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A Con Artist in a Magical City: The Rook & Rose Trilogy by M.A Carrick

A Con Artist in a Magical City: The Rook & Rose Trilogy by M.A Carrick

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The Mask of Mirrors and The Liar’s Knot (Orbit, January and December, 2021). Covers by Nekro

I don’t know about you, but this recent trend in young adult fantasy for covers with elaborate designs and colorful crowns instead of cover art does nothing for me. There’s so many on the shelves, and after a while they all look the same.

At least the book descriptions are different — and that’s what grabbed me in the case of The Mask of Mirrors, the opening novel in a new fantasy trilogy by “M.A Carrick,” the writing team of Marie Brennan (author of the Hugo-nominated A Natural History of Dragons) and Alyc Helms (author of the splendidly pulpy Missy Masters novels). The two met on an archaeological dig in Wales and Ireland, which is exactly where I’d want to meet my future writing partner.

The second novel in the series, The Liar’s Knot, is due next month, and there’s a third volume on the way. Here’s the description on the back of The Mask of Mirrors that caught my eye.

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New Treasures: Blood of the Chosen, Book 2 of Burningblade & Silvereye by Django Wexler

New Treasures: Blood of the Chosen, Book 2 of Burningblade & Silvereye by Django Wexler

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Ashes of the Sun and Blood of the Chosen (Orbit, July 2020 and October 2021). Covers by Scott Fischer

It was the cover of Django Wexler’s Ashes of the Sun that grabbed me while I was browsing bookstore shelves last year — and a heck of a cover it is too, by talented fantasy artist Scott Fischer.

The sequel Blood of the Chosen was just released this month. Like the first one, the cover seems to be a collaborative effort. The original art that Fisher proudly displays on his website is certainly striking…. but it’s also missing those human figures (which I assume were added by cover designer Lauren Panepinto).

Those tiny human silhouettes are a small addition perhaps, but they make a heck of a difference. See the surprisingly sterile originals below.

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Neverwhens, Where History and Fantasy Collide: “When the Levee Breaks (and the Goddess Wakes), I’ll Have a Place to Stay…”

Neverwhens, Where History and Fantasy Collide: “When the Levee Breaks (and the Goddess Wakes), I’ll Have a Place to Stay…”

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When the Goddess Wakes (St. Martin’s Press, August 2021). Cover by Lauren Saint-Onge

Know, O prince, that between the years when Stag-flation and the Iran Hostage Crisis drank the Carter Administration, and the years of the rise of the stepson of Roger Clinton Sr, there was an Age Undreamed of, when sword & sorcery, high fantasy epics, slender trilogies and stand-alone novels lay spread across bookshelves like paper jewels beneath fluorescent stars.

This tongue-in-cheek riff on Robert E. Howard’s famous quote from the Nemedian Chronicles is a perfect way to begin a review of Howard Andrew Jones’s concluding volume of the Ring Sworn Trilogy, because it is both a very modern fantasy, and yet, in so many ways the product of growing up as a fantasy-reading GenXer – which both Jones and I are.

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Fun, Fresh Fantasy: Mad Shadows: The Heroes of Echo Gate by Joe Bonadonna

Fun, Fresh Fantasy: Mad Shadows: The Heroes of Echo Gate by Joe Bonadonna

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Mad Shadows III: The Heroes of Echo Gate (Pulp Hero Press, February 2021). Cover artist uncredited

Joe Bonadonna’s third installment of his Mad Shadows, Dorgo the Dowser series, The Heroes of Echo Gate, was announced this Feb 2021 at Black Gate. We covered Dorgo’s world and Bonadonnoa’s cinematic narrative, which we’ll touch upon again during this review. Also on Black Gate, the author of the internationally acclaimed IX Series, Andrew Paul Weston, reviewed all three books of the Mad Shadow series. This post reinforces those articles and highlights this fresh fantasy adventure’s (a) Epic Scope, (b) Cinematic Style, and (c) Faith theme.

