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Birthday Reviews: Vivian Vande Velde’s “The Granddaughter”

Birthday Reviews: Vivian Vande Velde’s “The Granddaughter”

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Cover by Bran Weinman
Cover by Brad Weinman

Vivian Vande Velde was born on June 18, 1951.

Her novel Never Trust a Dead Man received the Edgar Award for Best YA Novel in 2000 and Heir Apparent was nominated for the Mythopoeic Award for Children’s literature in 2003.

Vande Velde initially published “The Granddaughter” in her 1995 collection Tales from the Brothers Grimm and the Sisters Weird. The story was selected by Terri Windling for inclusion in The Year’s Best Fantasy and Horror: Ninth Annual Collection, edited with Ellen Datlow. Asdide from those appearances, the story has not been reprinted.

Retellings of fairy tales have a long established role, in fact the earliest version of fairy tales are often just the first version of a retelling of an oral tradition. Vivian Vande Velde has targeted the story of “Little Red Riding Hood,” which dates back at least as far as the tenth century and has been retold by both Charles Perrault and the Brothers Grimm. In “The Granddaughter,” Vande Velde’s focus is on the wolf, who can speak and is good friends with the title character’s grandmother.

Little Red Riding Hood, who is also known as Lucinda in this version, although she prefers the nickname, is an aspiring actress, almost completely self-centered, and horrified that her grandmother would be friends with a wolf, even one who can speak. The wolf, for his part, is equally horrified at Lucinda’s attitudes and inability to allow anyone else speak during a “conversation.” Not, at first understanding the grandmother’s reluctance to have Lucinda visit, the wolf quickly comes around to her point of view and works to rescue the woman from her granddaughter’s visit.

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Birthday Reviews: Andrew Weiner’s “Bootlegger”

Birthday Reviews: Andrew Weiner’s “Bootlegger”

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Cover by Joyce Kline
Cover by Joyce Kline

Andrew Weiner was born on June 17, 1949.

Weiner’s story “The Third Test” was nominated for the British SF Association Award. He has also been nominated for the Aurora Award three times, for the original story “Station Gehenna” (which he expanded to a novel), “Eternity, Baby,” and “Seeing.”

“Bootlegger” was published in 1997 by Robert J. Sawyer and Carolyn Clink in the anthology Tesseracts6. The story has not been reprinted.

“Bootlegger” tells the story of Marshall Baron, a washed up musician who discovers that there are CDs being circulated that purport to be bootlegs of some of his early music. The problem is that he knows that he never recorded or wrote the songs that are on the albums, although voice analysis claims they are by him. He has Alderman, one of his agents, try to find the source of the bootlegs so they can figure out what is happening.

Alderman’s investigations lead him to Greenspan, a fan of Baron’s who has written several gossipy books about the singer. Although Baron wants nothing to do with the man, whom he considers a crank, Greenspan will only reveal his source of the bootlegs to Baron, nobody else. Greenspan’s revelation is that he has access to another world where Baron’s career had a different, more successful, trajectory. He feels that Baron could still make a difference in their own world, spark the revolution that his early music promised, although Baron disagrees, feeling that the revolution has passed.

Greenspan is not only a fan of Baron’s work, but also jealous of him and something of a radical. If Baron isn’t going to use his talents to make the world a better place, Greenspan is going to use his ability to access other worlds to create the world that he feels is necessary, even if it means taking Baron away from everything that he has achieved. Greenspan’s plans work within the context of the story, although when fully explored, there were other, less disruptive options he could have chosen.

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Birthday Reviews: Murray Leinster’s “Pipeline to Pluto”

Birthday Reviews: Murray Leinster’s “Pipeline to Pluto”

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Cover by William Timmins
Cover by William Timmins

Murray Leinster was born William F. Jenkins on June 16, 1896 and died on June 8, 1975.

Murray Leinster was one of many nom de plumes used by William Fitzgerald Jenkins. He won the Liberty Award in 1937 for “A Very Nice Family,” the 1956 Hugo Award for Best Novelette for “Exploration Team,” and a retro-Hugo in 1996 for Best Novelette for “First Contact.” Leinster was the Guest of Honor at the 21st Worldcon in 1963 and in 1969 was inducted into the First Fandom Hall of Fame. In 1995, the Sidewise Award for Alternate History was established, named after Leinster’s story “Sidewise in Time.”

Jenkins holds patent #2727427, issued on December 20, 1955 for an “Apparatus for Production of Light Effects in Composite Photography” and patent 2727429, issued the same day for an “Apparatus for Production of Composite Photographic Effects.”

