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Star Kings, Virtual Reality, and Genetic Monsters: Rich Horton on Crown of Infinity by John M. Faucette/ The Prism by Emil Petaja

Star Kings, Virtual Reality, and Genetic Monsters: Rich Horton on Crown of Infinity by John M. Faucette/ The Prism by Emil Petaja

Crown of Infinity James M Faucette-small The Prism Emil Petaja-small

Over at his website Strange at Ecbatan, Rich Horton takes a look at a long forgotten Ace Double from 1968. So forgotten, in fact, that I’ve never even heard of it. I dug through the dusty pile of Ace Doubles by my bed but, nope, it ain’t in there.

Assuming Rich didn’t just make this book up, it looks like a fascinating artifact, although maybe not for the usual reasons. Here’s Rich on the first half:

The lure for me in this Ace Double is the first novel by John M. Faucette, a fairly little known writer these days, but one of a very small set of African American SF writers before, really, the 1980s, which is amazing and a bit embarrassing for the field… I approached Crown of Infinity, Faucette’s first published novel, with interest and a real desire to like it. The publisher’s copy compares it to Doc Smith and Olaf Stapledon, and, oddly enough, that comparison makes a lot of sense. Unfortunately, the comparison ultimately is utterly to the disadvantage of Crown of Infinity. Indeed, I’d say this book reads as if written by a teenager completely in love with Doc Smith’s work … and with enough talent to imitate aspects of it effectively, but with no ability to structure a novel, nor enough originality to really make the novel “new.”

Here’s the inside cover, with the full description.

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Fantastic Stories of Imagination, January and February 1964: A Retro-Review

Fantastic Stories of Imagination, January and February 1964: A Retro-Review

Fantastic Stories of Imagination January 1964-small Fantastic Stories of Imagination February 1964-small

These issues are significant in that they include the serialization of a Fafhrd and the Gray Mouser novella — but not just any novella: this includes the first and nearly only contribution to the series from Leiber’s original collaborator, and supposed model for the Mouser, Harry Fischer.

Each cover is by Ed Emshwiller, and they both illustrate the serial. The interiors in January are by Emsh, Lutjens (first name perhaps Peter?), Dan Adkins, Lee Brown Coye, and Virgil Finlay. In February they are from the same folks except for Coye.

The editorials concern, in January, Harry Fischer’s role in the creation of Fafhrd and the Grey Mouser, and in February, serious research in both the US and the Soviet Union into telepathy. There is a brief book review column in January, by S. E. Cotts, in which she praises Shirley Jackson’s The Sundial very highly, and is somewhat more reserved on R. DeWitt Miller’s Stranger Than Life, one of those books about “unexplainable events.” The February issue includes a lettercol, According to You, with letters from Bill Wolfenbarger (praise for Schomburg, and for the more horrific side of fantasy), E. E. Evers (much disdain for the November 1961 issue, even for the Le Guin story), and Norman Masters (hated Sharkey’s “The Aftertime,” likes Le Guin).

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Invasion Fleets and Rogue Stars: Rich Horton on Who Speaks of Conquest by Lan Wright & The Earth in Peril, edited by Donald A. Wollheim

Invasion Fleets and Rogue Stars: Rich Horton on Who Speaks of Conquest by Lan Wright & The Earth in Peril, edited by Donald A. Wollheim

Who Speaks of Conquest-small The Earth in Peril-small

Over at his website Strange at Ecbatan, Rich Horton continues his survey of the Ace Double line of 50s science fiction novels with Who Speaks of Conquest by Lan Wright, paired with the anthology The Earth in Peril, edited by Donald A. Wollheim. It was originally published in 1957. Here’s Rich on the Wright novel.

The first Terran starship lands at Sirius (why they didn’t go to Alpha Centauri first is never explained — it turns out to be inhabited, so it can’t be for lack of planets). There they find a welcoming committee, from an intelligent race that has colonized these planets. They learn that the entire Galaxy is under the rule of the Rihnans, apparently a mostly benign rule, but an unquestioned one. Humans are expected to meekly accept their position. Of course, they don’t, and soon an invasion fleet is dispatched from Alpha Centauri. But to the invaders’ surprise, the plucky humans decide to fight back, and moreover they have been able to develop some surprisingly good tech, and the humans win.

