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Birthday Reviews: Richard A. Lupoff’s “Black Mist”

Birthday Reviews: Richard A. Lupoff’s “Black Mist”

Cover by Nicholas Jainschigg
Cover by Nicholas Jainschigg

Richard Lupoff was born on February 21, 1935. He edited the fanzine Xero, which included articles from Avram Davidson, L. Sprague de Camp, and Roger Ebert. In 1963, Lupoff and his wife, Pat, received a Hugo Award for Best Amateur Magazine for their work. In 2005, a hardcover The Best of Xero would be nominated for a Hugo for Best Related Work.

He published his first novel One Million Centuries, in 1967 and is perhaps best known for Circumpolar! and Circumsolar! Lupoff is not averse to using pseudonyms such as Ova Hamlet or Addison E. Steele. He collaborated on the graphic novel The Adventures of Professor Thintwhistle and His Incredible Aether Flyer with Steve Stiles. Lupoff edited three volumes of short stories he felt should have won the Hugo Award (What If? Volumes 1-3).

“Black Mist” was originally published in the April 1995 issue of Omni Online. Orson Scott Card reprinted it in Black Mist and Other Japanese Futures and Lupoff included it in his collection Claremont Tales. The story was also reprinted in Robert Reginald’s To the Stars—And Beyond: The Second Borgo Press Book of Science Fiction Stories.

Many stories set in the far future of space exploration select a human culture and have them expand into space, as L. Sprague de Camp did with his Viagens Interplanetary series. Often these space-faring cultures have little to do with the original terrestrial country beyond nomenclature. In “Black Mist” Lupoff has postulated a future in which Japan has taken over planetary exploration after the United States and Russia’s programs have collapsed.

The Japanese are attempting to terraform Mars and part of that effort takes place from a small outpost on Phobos. Not only do Japanese ideas of honor and caste play a big role in the story, but other aspects of Japanese society are interwoven and provide an integral part of the plot. “Black Mist” opens with a lowly kitchen worker, Jiricho Toshikawa, discovering the murdered body of a scientists on Phobos. When the body disappears, the head of operations on Mars sends his friend Hajimi Ino to investigate the disappearance.

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A Wizard of Earthsea by Ursula K. Le Guin

A Wizard of Earthsea by Ursula K. Le Guin

WZRDFRTHST1968As I wrote last time, this excursion through the bookshelves of my younger days was inspired by the recent death of Ursula K. Le Guin. I haven’t read much Le Guin outside the Earthsea books; most of her work hasn’t appealed to me. But the Earthsea books, especially the initial trilogy — A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972) — did and, I was glad to find out, still do.

In my article, “Why I’m Here: Part Two,” I described the Elric books as being like samizdat passed around between my friends and me. With so few books actually out there, we fellow fantasy fans read anything we could find, and in turn got it all into everyone else’s hands and read everything they passed along to us. After The Lord of the Rings, I’m sure there were no books as read, and read as often, as Le Guin’s three slender volumes.

There are several whys. The easiest is they are way cool, at least the first and the third. The second is more of a Gothic, and lacks the dragon-battling and dark magic of the others, like this:

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Birthday Reviews: Richard Matheson’s “Third from the Sun”

Birthday Reviews: Richard Matheson’s “Third from the Sun”

Cover by David Stone
Cover by David Stone

Richard Matheson was born on February 20, 1926 and died on 2016. His first published story was “Born of Man and Woman,” which was nominated for a Retro-Hugo.

He received the World Fantasy Award for his novel Bid Time Return, which was turned into the film Somewhere in Time, starring Christopher Reeve and Jane Seymour. He also won the World Fantasy Award for his collection Richard Matheson: Collected Stories, which also received the Bram Stoker Award. Matheson has received lifetime achievement awards from both World Fantasy and Bram Stoker and was declared a living legend by the International Horror Guild.

