Black Gate

Tim Pratt’s Axiom series began with The Wrong Stars (2017). That was quickly followed by The Dreaming Stars (2018), and Angry Robot will release the highly anticipated third book, The Forbidden Stars, next week. The Axiom is one of the more successful modern space opera series; and I think Sam Reader at the Barnes & Noble Sci-Fi & Fantasy Blog nicely captured its appeal with his fine review of the opening volume.

The Wrong Stars... is a work every bit as vast as you expect from space operas, but with a character-focused touch that keeps the action feeling intimate.

On a routine mission, Captain Kalea “Callie” Machedo and the borderline-shady crew of the salvage vessel White Raven find a “Goldilocks ship” — an undisturbed generation ship from 500 years in Earth’s past. Looking for parts from this priceless relic of a bygone era to strip and sell for a profit, Callie stumbles upon two things: a perfectly preserved scientist still in suspended animation within a cryo-pod, and a strange wormhole-generating black box patched into the ship’s propulsion system. When the cryo-pod’s inhabitant, Doctor Elena Oh, wakes up, she warns the crew of immanent first contact with sapient life… only to be told that humanity actually made contact with a race of body-modifying octopus traders known as “Liars” three centuries earlier. But Elena’s descriptions don’t match that of the Liars, and when an indescrible something begins following the White Raven, leaving a trail of death and destruction in its wake — along with a single clue: the name “Axiom” — the crew realizes what Elena’s brought them might be something far older and and far more alien, something that has been waiting for the right time to wake up…

Through his wit, dialogue, and vast, varied cast, Tim Pratt has created a space opera for today — one filled with diverse characters and cultures that feel nuanced enough to be real — while still delivering the sense of wonder that made you love the genre in the first place.

Tim Pratt has been nominated for the Nebula, World Fantasy, Sturgeon, Stoker, and Mythopoeic Awards, and won the Hugo Award for his short story “Impossible Dreams.” His novels include The Strange Adventures of Rangergirl, and the Pathfinder Tales novels Liar’s Island and Liar’s Bargain. The Forbidden Stars will be published by Angry Robot on October 8, 2019. It is 400 pages, priced at $8.99 in paperback and $7.99 in digital formats. See all our coverage of the best new SF and fantasy series here.

Covers by Julie Dillon

I don’t get enough steampunk in my diet these days. Once the industry was awash with it; that’s not true so much any more, although there are still a few publishers catering to readers like me. Parvus Press is one of the better ones, and their flagship steampunk series is R J Theodore’s Peridot Shift. The first, Flotsam, was published last year, and the sequel Salvage just arrived earlier this month. The novels deftly blend First Contact, Magic, and Steampunk, in a floating world where religion meets alchemy and the gods are not what they seem.

I was hooked from the moment I read the description for Flotsam last year.

Captain Talis just wants to keep her airship crew from starving, and maybe scrape up enough cash for some badly needed repairs. When an anonymous client offers a small fortune to root through a pile of atmospheric wreckage, it seems like an easy payday. The job yields an ancient ring, a forbidden secret, and a host of deadly enemies.

Now on the run from cultists with powerful allies, Talis needs to unload the ring as quickly as possible. Her desperate search for a buyer and the fallout from her discovery leads to a planetary battle between a secret society, alien forces, and even the gods themselves.

Talis and her crew have just one desperate chance to make things right before their potential big score destroys them all.

R J Theodore continues to explore her imaginative setting; the next title in the series, the novella Hunter and the Green, arrives on October 22 from Theodore’s creator-owned press Creative Jay.

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Alexandra Rowland’s first novel with Saga Press, A Conspiracy of Truths, was published just last year (and we covered it here). Publishers Weekly called it “An impressive and thoroughly entertaining fantasy,” and editor Navah Wolfe offered up this intriguing synopsis: “In a bleak, far-northern land, a wandering storyteller is arrested on charges of witchcraft… His only chance to save himself rests with the skills he has honed for decades — tell a good story, catch and hold their attention, or die.” The sequel A Choir of Lies was published earlier this month, and Paul Weimer at Tor.com gave it an enthusiastic review, saying:

In A Conspiracy of Truths, we are introduced to Chants, a self-selected group of people who travel the world, collecting and telling stories. Our main characters, Chant… and Ylfing, wind up in the country of Nuryevet, where Chant runs afoul of the law, winds up in prison, and — with the power of stories, and the help of a few people outside the prison — manages to overthrow a society…

In A Choir of Lies, the focus is on the former Ylfing, several years later… In Heyrland (a setting reminiscent of the heights of Early Modern Holland) he takes a job as a translator, helping to create a booming market for an odious but beautiful plant. And as the prices and money spent on these blooms increases and increases to the benefit of his employer, the dangers of a tulip-mania start to become painfully clear… But there is more going on than just that. The book, such as we have, is annotated, by someone who knows about Chants and who and what they are… Throughout the book, “Mistress Chant” extensively comments on what is written down, giving her own perspective, and criticism, and it is sometimes sharp indeed. And it challenges everything we think we know about Chants… My decision on whether I enjoy the metafictional, metatextual, cosmopolitan, erudite and engaging fantasy that Alex Rowland creates is clear – I most certainly do.

A Choir of Lies is a far cry from a typical fantasy, and that’s a huge part of its appeal (and a fantasy retelling of Holland’s infamous Tulip Mania of 1637 sounds fascinating). It was published by Saga Press on September 10, 2019. It is 464 pages, priced at $26.99 in hardcover, and $7.99 for the digital version. The cover is by Nick Sciacca (I think).

See all our recent New Treasures here.