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Neverwhens: Picts, Romans, Eldritch Horrors and Giants in the Earth collide in The Shadows of Thule by Patrick Mallet and Lionel Marty

Neverwhens: Picts, Romans, Eldritch Horrors and Giants in the Earth collide in The Shadows of Thule by Patrick Mallet and Lionel Marty

The Shadows of Thule (Humanoids, August 15, 2023). Cover by Lionel Marty

Scotland, 2nd Century AD. The Roman conquest has stopped south of Hadrian’s Wall; beyond it lies the land of the unconquered Gauls, and even further north, the wild hills of the Pictish people.

When a Roman general loses his wife in a Pictish raid, a mysterious necromancer convinces him to awaken an ancient horror and unleash it on the North. In response, Cormak Mac Fianna, the last king of the Picts, unites his fractured tribes to fight the rising evil. But he soon finds that the power of his tribes is not enough to stop the terrifying Shadows of Thulé from destroying everything in their path.

The only solution is to join forces with their enemies to fight the coming apocalypse but can the Picts, the Gauls, and the Romans set aside their differences long enough to save the world from the ancient evil threatening their existence?

It’s a growingly fine time for sword & sorcery: via small press efforts, via a new work by a major press (Howard Andrew Jones’s magisterial Lord of a Shattered Land) and by Titan’s reprints and pastiche of the works of Robert E. Howard. Among Titan’s efforts has been a much-heralded new Conan comic (rightly so, so far), but this ignores the long-standing catalog of French sword & sorcery comics (indeed, the French mag The Cimmerian is several years old already, and also decidedly better than Marvel’s recent mishandling of the adventuring barbarian.) Fortunately, Humanoids has been increasingly making a number of their titles available in English translation, and one of the newest is about as Sword & Sorcery as it gets!

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A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part II

A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part II

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Last week, fellow Robert E Howard Foundation Award-winner John Bullard wrote about Breckenridge Elkins. At the end of his life, it wasn’t Conan and fantasy that REH was earning a living with – it was Westerns with humor. So, here’s Part II, covering more funny Westerns. Next week, another Pulp (and Sherlock  Holmes) buddy, William Patrick Murray, will delve into REH’s Weird Westerns. Read on! 

Rough and Ready Clowns of the West:  Robert E. Howard’s Humorous Western Characters Part II

Last week, we looked at Robert E. Howard’s attempts to break into other pulps besides his humorous boxing tales, and fantasy, and horror stories. His creation in the summer of 1933, of Breckinridge Elkins, a recurring funny Western character series for the Action Stories pulp, became very popular and lucrative. His success with it had Howard try to create more funny Western characters to sell to increase his earnings, just as he had done with his funny boxing characters. He created three characters that were each based off Breckinridge Elkins to varying degrees. He was able to sell all three to the pulps, with two starting on the road to becoming recurring characters that only ended with Howard’s death.

Bearfield Elston, the Psychotic Breckinridge Elkins

There was one rejected Breckinridge Elkins story, “A Elkins Never Surrenders”, that Howard rewrote to star his new character of Bearfield Elston. Under its “newish” title, “A Elston Never Surrenders”, Howard sent it to his agent, Otis Kline. Kline eventually sold it to the Star Western pulp in May, 1936, where it was published in the September 1936 issue under its new title of “The Curly Wolf of Sawtooth”. In comparing the two stories, Howard generally just changed the name of Breckinridge to Bearfield Elston.

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A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part I

A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part I

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A (Black) Gat in the Hand was primarily about hardboiled Pulp stuff when it began, because that’s what I mostly what I was interested in, and knew about. And I was the one writing it. But over our six year run here, I’ve gotten some friends to help me out. Some wrote about hardboiled, but others have filled in the Pulp gap with interesting essays on other areas. I’m really pleased that the scope has been expanded. And the next few weks, we’re gonna explore the Western genre (Duane Spurlock started us off with a 2019 essay on one of my favorites – T T Flynn).

