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Dark Evil and Atlantean Gods: Stygian: A Dark-Hunter Novel by Sherrilyn Kenyon

Dark Evil and Atlantean Gods: Stygian: A Dark-Hunter Novel by Sherrilyn Kenyon

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When I received a review copy of Sherrilyn Kenyon’s new novel Stygian, I noticed the subtitle A Dark Hunter Novel. I know Kenyon is the author of multiple ongoing series (including the Deadman’s Cross historical fantasies featuring curses, pirates, and a sentient ship on the Spanish Main), but I wasn’t prepared for the scale of this one.

Depending on how you count, this is the 22nd novel in the Dark Hunter series, a saga of dark evil and the Atlantean gods that began way back in 2002 with Fantasy Lover.

Kenyon has made a name for herself as a paranormal romance writer with a string of #1 New York Times bestsellers under her belt, but Stygian isn’t just the latest in a long running series. It picks up the tale of the Dark-Hunter leader Acheron and his twin brother Styxx, told in the #1 bestselling Acheron and Styxx, to tell the story of Urian, Styxx’s son. Here’s the description.

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A Tale of Alchemy and Magic in Gilded Age New York: The Last Magician Series by Lisa Maxwell

A Tale of Alchemy and Magic in Gilded Age New York: The Last Magician Series by Lisa Maxwell

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I received a review copy of The Devil’s Thief a few months ago. It’s the second volume in Last Magician series by Lisa Maxwell, and I didn’t have a copy of the first one, last year’s The Last Magician.

But The Devil’s Thief still managed to capture my attention. Man, I hate that.

We covered Lisa Maxwell’s previous book, the Peter Pan homage Unhooked, back in 2016. But it was The Last Magician that really put her on the map, becoming an instant New York Times bestseller. The tale of a girl who travels back in time to find a mysterious book that could save her future, The Last Magician was called a “twisty tale of alchemy and magic in Gilded Age New York” by Cinda Williams Chima.

How do I know all this? Because I shelled out for a copy, because I’m a sucker. Here’s the description.

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Ouroboros: The Citadel of the Autarch by Gene Wolfe

Ouroboros: The Citadel of the Autarch by Gene Wolfe

I have no way of knowing whether you, who eventually will read this record, like stories or not. If you do not, no doubt you have turned these pages without attention. I confess that I love them. Indeed, it often seems to me that of all the good things in the world, the only ones humanity can claim for itself are stories and music; the rest, mercy, beauty, sleep, clean water and hot food (as the Ascian would have said) are all the work of the Increate. Thus, stories are small things indeed in the scheme of the universe, but it is hard not to love best what is our own—hard for me, at least.

— Severian

oie_1342155N3OR5AdvWith The Citadel of the Autarch (1983) the story ends where it began: Nessus, the great city of the Commonwealth. Severian is no longer a young torturer exiled for an act of mercy, but a figure of incredible power and importance. Realistic depictions of peace and war are interwoven with excursions into phantasmagoria. Severian encounters old friends as well as enemies, experiences mass combat, and meets the strange soldiers of the Commonwealth’s Orwellian enemy, Ascia. Told in Wolfe’s often elliptical style, there are the familiar hints of Clark Ashton Smith, the stench of Wolfe’s time during the Korean War, and a solid whiff of Chesterton’s The Man Who Was Thursday.

At the end of the previous book, The Sword of the Lictor, Severian’s great sword, Terminus Est, was broken. So too, seemingly, the life-restoring Claw of the Conciliator he means to return to the religious order, the Pelerines. Searching for the blue gem’s pieces, he discovered that at its shattered heart was a simple thorn. The gem itself was mere glass.

Citadel begins with Severian continuing northward in search of the Pelerines and the front between the Commonwealth’s and Ascia’s armies. He soon meets the trailing edge of the Autarch’s armies: supply trains, cavalry patrols, and the scattered remains of the killed. As he pilfers supplies from one dead soldier he is struck by the callousness of his actions and by the contents of a letter written by the dead man to his beloved. He restores the corpse to life with the thorn from the Claw. Whether unable or unwilling to speak, the resurrected soldier travels with Severian until they finally come to a great field hospital run by the Pelerines.

