Browsed by
Category: Series Fantasy

Mythic Landscape: The Weirdstone of Brisingamen by Alan Garner

Mythic Landscape: The Weirdstone of Brisingamen by Alan Garner

Comments 5 comments

Weirdstone_of_BrisingamenHalfway through my recent reread of Alan Garner’s 1960 debut novel, The Weirdstone of Brisingamen, it became clear to me that the true protagonist was the land, not the ostensible ones, sister and brother Susan and Colin.

Alderley Edge, in Cheshire, England, is the name of both a village and a great sandstone cliff “six hundred feet high and three mile long.” For Garner there’s a connection between land and myth, artistically at least, that is deep. His depiction of a land of rolling plains littered with farms and woods, riddled with thousands of years’-worth of mines makes it easy to see the svart-alfar, the “maggot-breed of Ymir,” boiling out of the earth. There’s something deeper than that, though; something that reaches beyond mere physical for Garner. It’s as if the land itself bred those stories and they are intertwined with it intimately and inextricably. Just walking the woods and rises around Alderley Edge, they can be felt pushing themselves up from the earth and traveling along on the backs of breezes.

Before the story proper begins, Garner recounts a true legend of Alderley Edge — that of a farmer from the village of Mobberly and the strange white-bearded man he meets on the way to market. The farmer hopes to sell his white mare at market in Macclesfield and when he agrees to sell it to the bearded man instead, he is shown a secret cave protected by an iron gate and filled with treasures. Inside sleep 140 knights, each, save one, with a perfect white mare by his side. The wizard, for that is what he is, tells the farmer why the knights are there:

“Here they lie in enchanted sleep,” said the wizard, “until a day will come — and come it will — when England shall be in direst peril, and England’s mothers weep. Then out from the hill these must ride and, in a battle thrice lost, thrice won, upon the plain, drive the enemy into the sea.”

In payment, the wizard tells the farmer to take whatever gold and gems he can fit into his pockets. He does, with unexpected and dire consequences for the future.

…

Read More Read More

The Galaxy in Scale: James Blish’s Cities in Flight

The Galaxy in Scale: James Blish’s Cities in Flight

Comments 3 comments

Cities in Flight James Blish

There’s more windup than pitch in Thomas Xavier Ferenczi’s Tor.com column about Blish’s Okie series. But it’s someone writing about James Blish — not often seen these days.

I can’t exactly agree that these books are overlooked classics. They have a lot of the weaknesses and strengths of magazine sf at midcentury. They’re most interesting for their corrosive pessimism regarding democracy (as it is generally called), and their big-dumb-object sense of wild-eyed adventure. But the different parts of the fixups don’t work very well together; the world-building has inexplicable gaps; one gets tired of the characters out-wiling each other.

And gradually, in spite of all the repetition and confusion, the packrat crowding of irrelevant information, a symmetrical and moving story appears. Out of all the details in the book, some will be for you — not the same ones that hit me, very likely, but they will build up much the same impressive picture. Blish’s scale is the whole galaxy, a view that has to be awe-inspiring if he can only make you see it: and he does, I think, more successfully than any previous writer.

That’s from Damon Knight’s review of the core book in the group, Earthman Come Home. It was probably truer in the 1950s than it is now but, to the extent that it is still true, Cities in Flight is still worth reading.

Experience a Darkly Gripping Vision of the Future with the San Angeles Trilogy by Gerald Brandt

Experience a Darkly Gripping Vision of the Future with the San Angeles Trilogy by Gerald Brandt

Comments 0 Comment
The Courier Gerald Brandt-small The-Operative-Gerald-Brandt-smaller The Rebel Gerald Brandt-small

Every time a trilogy completes, we bake a cake at the Black Gate rooftop headquarters.

Today’s cake is in honor of Gerald Brandt’s San Angeles series. It opened with The Courier, which the B&N Sci-fi Fantasy Blog called “a darkly gripping vision of the future.” It was published in hardcover by DAW in March 2016. Here’s the description.

The first installment in the San Angeles trilogy, a thrilling near-future cyberpunk sci-fi series

Kris Ballard is a motorcycle courier. A nobody. Level 2 trash in a multi-level city that stretches from San Francisco to the Mexican border — a land where corporations make all the rules. A runaway since the age of fourteen, Kris struggled to set up her life, barely scraping by, working hard to make it without anyone’s help.

But a late day delivery changes everything when she walks in on the murder of one of her clients. Now she’s stuck with a mysterious package that everyone wants. It looks like the corporations want Kris gone, and are willing to go to almost any length to make it happen.

Hunted, scared, and alone, she retreats to the only place she knows she can hide: the Level 1 streets. Fleeing from people that seem to know her every move, she is rescued by Miller — a member of an underground resistance group — only to be pulled deeper into a world she doesn’t understand.

Together Kris and Miller barely manage to stay one step ahead of the corporate killers, but it’s only a matter of time until Miller’s resources and their luck run out….