Leinster first published “Pipeline to Pluto” in the August 1945 issue of Astounding, edited by John W. Campbell, Jr. Ten years later, Groff Conklin included it in his anthology Science Fiction Terror Tales. It appeared in both versions of The Best of Murray Leinster, the British volume edited by Brian Davis and the American volume edited by J.J. Pierce (each book had a completely different table of contents). The story most recently appeared in First Contacts: The Essential Murray Leinster. Over the years, it has been translated into Japanese, Croatian, German, Italian, and Russian.

“Pipeline to Pluto” is a slight story, focusing on Hill’s attempts to get from Earth to Pluto via a system of cargos shuttles. A bruiser, all that Leinster lets the reader know about him is that he has an urgent need to stowaway in the “pipeline” and he has bought another stowaway’s rights to a place. The majority of the action looks at Hill’s attempts to convince Crowder and Moore, who run the smuggling ring, to get him off Earth that evening.

Hill’s pleading and threats to the men are punctuated with exposition in which Leinster explains how the pipeline works. A series of cargo ships, one launched each day from Pluto and one launched from Earth, forming a long line carrying supplies to Pluto and ores mined on Pluto back to the home planet. Leinster not only describes the vessels and how they launch, but eventually describes the impact of being on board the vessels to humans.

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In 500 Words of Less: Early Review of Rejoice: A Knife to the Heart by Steven Erikson

In 500 Words of Less: Early Review of Rejoice: A Knife to the Heart by Steven Erikson

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Rejoice A Knife to the Heart US-smallRejoice: A Knife to the Heart
By Steven Erikson
Promontory Press (460 pages, $26 hardcover, October 2018)

I’ve been a Steven Erikson fan for a long time, ever since a friend handed me the first Malazan novel, Gardens of the Moon, when I was in university. You might have seen on here a few months ago that I had the pleasure of meeting and hanging out with Steven at Can*Con in Ottawa, where he was Author Guest of Honor. That whole experience was cool all on its own, but following that I got the privilege of reading an ARC of his forthcoming novel Rejoice: A Knife to the Heart, which Bennett R. Coles has already called “a stunning work of literature.”

Honestly, the literature side of Rejoice is what surprised me the most. In our interview, Steven and I talked about how his first publications before Malazan were literary, which struck me since it’s rare for authors in our industry to jump genres like that. But what’s particularly interesting with Rejoice is that he takes the large-scale worldbuilding, extensive cast of characters and air of mystery of his fantasy work and applies is to the present day – or a twist on the present day, involving Earth’s first contact with an alien race. The novel’s already been described as “a first contact story without contact”; since this isn’t Independence Day or Close Encounters, the focus is instead on us, and how we’d react if an alien intelligence showed up and gave us a chance to improve ourselves.

That might sound like this is a novel that preaches or proselytizes, but it really doesn’t. Instead what you see is snapshots of people’s lives around the planet, from politicians to scientists to media tycoons to refugees in developing countries, all facing situations beyond their control (and almost their comprehension) and needing to decide what they should do about it. If you’re hoping for flashy energy weapons or epic journeys like in the Malazan books, you won’t find it here – but the debates and conversations between the characters in Rejoice, and the steps they take in response to this alien influence, are often tense and always intriguing. At the end of the day, a lot of our way of life (regardless of political ideology or religious belief) is about having some measure of control over our lives, and when that’s taken away very interesting things can happen.

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Birthday Reviews: Richard Parks’s “Golden Bell, Seven, and the Marquis of Zeng”

Birthday Reviews: Richard Parks’s “Golden Bell, Seven, and the Marquis of Zeng”

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Black Gate Issue 1
Black Gate Issue 1

Richard Parks was born on June 15, 1955.

At the beginning of his writing career, Parks published a few works as B. Richard Parks. He has also used the pseudonym W.J. Everett. Parks received a World Fantasy Award nomination for his collection The Ogre’s Wife: Fairy Tales for Grownups. In 2012, his novel The Heavenly Fox was nominated for a Mythopoeic Award.

“Golden Bell, Seven, and the Marquis of Zeng” is the first story to appear in the first issue of Black Gate magazine in the Spring 2001 issue, published by John O’Neill. The story was picked up by David G. Hartwell and Kathryn Cramer for inclusion in the inaugural volume of their Year’s Best Fantasy anthology series. Parks also used the story in his 2002 collection The Ogre’s Wife: Fairy Tales for Grownups.

In “Golden Bell, Seven, and the Marquis of Zeng,” Seven is a young man living in an ancient China. On a trip to the city, he sees a woman, Jia Jin, and falls immediately in love with her. When it is explained to him that she is a gift to the Marquis of Zeng, who is near to death, and will be entombed with the Marquis along with his other concubines, Seven determines that he must rescue her and marry her.

