Browsed by
Category: Series Fantasy

Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

The-Book-of-Dust-Pullman-smallThe venerable Philip Pullman returns to the universe of the classic His Dark Materials series after 17 years with his latest fantasy, The Book of Dust: La Belle Sauvage. As a longtime fan of the saga, I thoroughly enjoyed this chance to return to his steampunk alternative “Brytain,” with its changeable daemons, anbaric lamps, peculiar gadgets, and peripatetic intellectuals. Opening this book felt like being wrapped in a blanket and having tea around a fire with old friends.

Surprisingly mature, well-mannered and handy eleven-year-old Malcolm Polstead is a natural spy, since working at his parents’ riverside inn gives him access to all manner of travelers and their gossip. When three dangerous visitors arrive, he’s swept into a secret war against the forces of arrogant religious authority.

Joining a shadowy resistance movement, he risks his life to protect a baby who’s prophesied to change the world. At first, this means thwarting villains’ attempts to kidnap her. But then a hundred-year flood devastates the town, and he must grab her from her cradle – already floating – and ride the surging waters in his trusty canoe, La Belle Sauvage, which is the title of this first volume in the series.

The baby herself? Her name is Lyra. Yes, The Book of Dust: La Belle Sauvage is a prequel.

The Book of Dust: La Belle Sauvage was published in October 2017 and spent 13 weeks on the New York Times bestseller list for YA Hardcover, finally slipping off at the end of January 2018. Yet I would argue that it isn’t really a YA book as conventionally understood, and that adults are its natural audience. After all, we are the ones most likely to revel in its slower pace and sly tendency to say one thing while meaning another.

Moreover, the official target audience for YA is 12 to 18, and teenagers are notorious for wanting to “read up” about people older than them. Malcolm’s age, at only eleven, would make him more naturally a “Middle Grade” hero. Yet the novel’s content is probably too subtle and sophisticated for such young readers.

Read More Read More

Future Treasures: The Book of Magic, edited by Gardner Dozois

Future Treasures: The Book of Magic, edited by Gardner Dozois

The-Book-of-Magic-Gardner-Dozois-smallerWe lost Gardner Dozois unexpectedly in May of this year. Certainly there were bigger names, but somehow Gardner always seemed to be the heart of science fiction to me. Fan, historian, gifted writer and brilliant editor — indeed, perhaps the greatest editor science fiction has ever seen — Gardner had his finger on the pulse of the field better than anyone I knew.

It was a terrible blow to lose him. But I took some consolation in the fact that his career was not over — not yet, anyway. He still had three major books in the pipeline. The Year’s Best Science Fiction: Thirty-Fifth Annual Collection appeared in July; the final volume in what may be the greatest anthology series in genre history. And The Very Best of the Best: 35 Years of The Year’s Best Science Fiction, a fitting cap to an amazing career, will arrive in February of next year.

But the one I’m really looking forward to is The Book of Magic, a big 576-page hardcover collecting brand new fiction from many of the top fantasy writers we have. It’s a companion book to his 2017 sword & sorcery anthology The Book of Swords, and it arrives from Bantam in two weeks. Here’s the description.

A new anthology celebrating the witches and sorcerers of epic fantasy — featuring stories by George R. R. Martin, Scott Lynch, Megan Lindholm, and many others!

Hot on the heels of Gardner Dozois’s acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf… and a Saruman. For every Dorothy, a Glinda… and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore… and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped — or misshaped — by the potent magic they seek to wield. Yet though their abilities may be godlike, these men and women remain human — some might say all too human. Such is their curse. And their glory.

In these pages, seventeen of today’s top fantasy writers — including award-winners Elizabeth Bear, John Crowley, Kate Elliott, K. J. Parker, Tim Powers, and Liz Williams — cast wondrous spells that thrillingly evoke the mysterious, awesome, and at times downright terrifying worlds where magic reigns supreme: worlds as far away as forever, and as near as next door.

And here’s the stellar table of contents, including sixteen all new stories and a reprint novelette by George R. R. Martin.