Severian, it turns out, is suffering from a fever and is taken in by the ministering sisters. He strikes up a friendship with several fellow patients, a woman and three men who wish to marry her. And here, Citadel takes a storytelling detour. To choose a husband from among her suitors, Foila decides that whomever can tell the best story will win her hand. She asks Severian to act as judge. Each story has its own strengths, but it’s that of the Ascian prisoner I found the most interesting.

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New Treasures: The Wastelanders by K.S. Merbeth

New Treasures: The Wastelanders by K.S. Merbeth

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I was picking up some books at Sally Kobee’s table at the World Fantasy Convention when I spotted K.S. Merbeth’s The Wastelanders, with the cover blurb “A full throttle, sand-in-your-eyes, no-holds-barred ride through a Mad Max-style wasteland” (from Delilah S. Dawson). That got my attention, sure enough.

But I was bringing back too many books from the con as it was, so I put it back reluctantly. I finally got a copy on Friday, and I’m glad I did. Turns out The Wastelanders is an omnibus edition of two Orbit paperbacks, Bite and Raid, which share a gritty post-apocalyptic setting. Booklist gave a rave review to the first when it first appeared; here’s a snippet.

Merbeth’s action-driven debut introduces us to Kid, a teenage girl who has known no world other than this postnuclear apocalyptic one. She’s barely surviving alone after the death of her father. Knowing she should not trust strangers but too tired and hungry to care, Kid gets in a car with two ominous figures, the large, dreadlocked Wolf and the bright-blue-haired Dolly. And so begins a fast-paced ride through a barren world in which food and water are scarce, “Raiders” and “Sharks” rule the trade routes, and cannibalism is a real survival option. The first-person narration will leave readers hanging on Kid’s every word as she falls in with Wolf and his gang. The first battle scene comes immediately and is closely followed by another and then another, constantly escalating… Filled with dark humor, wit, and a realistic dystopian setting, Bite plays with the idea of who the good guys are in such a harsh world. Think Carl Hiaasen thriller set in a Mad Max world, and you have an idea of what to expect.

We covered Bite after it first appeared last year (and I note that I was just as intrigued by that cover blurb back then… at least I’m consistent). But I somehow managed to totally miss the sequel Raid, so I’m grateful for the chance to rectify that oversight now.

The Wastelanders was published by Orbit on October 16, 2018. It is 595 pages (including 22 pages of sample chapters from two other Orbit releases, Lilith Saintcrow’s Afterwar and Nicholas Sansbury Smith’s The Extinction Cycle), priced at $16.99 in trade paperback and $9.99 for the digital edition. The cover was designed by Lisa Marie Pompilio.

Mystery, Megacorps, and a Murderous A.I.: The Shieldrunner Pirates by R. E. Stearns

Mystery, Megacorps, and a Murderous A.I.: The Shieldrunner Pirates by R. E. Stearns

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Kirkus Reviews called Barbary Station, the opening novel in R.E. Stearns’ Shieldrunner Pirates trilogy, “Super cool… It mixes unpredictable mysteries, a murderous AI, space battles, [and] an awesome and fashionable Pirate Leader… a blend of Die Hard and The Illuminae Files.” Stearns’ debut featured two engineers who hijack a spaceship to join a band of space pirates, only to discover the pirates are hiding from a malevolent AI. We covered it enthusiastically last year.

The sequel Mutiny at Vesta arrived right on time last month, and it picks up the story without missing a beat. In her Tor.com review, Liz Bourke writes:

Stearns has written a worthy successor… If Barbary Station was a variant on the gothic novel in space (complete with a haunted house in the form of a space station), Mutiny at Vesta is a nested, layered series of capers in which Adda and Iridian work with limited resources and the pressure of time and other people’s competing priorities to pull off the damn-near impossible… Stearns writes measured, tense, and intense space opera, filled with a diverse selection of believable characters. I really enjoyed this book.

Here’s the publisher’s description.

