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VIVE LA COMPAGNIE! : In Conclusion, The Black Company Series by Glen Cook

VIVE LA COMPAGNIE! : In Conclusion, The Black Company Series by Glen Cook

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As soon as I opened The Black Company last May, I knew I was back home among a band of brothers I’d first met and come to love over thirty years ago.                                                                                                                                                                                                   

                                                                                                                                                                                                         – Fletcher Vredenburgh     

When my friend Carl lent me his copy of The Black Company back in 1984 I didn’t know what was about to hit me. I had read some gritty fantasy previously — Michael Moorcock and Karl Edward Wagner in particular had published some pretty dark stories in the 1960s and 70s — but it was all written in the old familiar fantasy style. Both Moorcock and Wagner were rooted in the foundations of swords & sorcery laid by Robert E. Howard, CL Moore, and Fritz Leiber. No matter how callous their heroes, they were ultimately still cut from recognizable heroic cloth.

Cook introduced something new. He set aside the archaic prose flourishes of all those authors, instead drawing on hardboiled fiction to give his stories a contemporary feel. There’s a rejection of the mythic, fairytale setting in the Black Company books, and a wholehearted embrace of a “realistic” world where the battlefield reeks of blood, excrement, and decay. Mercenaries pillage, rape, and slaughter, presented in some detail and matter-of-factly. Even seen through the primary narrator’s somewhat romantic eyes, there’s a businesslike miserableness in these books I hadn’t previously encountered in fantasy. As soon as I finished the book I passed it on to to my friend Jim, he passed it on to George, and on and on it went until all my fantasy-reading friends had read it.

For the uninitiated, the Black Company series tells the story of the Last Free Company of Khatovar. Led by the eponymous Captain and Lieutenant, the Company can fight with the best of them, but prefers to outwit its enemies and win its battles by means of subterfuge and sabotage. The narrator, Croaker, serves as company surgeon and Annalist. For four centuries the Company has taken one contract after another, slowly working its way north from long-forgotten Khatovar. As the first book opens, they are approached by a mysterious masked figure offering a new contract even further north, across the sea. Within the first chapter everything changes for the Company, and they are embroiled in a war like they’ve never fought before.

For readers unfamiliar with The Black Company, but up-to-date on Martin, Abercrombie, and Bakker, this might sound old hat. Trust me when I tell you that it wasn’t. At seventeen, that first book hit me like a hammer between the eyes. Here were characters who essentially went to work for Sauron’s ex-wife. Over the course of the first and second books they became the baddest, most-feared band of killers in her army. The ostensible good guys are as vicious and murdering as anybody on the bad guys’ side. There’s a bit of moral redemption in the third book, but what really drives the protagonists is a deep self-interest in survival. To paraphrase Raymond Chandler, Cook took heroic fantasy out of the realm of faerie and put it into the bleak world where it belonged.

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A Celebration of the Wonder of the Universe Itself: Vast by Linda Nagata

A Celebration of the Wonder of the Universe Itself: Vast by Linda Nagata

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Gollancz edition (1990); cover by Bob Eggleton

I’ll get right to it: Linda Nagata’s Vast is everything you want epic sci-fi to be: a huge scope in time and space, a compelling look at the horizons of human and technological evolution, and a celebration of the wonder of the universe itself. Vast provides all this, with some truly beautiful descriptions of stellar evolution thrown in for good measure. On top of all this, this scale and big ideas are woven alongside excellent character formation and a plot that builds tension so effectively that long years of pursuit between vessels with slow relative velocities still feels sharp and urgent.

I liked this book. A lot.

Vast is set in the far future, after multiple waves of colonization have moved out from Earth (which has since itself been destroyed). Humanities’ settlements along the frontier have been ravaged by twin threats from an ancient lost race called the Chenzeme: automated, partially biological warships and an engineered virus that turns its hosts into carriers of a cult that enslaves entire populations. Humanity, it seems, is being squeezed between these two prongs of an incredibly ancient civil war with weapons lingering on even after the civilization that wages it is long gone.

But there’s a whole lot going on against this epic background. Vast is actually the concluding book in a series that includes three others (one of which is the Locus Award-winning Deception Well) but I didn’t realize this when I picked up the paperback edition this summer in a used bookstore when my vacation reading supply tanked. The plot picks up with four characters — Nikko, Lot, Urban, and Clementine, all human — on a starship called the Null Boundary heading into Chenzeme space. Starting with the final book means I missed all the details of how these characters originally met, how they learned Lot was a carrier of the cult virus, and how they ended up on the Null Boundary, but it didn’t decrease my enjoyment of the book. Sometimes it’s nice to be dropped in the middle of an unfamiliar universe to figure things out as you go. (I remember starting Gene Wolfe’s Long Sun quartet for the first time with the third book and being simultaneously confused and enthralled.)