The World Horror Society named him a Grand Master in 1993 and he was inducted into the Science Fiction Hall of Fame in 2010. His novel I Am Legend has been filmed numerous times under different names as has The Incredible Shrinking Man. In addition to his career as a novelist and short story writer, Matheson has written screenplays for a variety of television episodes.

“Third from the Sun” was purchased by H.L. Gold and published in the October 1950 issue of Galaxy Science Fiction. Gold reprinted it in Galaxy Reader of Science Fiction and Matheson has included it in multiple collections of his work. It was reprinted in the children’s anthology Beyond Belief and in The Twilight Zone: The Original Stories. It was adapted by Rod Serling for the first season of The Twilight Zone, starring Fritz Weaver and Denise Alexander. The story has been translated into French (twice), German, and Italian.

Matheson followed his stunning debut story, “Born of Man and Woman” with a more pedestrian outing in “Third from the Sun,” a story with a twist that is ruined by its title. Matheson tells the story of a man and woman who are clearly planning on stealing a spaceship and fleeing the earth with their children and neighbors ahead of a cataclysm. Their ability to do so it made possible by the man’s position within the space program.

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Gods, Mortals, Sons, and Daughters: Storm Seed by Janet and Chris Morris

Gods, Mortals, Sons, and Daughters: Storm Seed by Janet and Chris Morris

Storm Seed Janet and Chris Morris-small Storm Seed Janet and Chris Morris-back-small

While Storm Seed is the final volume in the iconic Sacred Band series to appear in a brand-new, Author’s Cut edition, it isn’t the last book in the series. The story takes place after the Sacred Band has been disbanded, after the events in Beyond Wizardwall and The City at the Edge of Time. Storm Seed follows on the heels of Tempus Unbound, and precedes the epic story of The Sacred Band.

Once again Team Morris delivers another outstanding novel in their classic “Chronicles of the Sacred Band,” as I always refer to them. Crisp prose, engaging characters, and a well-crafted plot carry this one right to the very end. This is Heroic Fantasy on a grand and epic scale, inspired by ancient mythology merged with a “lost” history of the world. All the tropes of the genre are here: wizards, witches, magic, ghosts, gods, dragons, and so much more. But these ingredients are used with a weight of reality to them, and in a manner I can only describe as “uniquely Morris.” Storm Seed is a story about love and loyalty, family and comradeship. And for all the elements of the fantastic, this novel is grounded in the veracity of its characters, and in the human drama and dynamics of their relationships. Almost everyone has a quest of their own to undertake, and the story unfolds at a brisk pace as the various events take one twist and turn after another until all the characters and plot-lines come together.

It seems like a reunion as so many characters from previous novels return to share the stage. Team Morris does a splendid job of giving the members of their cast equal time; almost everyone has a storyline of their own. Tempus the Black and Niko, his right-side companion, are here. Also present and accounted for: the goddess Jihan, the powerful Froth Daughter; Randal the allergy-prone wizard; Roxane the witch you really don’t want to get involved with; Cime the wizard slayer who is a real force to be reckoned with; Kama, Tempus’ daughter and warrior. The Sacred Banders Strat, Crit, and Gayle are also here, as well as Enlil the Storm God, Abarsis the Slaughter Priest, and even Strat’s Ghost Horse.

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Birthday Reviews: Jonathan Lethem’s “Lostronaut”

Birthday Reviews: Jonathan Lethem’s “Lostronaut”

Cover by Bob Staake
Cover by Bob Staake

Jonathan Lethem was born on February 19, 1964. His debut novel was Gun, with Occasional Music, which followed several published short stories. Often skirting the line between genre and mainstream, most of his novels, including Amensia Moon, As She Climbed Across the Table, and The Fortress of Solitude contain science fictional elements or play of the popular culture that surrounds science fiction.