Read More Read More

Books and Craft: Parables for the Modern Reader

Books and Craft: Parables for the Modern Reader

WizardofEarthsea-small The Tombs of Atuan-small The Farthest Shore-small

The Earthsea Trilogy (Bantam, 1975). Covers by Pauline Ellison

Early last year, I began a column here at Black Gate that I call “Books and Craft.” The idea was to shine a light on the writing elements that contribute to the greatness of classic works in our genre. (You might care to read my previous pieces on Nicola Griffith’s Slow River, and Guy Gavriel Kay’s Tigana .) I intended to write these on a regular basis, but life and work intervened. Today I’m happy to be back with a new “Books and Craft” post about books that have long been deeply special to me.

Ursula K. Le Guin died earlier this year after a stellar career of nearly sixty years. She was a master of speculative fiction, one of the most decorated writers ever to grace our genre. She was perhaps best known for her science fiction novels set in the Hainish Universe, but personally, I am most fond of her fantasy, specifically the first three of her Earthsea novels: A Wizard of Earthsea, The Tombs of Atuan, and The Farthest Shore. (In fact, my newest series, The Islevale Cycle, is set in a world of islands and seas that I meant as an homage to Earthsea and Le Guin.)

These three early Earthsea novels, often referred to as The Earthsea Trilogy, were published as children’s books. They were written, though, with a spare sophistication and elegance that appealed to a broad audience and brought them critical and commercial success. Earthsea is a world of myth, rich culture, and social complexity. By creating a network of islands and archipelagos, Le Guin ensured that her land would be home to a variety of traditions, customs, and people. And in making Ged, the hero of the series, dark-skinned, she brought a non-traditional protagonist to a genre that had, until that time, been overwhelmingly white.

Read More Read More

New Treasures: The Dreaming Stars by Tim Pratt, Book 2 of The Axiom

New Treasures: The Dreaming Stars by Tim Pratt, Book 2 of The Axiom

The-Wrong-Stars-Tim-Pratt-medium The Dreaming Stars-small

Tim Pratt is a Senior Editor for Locus magazine. He won the Hugo Award for his short story “Impossible Dreams” (Asimov’s SF, July 2006). As T. A. Pratt he’s the author of the 10-volume Marla Mason fantasy series (Blood Engines, Poison Sleep, etc.), under the name Tim Prett he’s published The Strange Adventures of Rangergirl, the Pathfinder Tales novels Liar’s Island and Liar’s Bargain, and much more.

The Wrong Stars looks like his breakout book (see our coverage here). It was published by Angry Robot last year, and Sam Reader at the Barnes & Noble Sci-Fi Blog raved about it, saying “Through his wit, dialogue, and vast, varied cast, Tim Pratt has created a space opera for today… while still delivering the sense of wonder that made you love the genre.” The second novel in what’s now being called The Axiom series, The Dreaming Stars, arrived right on schedule last month.

Ancient aliens, the Axiom, will kill us all – when they wake up. In deep space, a swarm of nanoparticles threatens the colonies, transforming everything it meets into computronium – including the colonists. The crew of the White Raven investigate, and discover an Axiom facility filled with aliens hibernating while their minds roam a vast virtual reality. Sebastien wakes up, claiming his altered brain architecture can help the crew deactivate the swarm – from inside the Axiom simulation. To protect humanity, Callie must trust him, but if Sebastien still plans to dominate the universe using Axiom tech, they could be in a whole lot of trouble…

The Dreaming Stars was published by Angry Robot on September 4, 2018. It is 384 pages, priced at $8.99 in paperback and $7.99 in digital formats. The cover is by Paul Scott Canavan. Read the complete first chapter here.

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2018

The Barnes & Noble Sci-Fi & Fantasy Blog on the Best Science Fiction & Fantasy of September 2018

The Hidden Sun by Jaine Fenn-small Rosewater by Tade Thompson-small Salvation by Peter F Hamilton-small

Geez, it’s the last day of the month already. I’m used to failing at my ambitious monthly reading plans, but at least I usually try. This month has been so busy that I haven’t even been able to keep track of all the great books I missed, much less crack any of them open.