I’ve gotten to know a bunch of neat folks through my love of Robert E. Howard. And I met fellow REH Foundation Award winner John Bullard at the 2022 Howard Days. We have several common interest areas. One is Robert E. Howard. One is NOT Howard’s Breckenridge Elkins (though we both like Sailor Steve Costigan). John joins A (Black) Gat with a deep dive into Howard’s successful character. Next week he’ll be back for a look into Howard’s other humorous Western characters. 

Rough and Ready Clowns of the West: Robert E. Howard’s Humorous Western Characters, Part I

Since Bob invited me to contribute something on Robert E. Howard and his voluminous writings for his continuing A (Black) Gat in the Hand series, I thought I would write on Howard’s humorous pulp Western characters. They are not particular favorites of Bob’s (shocking!), so he probably won’t be writing about them for this series any time too soon. Also, this summer is the 90th anniversary of the creation of Breckinridge Elkins, one of Howard’s best-selling characters during his life. Because Elkins was such a success, Howard created three more humorous Western characters using Elkins as a starting point: Bearfield Elston, Buckner J. Grimes, and Pike Bearfield. That should be enough reasons for a look at Howard’s rough and ready clowns of the West.

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Bob’s Books – Shelfie #5: (REH, Moorcock, Kurtz)

Bob’s Books – Shelfie #5: (REH, Moorcock, Kurtz)

It’s installment number five in Bob’s Shelfie series. This time, I’ll do a shelfie for my favorite fantasy author (Tolkien is second) – Robert E. Howard.

He is of course best known for his Conan the Cimmerian (the movies made it ‘the Barbarian’). They are terrific sword and sorcery stories. If you only know the movies, you should read some of the stories.

On the bottom left are the Del Rey volumes, covering most of his writing. Howard struggled to make a living as a pulpster in Cross Plains, TX, during the Depression. He wrote fantasy, weird menace, westerns, boxing,spicy, horror, historical – the guy was an extremely talented writer. And those Del Reys are superb collections – with some great intros from very knowledgeable folks.

He was an extremely prolific letter writer, and I’ve got several books of his –mostly with fellow Weird Tales contributor, HP Lovecraft.

I never got into graphic novels, but I really like the Marvel Omnibus’ of the color comic that started in the seventies. The three mini-memoirs from Roy Thomas, covering the first hundred-ish issues, are fantastic and great buys.

Up top are various pastiches by other authors. I used to have all the Tors, but don’t any more. Many are pretty poor. For me, L. Sprague de Camp did pretty well (though he was an ass toward REH) and John Maddox Roberts was the best of the Tors, along with Chris Hocking’s lone book (he wrote a second, which has had a long, torturous path to still not being out there – but is due out soon). I like Robert Jordan’s six books, though they all kind of feel the same by the end.

And those two plaques are awards I’ve received from the Robert E. Howard Foundation for my work in the REH world.

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Conan has Come Hither: The Book is in Print! (May 1)

Conan has Come Hither: The Book is in Print! (May 1)

It’s here! You probably know that back in 2019, many of the leading Robert E. Howard experts and fans contributed to a terrific series here at Black Gate on REH’s Conan stories. Prior to that, Black Gate’s own Howard Andrew Jones, along with Bill Ward, had over on his own blog, done a deep dive into each story as well.

Jason Waltz and his Rogue Blades Foundation combined those two series’ and added much more content. Now, Hither Came Conan is a print book that is THE definitive guide to REH’s sword-swinging Cimmerian (Hollywood added ‘the Barbarian’ tag – that’s not REH).

Howard wrote 20 Conan short stories, and one novel. Plus, there’s one unfinished tale (“Wolves Beyond the Border”). Each of the twenty-two stories has an essay from the Black Gate series, as well as Howard and Bill’s blog entry. Plus, there are thirteen new essays related to various stories. Finally there, are eleven additional essays not tied to a specific story.

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Senator, You’re No Jack Kennedy. Continautors – Yes or No?

Senator, You’re No Jack Kennedy. Continautors – Yes or No?

