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The Golden Age of Science Fiction: Harpist in the Wind, by Patricia A. McKillip

The Golden Age of Science Fiction: Harpist in the Wind, by Patricia A. McKillip

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Cover by MIchael Mariano
Cover by MIchael Mariano

Cover by Darrell K. Sweet
Cover by Darrell K. Sweet

Cover by Jack Woolhiser
Cover by Jack Woolhiser

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Fantasy Novel Award dates back to 1978, when it was won by J.R.R. Tolkien’s The Silmarillion. The award was not presented in 1979, and when it was reinstituted in 1980, this time permanently, Patricia A. McKillip won the award for Harpist in the Wind. In 1980. The Locus Poll received 854 responses.

The 1980 award season seems to have been a good year for final books in trilogies. Just as Dragondrums, the final volume of Anne MCCaffrey’s Harper Hall trilogy received the coveted Balrog Award, the final volume of Patricia A. McKillip’s Riddle-Master trilogy, Harpist in the Wind, won the Locus Poll for Best Fantasy Novel. Apparently, it was also the award season for musically-oriented fantasy novels. One of the biggest differences between Dragondrums and Harpist in the Wind is also what makes McCaffrey’s novel easier to read on its own.

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L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

L. E. Modesitt Jr. wraps up The Imager Portfolio with Endgames

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Imager-small Imager's Challenge-small Imager's Intrigue-small Scholar Imager-small
Princeps Imager Portfolio-small Imager's Battalion-small Antiagon Fire-small Rex Regis-small
Madness in Solidar-small Treachery's Tools-small Assassin's Price-small Endgames Modesitt-small

Cover art for all 12 volumes by Donato Giancola

Every time a trilogy wraps up, we bake a cake at the Black Gate rooftop headquarters. Strangely, we don’t have a protocol for when a 12-book cycle completes, but we’re working on it.

L. E. Modesitt Jr.’s Imager Portfolio series opened with Imager in 2009, and around about book 8, Rex Regis, Tor started referring to it as “The New York Times Bestselling Imager Portfolio.” Modesitt has hit those rarefied heights before — the 20 books in his Saga of Recluse have sold over three million copies — but it was good to see him with another major success.

The final volume in the series, Endgames, arrived in February. This time the publisher refers to it as “the third book in the story arc that began with Madness in Solidar through Treachery’s Tools and Assassin’s Price” and, despite having counted several times, I make Endgames the fourth book in that sequence, but hey, whatever. You count any way you want Tor, and don’t let ’em give you any grief.

However you count his books, L.E. Modesitt deserves some serious respect. He’s produced more than seventy novels, including two science fiction series, the Ghost Books and Ecolitan Matter, four fantasy series, the Imager Portfolio, the Saga of Recluce, the Spellsong Cycle and the Corean Chronicles, and many popular standalone titles such as Solar Express, which Arin Komins at Starfarer’s Despatch calls utterly wonderful. All 12 volumes in the Imager Portfolio series are still in print, which is no mean feat. Here’s the description for the first one.

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Dragons and Gardeners in a Pan-Galactic Imperium: Abyss Surrounding by Eva L. Elasigue

Dragons and Gardeners in a Pan-Galactic Imperium: Abyss Surrounding by Eva L. Elasigue

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Abyss Surrounding-small Abyss Surrounding-back-small

There are many stories in Abyss Surrounding, the sequel to Fire on All Sides (which I reviewed in 2016), and the second book in Eva L. Elasigue’s Bones Of Starlight series. Entirely as complex, multilayered, and compelling as the first, Abyss Surrounding offers daring new concepts along with enticing new situations holding familiar characters in their clutches.

We have the Princess Soleil, now a rebel living apart from the status her Imperium affords her, and instead mingling with intrepid voyagers of an unknown universe. We have Derringer, a spy in search of the Princess whom you will fondly recall from the first book as a splash of nostalgic hijinks. And we have our villain, Sturlusson, whose journey in the second installment needs to be experienced without the benefit of a critic’s retrospection. Read the book; you’ll get what I mean.