The Rihnans don’t take that lying down, and begin plans for a much bigger fleet to suppress Terra. But the humans have their own ideas, and they decide to take the fight to the rest of the Galaxy…

The flip side is a little more interesting from my perspective — an anthology of tales focused on the invasion of Earth, edited by the founding editor of Ace, Donald A. Wollheim himself. The Earth in Peril contains short stories by Murray Leinster, A. E. van Vogt, C. M. Kornbluth, Edmond Hamilton, Bryce Walton, and H. G. Wells.

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Amazing Stories, December 1964: A Retro-Review

Amazing Stories, December 1964: A Retro-Review

Amazing Stories December 1964-smallThe cover to this issue is by Robert Adragna. Interiors are by Adragna and George Schelling. The editorial concerns Sam Moskowitz’ series of Profiles of SF writers, and signals a change to essays by Moskowitz addressing SF’s treatment of certain themes, beginning in this issue with a discussion of Philip Jose Farmer and — you guessed it! — sex and SF.

The article — a fairly long one — begins with a review of some of the SF stories that occasioned controversy by brushing up against sexual issues, and continues with a detailed look at Farmer’s career to date (1964), including of course the controversy surrounding “The Lovers,” but also mentioning I Owe For the Flesh, the first version of To Your Scattered Bodies Go, which had been written for a contest in the early ’50s, and won, and was lost (I understand) after the contest sponsor (Shasta) ran out of money. On the whole, it’s an interesting and worthwhile piece, one of the better things I’ve seen from Moskowitz.

Robert Silverberg’s book review column covers Alfred Bester’s collection The Dark Side of the Earth, Fritz Leiber’s novel The Wanderer, and The Astounding Science Fiction Anthology, edited by John W. Campbell, Jr. Silverberg approves of all three books, and reserves especial praise for The Wanderer — a book which, I would suggest, has not retained much of a reputation (I myself have not got through it on two tries, though it has been a long time, and I suppose I should give it another chance.)

The stories are:

Short Novel

“The Further Sky,” by Keith Laumer (20,000 words)

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Literary Wonder & Adventure Podcast: The Golden Age of Science Fiction, Part II

Literary Wonder & Adventure Podcast: The Golden Age of Science Fiction, Part II

Literary Wonder and Adventure Show The Golden Age of Science Fiction Part 2 Rich Horton

Part II of II; read a review of Part I here.

Host Robert Zoltan has returned with his second installment of a look back at the Golden Age of Science Fiction. Zoltan and (Edgar the Raven’s) guest for Part II is Rich Horton, editor of The Year’s Best Science Fiction and Fantasy (Prime Books), reprint editor for Light Speed, and columnist for Locus and Black Gate.

Horton endorses the standard narrative of the start and finish of science fiction’s “golden age,” which begins with editor John Campbell fully assuming the reigns of Astounding Stories around 1938, and ends when the Magazine of Fantasy and Science Fiction and Galaxy began publishing in 1949 and 1950, respectively. These latter two magazines moved the genre in new directions, though not necessarily worse ones: Horton in fact argues that the fiction published in the silver age of the 1950s was often higher in quality, which seems to undercut the Golden Age moniker affixed to the Campellian era. But the golden age had the benefit of the “shock of the new”; it was a time when new ideas sprang from the pages of Astounding Stories with each new issue. It saw the emergence of some of science fiction’s greatest ideas and lasting tropes, if not consistently high execution or literary sophistication.

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Frontier Guard, Robot Ships, and Rascal Traders: Rich Horton on Space Service, edited by Andre Norton

Frontier Guard, Robot Ships, and Rascal Traders: Rich Horton on Space Service, edited by Andre Norton

Space Service Andre Norton-big

Andre Norton is one of the most revered science fiction writers of the 20th Century. True, much of her work is out of print these days, and she seems to have more or less fallen out of favor with modern readers (except Fletcher Vredenburgh, naturally), but there are still plenty of SF fans who credit her with their introduction to science fiction.