Lethem won the World Fantasy Award for his collection The Wall of the Sky, the Wall of the Eye. He has been nominated for the Nebula Award four times, the James Tiptree, Jr. Award three times, and the Shirley Jackson Award, Sidewise Award, and the Theodore Sturgeon Memorial Award one time, each. His novel Gun, with Occasional Music received the William L. Crawford Award and won the Locus Poll for best first novel.

“Lostronaut” was originally published in The New Yorker on November 17, 2008. Although it has not been reprinted in English, it was translated into Hungarian for publication in the anthology Kétszázadik, edited by Németh Attila in 2009.

“Lostronaut” is an epistolary story written from Janice, an astronaut orbiting on a space station known as “Northern Lights” to her lover, Chase, in Manhattan. The letters are filled with a mix of longing to be together again, gossip about the rest of the Russian-American crew of the station, and concerns that because the Chinese have mined the orbital region below the space station, they would have difficulty returning to Earth.

As the letters progress, their tone becomes more urgent and more depressed. The situation with the Chinese mines grows more dire, members of the crew become more despondent, and Janice’s own circumstances become urgent as she is diagnosed with cancer, which will need to be treated aboard the station unless a way through the minefield can be found.

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Birthday Reviews: Gahan Wilson’s “The Sea Was Wet as Wet Can Be”

Birthday Reviews: Gahan Wilson’s “The Sea Was Wet as Wet Can Be”

02-18-unknownGahan Wilson was born on February 18, 1930 and is best known as a cartoonist with a very identifiable style. For many years, his bust of H.P. Lovecraft was used as the trophy for the World Fantasy Award. His cartoons have appeared in The Magazine of Fantasy and Science Fiction as well as more mainstream publications like Collier’s, The New Yorker, and Playboy.

Although most notable as an artist, Wilson has published several short stories and wrote a movie review column for The Twilight Zone Magazine and a book review column for Realms of Fantasy.

“The Sea Was Wet as Wet Can Be” is one of Wilson’s few short stories and was originally published in the May 1967 issue of Playboy Magazine and reprinted in The Playboy Book of Horror and the Supernatural. It has since been reprinted several times, including in Fantasy: The Literature of the Marvelous, edited by Leo P. Kelley, Gahan Wilson’s Favorite Tales of Horror, Blood Is Not Enough, edited by Ellen Datlow, who also reprinted it in Sci Fiction, Wilson’s collection The Cleft and Other Odd Tales and his Gahan Wilson: 50 Years of Playboy Cartoons, Otto Penzler’s The Vampire Archives, and the Vandermeers’ The Weird. It was also reprinted in the December 2015 issue of Alfred Hitchcock’s Mystery Magazine. In 1986, the story was translated into French.

Just as Wilson’s cartoons demonstrate a dark sense of humor, “The Sea Was Wet as Wet Can Be” offers a similar outlook on life. Based on the poem “The Walrus and the Carpenter” from Lewis Carroll’s Through the Looking Glass, and containing a significant portion of Carroll’s text, Wilson recasts the oysters of the poem as a group of people picnicking on the strand.

One of their number, Phil, doesn’t quite feel at home with the rest, himself cast as the oldest oyster of the poem, and decides that he is going to change his life’s circumstances. Into this rather glum party, two interlopers come, and the characters in Wilson’s story compare them to the Walrus and the Carpenter of Carroll’s poem. Wilson never defines who, or what his Walrus and Carpenter are, although he provides them with names.

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Modular: Trouble in the ’80’s with Tales from the Loop

Modular: Trouble in the ’80’s with Tales from the Loop

TalesFromTheLoopAs a child of the ’80’s, I grew up with the understanding that a group of kids might stumble upon a series of mysterious events and have to band together to deal with the challenges from it. Parents, law enforcement, and other authorities would be of no help, so there was no point in telling them what was going on. They either wouldn’t believe it or, worse, would stop the kids from fixing things. The kids, through determination and luck, were the only hope to set things right … whether it was finding a way to keep their families from being evicted, returning a strange visitor to another planet, or stopping rampaging monsters. Or, heck, even just making it through a day of detention.