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New Treasures: Halls of Law, Book 2 of Faraman Prophecy by V.M. Escalada

New Treasures: Halls of Law, Book 2 of Faraman Prophecy by V.M. Escalada

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Halls of Law, the first book in the Faraman Prophecy series, introduced a world of military might and magical Talents on the brink of destruction. It’s especially interesting to me because “V.M. Escalada” is also Black Gate‘s long-time Friday blogger Violette Malan, who took on a pen name for this switch to epic fantasy. Rob H. Bedford at SFFWorld had some fine things to say about the novel.

In Halls of Law, V.M. Escalada brings together familiar fantasy elements of a nation being invaded, a rigid military, people with supernatural mental abilities, a race of lost creatures returning, and of course, prophecy. Familiar elements when handled well, make for an entertaining, enjoyable story… Escalada is no stranger to fantasy, she’s published several enjoyable Sword and Sorcery novels as Violette Malan. This novel and series is a slight switch to a more large scale story of Epic Fantasy from those intimate Sword and Sorcery tales and launches a promising series…

There’s a sense of fun to the novel… There’s a lot of myth in the background of the worldbuilding, as well as just wanting to know what happens next for Kerida, that I’m greatly looking forward to the second book in the series. Sometimes a book lands in your lap at exactly the right time, and Halls of Law was precisely the kind of book I didn’t realize I needed when I opened the first few pages. I was drawn in by the comforting prose and stayed fully invested because of the characters and world. Halls of Law is a fun, optimistic Epic Fantasy that proved a welcome change of pace from some of the more grimdark fantasy I’d been reading.

The second novel, Gift of Griffins, was released in hardcover by DAW last month. Here’s the description.

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The Devil’s Left Hand in the Weird West: The Devil’s West Trilogy by Laura Anne Gilman

The Devil’s Left Hand in the Weird West: The Devil’s West Trilogy by Laura Anne Gilman

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Laura Anne Gilman’s The Devil’s West trilogy is a Weird Western that follows Isobel, a sixteenth year-old who chooses to work for the devil in his territory west of the Mississippi. The opening novel Silver on the Road was a Locus hardcover bestseller and a Publishers Weekly Top Ten Pick for Fall 2015, and SF Signal said it “marks a major landmark in the burgeoning subgenre of Weird West Fantasy.” In his NPR review Jason Sheehan wrote:

Gilman… [has] chosen a fertile place to begin her new series (the broad plains, red rock and looming mountains of the American West), and amped up the oddity of it all by planting the Devil there as a card dealer, fancy-pants and owner of a saloon in a town called Flood.

And the Devil, he runs the Territory. Owns it in a way. Wards it against things meaner than he is, because Gilman’s Devil isn’t exactly the church-y version. He’s dapper in a fine suit and starched shirt. He’s power incarnate — a man (no horns, no forked tail, just a hint of brimstone now and then) who gets things done; who offers bargains to any who come asking and always keeps to the terms because, as everyone in the territory knows, “The Devil runs an honest house.” He never asks for anything you’re not prepared to give, never gives anything that doesn’t have a price.

So when Isobel, who has worked since childhood as an indenture in the Devil’s house, comes of age and has the chance to cut her own deal with Old Scratch, she gives the only thing she owns — herself — into the employ of the Boss and becomes the Devil’s Left Hand.

The sequel The Cold Eye arrived last year to similar acclaim; Library Journal called it “a fabulous coming-of-age tale of magic and power, set in a conflict-ridden alternative Wild West,” and NPR said “It’s like the Oregon Trail of magical voodoo western novels.”

The third and final volume, Red Waters Rising, finally arrived in June, and our friend John DeNardo at Kirkus Reviews called it “a gripping conclusion.” It’s been too long since I’ve had a great Weird Western to dig into, and finally having all three books on my shelf has proven irresistible. They will be my pleasure reading this weekend.

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Caffeine, Snacks, and a Thousand Notecards: How the Story Summit was the Key to Tremontaine‘s Success

Caffeine, Snacks, and a Thousand Notecards: How the Story Summit was the Key to Tremontaine‘s Success

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For my whole life I’ve considered myself, in my heart-of-hearts, to be not a writer, but a novelist. Despite writing dozens of short stories, a handful of novellas, and even having serialized my own long-form story on my (defunct) blog in 2008, the novel has always had my devotion as a writer and reader. I’m both comforted and challenged by the boundaries of a novel’s of length and depth, the pacing and potential of the form. Not to mention the simple pleasure of a mass market paperback in my hands.

This is all to say that writing with a team for Serial Box’s Tremontaine is not my natural state. But it’s been a wild, fulfilling ride, and that seems accurate to describing the experience our readers have had.