The Rebel, the third and final volume, arrived in hardcover November 14.

…

Read More Read More

Future Treasures: Quietus by Tristan Palmgren

Future Treasures: Quietus by Tristan Palmgren

Comments 0 Comment

Quietus-smallTristan Palmgren is a Missouri writer; his ambitious debut novel Quietus arrives from Angry Robot next week. Una McCormack calls it “A truly outstanding debut… Palmgren takes the staples of science fiction – post-apocalypse, first contact, interventionism – and integrates them seamlessly, breathing new life into familiar forms.” Here’s the description.

A transdimensional anthropologist can’t keep herself from interfering with Earth’s darkest period of history in this brilliant science fiction debut

Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from another universe racked by plague, is overwhelmed by the suffering. Unable to maintain her observer neutrality, she saves Niccolucio from the brink of death.

Habidah discovers that neither her home’s plague nor her assignment on Niccolucio’s world are as she’s been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.

As interesting as all that is, I’m more fascinated by this snippet from an interview with Palmgren at the Barnes & Noble Sci-Fi & Fantasy Blog:

Every time we read history, we change it. We bring our biases and myopias. If we’re honest, we can be aware of them. (And if we’re naive, we can convince ourselves that we’ve found all of them, or that being aware means we escaped them.)

Quietus embraces the observer. It’s about the paradox of being an observer – the biases we bring to history, the urge to touch…. Every time we read history, we bring ourselves to it like we bring ourselves to everything else we read. Our perspective lurks between the lines. Quietus, as does other science fiction and fantasy about history, takes the observer out of the hidden space and into the text. We confront ourselves as observers, and see what we bring without intending to. And by using the freedom of fantasy to play with the facts of the past, I want to make that past feel like the present.

Quietus will be published by Angry Robot on March 6, 2018. It is 464 pages, priced at $12.99 in trade paperback and $9.99 for the digital version. The cover is by Dominic Harman. A sequel, Terminus, is already scheduled for November 6, 2018.

New Treasures: The Throne of Amenkor by Joshua Palmatier

New Treasures: The Throne of Amenkor by Joshua Palmatier

Comments 0 Comment
The Throne of Amenkor Joshua Palmatier DAW-small The Throne of Amenkor Joshua Palmatier DAW-back-small

Joshua Palmatier is a high-energy guy. I wrote about his science fictional Ley Trilogy last year, and I backed his 2017 Kickstarter for the Guilds & Glaives anthology because it contains stories by no less than four Black Gate authors: David B. Coe, James Enge, Howard Andrew Jones, and Violette Malan.

That ought to be enough from one guy to satisfy even the most demanding readers. So I was surprised to find a fat 840-page volume from Palmatier during my last trip to Barnes & Noble: The Throne of Amenkor. It turns out to be an omnibus reprint collecting three of his early fantasy novels:

The Shewed Throne (384 pages, $8.99 in paperback, January 3, 2006)
The Cracked Throne (400 pages, $7.99 in paperback, November 7, 2006)
The Vacant Throne (480 pages, $8.99 in paperback, January 2, 2008)

All three were published in hardcover by DAW, and are still in print in mass market paperback a decade later — an impressive feat. K. Tang and Charlene Brusso reviewed them enthusiastically for Black Gate, but I never had the chance to enjoy them myself. I already have a handful of Joshua Palmatier novels sitting on my nightstand, and an anthology on the way, but I’m a sucker for these big omnibus editions from DAW and I ended up bringing The Throne of Amenkor home with me anyway.

…

Read More Read More

A Wrinkle in Time by Madeline L’Engle

A Wrinkle in Time by Madeline L’Engle

Comments 5 comments

A Wrinkle in Time-smallGiven to me by the same friend who told me about A Wizard of Earthsea, Madeline L’Engle’s A Wrinkle in Time (1962) is another of the books that introduced me to fantasy and science fiction. The novel is a mix of science fiction, fantasy, and good dose of Christianity, and is completely unbound by any rules or expectations about genre. A children’s book, it is also an artifact of a time when fantasy wasn’t primarily a commercial designation. There’s a freshness to the book all these years later, and rereading it was an absolute joy.

Meg Murry is the fourteen-year-old daughter of scientists, and sister to twins Sandy and Denys and the strange, brilliant five-year-old Charles Wallace. Her father, employed by the government, has been missing for some time before the book’s opening, and there has been no word about what happened to him.

In her own eyes Meg is gawky and ugly, made so by her “mouse-brown” hair, glasses, and “teeth covered with braces.” Her self-impression and her worry over her father’s disappearance have caused her to become a poor student. Her principal, a man unsympathetic to her worry to the point of telling her she needs to “face the facts” about her father (implying he’s never returning), warns her she’s in danger of having to repeat ninth grade.