I was entranced by the inclusion of Dragons, mythical beings who play a vital role in the workings of Elasigue’s universe. Her deft use of distinctive neutral pronouns for each Dragon endeared me to their importance in her world; this is also a testament to her fluidity in addressing gender neutrality, worthy of a review all on its own.

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Future Treasures: A Time of Blood, Book 2 of Of Blood and Bone, by John Gwynne

Future Treasures: A Time of Blood, Book 2 of Of Blood and Bone, by John Gwynne

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A Time of Dread-small A Time of Blood-small

John Gwynne won the David Gemmell Morningstar for Malice, the opening novel in his 4-book series The Faithful and the Fallen. That series has enthusiastic fans all over the world, and when word spread that Gwynne was preparing a sequel series, Of Blood and Bone, it generated plenty of interest. In his review of the first volume of that new series at The Fantasy Hive, A Time of Dread (2018), Charlie Hopkins wrote:

Wrath was an awe-inspiring, frenetic finale to one of the all-time great fantasy series – The Faithful and the Fallen – and I’d just finished reading it when I heard John Gwynne’s new project would also be set in the Banished Lands, but a few generations into the future… If you’ve not read the first series, don’t hesitate to start here with this one and then go back later to read the “prequel.’ A Time of Dread is going to be on every ‘Best of’ list, and you’d be daft not to move it to the top of your ‘must read’ pile.

A Time of Dread was well received when it first appeared. Here’s part of the Publishers Weekly review:

Nice guys finish alive, and not always last, in this gritty but not grimdark fantasy of battling supernatural forces, set in a fantasy world where humans battle the demonic Kadoshim with the assistance of the Ben-Elim, a winged race of warriors from the ethereal Otherworld. Bleda, a human warrior-prince whose siblings are killed by a Ben-Elim they attacked, is taken hostage and raised by the Ben-Elim. When the supposedly defeated Kadoshim suddenly spring out of hiding with their own human allies and human-demon children, Bleda teams up with Riv, a fellow denizen of the Ben-Elim citadel, to take them on. Riv finds that the angels she knows often fight and scheme among themselves, their conflict instigated by the issue of “improper” human–Ben-Elim relationships. Separately, Sig, a bear-riding giant familiar from Gwynne’s The Faithful and the Fallen series, embarks on a solo quest to eradicate the Kadoshim… [Gwynne] avoids much of the cynicism that reduces epic struggles to mere realpolitik.

A Time of Blood, Book 2 of Of Blood and Bone, arrives next week from Macmillan (UK) and Orbit (US). It is 474 pages, priced at $16.99 in trade paperback and $11.99 in digital formats. The cover is by Paul Young. Read a lengthy excerpt from A Time of Dread here.

Hither Came Conan: Fred Adams on “The Black Stranger”

Hither Came Conan: Fred Adams on “The Black Stranger”

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Gary Gianni
Gary Gianni

Welcome back to the latest installment of Hither Came Conan, where a leading Robert E. Howard expert examines one of the original Conan stories each week, highlighting what’s best. Fred Adams talks about “The Black Stranger.” Which was a story that Howard failed to get published, was rewritten without Conan, and still rejected. Fred takes a brand new look at the story. Read on!

Conan as Picaro in “The Black Stranger”

There are days when I ask myself whether Robert E. Howard didn’t sneak away for four years and earn a degree in English Letters when I encounter his facility with literary tropes and conventions. Many would suggest that the influence of the great western writers rubbed off on him from his omnivorous reading, others simply that he labored past mediocrity to instinctively hone his considerable skills at writing, recognizing what worked and what did not.

Whichever the case, he made good use of a variety of literary conventions and techniques, as David C. Smith elaborates in his Robert E. Howard: A Literary Biography. One that I have noticed specifically is his use of the picaresque mode of the novel. A good example is his experimentation with the form in the Conan story “The Black Stranger.”

