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Dorsai and Secret Psi Powers: Rich Horton on The Genetic General/Time to Teleport by Gordon R. Dickson

Dorsai and Secret Psi Powers: Rich Horton on The Genetic General/Time to Teleport by Gordon R. Dickson

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The Genetic General-small Time to Teleport-small

Over at Strange at Ecbatan, Rich Horton turns his attention to an author who’s rapidly being forgotten in the 21st Century: Gordon R. Dickson.

So this time an Ace Double featuring a pretty significant novel in SF history, by a pretty significant writer. The Genetic General is much better known as Dorsai!, the title under which it was serialized in Astounding in 1959… Dorsai! was the first major story in Dickson’s central series, called The Childe Cycle… The Genetic General is about a young man of the Dorsai people, from the planet called Dorsai, orbiting Fomalhaut. The Dorsai are mercenaries, and Donal Graeme, as the book opens, is a very young man just ready to go out into the wider human civilization and take on his first assignment. Immediately he encounters a beautiful but scared woman, Anea, the Select of Kultis, one of the Exotic worlds. She has taken a contract to be an escort for the powerful merchant William of Ceta, and wants Donal to get rid of it. He of course realizes that would be a crime and a mistake, and so refuses, but he is set on a collision course with William…

It’s early Dickson, not as well done as some of his later work. But it is quite exciting, and Donal’s military feats make good stories. And Dickson’s ambition is quite apparent — he is interested in deeper themes than just good adventure. I quite enjoyed the book.

Dorsai! was a major installment in a highly popular multi-novel sequence from Dickson, and it remained in print for decades. As Rich noted, it originally appeared in Astounding, serialized across three issues (May, June, and July) in 1959.

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Thrilling Wonder Stories, April 1951: A Retro-Review

Thrilling Wonder Stories, April 1951: A Retro-Review

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Thrilling Wonder Stories April 1951-smallI felt like looking at a classic pulp from the great late stages of the true SF pulps.

A moment of definition is in order here: I consider a true pulp magazine to have been printed on pulp paper, in approximately the traditional pulp size (7″ by 10″), during the heyday of the SF pulps (say, 1926-1955). This is meant to exclude digests (like Astounding after about 1943; and most SF magazines after 1955), and of course slicks. The great pulps (in my opinion) of the early 1950s were the Standard Magazines companion pair, Thrilling Wonder Stories and Startling Stories, and Planet Stories (published by Love Romances).

So this is Thrilling Wonder Stories for April of 1951. Thrilling began publication in 1936, though it was essentially a direct descendant of Wonder Stories, which was founded by Hugo Gernsback after he lost control of Amazing, first as two magazines, Air Wonder Stories and Science Wonder Stories, that soon merged into one. The editor is uncredited but at this time was surely Sam Merwin, Jr., who took over the magazine in 1945, and who left at the end of 1951, Sam Mines taking over. Sam Merwin, little enough celebrated at the time, was actually a quite effective editor, raising the quality of Thrilling Wonder Stories and Startling Stories to at least shooting distance of Astounding – perhaps the quality at the top wasn’t as good, but the vibe was a bit more entertaining, less didactic.

Indeed, I discussed this premise – that Thrilling Wonder and Startling were nearly the equal of Astounding – with a few other folks who know the magazines of that time as well or better than I do, and we came to the conclusion (some holding this view more strongly than others) that in about 1948-1950 that was a very defensible statement, but that by 1951 they were falling behind. And the reason seemed obvious once suggested: the appearance in late 1950 of Galaxy (not to mention the appearance slightly earlier of F&SF) provided a new market that quickly attracted most of the best stories that Campbell didn’t or couldn’t buy.

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Space Stations With Secret Passages, and Snow White in Space: Rich Horton on Sanctuary in the Sky by John Brunner/The Secret Martians by John Sharkey

Space Stations With Secret Passages, and Snow White in Space: Rich Horton on Sanctuary in the Sky by John Brunner/The Secret Martians by John Sharkey

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Sanctuary in the Sky John Brunner-small The Secret Martians Jack Sharkey-small

After a series of duds, our intrepid retro-reviewer Rich Horton turns to the always-reliable John Brunner.