Many readers don’t know that Norton made a name for herself as an editor before she became acclaimed for her own writing. Her three SF anthologies for World Publishing Co., all published between 1953-56, remain some of her most collectible work. Party that’s due to their relative rarity, but the Vigil Finlay covers are also a big factor. These are gorgeous books, eagerly sought by collectors, especially in good condition.

Over at his website Strange at Ecbatan, Rich Horton reviews the first one, Space Service. It appeared in hardcover in 1953 and, like the other two, has never been reprinted.

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Amazing Stories, July 1964: A Retro-Review

Amazing Stories, July 1964: A Retro-Review

Amazing Stories July 1964-smallThis was the last issue edited by Cele Goldsmith — with the next issue she became Cele Lalli, after her marriage.

Ed Emshwiller contributes the cover this time, to my taste not one of his best. Interiors are by Virgil Finlay, George Schelling, and a couple I don’t recognized, identified in the magazine only by their last names: McLane and Blair. Norman Lobsenz’ editorial discusses the effects of space and alien environments on humans, and goes on to wonder how we can justify terraforming planets on which other species live. Ben Bova’s science article, “Operation Shirtsleeve,” then discusses exactly that — how to terraform other planets so that humans can live comfortably there (in “shirtsleeves”).

Robert Silverberg’s book review column, The Spectroscope, first takes on Edgar Rice Burroughs, both on his own (The Cave Girl) and via a slavish imitator (Otis Adelbert Kline, with Prince of Peril). Silverberg’s verdict: “unmitigated trash, subliterate claptrap barely worth the time of children.”

(My verdict, based on a very limited sample (ERB’s first novel, A Princess of Mars aka “Under the Moons of Mars“) is a bit more forgiving — claptrap and trash it may be, but it’s definitely mitigated — at least early in his career Burroughs offered an energetic glee that made him worth reading despite the silliness.)

Next he reviews a couple of collections by major writers — one is an SFWA Grand Master, the other died too young to be named a Grand Master but would certainly have been one eventually, and one of the very best. So: Silverberg finds James Gunn’s Future Imperfect somewhat disappointing next to the best of Gunn’s work; but he finds Sturgeon in Orbit surprisingly better: even though it features uncollected early ’50s stories it manages to surprise with some good stuff, particularly “The Incubi of Parallel X,” a wild piece full of cliches from Planet Stories in 1951 that Sturgeon redeemed with his panache. (I read that story in the Planet Stories issue it appeared in (not in 1951 though!) and I completely agree!)

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Super-Intelligent Cats, Shape-Shifting Aliens, and Mysterious Footprints in the Snow: Rich Horton on 9 Tales of Space and Time, edited by Raymond J. Healy

Super-Intelligent Cats, Shape-Shifting Aliens, and Mysterious Footprints in the Snow: Rich Horton on 9 Tales of Space and Time, edited by Raymond J. Healy

9 Tales of Space and Time-small 9 Tales of Space and Time-back-small

Earlier this week I wrote a brief Vintage Treasures piece about Raymond J. Healy’s groundbreaking anthology New Tales of Space and Time. Groundbreaking because it virtually invented the original science fiction anthology, way back in 1951. I was inspired to write that article by Rich Horton’s review of Healy’s follow-up, 9 Tales of Space and Time, at his blog Strange at Ecbatan. Here’s Rich.

Raymond J. Healy (1907-1997) is primarily remembered within the SF field for his role as co-editor (with J. Francis McComas, one of the founding editors of The Magazine of Fantasy and Science Fiction) of the absolutely seminal 1946 anthology Adventures in Time and Space, with was the first introduction in book form to short SF for many post-War readers. It was reprinted numerous times, including a Modern Library edition in 1957.

Healy edited three other SF anthologies, one more reprint book with McComas, the much shorter and less good More Adventures in Time and Space (1955); and two original anthologies on his own: New Tales of Space and Time (1951) and the book at hand, 9 Tales of Space and Time (1954)… Both books are very good, and both seem to have been quite significant at the time, but I don’t think they are much remembered. The first book had two major stories, Kris Neville’s “Bettyann” and Anthony Boucher’s “The Quest for Saint Aquin,” as well as contributions from the likes of Asimov and Bradbury. The second book has no story as good as those, but it is still quite interesting.