Before joining Serial Box, I knew nothing about TV writing except that I loved watching the results. When Ellen Kushner invited me to write for Season Two of Tremontaine, I dove in head first with barely an understanding of the form from which we would be stealing.

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Future Treasures: Vengeful, Book 2 of Villains by V. E. Schwab

Future Treasures: Vengeful, Book 2 of Villains by V. E. Schwab

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V. E. Schwab (who also writes YA fantasy under the name Victoria Schwab) is one of the few — indeed, perhaps the only — author with a bestselling superhero fiction saga that doesn’t belong to Disney or Warner Bros. Her Shades of Magic trilogy, the epic tale of an ambassador and smuggler who travels between parallel Londons, was a New York Times bestseller, and This Savage Song, the opening volume of her Monsters of Verity series, set in a divided city overrun with monsters, was both a #1 New York Times bestseller and an Amazon Best Book of the Year.

Matthew Surridge was the first person to bring her to my attention, with his 2014 Black Gate review of Vicious, the opening novel inVillains. Here’s Matthew:

Ten years ago, Victor Vale and Eli Cardale (later Eli Ever) are brilliant pre-med students who discover that near-death experiences can, under certain circumstances, grant survivors strange powers. They experiment, things go wrong, and while they both get powers, they end up as enemies. Now, in the present, Victor’s gotten out of prison, recruited some assistants, and is seeking out Eli — who himself has been up to some surprising things in the previous years, having come to hate the extraordinary people (or EOs) gifted with powers…

I think Vicious is interesting precisely because it straddles genres. It attenuates some of the signifiers of the super-hero genre (costumes, code-names, and so on) while maintaining others. And the result, I feel, moves the story in the direction of another genre. It moves it toward the gothic… It comes to feel a little like some of the early Vertigo comics, the Morrison and Pollack Doom Patrol, perhaps Nocenti’s Kid Eternity or Peter Milligan’s Shade: clear super-heroic elements mixed with a greyer world and some elements of horror. It’s not as complex as the best of the Vertigo books, but has a narrative drive many of them lacked… It’s fascinating to see the gothic emerging from under the skin of the super-hero genre. And as a character study, it succeeds, integrating flashbacks while maintaining narrative momentum. It reads smoothly, swiftly, and well.

Vengeful, the long-awaited second novel, arrives in hardcover from Tor on September 25. Here’s the description.

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And in the End: Soldiers Live by Glen Cook, Part 2

And in the End: Soldiers Live by Glen Cook, Part 2

SLDRSLVCKG2000So that’s that. Last night I closed the cover of Soldiers Live (2000), the final volume of Glen Cook’s Black Company series. (Yes, yes, I know there’s a new book, Port of Shadows, coming out this month, but it’s set in the past, before Shadows Linger.) All the Company’s enemies and most of its veterans are laid to rest, mostly in their graves. In the last few pages the Black Company, Last of the Free Companies of Khatovar, leaves one universe for another. Only a single veteran from the pre-Taglian days remains and, after two devastating battles, most of the Taglian recruits are gone as well. And still…the Company remains the Company.

From this point on: Spoilers!

Sleepy leads the Company north from the Plain of Glittering Stone. Her plan is to defeat Soulcatcher’s army, then march on the great city of Taglios and force Mogaba and his fellow commanders to surrender. Outnumbered, Sleepy hopes that the magical advantages afforded by the wizard Tobo will give her the intelligence edge needed to overcome the larger, if less competent, opposing armies.

There are few happy endings in Soldiers Live. Willow Swan, Blade, Murgen, and many of their brethren fall in battle or succumb to their wounds afterwards. Shara is presumably killed in the final great fight near Taglios but her body is never found. We see Sleepy and her command staff caught in a magical trap and later learn they were all burned too severely to be identified. Goblin comes back but he’s been possessed by a demon of Kina. Mogaba, in a new found state of reflection, abandons Taglios in order to prevent its destruction only to be tortured and killed by Tobo. Just as he’s about to resume rule of Taglios, the Prahbrindrah Drah is killed by a stray bolt of magic. Much of the book’s second half is a roll call of the dead, punctuated by vicious battles.

At the heart of Soldiers Live is the fate of Croaker. It is through him that we first meet the Black Company, and through his eyes we leave it. His plan to rebuild the Company would have them traverse the worlds connected by the Plain of Glittering Stone, so Croaker makes a deal with the golem that maintains it. Shivetya is ancient and exhausted, desiring death but trapped in an immortal body. In the end the two swap bodies, allowing the golem to die and Croaker to become a near-divine being, able to access all the ancient history of the sixteen worlds and maintain the gates between them.