The Heroes of Echo Gate is fun, fresh fantasy. Dorgo and his fellowship of Harryhausen-like creatures defend a magical portal from a horde of demons. Epic!

As the cover implies, we have our beloved weird-fiction investigator & mercenary Dorgo (the guy front and center on the cover with the dowsing rod and sword) defending the titular portal with a band of friends (most of whom could have stared in a Ray Harryhausen movie. For the young readers take note that Harryhausen was the “Frank Frazetta” of cinema who gave life to the fantastical creatures before computer graphics were invented). There are three acts that follow the classic purposes: setup, rising tension, and an epic battle. The climax consumes a full third of the book and resonates with all the grandeur of defending Tolkien’s Helm’s Deep. The city of Soolaflan, on the island of Thavarar, is the fortress and it is situated around Echo Gate. Demons from across time want access to it. The portals across the world of Tanyime (and even across time and space) echo those from C. J. Cherryh’s Morgaine Cycle and even Raymond E. Feist’s Riftwar Saga.

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A Triumphant Finale: The Last Uncharted Sky by Curtis Craddock, Book 3 in The Risen Kingdoms

A Triumphant Finale: The Last Uncharted Sky by Curtis Craddock, Book 3 in The Risen Kingdoms

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The Last Uncharted Sky (Tor trade paperback edition, August 2021). Cover by Thom Tenery

When an author completes a trilogy, we bake a cake at the Black Gate rooftop headquarters in Chicago. In the case of Curtis Craddock’s acclaimed Risen Kingdom trilogy, the confectionery celebration was unfairly delayed until I found a copy of the final volume, The Last Uncharted Sky, released in trade paperback in August.

It was Charles Stross who drew my attention to the opener, An Alchemy of Masques and Mirrors, back in 2017 when he proclaimed it a “gaslight fantasy in the tradition of Alexander Dumas.” That’s not something I hear every day. The second, A Labyrinth of Scions and Sorcery, offered more tales of “adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” (According to David D. Levine).

The closing volume was first published in hardcover in August 2020. Publishers Weekly called it a “triumphant finale to Craddock’s swashbuckling Risen Kingdoms trilogy… a spectacular series ender.” A truly satisfying and original modern fantasy trilogy is not an easy thing to find. This one reminded me of Howard Andrew Jones’ Ring-Sworn Trilogy; that alone was enough to pique my interest.

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Crisis and Mystery at the End of the Universe: The Divide Series by J. S. Dewes

Crisis and Mystery at the End of the Universe: The Divide Series by J. S. Dewes

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The Last Watch and The Exiled Fleet (Tor, April and August 2021). Cover art by Shutterstock

As days get shorter and nights get longer, my reading ambitions begin to grow. Recently I’ve been on the hunt for a more substantial reading project, and I think I’ve found it in J.S. Dewes debut series The Divide. The opening book The Last Watch received plenty of breathless notices; in her mid-year wrap-up of The Best Sci-Fi and Fantasy Books of the Year, Sadie Gennis at Vulture called it “one of the most stunning sci-fi series debuts of recent years… [a] nail-biting space epic,” and Booklist proclaimed it “a bravura debut that blends great action with compelling characters.”

The first volume was released in April, and sequel The Exiled Fleet followed hot on its heels four months later. Dewes has announced a third volume on her website, to be released next year. An epic space opera with more volumes in the pipeline is just what I had in mind for a fall reading project. Here’s a sample from Matt Matkowski’s enthusiastic review of the audiobook version of The Last Watch at Booklist.

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New Treasures: The Conductors by Nicole Glover

New Treasures: The Conductors by Nicole Glover

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The Conductors (John Joseph Adams Books, March 2021). Cover art by Elizabeth Leggett. Click for bigger versions.

As we near the end of 2021 (thank God!), I’m already starting to look back at the big fantasy releases and debuts of the year. One that surprised me was Nicole Glover’s The Conductors, the opening novel in her Murder & Magic series, which follows the adventures of black detectives Hetty and Benjy Rhodes, who pry into cases white police officers deign to investigate in Reconstruction era Philadelphia.