I’ve read some weak Ace Doubles lately, so I tried to improve my fortunes by picking one with a John Brunner half. I can almost always count on Brunner for entertainment with a thoughtful edge. Brunner (1934-1995) of course was one of the field’s greats, a Hugo winner for Stand on Zanzibar (1968). He had a bifurcated career a bit like Robert Silverberg’s: beginning around the same time as Silverberg he was extremely prolific early in his career, publishing a lot of quickly executed and competent work; and then sometime in the early to mid ’60s seems to have consciously raised his level of ambition, beginning with novels like The Whole Man and The Squares of the City, and continuing to his famous quartet of long novels, beginning with Stand on Zanzibar, then The Jagged Orbit, The Sheep Look Up, and The Shockwave Rider.

The book under consideration this time is the 1960 Ace Double Sanctuary in the Sky by John Brunner, paired with The Secret Martians by the far less well known John Sharkey.

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Amazing Stories, October 1962: A Retro-Review

Amazing Stories, October 1962: A Retro-Review

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Amazing Stories October 1963-small Amazing Stories October 1963-back-small

Back to Cele Goldsmith’s Amazing. This is a minor issue in context.

The cover is by an artist I’m not familiar with, Bill Conlon. The interiors are by Virgil Finlay, Austin Briggs, George Schelling, Lloyd Birmingham, and Dan Adkins. Norman Lobsenz’ editorial is about science vs. the humanities. The science fact article is called “The Nuclear Putt-Putt,” by Frank Tinsley, and it’s about Project Orion (the notion of propelling a spacecraft by nuclear bombs). Sam Moskowitz contributes a profile of the late Henry Kuttner, reflecting the view that much of what he wrote under his own name was garbage, so no one could believe he was behind the Lewis Padgett stories.

S. E. Cotts’ book review column covers Great Science Fiction by Scientists, edited by Groff Conklin; The Long Tomorrow, by Leigh Brackett; Return to Otherness, by Henry Kuttner; Telepath, by Arthur Sellings; and The Super Barbarians, by John Brunner. He praises the Conklin anthology for its off-center focus — the fiction of actual working scientists — less than for the quality of the actual stories. The review of The Long Tomorrow is an out and out rave (with an apology for having taken so long to get around to it).

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Future Treasures: The Year’s Best Science Fiction & Fantasy 2016, edited by Rich Horton

Future Treasures: The Year’s Best Science Fiction & Fantasy 2016, edited by Rich Horton

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The Year's Best Science Fiction & Fantasy 2016-smallWe are well and truly into the Year’s Best season now, that delightful part of the year when the annual best-of-the-year anthologies start flying thick and fast. This year this season kicked off with Jonathan Strahan’s Best Science Fiction and Fantasy of the Year: Volume Ten, and next week Neil Clarke’s The Best Science Fiction of the Year, Volume 1 follows close on its heels. And that’s just the beginning — over the next two months we’ll see Year’s Best books from Gardner Dozois, Paula Guran (two!), Ellen Datlow, Karen Joy Fowler and John Joseph Adams, and many others. If you’re a short story lover like me, it’s a veritable embarrassment of riches.

If you can only afford to buy one, for my money Rich Horton’s The Year’s Best Science Fiction & Fantasy 2016 is the one to get. Rich’s taste is exemplary, and he ranges far and wide to hunt down the very best short fiction of the year. The eighth volume goes on sale next week, and includes C. S. E. Cooney’s novella The Two Paupers and Naomi Kritzer’s Hugo and Nebula nominee “Cat Pictures, Please,” plus several other Nebula nominees — including Tamsyn Muir’s novelette “The Deepwater Bride,” Brooke Bolander’s “And You Shall Know Her by the Trail of Dead,” and “Today I Am Paul” by Martin L. Shoemaker — and 25 more stories.

I do find that, year after year, Rich’s taste tends to align best with mine. But with several newcomers on the scene, I’m curious to see if Rich remains at the top of the heap. Giving him particular competition last year were the Strahan and Paula Guran volumes, especially The Year’s Best Science Fiction & Fantasy Novellas (and this year’s looks especially good).

Rich Horton’s The Year’s Best Science Fiction & Fantasy 2016 will be published by Prime Books on June 7, 2016. It is 576 pages, priced at $19.95 in trade paperback and $6.99 for the digital edition. See the complete table of contents here.

