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In 500 Words or Less: All Those Explosions Were Someone Else’s Fault by James Alan Gardner

In 500 Words or Less: All Those Explosions Were Someone Else’s Fault by James Alan Gardner

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All Those Explosions Were Someone Else’s Fault
By James Alan Gardner
Tor (384 pages, $17.99 paperback, $9.99 eBook, November 2017)

Imagine a world where vampires, werewolves and demons all exist in public, courtesy of rich people making pacts with dark entities for immortality and power. Got that? Okay, now imagine a world where people can become superheroes by being exposed to the right (or wrong) kind of powerful energies, with as wide an assortment of powers as any comic book. Good? Take another pocket of your mind and add in things like wizard magic and weird science like opening rifts to other dimensions. And then combine all of this together into a single world.

Still with me?

If you’re not, I’d understand – but nonetheless, all of the above is present in James Alan Gardner’s All Those Explosions Were Someone Else’s Fault. I’m sure some of you are sitting back and thinking that sounds insane. But the X-Files/Cops crossover episode or establishing Bones and Sleepy Hollow in the same universe came with an expectation of a certain amount of ridiculousness, and the world Jim has created definitely has that flair. It’s interesting in that there’s a fast-paced and arguably straightforward narrative, even when the narrative pauses again and again with moments of “okay, I’d better explain this before we move on,” where this might be were-bats, rifts to other worlds that spew telepathic fireflies, university buildings named after rich vampires, or why a cascade of superpowers like force fields and telescopic vision and encyclopedic knowledge and whatever you would call Ant-Man (which is all in the first five chapters) makes logical sense.

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Birthday Reviews: Pat Murphy’s “On a Hot Summer Night in a Place Far Away”

Birthday Reviews: Pat Murphy’s “On a Hot Summer Night in a Place Far Away”

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Cover by J.K. Potter
Cover by J.K. Potter

Pat Murphy was born on March 9, 1955.

In 1988, Murphy won a Nebula Award for her story “Rachel in Love” and her novel The Falling Woman.  “Rachel in Love” was also nominated for a Hugo Award and won the Theodore Sturrgeon Memorial Award.  She won a World Fantasy Award for her novella “Bones,” and a Philip K. Dick Award for Points of Departure. Murphy’s There and Back Again, by Max Merriwell, a science fictional retelling of Tolkien’s The Hobbit, received the Seiun Award in 2002.

“On a Hot Summer Night in a Place Far Away” was first published by Shawny McCarthy in the May 1985 issue of Isaac Asimov’s Science Fiction Magazine. It was included by Murphy’s collection Points of Departure. The Women’s Press included the story in the anthology Letters from Home, which reprinted six stories each by Murphy, Karen Joy Fowler, and Pat Cadigan. The story appeared in Mike Resnick’s Future Earths: Under South American Skies.  It was translated for the German edition of Isaac Asimov’s Science Fiction Magazine.

Murphy’s story “On a Hot Summer Night in a Place Far Away” is set Merida, Mexico where Gregorio sells hammocks to the tourists. He lives there because after his divorce, his wife remarried and he no longer feels welcome in his home village.  When a strange looking American tourist rejects both his advances and his sales pitch, he determines that he will both sell her a hammock and find his way into her bed.

He is only marginally successful, selling her an hammock, but only managing to talk to her. He learns that just as he is living in exile from his home village, having made a home for himself in Merida, but without roots, so, too, she is living in exile, looking forward to the day she is able to return to her home, which she claims is among the stars.  Although she makes him forget the details of the conversation, Gregorio manages to bring her some relief from her homesickness as she waits to be returned to the stars.

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The Origin Stories of Tempus, Niko and the Sacred Band: Tempus With His Right-Side Companion Niko, by Janet Morris

The Origin Stories of Tempus, Niko and the Sacred Band: Tempus With His Right-Side Companion Niko, by Janet Morris

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Tempus with his right-side companion Niko-small Tempus with his right-side companion Niko-back-small

Relive the iconic adventures of Tempus the Black and his Sacred Band through the eyes of Nikodemos, his right-side companion, as Niko seeks his spirit’s balance on Bandara’s misty isles. Five early tales of the Stepsons in a world of thieves, novelized with additional stories available nowhere else. Ride with Tempus and his Sacred Band once again, or for the first time. PUBLISHER’S NOTE: Parts of this work have been published in substantially similar form in several volumes of the Shared Universe Series, Thieves World.