Harmon and Holman’s A Handbook to Literature, Seventh Edition defines “Picaresque Novel” at great length:

“A chronicle, usually autobiographical, presenting the life story of a rascal of low degree engaged in menial tasks and making his living more through his wits than his industry. The picaresque novel tends to be episodic and structureless. The picaro, or central figure, through various pranks and predicaments and by his associations with people of varying degree, affords the author an opportunity for satire of the social classes. Romantic in the sense of being an adventure story, the picaresque novel nevertheless is strongly marked by realism in petty detail and by uninhibited expression.” (389)

To call Conan a “rascal of low degree” is mild at best, but to say that he lives “more through his wits than his industry” seems close to his nature. Conan is a barbarian with no social standing whatsoever who lives by his wits as a thief, a reaver, and a warrior. True to the form, he begins the story in a loincloth running for his life from a tribe of savages. By the time the tale ends, Conan has attained the kingly position of leader of the Red Brotherhood, and possessed of enough wealth that he gives a bag of rubies worth a fortune to Belesa saying, “What are a handful of gems to me, when all the loot of the southern seas will be mine for the grasping?”

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A Pocketful of Lodestones, Book Two of The Time Traveler Professor by Elizabeth Crowens

A Pocketful of Lodestones, Book Two of The Time Traveler Professor by Elizabeth Crowens

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Silent Meridian A Pocketful of Lodestones

Elizabeth Crowens began writing for us two years ago, and she quickly became one of the most popular writers in the Black Gate community. She’s interviewed a host of fascinating subjects — including Martin Page, Ellen Kushner and Delia Sherman, Nancy Kilpatrick, Charlaine Harris, Gail Carriger, Jennifer Brozek, and many others — and collected her lengthy interviews in two highly readable volumes of The Poison Apple.

Many BG readers are unaware that Elizabeth is also a talented and successful fiction writer. Her first novel Silent Meridian, which James A. Moore (Seven Forges, Tides of War) called “fun, entertaining and delightfully different… a rollercoaster ride with a side of the sublime,” was published to wide acclaim in 2016. This summer A Pocketful of Lodestones, the second volume in The Time Traveler Professor, arrives from Atomic Alchemist Productions, and expectations are high among Crowens’ many fans.

The Time Traveler Professor is a game-changer of a series. Jonathan Maberry calls it “a delightful genre-twisting romp through time and possibilities,” and A Pocketful of Lodestones significantly ups the ante. This installment is fast-paced and exciting, and jumps into the action immediately. It introduces ghosts, a series of supernatural murders, and a strange and fascinating form of magic. Crowens expertly juggles a complex and engaging plot involving Sir Arthur Conan Doyle, the outbreak of World World I, an enigmatic time traveler, and the mysterious red book that tantalized readers in the first volume, The Thief of Tales.

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Hither Came Conan: Keith West on “Beyond the Black River”

Hither Came Conan: Keith West on “Beyond the Black River”

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Gregory Manchess for Del Rey's 'The Conquering Sword of Conan'
Gregory Manchess for Del Rey’s ‘The Conquering Sword of Conan’

Welcome back to the latest installment of Hither Came Conan, where a leading Robert E. Howard expert examines one of the original Conan stories each week, highlighting what’s best. Keith West (love his Adventures Fantastic blog) landed one of my favorites, “Beyond the Black River.”

I. Introduction

“Beyond the Black River” is the best Conan story. There are several reasons why.  First, there is plenty of action.  It’s well choreographed and the pacing is superb.  Unlike some of the Conan stories, which are simply adventures stories (not that there’s anything wrong with simple adventure stories), this one contains quite a bit of philosophizing.  Finally, the structure of the story is such that not only do we see Conan through the eyes of the supporting cast, Howard gives us enough information to place the Conan of this story in the context of the rest of the stories. We’ll look at each of these strengths. And just so you know, there will be spoilers.