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Parallel Universes and Space Marines: Rich Horton on The Games of Neith by Margaret St. Clair/The Earth Gods are Coming by Kenneth Bulmer

Parallel Universes and Space Marines: Rich Horton on The Games of Neith by Margaret St. Clair/The Earth Gods are Coming by Kenneth Bulmer

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The Games of Neith-small The Earth Gods Are Coming-small
Galaxy, June 1975
Galaxy, June 1975

Over at his website Strange at Ecbatan, Rich Horton looks at another obscure Ace Double.

Here’s an Ace Double featuring a couple of authors I’ve discussed before. I bought it partly because of that — both writers have proved enjoyable in the past, St. Clair often more than that, and, partly, frankly, because of the quite gorgeous Emswhiller cover on the St. Clair book, which for some reason reminded me of Wendy Pini’s cover for the June 1975 Galaxy.

I wrote before about Margaret St. Clair (1911-1995) as follows: “She was one of the more noticeable early women writers of SF, but somehow her profile was a bit lower than those of C. L. Moore, Leigh Brackett, and Andre Norton. Perhaps it was simply that those writers did just a bit more, and were just a bit better (taken as a whole) than her, but it does seem that she’s not quite as well remembered as perhaps she deserves. One contributing factor is that she wrote some of her very best stories pseudonymously, as “Idris Seabright.” 20 or so of her 50+ short stories were as by Seabright, including some of the very best (such as “Short in the Chest” and “An Egg a Month from All Over”). She also wrote 8 novels (four of them published as Ace Double halves). Her career in SF stretched from 1946 to 1981…”

Reading this book made clear to me another reason St. Clair is not as well remembered as Moore, Brackett, or Norton — she was much weaker at novel length than at shorter lengths. At least, that is, based on those I’ve read. The Games of Neith was a terrible disappointment to me — it’s really just a bad, silly, book.

Sadly the flip side, Kenneth Bulmer’s The Earth Gods are Coming, doesn’t measure up much better.

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Science Fiction Stories, January 1955: A Retro-Review

Science Fiction Stories, January 1955: A Retro-Review

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Science Fiction Stories January 1955-smallMuch has been made, justifiably, of Robert A. W. Lowndes’ habit of making bricks without straw over decades with Columbia Publications’ magazines, mostly Future and Science Fiction Stories. He fought tiny budgets and ridiculously irregular publication schedules to produce credible issues time after time.

This issue appeared during a fairly prolific time for the magazines, though. Science Fiction Stories was now bimonthly, and, shockingly enough, 6 issues did appear in 1955. For that matter, 4 more issues of Science Fiction Quarterly also appeared. Only one issue of Future, but that makes 11 issues total for Lowndes that year — almost as many as John W. Campbell!

This issue of Science Fiction Stories is light on features — only one is listed, “Voyage to Nowhere,” by Wallace West, but Lowndes notes “Twenty years ago, this would have been presented to readers as a story.” Not to put too fine a point on it, but 60 years later, I still say it’s a story, and I’m not quite sure why Lowndes wants to call it “a speculative essay.” So I’ll list it with the fiction.

The cover is by Ed Emshwiller, not too typical of his best work (and not illustrating any of the stories). Interiors are by Emsh, Freas, and Orban.

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Ancient Planets and Treachery at Every Turn: Rich Horton on The Ginger Star by Leigh Brackett

Ancient Planets and Treachery at Every Turn: Rich Horton on The Ginger Star by Leigh Brackett

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The Ginger Star Steranko-small The Ginger Star Boris Vallejo-small The Ginger Star Planet Stories-small

Over at his personal blog Strange at Ecbatan, Rich Horton reviews one of the great classics of science fantasy, Leigh Brackett’s The Ginger Star, the opening novel in the three-volume Book of Skaith.