This book contains the original stories first written about the Sacred Band of Stepsons, as well as some new stories that expand on their adventures, and  Niko’s quest to regain his spiritual and mystical balance. Meet the characters who made the Sacred Band famous: Abarsis, the Slaughter Priest Abarsis, who first formed the Sacred Band and from whom Tempus took over the Band; Niko, Critias, Straton, hazard-class and allergy prone mage Randal “Witchy Ears.” Meet Roxane the witch and her death squads, Ischade the Necromant and her cadre of undead servants, and Cime, Tempus’ wizard-slaying sister. Witness the might of the storm god Vashanka and his immortal god-ridden avatar, Tempus as they battle against sorcery, betrayal and corruption, alongside his Sacred Band of Stepsons. Meet legendary immortals Askelon, the Dream Lord of Meridian, and Jihan the Froth Daughter of Lord Storm.

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Modular: Dead Suns Adventure Path for Starfinder

Modular: Dead Suns Adventure Path for Starfinder

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StarfinderDeadSuns4Last fall, the game publisher Paizo began releasing their line of Starfinder products, taking their Pathfinder setting into a distant science fantasy RPG setting. In addition to the main Starfinder Core Rulebook (Amazon, Paizo), they also began releasing the Dead Suns Adventure Path. With four of the six Dead Suns books now out, it’s about time to look back on what they’ve released to see what all the series has got to offer for fans looking for material.

Paizo’s Pathfinder Adventure Path books have long been a staple of the company’s product line. It provides a broad campaign of adventures across six 92-page books, each released on a monthly schedule. In addition to the adventure, each book contained setting, culture, and religious information, a Bestiary supplement, and original fiction.

Dead Suns continues that tradition in their Starfinder campaign setting, with the only significant difference in format being that these books are released on a bi-monthly schedule, so it takes a year to release the full Adventure Path as opposed to the two Adventure Path schedule for Pathfinder. Starfinder is on a less aggressive production schedule than Pathfinder, without associated Player Companion or Campaign Setting resources released monthly, so the Adventure Path provide supplements to the two hardcover Starfinder supplements slated for release each year. (The Alien Archive was released in the fall, and the Pact Worlds setting book is slated for release this month.)

As the first Starfinder Adventure Path, Dead Suns is a planet-hopping quest through the Pact Worlds, as the players get their own starship and begin following the clues across planets, running afoul of massive corporations, space monsters, undead starships and necrotech, and the troublesome Cult of the Devourer, as they uncover the secret behind a lost superweapon.

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Birthday Reviews: Paul Preuss’s “Rhea’s Time”

Birthday Reviews: Paul Preuss’s “Rhea’s Time”

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The Ultimate Dinosaur-small The Ultimate Dinosaur-back-small

Cover by Wayne D. Barlowe

Paul Preuss was born on March 7, 1942. Mostly a novelist, he has published the Venus Prime series and stand-alone novels Human Error, The Gates of Heaven, and Core. His short fiction output is more scarce, consisting of three short stories and a published excerpt from his novel Starfire. His novel Secret Passages was a nominee for the 1998 John W. Campbell Memorial Award.

“Rhea’s Time” originally appeared in The Ultimate Dinosaur, edited by Robert Silverberg and Byron Priess, which was heavily illustrated by Wayne D. Barlowe and included a mixture of science fiction and factual articles about dinosaurs. The story has not been reprinted outside The Ultimate Dinosaur, but the anthology has seen two editions following its first publication.

Although originally published in a collection about dinosaurs, there are no saurians in “Rhea’s Time.” Preuss relates, with almost clinical precision, the story of a woman who has been in a coma for nearly a year, since shortly after a skiing accident. He tells the story from the point of view of Doctor Rowan, who has inherited her case after her original doctor gave up on her.

Despite his patient being completely unresponsive, Roan discovers that she actually is moving, albeit extremely slowly. Rowan begins employing unorthodox methods to establish contact with the woman, who he calls “Rhea.” Talking about her career as a biostratigrapher with her husband, Rowan is eventually able to come up with a rather intriguing explanation for what she’s going through.

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Mythic Landscape: The Weirdstone of Brisingamen by Alan Garner

Mythic Landscape: The Weirdstone of Brisingamen by Alan Garner

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Weirdstone_of_BrisingamenHalfway through my recent reread of Alan Garner’s 1960 debut novel, The Weirdstone of Brisingamen, it became clear to me that the true protagonist was the land, not the ostensible ones, sister and brother Susan and Colin.

Alderley Edge, in Cheshire, England, is the name of both a village and a great sandstone cliff “six hundred feet high and three mile long.” For Garner there’s a connection between land and myth, artistically at least, that is deep. His depiction of a land of rolling plains littered with farms and woods, riddled with thousands of years’-worth of mines makes it easy to see the svart-alfar, the “maggot-breed of Ymir,” boiling out of the earth. There’s something deeper than that, though; something that reaches beyond mere physical for Garner. It’s as if the land itself bred those stories and they are intertwined with it intimately and inextricably. Just walking the woods and rises around Alderley Edge, they can be felt pushing themselves up from the earth and traveling along on the backs of breezes.