E.T., The Goonies, Stand By Me, The Breakfast Club, Flight of the Navigator, The Last Starfighter, Lost Boys, SpaceCampGremlins. These are the types of films, along with more recent period pieces like The Iron Giant and Stranger Things, and maybe a touch of the SyFy Channel’s television series Eureka thrown in, that inspire the science fiction role-playing game Tales from the Loop from Modiphius Entertainment.

Tales from the Loop centers around a community in the 1980’s that is home to a research center and particle accelerator, called “The Loop.” There are actually two settings outlined in the book: the Swedish island of Svartsjolandet or the American town Boulder City. Whichever community your characters live in, you play a group of Kids who come into contact with a Mystery related to the particle accelerator, and join together to resolve the Mystery. The game can be extremely episodic, great for a standalone one-shot game, or played in a more “sandbox” format where the players are able to explore the setting in more depth, allowing for a more long-term campaign.

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The Last Dragon (1985): My Big Trouble in Little China or Black Panther Double Feature Pick

The Last Dragon (1985): My Big Trouble in Little China or Black Panther Double Feature Pick

Last-Dragon-title-card-1985

This week I have two reasons to write about The Last Dragon, aka Berry Gordy’s The Last Dragon. First, the biggest black superhero movie ever produced arrives in theaters this weekend, Black Panther. If projections are accurate, it will steamroller all February opening records with a domestic box-office take of $200 million and become a cultural touchstone for 2018. It’s the right time to celebrate with one of Black Panther’s earlier progenitors in black superhero movies that isn’t Blade. (Nothing against Blade, but it’s the example the other magazines will cover.)

Second, I looked at Big Trouble in Little China last week for my John Carpenter series. Few films are a better fit for a double feature with Big Trouble in Little China than The Last Dragon, a martial arts comedy fantasy that came out the year before Carpenter’s take on a genre still unfamiliar to US audiences.

On a double bill with Big Trouble in Little China, I’d show The Last Dragon first. This is based on my guidelines for crafting double features — a subject I’ve given far too much thought — that either 1) the lesser quality film goes first, or 2) the lighter/less grim film goes second, whichever factor feels dominant. Since both movies are on the same level of buoyancy and feel-good fun, The Last Dragon opens for Big Trouble in Little China.

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Birthday Reviews: Andre Norton’s “The Gifts of Asti”

Birthday Reviews: Andre Norton’s “The Gifts of Asti”

Cover by Laura Ruth Crozetti
Cover by Laura Ruth Crozetti

Andre Norton was born on February 17, 1912 and died on March 17, 2005. She began publishing with “People of the Crater,” using the pseudonym Andrew North (reprinted in 2003 in my anthology Magical Beginnings).

Over the years, she published numerous short stories and novels, including the various stories of the Witch World cycle. She also published the first Dungeons and Dragons tie-in novel, Quag Keep, set in Gary Gygax’s World of Greyhawk. In addition to her own novels, she collaborated with a variety of authors including Rosemary Edghill, Jean Rabe, Mercedes Lackey, Lyn McConchie, Susan Shwartz, Julian May, Marion Zimmer Bradley, P.M. Griffin, Sherwood Smith, Dorothy Madlee, Sasha Miller, and more.

From 1999 through early 2004, Norton organized the High Hallack Library, a research library and authors retreat in Tennessee. The library, along with her collaborations, were only a few of the ways Norton helped shape new generations of authors. Many authors claimed Norton as an influence on their own styles, even if they didn’t work directly with her. She edited the Catfantastic anthologies with Martin H. Greenberg and the Magic in Ithkar series with Robert Adams. Other anthology series allowed authors to write in her Witch World series.

