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A Gaslamp Fantasy with Political Intrigue and Witchcraft: The Kingston Cycle by C. L. Polk

A Gaslamp Fantasy with Political Intrigue and Witchcraft: The Kingston Cycle by C. L. Polk

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Witchmark Polk-small Stormsong Polk-small

Covers by Will Staehle

C. L. Polk’s fantasy debut Witchmark made a huge splash in 2018. It came in fourth for the Locus Award for Best First Novel, was nominated for a Nebula, and won the World Fantasy Award for Best Novel. It was also included in Best of the Year lists by NPR, Publishers Weekly, BuzzFeed, the Chicago Review, BookPage, and the B&N Sci-Fi and Fantasy Blog. It had lots of stellar coverage — including the Los Angeles Public Library, which called it “Brilliant… full of atmosphere and thrills” — but my favorite review was from Publishers Weekly. Here’s an excerpt.

Polk’s stellar debut, set in an alternate early 20th century in an England-like land recovering from a WWI-like war, blends taut mystery, exciting political intrigue, and inventive fantasy. Miles Singer’s influential family of mages wants to turn him into a living battery of magic for his sister to draw on. Fearing this fate, he runs away to join the army and make use of his magical healing abilities, although — like all magic-users — he must hide his powers or risk being labeled insane and sent to an asylum. When Tristan Hunter, a handsome, suave gentleman who’s actually an angel in disguise, brings a dying stranger to Miles’s clinic, the two pair up to uncover the reason for the man’s mysterious death… Polk unfolds her mythology naturally, sufficiently explaining the class-based magical system and political machinations without getting bogged down. The final revelations are impossible to see coming and prove that Polk is a writer to watch for fans of clever, surprising period fantasy.

The sequel, Stormsong, arrived in trade paperback earlier this month, and you know what that means. Time for me to track down a copy of the first book! Here’s the back covers for both.

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io9 on All the New SF & Fantasy You Need to Know About in February

io9 on All the New SF & Fantasy You Need to Know About in February

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The Puzzler's War-small The Last Smile in Sunder City-small The Firmament of Flame-small

As the months go by I feel the loss of the Barnes & Noble Sci-Fi & Fantasy Blog keenly. It shut down on December 16th of last year, firing all freelancers and halting production of new content. That included Jeff Somers’ monthly survey of the best genre books, which I’d grown to depend on to keep me reliably informed. Fortunately there are fine other resources for book junkies, like Cheryl Eddy’s monthly new book column at io9/Gizmodo. This month Cheryl looks at 43 new titles from Seanan McGuire, Alastair Reynolds, Marshall Ryan Maresca, Ken Liu, Ben Aaronovitch, Katharine Kerr, Gareth L. Powell, R.E. Stearns, C.L. Polk, Sarah Gailey, Melissa de la Cruz, Justina Ireland, Cate Glass, and many others.

Here’s a few of the highlights. First up is the sequel to The Lost Puzzler, Eyal Kless’ tale of a lowly scribe sent out in world full of puzzles, tattooed mutants, and warring guilds, which we covered last year.

The Puzzler’s War by Eyal Kless (Harper Voyager, 560 pages, $17.99 trade paperback/$11.99 digital, February 4, 2020)

This follow-up to sci-fi adventure The Lost Puzzler finds a variety of characters — including an assassin, a warlord, and a mercenary — tracking down a teenage boy who may the only person able to save the world by solving the ultimate puzzle.

My underground contacts tell me The Puzzler’s War is the second novel in what’s being called The Tarakan Chronicles.

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New Treasures: The Life Below by Alexandra Monir

New Treasures: The Life Below by Alexandra Monir

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The Final Six-small The Life Below-small

Jacket design by Erin Fitzsimmons and Molly Fehr; art by Getty Images and Shutterstock

I first noticed Alexandra Monir when Jessica Brody described her supernatural romance Suspicion as “If Alfred Hitchcock had directed Downton Abbey,” which is the kind of thing that gets my attention. Monir is an Iranian-American who’s published multiple novels for young adults, including The Girl in the Picture and Timeless. Her current series is near-future SF; it began with The Final Six, the story of teen astronauts o a dying Earth competing for a trip to Europa. The sequel The Life Below arrived this week; Kirkus calls it “Fast-paced and plot-driven, the novel decidedly veers into science fiction horror territory with plenty of scares.” Also the kind of thing that gets my attention. Here’s the publisher’s description.

It was hard enough for Naomi to leave Leo, a fellow Final Six contestant, behind on a dying Earth. Now she doesn’t know who to trust.