Before the story proper begins, Garner recounts a true legend of Alderley Edge — that of a farmer from the village of Mobberly and the strange white-bearded man he meets on the way to market. The farmer hopes to sell his white mare at market in Macclesfield and when he agrees to sell it to the bearded man instead, he is shown a secret cave protected by an iron gate and filled with treasures. Inside sleep 140 knights, each, save one, with a perfect white mare by his side. The wizard, for that is what he is, tells the farmer why the knights are there:

“Here they lie in enchanted sleep,” said the wizard, “until a day will come — and come it will — when England shall be in direst peril, and England’s mothers weep. Then out from the hill these must ride and, in a battle thrice lost, thrice won, upon the plain, drive the enemy into the sea.”

In payment, the wizard tells the farmer to take whatever gold and gems he can fit into his pockets. He does, with unexpected and dire consequences for the future.

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Birthday Reviews: William F. Nolan’s “Starblood”

Birthday Reviews: William F. Nolan’s “Starblood”

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Cover by Ron Walotsky
Cover by Ron Walotsky

William F. Nolan was born on March 6, 1928. He is best known for his novel Logan’s Run, which was turned into an Academy Award winning (and Hugo nominated) movie, as well as a television series that ran for one season. Nolan also wrote three sequels to the original novel, the most recent of which, Logan’s Mission, appeared in 2017.

Nolan has received the Bram Stoker Award for his non-fiction book Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction, as well as a Lifetime Achievement Award. He has received a Living Legend Award from the International Horror Guild, a Grandmaster Award from the World Horror Convention, a Special Convention Award from the World Fantasy Awards, and in 2006 he was named an Author Emeritus by SFWA.

“Starblood” first appeared in the anthology Infinity Four, edited by Robert Hoskins in 1972. It was also picked up by Forrest J. Ackerman and Pat LoBrutto for Perry Rhodan #102: Spoor of the Ants. Nolan has also included the story in several of his own collections, including Alien Horizons, Wonderworlds, Things Beyond Midnight, Dark Universe Stories: 1951-2001, Nightworlds, and Wild Galaxy.

The majority of “Starblood” presents the lives of six individuals in six short chapters. In each case, the main character dies suddenly and violently, through assassination, accident, or murder. In the course of these vignettes, Nolan does not attempt to tie them together in any way. He does offer a few lines of dialogue at both the beginning and the end of the story which offers a frame that explains what is happening, although it is not entirely satisfying.

Bobby is an infant whose crying annoys his parents so much his mother drops him from an air car without remorse. Tris is a woman who joined a cult in which she was sexually assaulted; when the cult throws her out and won’t allow her back in, she begs them to kill her. Morgan is killed in an ambush at night while he is fleeing his pursuers. David is a child who gets hit by a random car. Bax is killed at dinner by his dining companion and Lynda’s father, a paid assassin, accepts a hit on his own daughter.

Nolan’s world is bleak and unsympathetic, although he does toss out some interesting ideas about the future, notably the bookstore David is brought to (although given the selection of books recommended to the eleven year old, it is no surprise that he doesn’t like books). The closing frame offers a small link for the different stories, but it does nothing to alleviate the darkness of those stories.

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Drawing Out What it Truly Means to be Human: The Best of Philip K. Dick

Drawing Out What it Truly Means to be Human: The Best of Philip K. Dick

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The Best of Philip K Dick-small The Best of Philip K Dick-back-small

The late Philip K. Dick (1928–1982), oftentimes lovingly called PKD, still fascinates many today. As evidence I point to the popularity of two current series on Amazon: The Man in High Castle, based upon Dick’s 1962 novel of the same name, and now Philip K. Dick’s Electric Dreams, an anthology show based upon various PKD short stories. And of course we just had the recent movie Blade Runner 2049, the sequel to the 80s Ridley Scott classic Blade Runner, based upon Dick’s novel Do Androids Dream of Electric Sheep? (1968). It doesn’t seem that PKD’s influence is going away anytime soon.

In this spirit I’m excited to discuss The Best of Philip K. Dick (1977), the ninth installment in Del Rey’s Classic Science Fiction Series. Science fiction writer John Brunner (1934–1995) wrote the highly appreciative introduction and the cover sports a new artist for the series, Vincent Di Fate (1945–), whose art style fits very well with the earlier classic covers of Dean Ellis and Darrell Sweet. Since this volume returned to a living (at the time) author, the afterword was by PKD himself.

PKD has always had something of a cult following. He is often associated with everything from classic science fiction, to cyberpunk and realistic futurism, to the drug culture of the 60s and 70s (thanks to a famous Rolling Stone article in 1975), and even with religious mysticism. There are countless books about Dick’s life and work, plus a multitude of documentaries, many of which are available online.