 

II. The Action

The story opens with a young man named Balthus heading through the region known as Conajohara towards a fort on the Black River.  He’s not sure if he wants to join the garrison there as a recruit or try to clear some land and build a cabin. Although a competent woodsman by the standards of the Bossonian Marches, he’s out of his league in the wilderness, as he soon learns. Conan saves his life from a Pict who’s been watching him.

Balthus was completely unaware of both Conan and the Pict. On their way back to the fort, they come across the headless body of a merchant. Hearing something in the forest, Conan throws his ax at it but misses. Conan tells Balthus that the commander of the fort had recently imprisoned a Pict sorcerer named Zogar Sag who had stolen some liquor and drank enough that he passed out before he made it back across the Black River. They should have either killed him or let him go with gifts since imprisoning a Pict is a mortal insult.

Now Zogar Sag has summoned some type of demon. It has been killing men one by one and removing their heads. Conan and Balthus reach the fort and learn that Zogar Sag has managed to unite the quarreling Pict into a massive army. He plans to wipe out all the Aquilonian settlements from the Black River all the way back to Thunder River and beyond. Conan leads a small group across the Black River to reconnoiter.  All but Conan and Balthus are wiped out.

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Hither Came Conan: James McGlothlin on “The Servants of Bit-Yakin”

Hither Came Conan: James McGlothlin on “The Servants of Bit-Yakin”

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Manuel Perez Clemente (Sanjulian)
Manuel Perez Clemente (Sanjulian)

Welcome back to the latest installment of Hither Came Conan, where a leading Robert E. Howard expert examines one of the original Conan stories each week, highlighting what’s best. James McGlothlin drew “The Servants of Bit Yakin” in our Hyborian lottery.

“The Servants of Bit-Yakin” is the best Conan story ever written by Robert E. Howard!

Or at least that’s my assignment (given to me by Bob Byrne) to convince you of such.

Here we go!

If you are familiar with the Conan canon, you will probably think my task quite a challenge. Case in point: The late Fritz Leiber, one of the greatest sword and sorcery writers of all time, and someone who clearly admired Howard’s Conan tales, rated “The Servants of Bit-Yakin” among the worst of the Conan stories ever written calling it “repetitious and childish, a self-vitiating brew of pseudo-science, stage illusions, and the ‘genuine’ supernatural” (“Fantasy Books”, Fantastic, May 1968, p. 143). Oh boy! With such an authoritative voice weighing in on the supposed poor quality of “Bit Yakin”, I have quite the task set before me. But before getting on to my attempt to convince you that this story is the best Conan story ever written by Howard, let’s get a little background on the tale first.

Though originally titled by Robert E. Howard as “The Servants of Bit-Yakin”, it first appeared in Weird Tales, March 1935 as “Jewels of Gwahlur”. The story was later reprinted in King Conan (Gnome Press, 1953), Conan the Warrior (Lancer Books, 1967), as well as various other later collections. Also, Roy Thomas and Dick Giordano famously adapted it for Marvel Comic’s Savage Sword of Conan #25 in 1977 and the story also later appeared in Dark Horse comics in 2005. This story has some legs; so perhaps it’s better than Leiber thought!

It’s hard to quickly summarize “The Servants of Bit-Yakin”. But I will try to be as brief as I can with the following.

We begin the story with Conan heroically climbing a rock face. In typical Howard fashion, it is clearly communicated how impossible this would be for any normal human being to do the same. But for Conan, with his panther-like strength, it seems not much harder than a jog in the park. While climbing though, Conan comes across a small cave with a mummy holding an inscribed parchment. Conan grabs this ancient document and then completes his climb (the parchment comes into play later). At the top Conan finds on the other side of the cliffs the ancient ruins of the city of Alkmeenon.