Seven’s quest takes him far from the capital city and along the way he learns more of Chinese burial customs and a spirit tells him to seek a woman named Golden Bell. Upon finding her, he learns that he must sacrifice his heart and his soul to her in order to gain the knowledge to save Jia Jin from her fate. Although Parks glosses over it, the idea that Seven can give his heart and soul to one woman but later give it to another is glossed over, although it is an interesting point not often included in stories.

Eventually, Seven finds himself confronting the Marquis of Zeng in an attempt to marry Jia Jin, whose desires are not particularly important to either the Marquis or Seven.

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Birthday Reviews: Harry Turtledove’s “Half the Battle”

Birthday Reviews: Harry Turtledove’s “Half the Battle”

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Cover by Tony Roberts
Cover by Tony Roberts

Harry Turtledove was born on June 14, 1949.

Turtledove began publishing using the pseudonym “Eric G. Iverson” and has also published under the names “Mark Gordion,” “H.N. Turteltaub,” and “Dan Chernenko.” Known for his alternate history novels and epics, he has also published numerous science fiction and fantasy works. In 1994 his novella “Down in the Bottomlands” received the Hugo Award. He won the Sidewise Award for Alternate History twice, for his novels How Few Remain and Ruled Britannia. Two of the novels in his Young Adult Crosstime series have won awards. Gunpowder Empire won the 2004 Golden Duck Hal Clement Award given by SuperConDuckTivity and The Gladiator received the 2008 Prometheus Award. His novel WorldWar: In the Balance received the Italia Award in 1996. Turtledove served as Toast Master at Chicon 2000, the Worldcon. In 1995 he received the Forry Award from LASFS.

“Half the Battle” was published by Jerry Pournelle in 1990, in volume 9 of his There Will Be War anthology series, After Armageddon. The story has not been reprinted.

The story opens sometime after an apocalyptic event has destroyed civilization in southern California. A new society has arisen around several small kingdoms, with Turtledove looking at the king of Canoga. When a book is found that describes a machine that the ancients had that can spit bullets, a machine gun, King Byron has his artificers try to replicate the lost device to replace the slow matchlocks his troops are using. The fact that King Byron and his people knew the gun could exist gave them the edge in re-creating it.

The story uses several time jumps to explore where this future will go. In each period, King Byron’s descendants have managed to extend and consolidate the kingdom’s power and in each period, they come across other devices of the ancients that they work to replicate, because knowing it can be done is “half the battle.”

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As Gritty As It Gets: The Ashes of Berlin by Luke McCallin

As Gritty As It Gets: The Ashes of Berlin by Luke McCallin

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The Ashes of Berlin-smallBerlin, 1947.

The city is in ruins and divided between American, British, French, and Russian sectors. German war veteran and police detective Gregor Reinhardt is trying to reassemble his life but, like his city, it’s been smashed into too many pieces.

Not only does he have to contend with the loss of his family and his home, but also guilt over the war and the politics of a police department in which everyone has a sponsor among one of the occupying powers and geopolitics gets played out in the office.

And now he has a serial murderer on his hands, one who shoves sand or water down his victim’s throats in order to suffocate or drown them. Throw in some unrepentant Nazis and a frighteningly efficient Soviet officer, and Reinhardt is up for a long case.

I found this book by accident while browsing through my local bookshop and it’s the best mystery novel I’ve read all year. McCallin is a master storyteller who evokes the grim, surreal landscape of postwar Berlin.

As he takes us along on Reinhardt’s case, we get to experience the sights, sounds, and even the smells and tastes of a once-proud city trying to dig itself out from disaster. The author has clearly done his homework and we learn all sorts of fascinating details about life for regular Germans after the war and the politics of the four “Allied” powers ruling Germany.

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Black Gate Book Club, Downbelow Station, Second Discussion

Black Gate Book Club, Downbelow Station, Second Discussion

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Downbelow Station UK-smallWelcome to the second round of discussion on C.J. Cherryh’s classic 1981 novel Downbelow Station. New to the program? The first discussion can be found here.

Chris Hocking gets the ball rolling this time around.

Chris Hocking

Hi people,

I had business travel to do and took Downbelow Station on the plane for some serious reading. I came away from it realizing that I had developed an unusual (for me at least) attitude toward the book.