Like Rich, I consider Healy’s first book, Adventures in Time and Space, to be enormously important, perhaps the most important SF anthology of the Twentieth Century.

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Amazing Stories, October 1963: A Retro-Review

Amazing Stories, October 1963: A Retro-Review

Amazing Stories October 1963-smallBack to Cele Goldsmith’s era at Amazing. This issue has a couple of middling stories by two of the strangest and most original of SF writers. The cover is by Lloyd Birmingham, illustrating Cordwainer Smith’s “Drunkboat.” Interiors are by Birmingham, George Schelling, and Frank R. Paul (who had just died). Indeed, Norman Lobsenz’ editorial opens by mentioning Paul’s death (Paul, of course, famously painted the cover for the very first issue of Amazing); and goes on somewhat randomly to mention a National Spelling Bee winner who credited reading SF for his vocabulary (though reading Amazing could hardly have helped his spelling, given the standard of proofreading displayed this issue!); and then mentions Groff Conklin’s latest anthology, Great Science Fiction About Doctors (which in fact made a point of including a number of stories BY doctors, though none by the Good Doctor*).

(*Of course, Isaac Asimov was not a medical doctor, though he was a professor at a medical school.)

“Or So You Say …,” the letter column, features letters by Kathryn Avila (complaining about the low quality of the July issue), Norman M. Davis (praising Robert Young’s “Redemption,” one of the stories Avila had complained about), and Paul Scaramazza, theorizing that the then low (he says) status of fantasy literature is the fault of readers without imagination.

In The Spectroscope, S. E. Cotts reviews a now quite obscure book, The Fools of Time, by William E. Barrett, and an anthology from Sam Moskowitz, The Coming of the Robots. (She [as I now assume Cotts was] didn’t like the first, did like the second.) Moskowitz himself contributes a Profile of Edmond Hamilton.

The stories are:

Novelets

“Drunkboat,” by Cordwainer Smith (11,200 words)
“The Prince of Liars,” by L. Taylor Hansen (17,300 words)

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Rebellion Worlds, Rocklike Aliens, and Cubes from Space: Rich Horton on The Rebellious Stars by Isaac Asimov & An Earth Gone Mad by Roger Dee

Rebellion Worlds, Rocklike Aliens, and Cubes from Space: Rich Horton on The Rebellious Stars by Isaac Asimov & An Earth Gone Mad by Roger Dee

The Rebellious Stars Isaac Asimov-small An Earth Gone Mad Roger Dee-small

Rich Horton continues his tireless exploration of the Ace Doubles, this time looking at a 1954 pairing of Isaac Asimov’s second novel The Stars, Like Stars (re-titled here The Rebellious Stars), and the only SF novel by Roger Dee, An Earth Gone Mad. Here’s Rich.

The Rebellious Stars is better known as Tyrann, under which title it appeared as a Galaxy serial in 1951. (OK, it’s even BETTER known as The Stars, Like Dust…) In this edition it is about 67,000 words long, and the book is labeled “Complete and Unabridged,” so as far as I know it’s the same as the standard edition….

I was perhaps only 12 when I read The Stars, Like Dust. I’ve always remembered it, if only dimly, with pleasure… The story opens as Biron Farrill, the heir of the Rancher of Widemos on the planet Nephelos, is about to graduate from his university studies on Earth. He is wakened one night by a ticking which he soon determines is a bomb — an assassination attempt. Soon Sander Jonti, a friend of his from the university reveals that his father has been arrested by the Tyranni, the harsh ruling class that controls some 50 planets near the Horsehead Nebula, including Nephelos. It seems Biron’s father was involved in a resistance movement, and Jonti is as well. Jonti convinces Biron that his life is in immediate danger… The plot takes several twists from that point — it is all rather intricately designed — before reaching a somewhat surprising (though dare I say rather guessable) conclusion… while the plot is perhaps overcomplicated, and depends quite a lot on people acting in extremely convoluted ways, it is worked out somewhat satisfactorily in the puzzle-unraveling sense.

Matthew Wuertz reviewed the novel for us in its original Galaxy incarnation from 1951, and noted the similarities to a certain multi-billion dollar SF property.

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