…

Read More Read More

When Immortals Die: The Arc of a Scythe Series by Neal Shusterman

When Immortals Die: The Arc of a Scythe Series by Neal Shusterman

Comments 0 Comment
Scythe Neal Shusterman-small Thunderhead Neal Shusterman-small

Neal Shusterman is the author of dozens of books for young readers, including The Dark Side of Nowhere, The Shadow Club, The Star Shards Chronicles, The Skinjacker Trilogy, and the Unwind Dystology. His latest series, set in a far-future world of eternal life, where teenagers train to become sanctioned killers to control the population, began with Scythe in 2016 . Here’s Kirkus Reviews on the opening novel.

On post-mortal Earth, humans live long (if not particularly passionate) lives without fear of disease, aging, or accidents. Operating independently of the governing AI (called the Thunderhead since it evolved from the cloud), scythes rely on 10 commandments, quotas, and their own moral codes to glean the population. After challenging Hon. Scythe Faraday, 16-year-olds Rowan Damisch and Citra Terranova reluctantly become his apprentices. Subjected to killcraft training, exposed to numerous executions, and discouraged from becoming allies or lovers, the two find themselves engaged in a fatal competition but equally determined to fight corruption and cruelty… Elegant and elegiac, brooding but imbued with gallows humor, Shusterman’s dark tale thrusts realistic, likable teens into a surreal situation and raises deep philosophic questions. A thoughtful and thrilling story of life, death, and meaning.

The second volume in the series, Thunderhead, arrived last month. It was published by Simon & Schuster on January 9, 2018. It is 504 pages, priced at $18.99 in hardcover and $10.99 for the digital edition. The cover is by Kevin Tong. Read an excerpt at Entertainment Weekly.

New Treasures: The Sacred Hunt Duology by Michelle West

New Treasures: The Sacred Hunt Duology by Michelle West

Comments 0 Comment

The Sacred Hunt Duology-smallOK, this isn’t strictly a New Treasure, since it came out in 2016. But I discovered it for the first time while browsing the science fiction shelves at Barnes & Noble last week, so what the heck. It’s new to me.

Michelle West (who also writes as Michelle Sagara) is a Canadian writer with some three dozen novels to her credit, including the 6-volume Sun Sword series (which Derek Kunsken reviewed for us here) and the 7-volume House War, both from DAW Books. Both of those popular series are set in the Empire of Essalieyan, and build on events in two earlier novels from the 90s, Hunter’s Oath (1995) and Hunter’s Death (1996), collectively known as The Sacred Hunt. The former novel is still in print — pretty darned impressive after 23 long years! — but the later is not, which is a little frustrating for West’s many fans.

DAW has a fine habit of reprinting classic series in their back catalog in handsome omnibus editions, and I was delighted to find Hunter’s Oath and Hunter’s Death collected in a single 864-page paperback. Here’s the description.

For the first time in one volume, the two novels that began the epic tale of the Essalieyanese empire.

Hunter’s Oath
When the covenant was made with the Hunter God, all who dwelt in Breodanir swore to abide by it. The Hunter Lords — and the hunting dogs to which their minds were attuned — would seek out game in the God’s woods to provide food for their people, and the Hunter God would ensure that the Hunters, the land, and the people prospered.

But in payment, once a year the Sacred Hunt must be called, the God’s own Hunt in which the prey became one of the Lords, or his huntbrother–the companion chosen from the common folk to remind each Lord of his own ties to humanity. It was the Oath pledged in blood by Gilliam of Elseth and the orphan boy Stephen — and the fulfillment of that Oath would lead them to the kind of destiny from which legends were made….

…

Read More Read More

Taking the Prize for Strange Worldbuilding: Jon Sprunk’s Book of the Black Earth

Taking the Prize for Strange Worldbuilding: Jon Sprunk’s Book of the Black Earth

Comments 4 comments
Blood-and-Iron-Jon-Sprunk-smaller Storm-and-Steel-smaller Blade and Bone-small

Blade and Bone, the long-awaited third book in Jon Sprunk’s Book of the Black Earth series, finally arrives next week. Here’s Sarah Avery from her enthusiastic review of the first one, Blood and Iron:

Of all the wild re-envisionings of the Crusades I’ve seen lately, Jon Sprunk’s Blood and Iron may be the wildest. His alternate-universe Europeans are recognizably European, but the opposing culture they face is that of a Babylonian Empire that never fell. And why has this Babylon-by-another-name persisted for thousands of years, so powerful that only its own internal strife can shake it? Because its royals actually have the supernatural powers and demi-god ancestry that the ruling class of our world’s Fertile Crescent claimed…

Jon Sprunk’s book takes the prize for strange worldbuilding. The Akeshian Empire is approximately what the Akkadian Empire might have looked like, had each of its major cities lasted as long and urbanized as complexly as Rome did… Blood and Iron is overall a strong book, full of powerful imagery and a vivid sense of place, with intriguing historical what-ifs and a sense of moral urgency to match its sense of moral complexity.

Here’s the description for the third volume, Blade and Bone.

…

Read More Read More