Official continuators of a literary series can engender mixed emotions. Some folks are happy to see more stories of a character they like – even if the creator has died. Others feel that only the original author should write that character and they should lie in the grave together.

Characters eventually enter the public domain. Though exactly when varies in different countries; and it’s not always clear, regardless. But the rights holders (often the family of the author, or their Estate) contract with someone to continue the series. I have read several official continuations (though I still haven’t gotten around to Ben Black’s Philip Marlowe. And as I recall, Poodle Springs didn’t do anything at all for me). I’m gonna talk about a few, with comments on the concept, mixed in.

Tony Hillerman/Anne Hillerman

Anne Hillerman had previously written some non-fiction when she took over her late father’s Navajo Tribal Police series. The ONLY reason she is writing these books is because she owns the rights. Quite simply, her continuation novels are terrible. And are a bastardization of her father’s books. I wish someone could prevent her from any more of them.

Anne completely transformed her father’s series. She was not interested in writing more books in his style. Expanding from ‘Leaphorn and Chee.’ they are now officially ‘Leaphorn, Chee, and Manuelito Novels.’ She has completely shifted the emphasis to Bernie Manuelito. Chee is an emasculated husband who would be better off completely out of the books. They’re now like Lifetime movies about Bernie and her issues with her mom and sister, and unhappiness with Chee’s attitude at least once a book. It’s exhausting read them.

Louisa Bourbonette is now so annoying, I wish that Leaphorn (who was actually lobotomized by a gunshot wound in the first two books) would dump her.

Stargazer (the sixth book) is the worst continuation novel I’ve ever read. Well, I actually, partly read. The first five books were bad, and that one was so terrible, I abandoned it part-way through.

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A Must-Buy For Any Howard Fan: Robert E. Howard Changed My Life edited by Jason M. Waltz

A Must-Buy For Any Howard Fan: Robert E. Howard Changed My Life edited by Jason M. Waltz


Robert E. Howard Changed My Life (Rogue Blades Foundation, June 9, 2021). Cover by Didier Normand

Many of us “older folk” (I’m using that term very broadly) can attest to some experience in their early years — usually somewhere around 13-years old — where some individual, some book or books, some movie, some band or something similar made a huge impact upon our lives, an impact with a positive and profound, lasting influence.

For me, it was probably getting my first basic box set of Dungeons & Dragons (with the Erol Otus cover) for Christmas in 1981. I was only 12 at the time. Thereafter I immediately began to beg for, or scrap together any money I could to buy, any D&D books that I could get my hands on. And probably the most influential D&D book I got shortly thereabout was the hardback Deities & Demigods (again with an Erol Otus cover). This book had chapters on a host of traditional mythologies, each with its own heroes, gods and monsters — provided with D&D stats of course! But Deities & Demigods also contained other “mythologies” that were rooted in the books of authors like Michael Moorcock, H. P. Lovecraft and Fritz Leiber. This opened up a whole literary world for me that, I can fairly say, changed my life in integral ways.

Perhaps you’re old enough to relate to something similar happening to you. Evidently many can claim that the books of Texas writer Robert E. Howard (1906–1936) had such an impact. Rogue Blades Entertainment’s new book Robert E. Howard Changed My Life: Personal Essays about an Extraordinary Legacy gives a whole litany of testimonies to such. How did this interesting book come about?

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IMHO: A PERSONAL HISTORY OF SWORD & SORCERY AND HEROIC FANTASY

IMHO: A PERSONAL HISTORY OF SWORD & SORCERY AND HEROIC FANTASY

Weird Tales featuring “Devil in Iron” by Robert E. Howard, art by Margaret Brundage (~1934); Conan the Conqueror by REH and Lyon Sprague de Camp, art by Frazetta (~1967);  The Road of Kings by Karl Edward Wagner art by Matt Stawicki (1979); Kothar of the Magic Sword by Gardner F. Fox, art by Jeff Jones (~1969)

The Evolving and Cloned Barbarian

Conan, King Kull, Cormac, Bran Mak Morn — names that conjure magic, characters often imitated, but never duplicated. These creations of Robert E. Howard (circa 1930) started the Sword and Sorcery boom of the 1960s and early 1970s. Then there are the barbarian warriors inspired by Howard — “Clonans,” as one writer recently referred to these sword-slinging, muscle-bound characters. A fair observation, but in some cases, not so true.