September still has a few hours left, and I’m going to use that time to educate myself. And the best resource for that are book blogs like The Verge, Unbound Worlds, Kirkus Reviews, and especially the excellent Barnes & Noble Sci-Fi & Fantasy Blog, which has gradually become my go-to source for the best new releases. This month Jeff Somers does his usual top-notch job, pointing me to 26 tantalizing titles I might have otherwise overlooked. Here’s the best of them.

The Hidden Sun by Jaine Fenn (Angry Robot, 448 pages, $12.99 trade paperback/$8.99 digital, September 4)

Fenn is as known for her short fiction as she is for her Hidden Empire novel series — and for her tendency to take stories in unexpected directions, whether on the micro-scale in short stories or the macro-scale of novels. [In] Hidden Sun Fenn kicks off an all new series set in a universe of shadowlands and bright alien skylands. Rhia Harlyn is a well-born woman in the shadowland Shen, struggling against old-fashioned sexism as she pursues scientific knowledge. She gets a tragic opportunity to use his skill for research and discovery after her brother vanishes. She sets off to the skylands to seek the truth behind his disappearance and finds herself caught between a rebel and a cult leader on an alluring, dangerous world.

Jaine Fenn won the British Science Fiction for her short fiction. She’s the author of the 5-volume Hidden Empire series, published in the UK by Gollancz, which does not yet have a US publisher. The Hidden Sun is the first volume of a 2-part series titled Shadowlands; the sequel, Broken Shadow, will be released on April 4. This is her first US release; if it does well, I hope that means we get to see a lot more of her.

Read More Read More

New Treasures: The Centenal Cycle by Malka Older

New Treasures: The Centenal Cycle by Malka Older

Infomocracy-small Null States-small State Tectonics-small

Every time the final novel in a trilogy is published, we bake a cake in the Black Gate offices. (And yes, we do eat a lot of cake. What’s your point?)

Malka Older’s debut novel Infomocracy made a huge splash in 2016 — The Huffington Post called it “one of the greatest literary debuts in recent history,” and it was named one of the best books of the year by The Washington PostThe VergeFlavorwireKirkus, and Book Riot. The sequel Null States arrived last year, and was not a disappointment. Liz Bourke at Tor.com labeled it “wondrously strange,” and The Chicago Review of Books called it “A riveting science fiction thriller that brings the future of democracy to vivid, divisive life… a hell of a good story.”

The third and final novel in the series, State Tectonics, is one of the most anticipated books of the year, and it finally arrived in hardcover from Tor earlier this month. Here’s the description.

The future of democracy must evolve or die.

The last time Information held an election, a global network outage, two counts of sabotage by major world governments, and a devastating earthquake almost shook micro-democracy apart. Five years later, it’s time to vote again, and the system that has ensured global peace for 25 years is more vulnerable than ever.

Unknown enemies are attacking Information’s network infrastructure. Spies, former superpowers, and revolutionaries sharpen their knives in the shadows. And Information’s best agents question whether the data monopoly they’ve served all their lives is worth saving, or whether it’s time to burn the world down and start anew.

State Tectonics was published by Tor.com Publishing on September 11, 2018. It is 432 pages, priced at $27.99 in hardcover and $14.99 for the digital editions. The cover is by Will Staehle. Read the first five chapters of Infomocracy here, and see our previous coverage here. See all our coverage of the best new SF and fantasy here.