The International Space Training Camp continues to dodge every question about its past failed mission, and Naomi is suspicious that not everything is as it seems on her own mission to Europa. With just one shot at Jupiter’s moon, Naomi is determined to find out if there is dangerous alien life on Europa before she and her crew get there.

Leo, back on Earth, has been working with renegade scientist Dr. Greta Wagner, who promises to fly him to space where he can dock with Naomi’s ship. And if Wagner’s hypothesis is right, it isn’t a possibility of coming in contact with extraterrestrial life on Europa — it’s a definite, and it’s up to Leo to find and warn Naomi and the crew.

With questions piling up, everything gets more dangerous the closer that the mission gets to Europa. A storm threatens to interfere with Leo’s takeoff, a deadly entity makes itself known to the Final Six, and all questions the ISTC has been avoiding about the previous mission get answered in a terrifying way.

If the dream was to establish a new world for humans on Europa…the Final Six are about to enter a nightmare.

The Life Below was published by HarperTeen on February 18, 2020. It is 311 pages, priced at $18.99 in hardcover, $10.99 in digital formats. Read an excerpt from The FInal Six at HappyEverAfter.com, and see all our recent New Treasures here.

Captured at Capricon: The Lucky Devil Series by Megan Mackie

Captured at Capricon: The Lucky Devil Series by Megan Mackie

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The Finder of the Lucky Devil-small The Saint of Liars-small

I spent last weekend at Capricon 40, a long-running and very friendly science fiction convention here in Chicago with interesting panels, delightful readings, and a great Dealers Room. One of the highlights of the Dealers Room (besides the jewelry vendors, where I spent a small fortune on gifts for Alice to make up for missing Valentine’s Day) was the Bad Grammar Theater booth manned by Chicago authors Brendan Detzner, K.M. Herkes, R.J. Howell, and Megan Mackie. Bad Grammar is a reading series featuring local authors, and the books they had on display looked darn enticing. I ended up buying a whopping 8 titles  at that booth alone.

Truthfully, I bought a lot of books at the convention — including an overflowing box from Greg Ketter of Dreamhaven Books — and I hope to cover the most interesting titles here over the next few weeks. But the one that leaped into my hands when I finally settled in my big green chair was The Finder of the Lucky Devil, the self-published novel by Megan Mackie, and the opening novel in her Lucky Devil series. It’s got an intriguing premise, and that beautiful cover doesn’t hurt any.

The Finder of the Lucky Devil is an urban fantasy… of sorts. Yes, it’s a fantasy. But it’s also set in a dystopian future Chicago ruled by corporations. I did my homework before digging in, and found it’s been well reviewed at Windy City Reviews and Good Reads, where it enjoys a rating of 4.08 and comments like “a fun read with some heart stopping moments… a fresh urban detective-style fantasy with wizards, fairies, corporate spies, shapeshifters, and even a mermaid dog stylist” (from Rebekah). Here’s a look at the back cover of Lucky Devil and its sequel The Saint of Liars, plus a snippet from one of my favorite reviews.

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Space Pirates, a Murderous AI, and a Haunted House in Space: The Shieldrunner Pirates Trilogy by R. E. Stearns

Space Pirates, a Murderous AI, and a Haunted House in Space: The Shieldrunner Pirates Trilogy by R. E. Stearns

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Barbary Station-small Mutiny at Vesta-small Gravity of a Distant Sun-small

Covers by Martin Deschambeault (left, middle) and Jon McCoy Art (right)

R. E. Stearns’s science fiction debut Barbary Station, the opening novel in the Shieldrunner Pirates trilogy, featured two engineers who hijack a spaceship to join a band of space pirates, only to discover the pirates are hiding from a malevolent AI. Kirkus called it “Super cool… It mixes unpredictable mysteries, a murderous AI, space battles, [and] an awesome and fashionable Pirate Leader… a blend of Die Hard and The Illuminae Files.” We covered it enthusiastically in 2017. Mutiny at Vesta arrived in 2018, and in her Tor.com review, Liz Bourke wrote:

If Barbary Station was a variant on the gothic novel in space (complete with a haunted house in the form of a space station), Mutiny at Vesta is a nested, layered series of capers in which Adda and Iridian work with limited resources and the pressure of time and other people’s competing priorities to pull off the damn-near impossible… Stearns writes measured, tense, and intense space opera, filled with a diverse selection of believable characters. I really enjoyed this book.