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Birthday Reviews: Mike Resnick’s “The Evening Line”

Birthday Reviews: Mike Resnick’s “The Evening Line”

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Mash Up
Mash Up

Mike Resnick was born on March 5, 1942. He has won five Hugo Awards, a Nebula Award, the Seiun Award, a Xatafi-Cyberdark Award, two Prix Ozones, a Mechanical Peach, and three Ignotus Awards. In 2012 ISFiC Press published Win Some, Lose Some, a collection of his 29 Hugo nominated stories. That same year, Resnick was the Guest of Honor at Chicon 2000, that year’s Worldcon. He was awarded a Skylark Award by NESFA in 1995.

Resnick has published numerous novels in his loose Birthright Universe, including Ivory, Santiago, and the Oracle trilogy. In both his novels and his short stories he makes use of characters who are larger than life and his writing is often influenced by the pulps, adventure stories, and westerns. His Kirinyaga cycle, made up of ten short stories, is one of the most nominated short story series in science fiction.

In addition to his own fiction, Resnick has served as the executive editor of Jim Baen’s Universe and as editor for Galaxy’s Edge magazine. Resnick has edited numerous anthologies and helped dozens of beginning authors with early sales and he has collaborated with authors ranging from Lezli Robyn to Jack McDevitt to Susan Shwartz to Nicholas A. DiChario. Many of his collaborations have been collected in With a Little Help from My Friends and With a Little More Help from My Friends.

The story “The Evening Line” was written for Gardner Dozois’s audio anthology Rip-Off!, which asked various authors to write a story which took the first line from a famous work of fiction. Resnick adapted “It is a truth universally acknowledged that a single man in possession of a good fortune must by in want of a wife,” from Jane Austen’s Pride and Prejudice. The story was eventually reprinted in Mash Up, a retitling of the anthology when it saw print a couple years after the audio version. I would lay book that the story will eventually appear in a collection of all of Resnick’s Harry the Book stories, of which there are currently ten.

“The Evening Line” is a one of a series of stories Resnick has written about Harry the Book, a pastiche of Damon Runyon set in a world where magic is at play. In this particular story, Plug Malone has hit it big at the races and when word gets out about his good fortune, he finds himself facing a huge number of fortune-hunting women looking for a husband. The story, both stylistically and in its depiction of men and women, is very much a throwback to the period in which Runyon was writing his Broadway stories.

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Birthday Reviews: Patricia Kennealy-Morrison’s “The Last Voyage”

Birthday Reviews: Patricia Kennealy-Morrison’s “The Last Voyage”

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Cover by Greg Call
Cover by Greg Call

Patricia Kennealy-Morrison was born on March 4, 1946. Kennealy got her start as a music journalist, serving as the editor-in-chief of Jazz &Pop and becoming one of the first female rock critics. In 1970 she participated in a handfasting ceremony with Jim Morrison of The Doors, although the couple never filed paperwork with the state to register their marriage.

In the 1980s, Kennealy-Morrison began publishing an epic space opera series, The Keltiad, which followed a group of Celts who left the British islands around the year 450, although the books were set in the 35th century. The series was comprised of two trilogies, and a stand-alone novel, as well as the short story “The Last Voyage,” and Kennealy-Morrison has indicated she plans to write more in the milieu. When her publisher cancelled further books in the 1990s, she turned her attention to mysteries and eventually set up her own press.

“The Last Voyage” was the first short story Kennealy-Morrison published, although she had several novels in the Keltiad series by that point. It was included in her 2014 collection Tales of Spiral Castle: Stories of the Keltiad, published by her own Lizard Queen Press, and which included three original Keltiad stories.

“The Last Voyage” tells the story of Jamie Douglas, a Scottish knight in the service of King Robert the Bruce. Douglas is serving his king in Paris at the time that the destruction of the Knights Templar is about to occur and he works with the Knights to spirit hundreds of them away for a life in Scotland, far from the reach of the French king bent on their destruction. En route to Scotland, their fleet is intercepted by a spaceship carrying the descendants of Celts who fled earth centuries earlier who offer the Templars a new life among the stars. Many of them accept, although a vestige of the Templars, including Douglas, continue on to serve King Robert.

Kennealy-Morrison combines the plight of the Knights Templar with her existing series of novels, The Keltiad, which provides the background for her space-faring Celts. Set in 1312, the story is reminiscent of Poul Anderson’s earlier The High Crusade, set in 1345. Unfortunately, while the aliens in Anderson’s novel provide the impetus for the novel, the Kelts of Kennealy-Morrison’s story serve more as a deus ex machina. In addition, her prose tends towards the over-written and florid, reminiscent of a more Victorian style in both description and dialogue. Kennealy-Morrison presents an interesting secret history, but her link in to her series of novels doesn’t integrate well into the historical context she presents.

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