Black Gate

The latest in my series of reviews of mostly forgotten SF/F from the 1970s and 1980s is a fairly obscure YA fantasy. X. J. Kennedy was the name used for his writing by Joseph Charles Kennedy. He was known as Joe Kennedy but started using the X. J. pseudonym to avoid confusion with Joseph Kennedy, the father of President John F. Kennedy. Kennedy was born in 1929, and is still alive, aged 95. This makes him a candidate for oldest living SF/F writer.

He was a prominent SF fan from the mid ’40s to early ’50s, publishing the fanzine Vampire, and co-founding an APA, the Spectator Amateur Press Association, that is (according to Wikipedia) still active. He also sold two stories to prozines in 1951 — “No More Pencils, No More Books” (not to be confused with the John Morressy story) to Science Fiction Quarterly and “Music From Down Under” to Other Worlds; both as by “Joquel Kennedy.”

By then he had received his B.A. from Seton Hall, and his M.A. from Columbia, and he went into the Navy as a journalist for four years. After his service, he studied at the Sorbonne and at Michigan, then went into academia as a professor at UNC Greensboro and at Tufts. The bulk of his writing from the early ’50s on was poetry — much of it light verse, and much of it for children — and college textbooks. He was also an editor, and with his wife Dorothy he founded a magazine devoted to New Formalist poetry, Counter/Measures. He wrote the occasional short story, and two YA fantasy novels, of which The Owlstone Crown, from 1983, was the first.

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Galactic Gambit (Lenox Hill Press, September 1971). Cover by Herbstman

In my recent looks at less-remembered novels of the ’70s and ’80s I’ve covered some obscurish works by well-remembered writers (Phyllis Eisenstein, L. Sprague de Camp) and some obscurish works by less well known but hardly unknown writers (Gerard Klein, Mick Farren), and even some quite little known writers (Atanielle Annyn Noel).

But this time I’m trying for something truly obscure — a hardcover from 1971 that is the only novel by its writer, from a publishing company that offered microscopic advances ($300) and sold only to libraries. The only semblance of a review of this novel I could find is in the Science Fiction Encyclopedia (of course!) and it reads in full: “US printing technician and author of Galactic Gambit (1971), an unremarkable Space Opera.”

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In the Hands of Glory (Timescape/Pocket Books, November 1981). Cover by Rowena Morrill

Here’s my new look at an SF paperback from the ’70s/’80s. Phyllis Eisenstein’s In the Hands of Glory is a book I eagerly bought and read back when it came out, in 1981. By a writer whose work I enjoyed. From a publishing imprint (Timescape, edited by David Hartwell) that I greatly respected. (Not to mention the Rowena Morrill cover which, let’s just say, overtly exaggerates certain physical characteristics of the protagonist relative to her actual depiction in the book.) And I had fond, but very dim, memories of the book. So I reread it.

Phyllis Eisenstein (1946-2020) was a Chicago writer. Black Gate is a Chicago-based ‘zine, and I’m originally from the Chicago area myself, and over the years I got to know Phyllis and her husband (and sometime collaborator) Alex fairly well, from meeting them at any number of conventions. Indeed, at this year’s Windy City Pulp and Paper Convention, I had a long conversation with Alex which touched on their time in Germany (Alex was in the military then) during which Phyllis drafted her first novel.

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The Fallible Fiend (Signet/New American Library, February 1973). Cover uncredited

This is another in my series of looks at fairly obscure SF from the ’70s and ’80s. In this case, I rescued a book that I had bought used decades ago from the chaos of my bookshelves. Most of the other writers I’ve discussed so far have been somewhat forgotten (or were never really known at all) but L. Sprague de Camp is an SFWA Grand Master, and a writer I and many others remember with great affection.

De Camp (1907-2000) began publishing SF in 1937 with “The Isolingual,” and was from the beginning a popular and prolific writer. He wrote both Fantasy and Science Fiction, though by the end of his long career the bulk of his work was Fantasy. His preferred mode was lightly cynical humor — this imbued his SF such as the Viagens Interplanetarias series, and his Fantasy beginning with his Incomplete Enchanter stories written with Fletcher Pratt.

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The Man Responsible (Ace Books, April 1978). Cover art by Vincent DiFate

This latest in my loose series of essays about fairly obscure 1970s/1980s SF books is about a writer who looked to be establishing a potentially significant career as what might be called a “Ben Bova” writer. Alas, Stephen Robinett contracted Hodgkin’s Disease as a young man, and died at only age 62 in 2004. His final two novels, Final Option and the sadly ironically titled Unfinished Business, were published in 1990, and are only borderline SF if at all, crime stories about a financial journalist investigating fraud. Robinett himself was a lawyer and a business journalist, and this background certainly informs his work, including the novel I’m discussing here.

I have called Robinett a Ben Bova writer, in the sense that the bulk of his stories were published in Ben Bova’s Analog, and his one collection, Projections, was part of a short-lived series of books from Ace labeled “Analog Books,” and edited by Bova. Robinett followed Bova to Omni, and his final short story appeared there in 1983. But Robinett also sold to Vertex, to Jim Baen’s Galaxy, and to Damon Knight’s Orbit, while his first sales were to John W. Campbell at Analog, beginning with “Minitalent” in March 1969. This makes him, along with Rob Chilson, Stepan Chapman and James Tiptree, Jr., one of Campbell’s latest discoveries.

The other interesting thing about Robinett’s first stories — all the way through a couple Galaxy pieces in 1975 — is that they were published as by “Tak Hallus.” And takhallus is a Persian word (derived from Arabic) meaning… pseudonym.

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