The Conductors was published and edited by John Joseph Adams, the man who pulled my own debut novel out of the slush pile and published it in 2018, so perhaps you can forgive me if I think the man has superb taste. I’m not the only one, however. NPR praises The Conductors as “A history buff’s dream fantasy novel,” and P. Djèlí Clark calls it “a tangled mystery of murder, spellwork, and freedom amid the remnants of slavery’s lingering memories.” Here’s an excerpt from the starred review at Publishers Weekly.

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Killer Dolls and Murderous Dimensions: DAW’s The Year’s Best Horror Stories I (1972), edited by Richard Davis

Killer Dolls and Murderous Dimensions: DAW’s The Year’s Best Horror Stories I (1972), edited by Richard Davis

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The Year’s Best Horror Stories (DAW, 1972). Cover by Karel Thole

The first Year’s Best Horror Stories, DAW No. 13, published in 1972, was edited by British author and editor Richard Davis, who would go on to produce many more horror and sci-fi anthologies throughout the 1970s and 1980s. He also edited the next two Year’s Best Horror Stories for DAW, but he primarily published through British outlets.

The Year’s Best Horror Stories, No. 1, was first published by Sphere in the UK in May 1971, and reprinted by DAW in the US fourteen months later, dropping the No. 1 from the title in the process. The cover of the DAW edition was by Dutch painter Karel Thole (1914–2000), a regular on sci-fi covers during the time. I think the cover is more psychedelic than horrific. In 1975 DAW reprinted the book with a new cover by Hans Arnold, one much more fitting to the horror genre.

This first volume has a strong lineup, and I can see why Donald A. Wollheim sought to get Davis’ Sphere release as the debut for his new Year’s Best Horror Stories series. It was also, somewhat surprisingly for the time, quite diverse.

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Hard SF and Cosmic Lovecraftian Horror: The Fallen, Book 2 of The Outside by Ada Hoffman

Hard SF and Cosmic Lovecraftian Horror: The Fallen, Book 2 of The Outside by Ada Hoffman

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The Outside and The Fallen (Angry Robot, June 2019 and July 2021). Covers by Lee Gibbons.

Ada Hoffman’s The Outside (Angry Robot) hit the sweet of my favorite genres. The B&N SciFi & Fantasy Blog called it “starkly original, and tinged with hints of horror fantasy – truly operatic stuff,” and Kate Sherrod at The Skiffy and Fanty podcast labeled it

A boffo combination of hard science fiction, cosmic Lovecraftian horror, both cyber-and-god-punk, some ridiculously charismatic aliens, and a fascinating female protagonist somewhere on the autism spectrum… Ada Hoffmann’s The Outside feels like it was made to order for us.

OK, maybe my favorite genres are a little eclectic, but you gotta admit that sounds good. And you can understand my immediate interest in the sequel, The Fallen, which arrived this summer. Here’s all the details.

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Introduction to DAW Books’ The Year’s Best Horror Stories (1972–1994), edited by Richard Davis, Gerald W. Page, and Karl Edward Wagner

Introduction to DAW Books’ The Year’s Best Horror Stories (1972–1994), edited by Richard Davis, Gerald W. Page, and Karl Edward Wagner

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20 of the 22 volumes of The Year’s Best Horror Stories (DAW Books)

Today I’m beginning a new series of posts investigating DAW Books’ Year’s Best Horror Stories series, which ran from 1971 to 1994. As a fan of literary horror, I’m excited to sequentially read through these volumes and share my thoughts with you. I’m hoping that we’ll be able to discover some great stories and authors, perhaps some we’ve never read before, and I’m also hoping that we will be able to see how trends in horror have changed over the years. Each post will investigate one volume at a time.

Except this first one, in which I want to explore the impetus and beginnings of the series as a whole.

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