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I Read a Year of Robert E. Howard Pastiche So You Don’t Have To (But you really might want to)

I Read a Year of Robert E. Howard Pastiche So You Don’t Have To (But you really might want to)

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Three installments in The Heroic Legends Series from Titan Books: Conan:
The Shadow of Vengeance by Scott Oden (January 30, 2024), Solomon Kane:
The Hound of God by Jonathan Maberry (November 28, 2023), and Bran Mak
Morn: Red Waves of Slaughter by Steven L. Shrewsbury (March 26, 2024)

Pastiche — basically, licensed fan-fic — has been around as long as there has been fiction, but certain properties “lock in” on it; becoming sometimes so richly filled with authorized sequels, continuations or standalones, that the pastiche comes to outweigh the original work. BG’s Bob Byrne might tell me I’m wrong, and has the chops to do so, but I think Sherlock Homes probably outweighs every other character for stories written by hands other than the original author. But in the fantasy realm, that nod must go to Robert E. Howard, and of all his creations, to Conan of Cimmeria.

Starting with L. Sprauge de Camp and Lin Carter’s “posthumous collaborations,” of the mid-20th Century, wherein they finished unfinished manuscripts, rewrote non-Conan stories and added tales of their own to create a coherent timeline of his adventures, REH pastiche truckled along quite steadily through the 70s, with stories by diverse hands from Poul Anderson to Karl Edward Wagner, Dave Smith and Richard Tierney to Andrew Offut, and for not only Conan but for Solomon Kane, Bran Mak Morn, Black Vulmea and others.

Many of these works were forgettable, some pretty good and a few excellent (IMO, the Offut Cormac Mac Art stories co-written with Keith Taylor are decidedly better than Howard’s use of the character and stand on their own as great S&S). After a glut of Conan novels into the early 80s by TOR, again by many diverse hands such as Robert Jordan and John Maddox Robert, the wind went out of Sword & Sorcery’s sails and there was little-to-nothing in REH pastiche for decades. Conan lived on for a time in Marvel comics, then a Dark Horse’s excellent reboot, in a MMORG, and that was it.

Then, out of nowhere, Heroic Signatures proudly announced it had acquired the rights to Robert E. Howard’s properties in 2018 – and did nothing. Nothing until the last two years, when they suddenly launched a three-pronged approach – novel length works, a new Conan comic series partnered with Titan, and a series of monthly digital short stories penned by established fantasy and horror writers. It’s the latter we’ll talk about here.

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All My Robert E. Howard Essays (October 2024)

All My Robert E. Howard Essays (October 2024)

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I am the in-house mystery guy (that’s how I hoodwinked John O’Neill into giving me a weekly column). Ten years later, he’s still trying to configure the Firewall to keep me from getting up my Monday morning post! I organized the Discovering Robert E. Howard, and Hither Came Conan series’ here at Black Gate. And contributed, of course. That’s the advantage of being in charge of them!

Robert E. Howard is my second-favorite writer (trailing only the terrific John D. MacDonald), and I’ve written over two dozen essays related to him here at Black Gate. With more to come, of course. I posted my second Kirby O’Donnell post in last month, and I’m working on my second spicy tales post.

I came late to Howard. I have loved mythology since grade school. The Iliad remains one of my all-time favorite stories, and I have a copy of Schleimann’s Ilios. That led me to Dungeons and Dragons in middle school, and I know I was reading The Lord of the Rings somewhere around the 8th grade. I was a fantasy fan for life.

I bought the first Ace Conan paperback, but it sat on my shelf, unread. Not sure why. I know I read David C. Smith’s Oron, but not that one. As my son was playing with the Thomas the Train layout in the kids section of Barnes and Noble one day, I started reading the first Dely Rey Conan book. I read that the next time we were there. And I bought it. And Robert E. Howard would move up the ranks of my favorite writers, as I bought more Del Reys.

Conan and El Borak are about even at the top, and then Solomon Kane. But I just continued to like Robert E. Howard, more and more.

Here are all of my own Robert E. Howard-related essays here at Black Gate. A couple are pretty good, I think. Mostly in the first two sections below. Check out a couple, please. By Crom!

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Southern Horror: Pigeons from Hell by Robert E Howard

Southern Horror: Pigeons from Hell by Robert E Howard

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“Voodoo!” he muttered. “I’d forgotten about that—I never could think of black magic in connection with the South. To me witchcraft was always associated with old crooked streets in waterfront towns, overhung by gabled roofs that were old when they were hanging witches in Salem; dark musty alleys where black cats and other things might steal at night. Witchcraft always meant the old towns of New England, to me—but all this is more terrible than any New England legend—these somber pines, old deserted houses, lost plantations, mysterious black people, old tales of madness and horror—God, what frightful, ancient terrors there are on this continent fools call ‘young’!”