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Eighties Fantasy Classics: Six of Swords and Exiles of the Rynth by Carole Nelson Douglas

Eighties Fantasy Classics: Six of Swords and Exiles of the Rynth by Carole Nelson Douglas

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Six of Swords Corgi-small Exiles of the Rynth-small

Corgi editions of Six of Swords (1985) and Exiles of the Rynth (1986); art by Steve Crisp

I started reading fantasy as a teenager during the second half of the 1980s. A friend recommended Anne McCafferey’s Pern books, readily available at the public library. Another friend whom I had recently started playing D&D with was very much taken with David Eddings’ Belgeriad and advised me to give them a bash. I have since grown out of Eddings, but at the time I thought The Belgariad was the best thing since sliced bread.

I began to mince about the fantasy and science fiction shelves in local bookshops. The main chain store bookseller of the day predominantly stocked British publishers; mainly Corgi, Grafton and Orbit. Corgi was the most accessible, being moderately cheaper than Grafton. They also had a habit of including advertisements in back pages. One came up consistently; Six of Swords by Carole Nelson Douglas. It looked interesting , and I picked it up in a clearance sale and read it sometime in the mid 1990s. I eventually discovered the sequel, Exiles of the Rynth, and a follow on series, the Sword and Circlet trilogy. I thought I would concentrate on the first two here, and post about the others in due course.

I will not go too much into the development of 1980s fantasy. Matthew David Surridge explored how the decade in many ways was a proving ground for the Big Fat Fantasy that followed in his review of Lyndon Hardy’s Master of the Five Magics series, and touched on the topic several times in his book Once Only Imagined: Collected Reviews, Vol II. What I can say is that my fantasy baptism mostly occurred in the 80s, notwithstanding my dabbling with Jane Gaskell. As such I was unencumbered with other expectations. I only got around to Robert E Howard and JRR Tolkien right at the end of the decade.

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The Fortress World and the Eye of Terror: Warhammer 40K: The Cadian Novels by Justin D. Hill

The Fortress World and the Eye of Terror: Warhammer 40K: The Cadian Novels by Justin D. Hill

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Cadia Stands-small Cadian Honour-small

When I made the 90-minute commute to Glenview every morning (and the 90-minute drive home every evening), I got addicted to Warhammer 40K audio dramas. They made the long drive bearable. When I left that job four years ago I fell out of the habit, and haven’t kept up on the unfolding drama in my favorite dark space opera. I did hear rumors of a Thirteenth Black Crusade, the unexpected return of the loyal primarch Roboute Guilliman (in Guy Haley’s Dark Imperium series), and the catastrophic fall of the fortress world of Cadia, the last line of defense against the daemonic tide spilling out of the Eye of Terror. Man, you take your eye off the ball for a minute, and everything goes to hell.

Justin D. Hill’s new Cadia series seem like the perfect place to jump back into the saga. The first novel, Cadia Stands, was published in March 2018, and the sequel Cadian Honour is scheduled for September of this year (and is already available in digital format). Here’s the description for the first volume.

The brutal war for Cadia is decided, as Lord Castellan Ursarkar Creed and the armies of the Imperium fight to halt the Thirteenth Black Crusade and prevent a calamity on a galactic scale.

Under almost constant besiegement by the daemonic hosts pouring from the Eye of Terror, Cadia stands as a bulwark against tyranny and death. Its fortresses and armies have held back the hordes of Chaos for centuries, but that grim defiance is about to reach its end. As Abaddon’s Thirteenth Black Crusade batters Cadia’s defences and the armies of the Imperium flock to reinforce this crucial world, a terrible ritual long in the making comes to fruition, and the delicate balance of this brutal war shifts… From the darkness, a hero rises to lead the beleaguered defenders, Lord Castellan Ursarkar Creed, but even with the armoured might of the Astra Militarum and the strength of the Adeptus Astartes at his side, it may not be enough to avert disaster and prevent the fall of Cadia. While Creed lives, there is hope. While there is breath in the body of a single defender, Cadia Stands… but for how much longer?

And here’s the description for Cadian Honour.

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