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Adventure in the Magellanic Cloud: The Mote in Time’s Eye by Gérard Klein

Adventure in the Magellanic Cloud: The Mote in Time’s Eye by Gérard Klein

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The Mote in Time’s Eye (DAW, January 1975). Cover by Josh Kirby

This is the latest in a series of posts I’m doing covering relatively obscure SF novels of the ‘70s and ‘80s. This novel was first published in French in 1965, but as it didn’t appear in English until 1975, I figure it fits this series.

One of the things on the good side of the Donald A. Wollheim ledger is his willingness to publish SF in translation. This was one of four novels by Gérard Klein that DAW books published. (Perhaps half a dozen translated short stories appeared in various places.)

Gérard Klein was born in 1937. He began publishing SF at the age of 18, and he seems to have mostly stopped in the mid-70s. He has also been a significant anthologist, and a critic, receiving the Pilgrim Award in 2005 for his scholarly work. His day job was as an economist. He is still alive, now 86 years old.

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A to Z Reviews: “Deal with the Devil,” by Carol Gyzander

A to Z Reviews: “Deal with the Devil,” by Carol Gyzander

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A to Z Reviews

Although the most famous iteration of the Beatles featured George Harrison, John Lennon, Paul McCartney, and Ringo Starr, the band had a variety of lineups prior to settling on the Fab Four. Many know of its famed lineup during their Hamburg Days: Harrison, Lennon, McCartney, Pete Best, and Stu Sutcliffe. In “Deal with the Devil,” Carol Gyzander elects to write about a lesser known lineup, which allows the story to be dated to a one week period between Christmas 1960 and the end of that year, when the Beatles played in Liverpool with Chas Newby replacing Stu Sutcliffe, who had elected to remain behind in Hamburg.

While they wait to begin a set to begin, Lennon hands around some pills and suddenly the nascent Beatles find themselves staring at two boys on a television screen. More surprisingly, they are able to have a conversation with the two boys who claim to live in the Beatles’ distant future and were trying to establish contact with the rock heroes, Black Sabbath, through some sort of séance.

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Datlow’s Latest Treat: The Best Horror of the Year, Volume Fifteen, edited by Ellen Datlow

Datlow’s Latest Treat: The Best Horror of the Year, Volume Fifteen, edited by Ellen Datlow

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The Best Horror of the Year, Volume Fifteen (Night Shade, January 16, 2024)

Once again legendary editor Ellen Datlow has released her annual anthology featuring the Best horror stories that appeared in print the previous year.

And once again the volume includes, in the front, a detailed, invaluable overview of the year in horror (this time 2022). Being a short story lover I am particularly interested in anthologies and collections and, as it happens, once again I discovered how many interesting books I missed…

I always enjoy Datlow’s selections but, naturally enough, some I found particularly accomplished. Here they are.

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The Red Magician by Lisa Goldstein

The Red Magician by Lisa Goldstein

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In the town where Kicsi grew up there was a rabbi who could work miracles. It was a small town, and borders — Hungarian, Czech, Russian — ebbed and flowed around it like tides. Once, Kicsi remembered, she went too far from home and came to a place where the people spoke a different language. In the distance, on the horizon, stood the mountains, fat and placid as cows.

The Red Magician (1982) by Lisa Goldstein is a young adult, magical realist novel about a Jewish girl, during, and after the Holocaust. The author, herself the daughter of two Holocaust survivors, won a National Book Award for paperback original. The book, while short by today’s dreadful standards, is a compelling meditation on willful blindness in the face of great horror, misplaced vengeance, and the harrowing effects of survivor’s guilt.

Kicsi, which means little in Hungarian, lives with her family in a small town completely isolated from the evil smothering much of Europe. We meet her as she listens in on a conversation between her father, Imre, and the town’s rabbi. The rabbi threatens anyone who doesn’t remove their child from the town school with a curse. The school, in defiance of traditional belief, teaches Hebrew. The language, the rabbi insists:

will be spoken only when the Messiah comes and we return to the Holy Land. That is to say, when God wills it. Until then Hebrew is to be spoken only in prayer.

As punishment, the rabbi curses anyone connected to the school to be tormented by forty demons for forty days and nights. Imre insists that he isn’t scared of any curse and that his daughters will continue to attend the school Fortunately, a stranger arrives in the town, first appearing in the synagogue on Friday night.