Future Treasures: The Islevale Series by D. B. Jackson

Future Treasures: The Islevale Series by D. B. Jackson

Time's Children DB Jackson-small Time's Demon DB Jackson-small

D. B. Jackson is the author of four novels in the popular Thieftaker Chronicles, a historical urban fantasy set in pre-Revolutionary Boston, which Kirkus Reviews calls “Splendid… with [a] contemporary gumshoe-noir tone… An unusual series of great promise.” Fletcher reviewed D.B.’s collection Tales of the Thieftaker for us, saying:

I enjoyed myself, ripping through the book at a quick pace. Jackson’s prose is clean; he’s a good storyteller. The stories are tense, the mysteries good, the characters well-drawn. His Boston reeks believably of crowded, dirty streets and you can smell the creosote from the wharves… Tales of the Thieftaker is a brisk read with an engaging lead, a colorful supporting cast, and a nicely detailed setting.

‘D.B. Jackson’ also happens to be Black Gate contributor David B. Coe, whose “Night of Two Moons” was the most popular story in Black Gate 4, and whose Books and Craft blog posts here have covered topics as diverse as World Building and Nicola Griffith’s 90s classic Slow River.

David’s latest release is Time’s Children, arriving next week from Angry Robot. It’s the opening novel in the Islevale series, and David tells us “This is my best book to date.” Sequel Time’s Demon is scheduled for May. Here’s what we know so far.

Read More Read More

Romance in the Afterlife, Part 1: A Look at the Latest Volume in the Heroes in Hell™ Shared Universe, Lovers in Hell

Romance in the Afterlife, Part 1: A Look at the Latest Volume in the Heroes in Hell™ Shared Universe, Lovers in Hell

1 Lovers in Hell book cover-small

In Lovers in Hell, the overall story continues with the primary arc of Erra, the Babylonian God of Mayhem and Pestilence, and his Seven Sibitti warriors punishing the innocent and guilty alike, not to mention Satan’s obliteration scheme, designed to destroy all hope. Since love fosters hope, this book-length arc is about lost loves, lost hope, lost opportunity, and the plight of those whose lovers have been obliterated or want obliteration. The fear and temptation of obliteration spreads throughout hell, calling the Undertaker and all he stands for into question and putting more stress on those in Satan’s domains, while the Mortuary becomes dysfunctional and botches many resurrections. Some hope to avoid the purge by fleeing to the nether hells, where Judges reside who might save them. Others are wracked by fear of loss and go into hiding. This sounds pretty dark, but it does have a humorous note, primarily in the screw-ups plaguing all the infrastructure of infernity as people disappear and what they know, and what they knew, goes with them.

The plagues are evolving, the floods have left a new coastline to explore, and many displaced souls wander about, lost, confused and frightened. Lovers may have been separated in the disasters or shunted to a part of hell where they know no one, and lovers may have been torn apart by plagues or purges or human error. Oblivion is transitory, but Obliteration is forever: obliteration erases not only who you are but who you ever were, and yet … should obliteration be only partially successful, then those persons may not remember who they are or why they were sent to hell in the first place — or they may simply be gone, disappeared, leaving only physical clues behind that he or she had ever been. Obliteration is meant to show those Above (ie: Heaven) that Satan is on the case, making hell more hellish.

So let’s take a quick look at the stories in Lovers in Hell, in the order in which they appear.

Read More Read More

VIVE LA COMPAGNIE! : In Conclusion, The Black Company Series by Glen Cook

VIVE LA COMPAGNIE! : In Conclusion, The Black Company Series by Glen Cook

oie_1471611MVbvsrEr

As soon as I opened The Black Company last May, I knew I was back home among a band of brothers I’d first met and come to love over thirty years ago.                                                                                                                                                                                                   

                                                                                                                                                                                                         – Fletcher Vredenburgh     

When my friend Carl lent me his copy of The Black Company back in 1984 I didn’t know what was about to hit me. I had read some gritty fantasy previously — Michael Moorcock and Karl Edward Wagner in particular had published some pretty dark stories in the 1960s and 70s — but it was all written in the old familiar fantasy style. Both Moorcock and Wagner were rooted in the foundations of swords & sorcery laid by Robert E. Howard, CL Moore, and Fritz Leiber. No matter how callous their heroes, they were ultimately still cut from recognizable heroic cloth.