The Shieldrunner Pirates trilogy is the kind adventurous space opera I really enjoy. Unfortunately, if Amazon reviews are anything to go by, it doesn’t seem to have found an audience. Barbary Station had a healthy 32 reviews when it was released in 2017; Mutiny at Vesta had only two, a disaster in publishing terms. The third, Gravity of a Distant Sun, will not have a hardcover release; it arrives in trade paperback on February 18.

If you’ve read and enjoyed this series, do me a favor and write an online review. And if you haven’t, here’s a peek at the back covers for all three books, with just a sample of the praise they’ve received. Have a look — this just may turn into your favorite new series.

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Future Treasures: The Lost Future of Pepperharrow by Natasha Pulley

Future Treasures: The Lost Future of Pepperharrow by Natasha Pulley

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The Watchmaker of Filigree Street-small The Lost Future of Pepperharrow-small

Cover design by David Mann 

Natasha Pulley reunites the heroes from her breakout fantasy The Watchmaker of Filigree Street in a brand new novel, The Lost Future of Pepperharrow, on sale next week. In his review of the first book for us, Damien Moore was enchanted by Pulley’s narrative gifts.

Pulley’s descriptions of High Society London burst from the pages. The exquisite portrait she paints of the interior of a quiet tea shop will linger in your mind long after you’ve read about it. So, too will Pulley’s descriptions of the watchmaker’s wondrous creations. If they don’t enchant you, well, then I guess you’re not into the whole gorgeous automaton craze. Hopefully, Pulley succeeds in getting you to fall in love with Mori’s creations.

The sequel switches up the setting, moving the action to 19th-Century Japan. It’s being enthusiastically received; Kirkus Reviews says “Pulley’s witty writing and enthusiastically deployed steampunk motifs — clockwork, owls, a mechanical pet, Tesla-inspired electrical drama — enliven [the] plot.” Here’s a look at the back covers for both books, and an excerpt from the starred review at Publisher’s Weekly.

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Women and Magic in an Unfair Society: The Women’s War by Jenna Glass

Women and Magic in an Unfair Society: The Women’s War by Jenna Glass

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The Women's War-small Queen of the Unwanted-small

Covers by Jonathan Bartlett

One thing I love about modern fantasy is how different it is. There’s something for every reader, every mood, and every taste. For example, I’ve never read any of Jenna Black’s fantasy novels, such as her Faeriewalker trilogy, her Nikki Glass series, or her more recent Nightstruck novels for Tor teen. But she’s recently taken to writing more serious fantasy under the name Jenna Glass, starting with The Women’s War, and I find these books very intriguing indeed.

The Women’s War is the tale of a patriarchal society, and a revolutionary spell that abruptly gives women control over their own fertility — and the predictable (and unpredictable) events that follow. Here’s an excerpt from Sabaa Tahir’s review in The New York Times Book Review.

The Women’s War is an epic feminist fantasy for the #MeToo era. . . . The Women’s War does what so many classic adult fantasy books do not: It gives us a nuanced portrayal of grown women dealing with a wretchedly unfair society. It is rare to read a fantasy novel with a middle-aged mother as a main character. And it is refreshing to see women becoming heroes in a world that wishes to keep them muzzled.

The Women’s War was published by Del Rey in March of last year. The sequel, Queen of the Unwanted, is due in May. Here’s all the details.

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Future Treasures: Twilight of the Gods by Scott Oden

Future Treasures: Twilight of the Gods by Scott Oden

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Gathering of Ravens-small Twilight of the Gods Scott Oden-small

Cover designs by Jimmy Iacobelli

It’s enormously satisfying to see Scott Oden, who’s been a critical darling for his intelligent historical fantasies like Men of Bronze (which Bob Byrne discussed here) and The Lion of Cairo (which Brian Murphy summed up as “Pulse-pounding sword play, leagues of warring assassins, political intrigue, a hint of evil sorcery, and the clash of armies on a grand stage”) finally have a bonafide hit with his new Grimnir Series, an epic Viking fantasy. In his review of the first volume Fletcher Vredenburgh wrote:

Oden’s novel knocked the heck out of any prejudices I had. New or old, this book kicks ass, and is one of the best swords & sorcery novels I’ve read in a while…. A Gathering of Ravens belongs on the same shelf as the best modern swords & sorcery novels, and on the shelf of any serious swords & sorcery reader.

A Gathering of Ravens also garnered a starred review at Publishers Weekly — not something you see every day. Here’s a snippet.