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The Strangest Alien: Julie E. Czerneda’s Esen-alit-Quar Returns in Two New Books

The Strangest Alien: Julie E. Czerneda’s Esen-alit-Quar Returns in Two New Books

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Julie E. Czerneda is one of the leading SF writers of the 21st Century. A biologist by trade, she’s brought a unique appreciation for the far-ranging possibilities of extraterrestrial biology to her fiction, and the result has been some of the most joyously alien characters in all of modern SF. One of her most popular characters is Esen-alit-Quar, the alien protagonist of the Web Shifters trilogy (Beholder’s EyeChanging Vision, and Hidden in Sight), published by DAW between 1998-2003. Who or what is Esen? Here’s Julie, in an essay she wrote for The Little Red Reviewer.

Short answer? A blob of blue, shaped like a teardrop. Who happens to be a semi-immortal shapeshifter. Who has really good intentions… but is working on her life skills.

Writing Esen’s attempts to protect life in the universe – or at least keep it civil – makes me happy and always has. As it turned out, Esen made you happy too, dear readers. I’ve received more feedback and love from you for the Dear Little Blob than for all my other work combined.

For those unfamiliar with my work, I’m a biologist by training, an optimist by preference, and have been writing the stories I want to read for quite a while now, thanks to Sheila Gilbert and DAW Books. If you read and enjoy my other SF, you’ll find Esen’s stories funnier, with more aliens and their worlds, but with no less — and sometimes more — heart. I came across this email from Tanya Huff the other day, about Esen’s first book. “…this was so much fun. It reminded me of all the reasons why I started reading SF in the first place.” Yup. Grinning.

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Ticking Up and Winding Down: Soldiers Live by Glen Cook, Part 1

Ticking Up and Winding Down: Soldiers Live by Glen Cook, Part 1

oie_2845223nNXU28alAnd so we near the end of our months-long march through the ten books of Glen Cook’s groundbreaking Black Company series. While best remembered as one of the first military fantasy series, one important takeaway is that it’s not that at all. Yes, the Black Company, the last Free Company of Khatovar, is the main “character” of the books, but the tale told is filled with so much more than just war. War is always on the horizon, just a chapter or two away, but Cook’s 3,500-page saga gives us the Company in times of peace and times of flight. He shows how it grows, evolves, and mutates into something different but still the same, bound by four-and-a-half centuries of tradition. Its soldiers possess an intense fealty to the Company as the thing that sets them apart from the world in which they can find no other place.

The title for Soldiers Live (2000) comes from a cryptic statement made to Sleepy in Water Sleeps by the stroke-incapacitated One-Eye: “Soldiers live. And wonder why.” Sleepy interprets it as the question every soldier asks each time they survive a battle but comrades are laid low by swords and arrows. It became her mantra, taking the place of the larger question she asked of herself in the last pages of Water Sleeps.

For now, I just rest. And indulge myself in writing, in remembering the fallen, in considering the strange twists life takes, in considering what plan God must have if the good are condemned to die young while the wicked prosper, if righteous men can commit deep evil while bad men demonstrate unexpected streaks of humanity.

Soldiers live. And wonder why.

Four years have passed, and the Company is safer than it has ever been. Using one of the Shadowgates on the Plain of Glittering Stone, Sleepy led the Company beyond the reach of Soulcatcher and Mogaba and into another world. Despite the sanctuary it’s found, the Company is a changed thing. Goblin died fighting Kina, One-Eye is increasingly weakened by a series of strokes, and Croaker, Lady, and Murgen haven’t fully recovered from the effects of being trapped in stasis for fifteen years. Willow Swan is balding and the remains of his flowing blond locks are gray. Still, there is peace and, in a nice touch, Croaker has again taken up the Annalist’s pen. It’s through his jaundiced vision the final chapter of this epic will be seen.

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Downton Abbey in Deep Space: The Imperials Saga by Melinda Snodgrass

Downton Abbey in Deep Space: The Imperials Saga by Melinda Snodgrass

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Melinda Snodgrass is perhaps best known as the story editor for Star Trek: The Next Generation during its second and third seasons, and for writing the famous episode “The Measure of a Man.” More recently she’s earned acclaim as the co-editor of the ongoing Wild Cards series with George R.R. Martin.

But she’s also a celebrated SF novelist in her own right, with The Edge of Reason trilogy and others under her belt. Her most recent series is one of the most original space operas on the market, a fascinating saga that mixes British period drama with science fiction, imagining a polite aristocratic society in outer space. Gamers Sphere says “Snodgrass has done a wonderful job of depicting how aristocrats and society would work in world where aliens and space travel is an every-day norm,” and Retrenders calls it “Downton Abbey/Sense & Sensibility drama with a mix of science-fiction action.” Admit it — that’s not something you see every day.

The third novel in the series, The Hidden World, was published by Titan last month. Here’s the description.

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