Black Gate

The fabled City of Brass, magical home to djinni and efreet, is the setting for but a single tale from The Arabian Nights, but it has nonetheless loomed large in readers hearts and minds through the centuries. For D&D players of course it has a special significance, as it features prominently in the history of the game (including on the famous cover of Gary Gygax’s Dungeon Masters Guide). But no modern writer has laid claim to it as passionately and as effectively as S. A Chakraborty, with her bestselling debut novel The City of Brass, named one of the Best Books of 2017 by Library Journal, Vulture, The Verge, and SYFYWire.

Some of you may recall Brandon Crilly’s enthusiastic review of The City of Brass at Black Gate. Here’s the highlights.

Chakraborty creates a world that’s nuanced and detailed. It has exactly the vivid freshness we continue to need in the fantasy genre, as a balance for the variations on the same Eurocentric worldviews that are still widely common…. But the novel is much more than its world – at the end of the day, my interest is always characters. Our two main protagonists, Cairo street urchin Nahri and immortal warrior Dara, are great counterparts; they’re equally passionate and protective, but in different ways, and both are seeking to find their place in the world… The City of Brass is excellent. It’s rare that I find a fantasy novel that’s so vividly detailed.

Last week the sequel The Kingdom of Copper, the second novel in what’s now being called The Daevabad Trilogy, arrived in hardcover from Harper Voyager. Here’s the description.

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The Christmas break, traditionally my longest reading holiday of the year, is over, and it’ll be a month or two at least before I can contemplate tackling another epic fantasy trilogy. But it’s not too early to start stacking by my bedside in preparation.

I’ve already picked out a promising series to start the new stack: David Keck’s Tales of Durand. Publishers Weekly praised the first book, In the Eye of Heaven (2006) as a “winning debut, a gritty medieval fantasy full of enchantment… deftly told,” and called the sequel, In a Time of Treason (2008) “grand-scale storytelling.” But they reserve their strongest praise for the long-awaited concluding volume A King in Cobwebs, saying

Keck concludes his Tales of Durand trilogy with this superlative fantasy epic, which sees the warrior Durand Col take his place among battles and treachery that threaten the kingdom of Errest the Old. Durand stands as champion to Abravanal, Duke of Gireth and holder of the Duchy of Yrlac. Although the Yrlacies are restless under Abravanal’s rule, the duke is commanded to ride with his household to the Fellwood Marches by his unhinged king, Ragnal. Yrlaci rebels harry the soldiers of Gireth on the road to the Fellwood, and, once there, they are chased by the inhuman host of maragrim, “hideous in their innumerable deformities.” … Keck sends the stalwart Durand through darkness and a lost land, facing terrors and beset by the dead. Human politics and dreadful foes are combined in this tale that stands with the very best fantasies.

A King in Cobwebs was published by Tor Books on December 4, 2018. It is 444 pages, priced at $28.99 in hardcover, $17.99 in trade paperback, and $9.99 for the digital edition. The cover is by David Grove. Read an excerpt from In the Eye of Heaven here, and see all our recent coverage of the best in new fantasy series here.