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Sword Masters and Dangerous Texts: The Khorasan Archives by Ausma Zehanat Khan

Sword Masters and Dangerous Texts: The Khorasan Archives by Ausma Zehanat Khan

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Ausma Zehanat Khan is the author of the contemporary thriller The Unquiet Dead and its four sequels, including The Language of Secrets and A Deadly Divide. The Khorasan Archives is a considerable departure for her: an ambitious four-volume secondary world fantasy. It opened last year with The Bloodprint, which S.A. Chakraborty (The City of Brass) called “wonderfully written… reminiscent of a post-apocalyptic Odyssey… this time with a pair of women warriors at the helm.”

The second volume, The Black Khan, arrived last month from Harper Voyager. I’m quite intrigued by this series, and may not be able to wait until it’s complete to dip into it. Here’s the back cover text for The Bloodprint.

The author of the acclaimed mystery The Unquiet Dead delivers her first fantasy novel — the opening installment in a thrilling quartet — a tale of religion, oppression, and political intrigue that radiates with heroism, wonder, and hope.

A dark power called the Talisman, born of ignorance and persecution, has risen in the land. Led by a man known only as the One-Eyed Preacher, it is a cruel and terrifying movement bent on world domination — a superstitious patriarchy that suppresses knowledge and subjugates women. And it is growing.

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In Which Severian Becomes Human: The Sword of the Lictor by Gene Wolfe

In Which Severian Becomes Human: The Sword of the Lictor by Gene Wolfe

oie_622120n9dhjJAUSeverian has finally arrived in the fortress town Thrax and taken up his duties as lictor, or “he who binds”, and jailor. More importantly, he serves in his trained capacity as torturer and executioner. It is his latter duties that lead to a rift between Severian and Dorcas. No matter how rationally he makes his case for legal torture and execution, she is more and more disturbed by his work. Eventually she leaves him and takes up residence in a tavern.

His refusal to employ his guild talents for the personal desire of Thrax’s ruler leads him to flee northward — that and the fiery salamander sent to kill him by an agent of his old nemesis, Agia. Severian hopes to return the life-restoring gem, the Claw of the Conciliator, to the traveling sisterhood from which Agia stole it back in the first book, The Shadow of the Torturer. With the revealing of several dire secrets, Dorcas leaves Severian to return to Nessus and uncover the truth of her past.

1980’s The Shadow of the Torturer is a coming-of-age tale of Severian’s passage into young adulthood and out of the safe confines of his guild’s tower. While Severian’s constant withholding of information makes his narration unreliable, the book still flows in a generally normal fashion — Severian has adventures during which he journeys from point A to point B.

1981’s The Claw of the Conciliator reads like little more than a series of someone else’s dreams and nightmares. There are powerful passages, but like dreams, their potency comes not from basic storytelling, but strange imagery and psychologically dislocating events. I’m still not sure how much of Wolfe’s story eluded me, even thinking back on it now, but there are sequences that I will not forget any time soon.

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From Beneath the Review Pile: The Same Old Story

From Beneath the Review Pile: The Same Old Story

oie_1235943NVf82AxcAs they used to say in Monty Python, “and now for something completely different.”

The more I read, the more difficult it is for me to be entranced by a novel or short story. My writer brain is always whirring away in the background, pointing out when an author has done something clever or highlighting specific techniques like Chekhov’s gun. To be honest, it’s sort of a pain in the ass. If a novel isn’t gripping to the point that my writer brain clicks off for a bit – or at least gets quieter – I usually put it down somewhere around the fifty-page mark, if not sooner.

Doing this column makes it tough sometimes, too, because a) I don’t like to review something I didn’t at least enjoy enough to finish, but b) I need to find a book worth reviewing every two weeks. And honestly, two years into this column it’s getting harder, since I keep seeing the same story over and over again.