I adore the great Brackett stories of the late ’40s and early ‘50s, particularly The Sword of Rhiannon, one of the great pure planetary romances; and other stories in the same loosely developed future (though The Sword of Rhiannon is really set in the past): “The Halfling,” “The Dancing Girl of Ganymede,” “Mars Minus Bisha,” “Shannach – the Last,” for example. Other SF was also very fine, most notably The Long Tomorrow, a post-Apocalyptic novel; but also The Big Jump and The Starmen of Llyrdis. Her slightly later story from Venture, “The Queer Ones” (aka “The Other People”) is excellent, and not terribly well known. The Eric John Stark stories fit into her Mars/Venus/etc. future – and they are quite enjoyable as well. Stark is portrayed as a nearly savage man, raised as an orphan on Mercury, and rampaging through Venus and Mars in the most prominent pieces.

The Skaith novels feature Stark as the protagonist, but they are set on a planet in another Solar System, Skaith. I had assumed that she set them there because the Mars and Venus of the earlier stories was no longer astronomically plausible, and perhaps that is the case, but it should be noted that in these books she does still portray Stark as a native of Mercury – also a highly implausible thing.

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The Hugo Nominations, 2016; or, Sigh …

The Hugo Nominations, 2016; or, Sigh …

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2007 Hugo Award-smallI wasn’t sure I should bother writing this this year, as I’m not sure I have anything new or interesting to say that hasn’t been said, but I feel like getting some thoughts off my chest. This isn’t, I should add, my detailed analysis with voting thoughts … that will come later, after I’ve read the stories.

As most of you know by now, the Hugo Nominations for 2016 were dominated to an even greater degree than last year by the Rabid Puppies slate, organized by Theodore Beale (“Vox Day”). The Sad Puppies also put forth a recommendation list (“Not a Slate™”), and indeed they seem to have done so in good faith – openly gathered a set of recommendations from readers, and using that set put together a list of the most-recommended items in each category, a list longer than the nomination ballot. I don’t see anything whatsoever wrong with this. That said, their direct influence on the final ballot seems to have been minimal – which is, or should be, just fine: so was Locus’ influence, so was mine, etc.

The Rapid Puppies slate took over 75% of the ballot, and apparently the percentage would have been higher except that some nominees withdrew. There are very interesting analyses at Greg Hullender’s Rocket Stack Rank and Brandon Kempner’s Chaos Horizons. Using slightly different statistical models, they came up with estimates of 200 or so to 300 or more Rabid voters. (Vox Day claimed 750 adherents.) It seems likely that the Rabid nominators were much more disciplined in sticking to slate voting this year.

A cursory glance at the fiction entries on the ballot shows that there are some worthwhile, Rabid-supported, entries on it. In Best Novel, for instance, the two Rabid choice, Neal Stephenson’s Seveneves and Jim Butcher’s The Cinder Spires: The Aeronaut’s Windlass seem pretty reasonable. Likewise in Best Novella, all four of the Rabid entries are at least decent.

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Analog, February 1972: A Retro-Review

Analog, February 1972: A Retro-Review

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Analog February 1972-smallNot long ago I wrote about one of the last issues of Analog with John W. Campbell’s name on the masthead, along with a fairly early Ben Bova issue (November 1971 and October 1972). Here’s another issue from that period, officially Bova’s second. But Bova started work in November (I am told), so in all likelihood none of these stories were chosen by him. They must be among the last Campbell selections. (By the way, I earlier speculated that Kay Tarrant or someone else might have chosen a few stories from the slush pile between Campbell’s death in July and Bova’s hiring, but Mike Ashley assures me that no stories were bought in that interregnum.)

This issue has a cover by John Schoenherr. Interiors are by Schoenherr and Kelly Freas. The editorial is by Bova – his first. (The January issue, officially Bova’s first, had a guest editorial by Poul Anderson.) It’s called “The Popular Wisdom,” and it celebrates Campbell’s tendency to dispute conventional answers.

The Science article is also by Bova, “When the Sky Falls,” about exploding stars and even galaxies, and neutron stars, quasars, and black holes. P. Schuyler Miller’s Book Review column, The Reference Library, begins by discussing the increased attention academia was paying to SF, and recommends Thomas Clareson’s collection of non-fiction about SF: SF: The Other Side of Realism. The other books he covers are Isaac Asimov’s second Hugo Winners anthology, Abyss by Kate Wilhelm, Android at Arms by Andre Norton, and Gray Matters by William Hjortsberg. He liked them all, but chides Hjortsberg a bit for his lack of knowledge of real SF. The letter column is absent.

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