In this lovingly crafted tale of high adventure, Oden creates an alternate early medieval Europe in which mortal men have defeated entire races of vicious magical creatures. Some nightmares have faded from memory as magic and ancient beliefs are supplanted by a new religion, Christianity. Grimnir, last of the giants called kaunar, is on a mission for vengeance several centuries in the making… This fast-paced thrill ride might have been bleak or unsettling, but it’s rendered so lovingly that it reveals new layers of familiar territory. The fresh viewpoint is steeped in an appreciation for the terrifying and powerful characters of high fantasy, and Oden does them justice.

After a gap of nearly three years, Oden finally delivers the long-awaited second volume in the series, Twilight of the Gods. It arrives in hardcover from St. Martin’s Press in two weeks. Here’s all the details.

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Future Treasures: Straight Outta Dodge City, edited by David Boop

Future Treasures: Straight Outta Dodge City, edited by David Boop

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Straight-Outta-Tombstone-smaller Straight-Outta-Deadwood-smaller Straight Outta Dodge City-small

Cover art by Dominic Harman

On February 4th, David Boop’s Straight Outta weird western anthology series becomes a trilogy with the arrival of Straight Outta Dodge City, the third (but hopefully not final) volume. It follows Straight Outta Tombstone and Straight Outta Deadwood, and it looks like a strong addition to the series. Here’s a peek at the Publishers Weekly review.

This dark, diverting anthology of 14 original tales, the third in a series edited by Boop (after Straight Outta Deadwood), continues to explore “the weird Wild West.” By tossing weird fiction concepts into western settings, these tales give rise to unusual what-ifs. What if the unquiet ghost of Doc Holiday haunted his six shooter, as in “The Dead Can’t Die Twice” by Sam Stone? What would happen if, as in “The Adventures of Rabbi Shlomo Jones and the Half-Baked Kid” by Eytan Kollin, Jewish magic created a golem to confront a mob of anti-Semitic bad guys?… the ever-enjoyable Joe R. Lansdale is on hand with “The Hoodoo Man and the Midnight Train,” an energetic tale of a mystical gunfighter, and Harry Turtledove presents the delightful “Junior & Me,” set in an alternate world in which evolution favored reptiles rather than mammals, and the ornery galoot narrating the yarn is actually a highly evolved dinosaur.

Here’s the publisher’s description.

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What I’ve Been Reading Lately: January 2020

What I’ve Been Reading Lately: January 2020

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Garrett_SweetsilverEDITED“Say, Bob, it’s been an ENTIRE month since you told us what you’ve been reading lately. The suspense is keeping me up at night.” OK – so nobody said that to me. I’ll tell you some of the stuff I’ve taken off of the shelves lately, anyways.

GLEN COOK – SWEET SILVER BLUES

I’ve already written about Glen Cook’s terrific hardboiled, fantasy PI series featuring Garrett. It combines Raymond Chandler, Nero Wolfe, and Terry Pratchett in a terrific fashion. I have a hard time imagining a better series. I’ve talked to a couple fellow Black Gaters about a round-robin look at several books in the series: So many ideas, so little time.

I’m working on this essay on Sunday evening, mere hours ahead of deadline, because I spent a couple hours yesterday re-reading book one, Sweet Silver Blues, instead of sitting at the keyboard and writing. I like it quite a bit, but it’s in book two, Bitter Gold Hearts, that the series really settles in. I’ve read most of the series at least twice before over the years. A few of my friends didn’t care for 2013’s Wicked Bronze Ambition, the last (but hopefully not final) book. It’s definitely not one of my favorites, but it’s still Garrett, and I hope there will be at least one more.

This is one of my favorite series’ in both the fantasy and private eye genres. HIGHLY recommended. And I’m also a huge fan of Cook’s The Black Company, which is light years away in tone and style. He’s simply a very good writer. Black Gate buddy Fletcher Vredenburgh did a fantastic walk-through of the entire series last year.

JOHN D MACDONALD

John MacD has been my favorite author for about three decades now. I enjoy his standalones, his short stories, and his Travis McGee books. I’ve written about him several times, and if all I did was write for Black Gate (sadly, I need to pay my bills and other such nonsense), you’d be reading a LOT about him here.

Earlier this month, after holding off for over twenty-five years, I finally watched the 1970 adaptation of Darker ThanAmber, with Rod Taylor as Travis McGee. Then, I went and re-read the book over the next couple of days. Taylor grew on me as the movie progressed, and they followed the book fairly faithfully. The final fight scene between McGee and Terry was really something to see.

I think this is a better version of a McGee novel than the 1983 film starring Sam Elliot (why in the world would you transplant McGee to California?!).

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