Black Gate

The Year’s Best Horror Stories XVI (DAW Books, October 1988). Cover by J.K. Potter

The Year’s Best Horror Stories: XVI was the sixteenth in the lineup and the eighth volume edited by the great Karl Edward Wagner (d. 1994). This book was copyrighted and printed in 1988 and represents the best short horror in the field for 1987. After twelve straight covers with Michael Whelan’s art, we now have a new cover artist, American illustrator J. K. Potter (b. 1956).

If this were published today, I’d think we’d suspect the cover was AI-generated. It looks almost photographic; but rather than being scary, it seems a little silly to me. But it’s still a horrific scene and was also on the cover the convention booklet in 1986 for the 12^th World Fantasy Convention (see below). I’m sure in the mid-1980s it was quite original.

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The Year’s Best Horror Stories XV (DAW Books, October 1987). Cover by Michael Whelan

It’s been awhile, but given a nudge from John O’Neill I’m back with the ongoing perusal of DAW’s Year’s Best Horror series.

The Year’s Best Horror Stories: Series XV was the fifteenth in the lineup and the seventh volume edited by the great Karl Edward Wagner (d. 1994). This book was copyrighted and printed in 1987 and represents the best short horror in the field for 1986. Michael Whelan’s art appears for the twelfth time as a cover for the series. Whelan’s art here depicts a gruesome scene of a severed, but wrapped, human arm in the meat drawer of a refrigerator. A sign of horror trends in the mid- to late 1980s?

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I heard her say, faint as the breath of nightflowers under the stars,

“The fabled land of Zimiamvia. Is it true, will you think, which poets tell us of that fortunate land: that no mortal foot may tread it, but the blessed souls do inhabit it of the dead that be departed: of them that were great upon earth and did great deeds while they were living, that scorned not earth and the delights and the glories of earth, and yet did justly and were not dastards nor yet oppressors?”

 Very shortly after the paperback publication of The Lord of the Rings made it a best seller, Ballantine Books began treating publishing other paperback fantasy novels, turning fantasy into a genre. Some of these were by contemporary authors, such as Joy Chant, Katherine Kurtz, or Evangeline Walton; but many more were older works being brought back into print. Among these older works was E.R. Eddison’s Mistress of Mistresses, first published in 1935.

Eddison had begun writing fantasy in 1922 with The Worm Ourobouros, which Ballantine also republished, a little earlier. In fact they treated them as two volumes of a series. There is indeed a minor linkage between them: The Worm Ourobouros begins by introducing a viewpoint character named Lessingham, who has a dream in which his consciousness is transported to Mercury and witnesses the events of the novel proper, though he doesn’t take part in them and soon enough is no longer mentioned even as a witness.

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