I prefer to think of these “Clonan” tales of wandering barbarian heroes as “Barbarian Solo” adventures because the majority of these characters are lone wolves, without sidekicks or even recurring companions. This is a big part of their appeal, in fact, and in their own way, they are reminiscent of many cinematic westerns. I’ve read many, if not most, of the early Conan pastiches, including the novels based on Howard’s other creations. Karl Edward Wagner’s, Poul Anderson’s, and Andy Offutt’s portrayals of the Cimmerian come within a sword’s stroke of Howard’s original vision. L. Sprague de Camp and Lin Carter, in commodifying the character, arranged the long, informal saga of Conan in chronological order and, by extenuating these adventures with dozens more, made of Howard’s creation a long-form series similar to the episodic success of a television show on a prolonged run of diminishing returns. For some readers, however, the advantage of this development is that it provided a sort of character arc as Conan grows from a youth to an older man.

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A (Black) Gat in the Hand: Back Porch Pulp #1

A (Black) Gat in the Hand: Back Porch Pulp #1

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I did six Back Deck Pulp installments. If you don’t know what that was – I had a great back deck at my former house. I would sit out there and read a lot. Mostly pulp stuff, but other things too. And I would take a pic of the book/or rarely, on my Kindle); trying to include some of my yard, or deck, and my leg or knee (hey – it was just a thing). And I’d talk about what I was reading. Usually sharing info about the author.

They were fun little things to share what I liked reading. And often it was a plug for an upcoming A (Black) Gat in the Hand post. I’m in an apartment now, with a small concrete slab back porch. With winter, and then the brutal heat of June, now behind us, I’m getting out there to read a little more. So, Back Porch Pulp makes its debut as Back Deck Pulp’s successor. Enjoy!

JACK HIGGINS

Back Deck Pulp has been re-branded. Back Porch Pulp. I read a $1.99 Jack Higgins ebook, “Comes the Dark Stranger.”

I have 49 Higgins books on the shelves: I’m a fan. That one was ‘meh.’ Predictable and not that exciting.

I’m a big fan of his WW II historical fiction stuff. And the first dozen Sean Dillon books.

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A (Black) Gat in the Hand: Thrilling Adventures from Robert E. Howard

A (Black) Gat in the Hand: Thrilling Adventures from Robert E. Howard

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Two weeks ago, we followed Robert E. Howard out of our usual mean streets, and into the Shudder Pulps. Two-Gun Bob was our tour guide again last week, as we wandered into Spicy Adventures territory. Howard is a great guide through the pulps, and this week, Kirby O’Donnell takes us to the Adventure Pulps.

Robert E. Howard sold his first story in 1925, with “Spear and Fang” appearing in the July issue of Weird Tales. One of Howard’s first characters, written as a young teen, was a Texas gunslinger who roamed the wilds of Afghanistan and neighboring areas. Francis Xavier Gordon, who would be better known as El Borak (The Swift) was Howard’s attempt to get into the higher paying, prestigious pulps, like Argosy, and Adventure.

Unfortunately, that turned out to be an unassailable market for Howard, and he did not get his first adventure story published until late 1934. At the peak of his writing skill, he would, sadly, be dead in less than two years. And it wasn’t a more developed El Borak that got Howard into the market. It was a very similar, less complex character named Kirby O’Donnell.

My REH friend Dave Hardy has written two excellent articles on El Borak and Howard’s gunslingers of the Near East. The definitive essay on the topic is in the Del Rey El Borak and other Adventures collection. And you can find the other here at Black Gate, in our Discovering Robert E. Howard series.

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