Black Gate

Elizabeth Bonesteel’s Central Corps trilogy began with The Cold Between in 2016, which SFF World called a “taut, space-based science fiction mystery.” John DeNardo selected the sequel, Remnants of Trust, as one of the Best Science Fiction and Fantasy Reads of November 2016, calling it “an engaging blend of military science fiction, mystery, and thriller.” The third installment, Breach of Containment, arrived last October. Man, I hope it’s not too late to jump on board. Here’s the description.

Space is full of the unknown… most of it ready to kill you.

When hostilities between factions threaten to explode into a shooting war on the moon of Yakutsk, the two major galactic military powers, Central Corps and PSI, send ships to defuse the situation. But when a strange artifact is discovered, events are set in motion that threaten the entire colonized galaxy — including former Central Corps Commander Elena Shaw.

Now an engineer on a commercial shipping vessel, Elena finds herself drawn into the conflict when she picks up the artifact on Yakutsk — and investigation of it uncovers ties to the massive, corrupt corporation Ellis Systems, whom she’s opposed before. Her safety is further compromised by her former ties to Central Corps — Elena can’t separate herself from her past life and her old ship, the CCSS Galileo.

Before Elena can pursue the artifact’s purpose further, disaster strikes: all communication with the First Sector — including Earth — is lost. The reason becomes apparent when news reaches Elena of a battle fleet, intent on destruction, rapidly approaching Earth. And with communications at sublight levels, there is no way to warn the planet in time.

Armed with crucial intel from a shadowy source and the strange artifact, Elena may be the only one who can stop the fleet, and Ellis, and save Earth. But for this mission there will be no second chances — and no return.

Breach of Containment was published by Harper Voyager on October 17, 2017. It is 576 pages, priced at $16.99 in trade paperback and $11.99 for the digital edition. The cover is by Chris McGrath. Get excerpts from all three novels at Bonesteel’s website.

Last month I wrote a brief article about Flotsam by RJ Theodore, an intriguing steampunk/first contact novel. It was the first book I’d ever seen from Parvus Press and, as I commented at the time, it seemed like I should be paying them more attention.

That paid off this month after I ordered a copy of their very first book, Vick’s Vultures by Scott Warren. It was released in trade paperback in 2016, and has been gradually winning an audience. It has an intriguing premise: mankind is one of many space-faring species in a crowded galaxy, and has used captured alien technology to establish a tentative foothold on a handful of colony worlds. Here’s H. Paul Honsinger, author of the Man of War series.

I was on board with Captain Victoria Marin and her multinational, multi-ethnic, multi personality type, mismatched crew from the first moment. Scott Warren gives us an uncommon premise, humans as technological inferiors to most of the galaxy, and follows the plausible consequences of that premise: from our race’s particularly human adaptation to that situation – becoming pirates and scavengers of technology while flying under the radar of the major civilizations – to the cultural and character traits that come to the surface in that event. It all comes together with a richly-imagined universe, three-dimensional characters, and a fast-moving plot… [a] swashbucklingly exciting tale from a talented emerging author.

The next volume in what’s now being called the Union Earth Privateers series, To Fall Among Vultures, arrived in August. Here’s a look at the back covers for both books.

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Superhero fiction is tricky. It’s hard to get right. Superheroes rule in comics and at the box office, but in print…. not so much. Why is that? If I’d cracked that puzzle I’d be a Manhattan super-agent. The best I can tell you is that in visual media like comics and film, superheroes naturally draw all the attention. But in the more studied medium of print, away from the fast-action visuals of comics and movies, superheroes require a more thoughtful touch to really be appealing.

There have been successful superhero novels, of course. Like Vicious by V. E. Schwab (which Matthew David Surridge reviewed for us here), Carrie Vaughn’s After the Golden Age, Sarah Kuhn’s Heroine Complex trilogy… and Paige Orwin’s The Interminables (2016), the tale of two powerful agents of a wizard’s cabal in a drastically altered Earth on a mission that lands them in a very dark place. No truly successful superhero novel stands alone for long, of course, and late last year the sequel Immortal Architects arrived in paperback. Here’s the description.

Edmund Templeton, a time-manipulating sorcerer, and Istvan Czernin, the deathless spirit of WWI, are the most powerful agents of the magical cabal now ruling the US East Coast. Their struggle to establish a new order in the wake of magical catastrophe is under siege: cults flourish and armies clash on their borders. Perhaps worst of all the meteoric rise of a technological fortress-state threatens their efforts to keep the peace.

As if that weren’t enough, a desperate call has come in from the west. A superstorm capable of tearing rock from mountains is on its way, and [it’s] acting unlike any storm ever seen before. Who better to investigate than two old friends with the sudden need to prove themselves?

The Interminables may be the breakout series that finally proves the superhero novel can be serious genre literature — and seriously entertaining. Immortal Architects was published by Angry Robot on September 5, 2017. It is 479 pages, priced at $7.99 in paperback and $6.99 for the digital edition. The cover is by Amazing15. Read the complete first chapter at the Barnes & Noble Sci-Fi and Fantasy Blog here.

Tochi Onyebuchi lives in Connecticut. His first short story was published in 2011; since then he’s appeared in Asimov’s SF, Ideomancer, and a number of small press anthologies.

Beasts Made of Night is his debut novel, and I’ve heard a lot about it over the last few months. VOYA called it “Unforgettable,” and Caitlyn Paxson at NPR says it’s “The beginning of a great saga… Tochi Onyebuchi conjures up a busy market city inspired by his Nigerian heritage and populates it with a group of outcast kids who shoulder the sins of the rich and powerful.” And Buzzfeed called it a “compelling Nigerian-influenced fantasy has a wonderfully unique premise and lush, brilliant worldbuilding.” Here’s the description.

Black Panther meets Nnedi Okorafor’s Akata Witch in Beasts Made of Night, the first book in an epic fantasy duology.

In the walled city of Kos, corrupt mages can magically call forth sin from a sinner in the form of sin-beasts — lethal creatures spawned from feelings of guilt. Taj is the most talented of the aki, young sin-eaters indentured by the mages to slay the sin-beasts. But Taj’s livelihood comes at a terrible cost. When he kills a sin-beast, a tattoo of the beast appears on his skin while the guilt of committing the sin appears on his mind. Most aki are driven mad by the process, but Taj is cocky and desperate to provide for his family.

When Taj is called to eat a sin of a member of the royal family, he’s suddenly thrust into the center of a dark conspiracy to destroy Kos. Now Taj must fight to save the princess that he loves — and his own life.

Debut author Tochi Onyebuchi delivers an unforgettable series opener that powerfully explores the true meaning of justice and guilt. Packed with dark magic and thrilling action, Beasts Made of Night is a gritty Nigerian-influenced fantasy perfect for fans of Paolo Bacigalupi and Nnedi Okorafor.

Beasts Made of Night was published by Razorbill on October 31, 2017. It is 304 pages, priced at $17.99 in trade paperback and $10.99 for the digital edition. Read a lengthy excerpt at NPR.