This exclamation by Griswell, the protagonist of Robert E Howard’s racially fueled horror tale set among the piney woods of the Louisiana-Arkansas border region, always struck me as a bit of a “take that!” to the old gentleman of Providence, HP Lovecraft. I think Howard was on to something as “Pigeons from Hell,” published posthumously in 1938 is a riveting tale of well-earned revenge, voodoo, and the walking dead. Two young travelers from New England decide to spend the night in an abandoned plantation mansion. The balustrade is covered by a flock of pigeons. Its oak door sags on broken hinges, and the interior is dark and dusty. After they fall asleep, they are ensnared by events set in motion many years ago.

“Pigeons” opens with Griswell (no first name), waking up from a troubled sleep on the floor of a dilapidated plantation mansion. He had dreamt of a “vague, shadowy chamber” wherein “three silent shapes hung suspended in a row, and their stillness and their outlines woke chill horror in his soul.” In the corner crouched a “Presence of fear and lunacy.” As his eyes open, he spies something crouching at the top of a flight of stairs.

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How Billy Graham’s Conan Art Got Him Fired from Fantastic Magazine

How Billy Graham’s Conan Art Got Him Fired from Fantastic Magazine

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Fantastic magazine, edited by Ted White. August 1972. Cover by Jeff Jones

I read Rich Horton’s Retro Review of the August 1972 issue of Fantastic magazine here at Black Gate, and I remember being excited by what I presumed was the first appearance of Conan in Fantastic, and then realizing just how awful the novelette was, which was made even more disappointing by the fact that this cover was the first time the great Jeff Jones, already known for terrific depictions of Howard’s Solomon Kane, tackled Conan.

Even in 1968, when I read Conan the Adventurer at the age of ten, I noticed that all the best Conan stories were by Howard, but it took me into my early teens to realize just how bad the non-Howard ones were. Yes, De Camp was a much better writer than Carter, but his work lacked the passion and pulp poetry necessary for the character, and something like “Beyond the Black River” (which my penpal Fritz Leiber thought was the best Conan story, along with “People of the Black Circle,” which Fritz liked for its sympathetic villain and capable proto-Indian heroine), was completely outside De Camp’s wheelhouse.

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A Master of his Art: Rattle of Bones and Other Terrifying Tales by Robert E. Howard

A Master of his Art: Rattle of Bones and Other Terrifying Tales by Robert E. Howard

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Rattle of Bones and Other Terrifying Tales (Clover Press, October 20, 2020). Cover by Gabriel Rodriguez

“Damned be the dark ends of the earth where old horrors live again.”
— Robert E. Howard

Some of the finest gifts are from your buddy, a kindred spirit and dog brother in REH fandom, such as that damnable reprobate, Levi Combs. At Gamehole Con this year, Levi gifted me with this beautiful copy of Rattle of Bones and Other Terrifying Tales, by Robert E. Howard. And what a treasure it is!

This collection contains some of REH’s finest horror yarns, such as “In the Forest of Villefère,” “Wolfshead,” “Sea Curse,” “Rattle of Bones,” “The Touch of Death,” “Dig Me No Grave,” “People of the Dark,” and “The House of Arabu.” It was published by Clover Press and features beautiful art by Gabriel Rodriguez. It also features an afterword by horror master Steve Niles, perhaps best known for 30 Days of Night.

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A (Black) Gat in the Hand: REH’s Swords of Shahrazar

A (Black) Gat in the Hand: REH’s Swords of Shahrazar

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Back in 2022, I covered three different Pulp genres of Robert E. Howard. The third looked at one of my REH favorites – the Adventure Pulps. I talked about Kirby O’Donnell’s “Gold from Tartary.” You can read that here.

Howard had created El Borak as teen, and refined him years later, with “The Daughter of Erlik Khan” appearing in December of 1934. El Borak is his best-known ‘Cowboy of the East,’ and rivals Conan as my favorite REH character. But Howard found it impossible to break into the higher-paying Adventure pulps, and only four of his seven El Borak stories saw print during his lifetime. Two were published not long after his suicide, while the other two lay unpublished for decades.