Let me give you an example, without giving too many specifics (since I don’t want to insult anyone). Recently I started a space opera ARC that I received from a publisher, because the back cover blurb sounded really cool, involving a protagonist who’s vilified by the galaxy he worked to save. Except the novel doesn’t start with that; it goes back to the protagonist’s youth, struggling to find his own way in a typical noble household, feeling stifled and controlled until he escapes and begins to come into his own, etc, etc. Sigh. Where’s my story about the intergalactic savior grappling with whether he should consider himself a hero or a villain? If we started there, I’d be able to forgive yet another far-future imperial setting structured like a hundred other novels I’ve read in the last few years.

Sorry if that sounded a little more heated than I usually get here. It’s just that I keep seeing the same story, and it’s wearying. Sometimes the story pretends to be different through its main characters. Like a post-alien invasion apocalypse where the adults are gone and young people have to survive on their own. Jazz it up with lead characters that are different than your usual fare, whether it’s based on gender identity, race, mental health, physical disability, etc, and maybe you’ve got a hit. Or maybe it’s the same story with the exact same beats and even some of the same tropes, and all the author is trying to do is be clever.

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Future Treasures: The Thing in the Close by Jeffrey E. Barlough

Future Treasures: The Thing in the Close by Jeffrey E. Barlough

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While Manhattan publishers spend six-figures promoting the latest fantasy doorstopper, on the other side of the continent Jeffrey E. Barlough is quietly producing one of the best and most original fantasy series on the market. The Western Lights novels have steadily been winning readers since the first volume Dark Sleeper appeared in 2000. In his review of Anchorwick, fifth in the series, Jackson Kuhl summarized the setting this way:

In a world where the Ice Age never ended, a cataclysm has reduced humanity to a slip of English civilization along North America’s western coastline. It’s neither steampunk nor weird western; the technology is early 19th century. It’s kinda-sorta gaslamp fantasy, except there doesn’t seem to be any natural gas. Barlough’s creation is best described as a Victorian Dying Earth — gothic and claustrophobic yet confronted by its inhabitants with upper lips held stiff. As the books are fantasy mysteries, the less said about their plots, the better… mastodons and mylodons mixed with ghosts and gorgons? Yes, please.

In 2016 Fletcher Vredenburgh reviewed Dark Sleeper for us, saying:

For nearly twenty years now Barlough has been creating a truly unique series that has seems to have escaped too many readers’ attention… If you have the slightest affinity for the works of Charles Dickens, Wilkie Collins, or the steampunk works of Tim Powers and James Blaylock, then I highly recommend Dark Sleeper.

The Thing in the Close, the tenth volume in the series, arrives in trade paperback in December from Gresham & Doyle. Its has been long awaited in the Black Gate offices.

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Mark Morris on the New Fears Anthologies

Mark Morris on the New Fears Anthologies

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I was pretty excited by Mark Morris’ New Fears last year. It was a terrific horror anthology, with brand new stories by Alison Littlewood, Angela Slatter, Nina Allan, Chaz Brenchley, Ramsey Campbell, Adam Nevill, Muriel Gray, Kathryn Ptacek, Christopher Golden, and many others.

I kept an eye out for the second one in the series, and it arrived right on schedule from Titan Books last month. New Fears 2 looks even better, with 21 stories by the most acclaimed writers in the genre, including Priya Sharma, Robert Shearman, Gemma Files, Tim Lebbon, Brian Hodge, V. H. Leslie, Brian Evenson, Steve Rasnic Tem, Aliya Whiteley, John Langan, Paul Tremblay, and many others.

But anthology series are a tough sell in today’s market, as we’ve talked about here a few times (see “Is the Original SF and Fantasy Paperback Anthology Series Dead?” for some extensive discussion on the topic) So I was dismayed, but not too surprised, to see a public plea from Morris last week for support for his new series.

On Sunday New Fears picked up the British Fantasy Award for Best Anthology. The reviews for the book have been overwhelmingly positive, with a couple of reviewers even saying that it’s the best horror anthology they’ve read for years… And as with New Fears, the reviews for New Fears 2 have been phenomenally good.

But…

Despite all these accolades, New Fears simply hasn’t sold enough copies for Titan, at this time, to recommission the series… However if sales pick up, and the first two volumes earn out their advances, then there’s a possibility they make pick the series up again at a later date.

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