Cook introduced something new. He set aside the archaic prose flourishes of all those authors, instead drawing on hardboiled fiction to give his stories a contemporary feel. There’s a rejection of the mythic, fairytale setting in the Black Company books, and a wholehearted embrace of a “realistic” world where the battlefield reeks of blood, excrement, and decay. Mercenaries pillage, rape, and slaughter, presented in some detail and matter-of-factly. Even seen through the primary narrator’s somewhat romantic eyes, there’s a businesslike miserableness in these books I hadn’t previously encountered in fantasy. As soon as I finished the book I passed it on to to my friend Jim, he passed it on to George, and on and on it went until all my fantasy-reading friends had read it.

For the uninitiated, the Black Company series tells the story of the Last Free Company of Khatovar. Led by the eponymous Captain and Lieutenant, the Company can fight with the best of them, but prefers to outwit its enemies and win its battles by means of subterfuge and sabotage. The narrator, Croaker, serves as company surgeon and Annalist. For four centuries the Company has taken one contract after another, slowly working its way north from long-forgotten Khatovar. As the first book opens, they are approached by a mysterious masked figure offering a new contract even further north, across the sea. Within the first chapter everything changes for the Company, and they are embroiled in a war like they’ve never fought before.

For readers unfamiliar with The Black Company, but up-to-date on Martin, Abercrombie, and Bakker, this might sound old hat. Trust me when I tell you that it wasn’t. At seventeen, that first book hit me like a hammer between the eyes. Here were characters who essentially went to work for Sauron’s ex-wife. Over the course of the first and second books they became the baddest, most-feared band of killers in her army. The ostensible good guys are as vicious and murdering as anybody on the bad guys’ side. There’s a bit of moral redemption in the third book, but what really drives the protagonists is a deep self-interest in survival. To paraphrase Raymond Chandler, Cook took heroic fantasy out of the realm of faerie and put it into the bleak world where it belonged.

Read More Read More

A Celebration of the Wonder of the Universe Itself: Vast by Linda Nagata

A Celebration of the Wonder of the Universe Itself: Vast by Linda Nagata

Vast Linda Nagata Gollancz-small Vast Linda Nagata Gollancz-back-small

Gollancz edition (1990); cover by Bob Eggleton

I’ll get right to it: Linda Nagata’s Vast is everything you want epic sci-fi to be: a huge scope in time and space, a compelling look at the horizons of human and technological evolution, and a celebration of the wonder of the universe itself. Vast provides all this, with some truly beautiful descriptions of stellar evolution thrown in for good measure. On top of all this, this scale and big ideas are woven alongside excellent character formation and a plot that builds tension so effectively that long years of pursuit between vessels with slow relative velocities still feels sharp and urgent.

I liked this book. A lot.

Vast is set in the far future, after multiple waves of colonization have moved out from Earth (which has since itself been destroyed). Humanities’ settlements along the frontier have been ravaged by twin threats from an ancient lost race called the Chenzeme: automated, partially biological warships and an engineered virus that turns its hosts into carriers of a cult that enslaves entire populations. Humanity, it seems, is being squeezed between these two prongs of an incredibly ancient civil war with weapons lingering on even after the civilization that wages it is long gone.

But there’s a whole lot going on against this epic background. Vast is actually the concluding book in a series that includes three others (one of which is the Locus Award-winning Deception Well) but I didn’t realize this when I picked up the paperback edition this summer in a used bookstore when my vacation reading supply tanked. The plot picks up with four characters — Nikko, Lot, Urban, and Clementine, all human — on a starship called the Null Boundary heading into Chenzeme space. Starting with the final book means I missed all the details of how these characters originally met, how they learned Lot was a carrier of the cult virus, and how they ended up on the Null Boundary, but it didn’t decrease my enjoyment of the book. Sometimes it’s nice to be dropped in the middle of an unfamiliar universe to figure things out as you go. (I remember starting Gene Wolfe’s Long Sun quartet for the first time with the third book and being simultaneously confused and enthralled.)

Read More Read More