This is an intense SF novel depicting otherworldly conflict in alien environments, but it’s tone is resolutely workaday and normalized. The exotic situations and scenes described are experienced by the characters, and presented to the reader, with matter-of-fact realism. We follow several characters whose histories and position are laid out and fitted into this fictional environment with great skill. This is a story of interplanetary war, of political maneuver and counter-maneuver, of individuals and policy makers struggling to deal with the critical issues and collateral adjustments that inevitably arise in wartime. It is executed by Cherryh with remarkable depth and solidity: the environment meshes completely with the story being told and the overall effect is very convincing. This is a powerful and deep imagination at work.

Yet having said all that, I find the book a half-step out of phase with my own reading tastes. The consistent desperation of most of the characters, the grueling effects of war and displacement are all well done and appropriate to the story being told, but for me the cumulative effect was kind of enervating. I’ve read enough bleak modern fiction and noir that this didn’t bother me much in itself, but it was coupled with the notable absence of an element I tend to seek in Science Fiction.

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Birthday Reviews: Yves Meynard’s “Tobacco Words”

Birthday Reviews: Yves Meynard’s “Tobacco Words”

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Cover by Kelly Faltermayer
Cover by Kelly Faltermayer

Yves Meynard was born on June 13, 1964.

Meynard’s novel The Book of Knights was nominated for the Mythopoeic Award and his anthology Tesseracts5, co-edited with Robert Runté, was nominated for the Aurora Award. He won the Aurora Award for his novellas “L’Enfant des mondes assoupis,” “La Marveiolleuse machine de Johann Havel,” “L’Envoyé,” “Équinoxe,” and “Une letter de ma mère.” He won the Aurora for best book for La Rose du desert. In 1994, he won the Quebec Grand Prize for Science Fiction and Fantasy. He served as the literary director for Solaris from 1994 until 2002. He has collaborated with Élisabeth Vonarburg and Jean-Louis Trudel, occasionally using the pseudonym Laurent McAllister for the latter collaborations.

“Tobacco Words” was originally published by Algis Budrys in Tomorrow Speculative Fiction #19 in February 1996.  David G. Hartwell selected the story for inclusion in Year’s Best SF 2 the following year and in 1998 the story was translated into Italian by Annarita Guernieri as “parole di fumo” when Hartwell’s anthology was published by Arnoldo Mondadori Editore.

Yves Meynard’s “Tobacco Words” is set on a space station with a strange culture.  The story focuses on Caspar, a twelve year old boy who can’t speak, and his sister, Flikka, who hears the sins of those who travel between the stars. In this world, their sins can have deadly affects if not confessed and absolved, although Meynard never offers any explanation for the phenomenon.

Meynard fills the story with details of three characters: the grandmother who is traveling through the universe at relativistic speeds, and whose life is broadcast to their home in slow motion; Aurinn, a first timer who doesn’t believe she has any sins, but when she confesses and is absolved winds up hospitalized; and an alien, whose sins are more human than those found in humans.

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Modular: Mordenkainen’s Tome of Foes Looks to the Horizon

Modular: Mordenkainen’s Tome of Foes Looks to the Horizon

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Mordenkainen’s Tome of Foes-smallThe newest supplement for Dungeons & Dragons 5th edition, Mordenkainen’s Tome of Foes (Amazon), continues to provide the high quality of content we’ve come to expect from this series, focusing on quality and story depth over serious escalation of power.

Tome of Foes expands on setting and background information for the main setting, with the bulk of the book being the 137-page Bestiary chapter, containing monsters from across the dimensions, including a variety of duergars and drow templates to a host of Demon Lords and Archdevils. And that’s all just in the D section of the Bestiary, not even account for the constructs, elder elementals, and ample quantities of undead!

While the monsters are great to have, the first half of the book has a lot to offer for the Dungeon Master in terms of depth, as well.

The first chapter gives a wealth of detail on the eternal Blood War between the armies of demons and devils for who gets claim on being more evil. It’s easy to treat demons and devils as villains just there to be killed, but after reading this chapter, you’ll be more inclined to treat them as unique creatures, with their own goals and motivations. I’m looking forward to using this information to build a storyline where my players are stuck between the goals of demonic cults and devil cults, who hate each other nearly as much as they hate the party of adventurers.

Subsequent chapters provide details on the cultures of elves, dwarves, halflings, and gnomes. Information on the Feywild and the Underdark is also provided where appropriate, for those who want to incorporate them more into their campaigns. In addition, a chapter focuses on the endless war between the two gith races, the githyanki and githzerai, who escaped their enslavement from the mind flayers (who are themselves not covered in detail Tome of Foes, but are well covered in the previous Volo’s Guide to Monsters) only to find themselves in a brutal clash against each other.

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