In Universe R The Beatles realized that they were greater together than the sum of their individual parts, and regrouped every few years to make amazing music, even while experimenting with their side projects.

I could go on, but this post is long enough already. I’ll save one more entry for later: The 27th of this month is the birthday of one of my favorite musicians, the guy who prompted this post because in April I always think about how things should have turned out for him. He was a Beatles contemporary who soared to acclaim in Universe R. I’ll post about him closer to his birthday.

So what works are on your shelf in Universe R?

Howard

Birthday Memories

Birthday Memories

My father would have been 75 today.

I can’t help thinking about him on the day of his death, in May — I think about him most days, although after seven years the pain of his absence is no longer an ever-present ache — but I forcibly choose to celebrate his memory on his birthday.

I don’t do anything elaborate. Dad’s birthdays were never elaborate occasions when he was alive, though sometimes finding a gift could be. There wasn’t much he really lacked; he took comfort and pleasure in the people he loved and the things he already had. On his birthdays these days I take down his picture, light a candle, sit down with a good drink, and think out loud. Those steps are likely some kind of tradition, somewhere. I’m sure I didn’t make them up out of whole cloth.

A few years back I used to get choked up whenever I talked to my children about my father, and I was so obviously affected that my son said, one day, that he’d stop asking about his grandfather because the topic so clearly upset me. That obviously wasn’t the route I meant to travel. Today I can tell my children all sorts of tales about their grandfather.

Regular visitors will note that I usually talk about either Black Gate or writing matters. This may be the first time I’ve strayed into more private concerns for any length of time, but then my parents were instrumental in a lot of my interests. It was my friend Mike Boone who really introduced me to science fiction; he gave me my first phone call ever (I was 5) to let me know that the “new” show he’d told me about was on (the original Star Trek, in reruns). Dad wasn’t a fan, but he turned over whatever he was watching just in time for me to see Kirk and Spock beaming down. I was hooked immediately. My mother loves science fiction and fantasy, and as I grew older she handed me book after book, series after series. Neither genre was Dad’s thing, but he loved to talk writing. Once he was discussing Jungian archetypes and their influence on mythology, indeed, upon all stories, and I asked him to perform an analysis of Star Trek. Dad said that Kirk was obviously the hero, and his internal dilemmas were played out between Spock, his reasoning half and McCoy, his emotional half. “What about Scotty?” I asked.

Dad thought for a moment. “He’s some aspect of the physical.”

His analysis impressed young teenage Howard — moreso, apparently, than most of our other talks about writing, which my feeble memory has already garbled or forgotten, just as it has confused my recollection of where we had that particular talk. In the living room, whilst standing on our brown carpet, or did the whole thing take place while we were jogging north from the park? All I recall now are the words, and I curse myself for not remembering more.

All this talk of Dad and story theory may leave you with the impression that he was an egghead, or ivory tower intellectual. He wasn’t. At Dad’s funeral, one of his best friends called him the most unassuming intellectual he ever knew. Dad never trumpeted his knowledge. If you wanted to talk Moby Dick or Hawthorne he was all for it, but he was just as happy to talk golf swings or basketball or car repair.

He took early retirement and left the university to master piano tuning. I was married and living in Kansas by then, and the thought of him tuning anything professionally horrified me. He’d always used me rather like a sound meter before playing his guitar, and over the years his ear never seemed to improve. I was under the impression that you either had a good ear or you didn’t and there wasn’t much you could do about it. Dad proved me wrong. Soon he was not only tuning pianos, he was rebuilding and refurbishing them. The last time we talked, however, he had been playing piano. The keyboards had always been my instrument and Dad came to it later in life. He was asking me advice about improvising good bass lines.

When I heard from Mom a few days later I assumed she was calling to check up on my three-year-old, who’d just had his tonsils removed. No. Dad had died, instantly, of a heart attack. The only mercy was that someone saw him fall and CPR assistance was almost immediate. We know, then, that if there was anything that could have been done, the help was there to do it. It was already too late.

I miss him terribly.

Howard