Black Gate

The Revolution from Rosinante (1981), Long Shot for Rosinante (1981), and The Pirates of Rosinante
(1982), all published by Del Rey. Covers by Chris Barbieri (book 1) and Rick Sternbach (2 and 3)

It’s good to know there are other writers out there who obsess over vintage paperbacks the way I do. Well, there’s Rich Horton and James Davis Nicoll, anyway. And I enjoyed James’ thoughtful Tor.com article this week on the long-forgotten Rosinante Trilogy by Alexis Gilliland, published in the early 80s by Del Rey. Here’s his take:

Gilliland also had a lot of fun drawing on stock SF ideas and taking them in directions other authors of the time did not. Cantrell is, among other things, a deconstruction of those marvelous old-time SF engineers who never saw a cool idea sketched on a napkin that they did immediately put into effect without ever considering the ramifications… I don’t know why these books were not more popular, why they are not better known, or why there has been no new Gilliland book since the 1990s. The books’ brevity might have worked against them. Only one is more than 200 pages and the other two are closer to 185. They’re also remarkably eventful books: there is about a thousand pages of plot crammed into less than 600… they were fun and innovative in many ways. For those interested in judging for themselves, at least they are back in print.

Read the whole thing at Tor.com.

The Darkangel and A Gathering of Gargoyles (Tor Books, 1984 and 1985). Covers by Kinuko Y. Craft

Facebook is a great place to discover vintage fantasy. I know, right? It’s not just old people and Bob Byrne talking about actors he recognizes. Earlier this month Craig L. Gidney (A Spectral Hue, Skin Deep Magic) caught my attention with this short post.

Before there was Twilight, there was The Darkangel by Meredith Ann Pierce, the original teenage vampire romance novel. The Darkangel was a deeply weird novel. It’s set on the moon, a locale which adds an extra eerie element. The moon is full of strange creatures, including gargoyles and a lorelei that lives in a pool of the moon. The heroine has agency, though she isn’t an Action Girl. The plot of the first book owes a great deal to the Bluebeard legend. The entire trilogy is dream-like. I wish more people knew about it. The novel turned me on to the dark fairytale fiction of Tanith Lee and Patricia McKillip.

He’s absolutely right. The Darkangel was nominated for the Mythopoeic Fantasy Award, and won the International Reading Association’s annual Children’s Book Award. It was followed swiftly by a sequel A Gathering of Gargoyles; both were published in paperback from Tor. A third novel, The Pearl of the Soul of the World, eventually appeared five years later to complete the trilogy.

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The Dominions of Irth Trilogy by Adam Lee (Avon Eos, 1998-2000). Covers uncredited

The first science fiction website I ever launched was the SF Site, way back in 1995. I partnered with Rodger Turner, Neil Walsh, and Wayne MacLaurin to start Canada’s first big SF book blog, and it was a big success, with plenty of early traffic and award nominations. Best of all, we were soon on a first-name basis with the publicity departments at most of the big publishing houses. That’s how I met Andy Heidel at Avon, who helped me understand their big relaunch as they morphed from Avon Nova into Avon Eos in 1998 — including why they jettisoned cover art in favor of purely design-focused covers (“We’re trying to be the next big thing,” Andy explained).

I loved Avon Eos, and their dedication to quality SF and exciting new authors, but I didn’t love those covers. Frankly, I think readers didn’t know what to make of all the abstract shapes and colors, and especially the lack of identifiable heroes or storytelling elements, and they stayed away in droves. Eos eventually reverted to traditional covers, but I don’t think it ever recovered, and it is no longer a functioning imprint.

I think that misfire hurt most of Avon’s authors in the late 90s. Including “Adam Lee,” the pseudonym A. A. Attanasio adopted to publish his critically acclaimed Dominions of Irth trilogy in the US. The series appeared with a series of generic cover designs, and pretty much sank like a stone. “Adam Lee” died a lonely death, and Attanasio returned to publishing under his own name.

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