Norton was named the first female SFWA Grand Master in 1984. She received the Phoenix Award in 1975, the Skylark Award in 1983, the Big Heart Award in 1988, and the Forry Award in 1989. In 1994, she was inducted into the First Fandom Hall of Fame and was the first woman inducted into the Science Fiction Hall of Fame in 1997. In 1998, the World Fantasy Convention gave her a Lifetime Achievement Award (11 years earlier, they gave her a Special Convention Award). When SFWA created a Young Adult Award in 2005, it was named in honor of Norton. She received the only Coveted Balrog Award for Lifetime Achievement in 1979 and was named a Gandalf Grand Master of Fantasy in 1977.

“The Gifts of Asti” was originally published under Norton’s Andrew North pseudonym in the July 1948 issue of Fantasy Book, edited by Garret Ford. The next year, it was reprinted in Griffin Booklet One and was included by Sam Moskowitz in The Time Curve in 1968. Norton used it in The Many Worlds of Andre Norton (a.k.a.The Book of Andre Norton). It was the title story in Roger Elwood’s The Gifts of Asti and Other Stories of Science Fiction and editor Jane Mobley used it in the anthology Phantasmagoria: Tales of Fantasy and the Supernatural. Spastic Press opened Anthology of Sci-Fi: The Pulp Writers: Volume I with the story and it was also reprinted in Tales from High Halleck: The Collected Short Stories of Andre Norton, Volume I in 2014.

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Birthday Reviews: Iain M. Banks’s “A Gift from the Culture”

Birthday Reviews: Iain M. Banks’s “A Gift from the Culture”

Cover by Paul Rickwood
Cover by Paul Rickwood

Iain M. Banks was born on February 16, 1954 and died on June 9, 2013. At the time of his death, two months after he was diagnosed with cancer, he was the Author Guest of Honor for Loncon 3, the seated Worldcon. Banks wrote both within the genre and outside the genre, using his middle initial, “M.” do designate science fiction works.

His first three books, beginning with The Wasp Factory, were more mainstream, although two of them, The Bridge and The Wasp Factory, would go on to win the Kurd-Laßwitz-Preis. Banks has twice won the British SF Association Award for Best Novel for Feersum Endjinn and Excession. The latter also earned him an Italia Award and another Kurd-Laßwitz-Preis. His fourth Kurd-Laßwitz-Preis was for Use of Weapons, while Inversions earned him another Italia Award. Many of his works are set against the background of The Culture, an advanced society made up of several interbred species combined with sentient AIs.

“A Gift from the Culture” was originally published in the Summer 1987 issue of Interzone, number 20, edited by Simon Ounsley and David Pringle. Banks included it in his 1991 short story collection The State of the Art. It was later included in the anthology Cyber-Killers, edited by Ric Alexander, and David G. Hartwell included it in The Space Opera Renaissance. Most recently, it was reprinted in Ann and Jeff VanderMeer’s massive anthology The Big Book of Science Fiction: The Ultimate Collection. The story has also been translated into German, French, and Italian.

In “A Gift from the Culture” Banks presents just enough information about what the Culture is so the reader is not at a complete loss, but the society as a whole remains something of a mystery within the confines of this short story. Wrobik is down on his luck and living in Vreccis Loew City, in debt to a couple of mobster types, Kaddus and Cruizell, who are willing to forgive him his debt if he’ll do one little thing for them. With no good choices before him, Wrobik agrees to take a gun, which is designed to only work for people who are biologically part of the Culture, and use the weapon to shoot down an incoming space craft.

One of the main deciding points for Wrobik is concern that Kaddus and Cruizell will harm Maust, Wrobik’s boyfriend. While Wrobik has a job to carry out, he doesn’t particularly want to do it and tries to figure out a way around it which will not put Maust into danger. While the story is a dramatic look at Wrobik’s choices, an understated humor is introduced by the monologue carried out by the gun, in which it continuously describes itself and how to use it to Wrobik, an audio instruction manual.

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