Kirby O’Donnell was a similar character to El Borak, and he saw print first, with “Swords of Shahrazar in the October, 1934 issue of Top-Notch Magazine. I talked about that publication in my prior essay. Curiously, “Swords” was actually a direct sequel to “Gold from Tartary,” which appeared after “Swords,” in the January, 1935 issue of Thrilling Adventures.

“Swords” was about twice as long as “Gold,” and maybe that played into the decision to pass on it. But it certainly flows smoother to read “Gold,” then “Swords.”

I mentioned in “Gold” that Howard starts thing off FAST. Here, O’Donnell had awoken to a stealthy footstep near his room in the palace of forgotten Shahrazar. And in paragraph four, was “a great black body hurtling at him from the shadows, the gleam of a plunging knife.”

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An Essential Purchase: The Weird Tales Boys by Stephen Jones

An Essential Purchase: The Weird Tales Boys by Stephen Jones

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The Weird Tales Boys (PS Publishing, September 2023). Cover by Les Edwards

How could I not purchase The Weird Tales Boys, by Stephen Jones? It focuses on the three authors whose work has most inspired me for decades: Robert E. Howard, H.P. Lovecraft, and Clark Ashton Smith.

In fact, I created a small business whose core product, the Hyperborea RPG, is inspired by the works of these three iconic giants of weird fiction, horror, fantasy, and sci-fi.

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Conan Well Captured: Conan: City of the Dead by John C. Hocking

Conan Well Captured: Conan: City of the Dead by John C. Hocking

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Conan: City of the Dead (Titan Books, June 18, 2024). Cover by Jeffrey Alan Love

John C. Hocking’s (1960 -) Conan and the Emerald Lotus came along in 1995, near the end of the Tor Conan pastiche series of books. I’d read a lot of pastiches early but by ’95 was burned out on them and stopped picking up the new ones. So I never read Hocking’s entry. Until now.

In 2024, Titan Books published Conan City of the Dead, by Hocking. It contained Conan and the Emerald Lotus, and a second pastiche called Conan and the Living Plague. Hocking had written Living Plague under contract with Conan Properties, but when the ownership changed hands, the book fell into a limbo that lasted some 25 years.

The wait must have been agonizing for Hocking, but the result was a very nice hardcover printing of both his books together, with some neat interior illustrations by Richard Pace. The cover art is uncredited.

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Quatro-Decadal Review: Weird Tales, November 1989, edited by John Betancourt, George H. Scithers, and Darrell Schweitzer

Quatro-Decadal Review: Weird Tales, November 1989, edited by John Betancourt, George H. Scithers, and Darrell Schweitzer

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Weird Tales, Fall 1989 (Terminus Publishing). Cover by J.K. Potter

There has been quite the gap in my reviews. I’ve been high-centered on Weird Tales. Many factors played a role in this — mostly that it is not a small magazine by any stretch. Then there is the fact that I read it in early 2023, got distracted by other things, and had to re-read it to write about it.

As readers of these reviews know, I don’t hold back re: spoilers for 35-year old stories. New readers, be warned!

Frequent readers will also recall that I often hypothesize on the thoughts and drives of the editors, but in this case I don’t have to hypothesize — my friends, we live in the future and I was able to get the straight dope right from The Grey Eminence himself: Darrell Schweitzer.

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Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

Hither Came Scott Oden: The Shadow of Vengeance, a Sequel Robert E. Howard SHOULD have Written

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Conan: The Shadow of Vengeance (Titan Books, January 30, 2024)

Octavia tore her gaze from the grisly noose. Hope fluttered in her breast, for through the guttering smoke from scores of torches she saw the Cimmerian astride his mighty stallion. He stood motionless, a statue hewn from whalebone and gristle — save for his eyes. Even with the breadth of the Red Brotherhood between them, Octavia recognized the death fires kindled in those cold blue orbs.

There is a magic to some writer’s prose; it pulses and pounds, like Robert E. Howard writing about Conan, or has a clever, articulate subliminity in which a bright man finds himself feeling the fool in a genius’s shadow (Doyle’s Watson writing about Holmes), that infuses a character and their canon.

This is part of what makes pastiche such a tricky business to evaluate and review. Some hate the idea of pastiche, in which case, any review is pointless. On the other hand, pastiche — the continuation of an author’s characters in new adventures is a long-established tradition that reaches back to the tales of the pre-Classical world and continues on the reams of unlicensed fan-fic. So, let’s leave that debate for elsewhere, and just assume that you are this far because you love Robert E. Howard, you love Conan, and you want that pulse-pounding, blood-and-thunder sense of adventure you experienced long ago.

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