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A to Z Reviews: “The Scapegoat Factory,” by Ofir Touche Gafla

A to Z Reviews: “The Scapegoat Factory,” by Ofir Touche Gafla

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A to Z Reviews

Over the past several years, I’ve embarked on a series of year-long review cycles at Black Gate. In 2018, I reviewed a story-a-day to coincide with an author whose birthday it was. In 2022, I selected stories completely at random from my collection to review. In both of those cases, the projects served to find forgotten and minor works of science fiction that spanned a range of years. They also served to make me read stories and authors who I haven’t read before, even if they were in my collection.

For this year’s project, I’ve compiled a list of all the stories and novels in my collection. I then identified the first and last works for each letter of the alphabet and over the next twelve months, I’ll be looking at those works of fiction, starting with Vance Aandahl’s “Bad Luck” and ending with David Lee Zweifler’s “Wasted Potential.” Looking at the 52 works (two for each letter), I find that I’ve only reviewed one of the works previously. Interestingly, given the random nature of the works, only three novels made the list, while four anthologies have multiple stories on the list. The works range in publication date from 1911’s “The Hump,” by Fernan Caballero to Zweifler’s story from last year.

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A to Z Reviews: “The Well-Oiled Machine,” by H.B. Fyfe

A to Z Reviews: “The Well-Oiled Machine,” by H.B. Fyfe

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A to Z Reviews

H.B. Fyfe published “The Well-Oiled Machine” in the December 1950 issue of The Magazine of Fantasy and Science Fiction, and the story demonstrates a forward thinking that explores the use of computers and artificial intelligence in the workplace, although in Fyfe’s story, the editor, William Moran (also referred to as Ed, since he is the editor), has a staff of robots rather than networked AIs or computers.

Moran is the editor of Stupendous Stories, a magazine that publishes science fiction adventure stories. As far as the story indicates, Moran is also the only human employee of the company. Before stories get to his desk, a robot known as Sinner writes up synopses (synopses) of the stories for Moran to review. Moran than decides which stories to read based on those briefs and sends the stories to Liar (a linotype robot) to be laid out. Advertising is handled by Adder, the art department is run by Arty, and for good measure, there is a repair robot known as Doc.

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A to Z Review: “Bit by Bit,” by Karina Fabian

A to Z Review: “Bit by Bit,” by Karina Fabian

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A to Z Reviews

Karina Fabian published “Bit by Bit” in Daily Science Fiction in January, 2011 and it was subsequently reprinted in their massive first year’s collection, Not Just Rockets and Robots.

A root canal is bad enough, but it becomes even worse of Sally when the dentist’s drill broke off in her tooth. Rather than attempt to extract the broken off drill bit, the dentist elected to leave it inside the tooth (this is not recommended practice by the ADA). Almost immediately, Sally began hearing chirping sounds, which she understood to be an alien language.

Unable to understand what the aliens may have been saying, but understanding that the constant noise was annoying her and making life difficult, Sally attempted to have the drill bit removed, a procedure which was denied by her insurance company. Joining the aluminum hat brigade as a method to stop the signals from reaching her tooth, Sally found her job as a barista in jeopardy.

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Love Exotic Science Fiction on Desert Planets? Try Donald Kingsbury’s Courtship Rite

Love Exotic Science Fiction on Desert Planets? Try Donald Kingsbury’s Courtship Rite

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Courtship Rite (Timescape Books, July 1982). Cover by Rowena Morrill

Noe took her strange Liethe in a comforting embrace. “Some of us make our Contribution to the Race through Death, and others of us make our Contribution to the Race through Life. That’s the way it has always been.”

One of the distinctive pleasures of science fiction is the heterotopia — a story set not in a good place (a utopia) or an evil place (a dystopia) but in an interestingly different place. Geta, the setting of Donald Kingsbury’s Courtship Rite, has long been my favorite heterotopia.

The society Kingsbury portrays is shaped in important ways by its physical setting. Geta is a desert world, a science fictional trope that goes back to Percival Lowell’s Mars and the many stories set there, from Burroughs on. It’s not as harsh as Herbert’s Arrakis, but certainly harsher than Le Guin’s Anarras. For one thing, its native life is biochemically incompatible with its human inhabitants; eating it, without careful detoxification, is lethal. The only things truly safe to eat are a limited number of introduced Earth lifeforms: bees, eight species of plants (not all named) — and other human beings, because Geta’s most visibly distinctive cultural trait is institutionalized cannibalism. Kingsbury calls this out on the first page of the novel, where the children of a famous man, Tae ran-Kaiel, attend a funeral feast where his roasted body is the main course.

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Immaculate Scoundrels: That Tarantino-style Wuxia-80’s Heist-Fantasy Film… with Lizard People… you never knew you needed

Immaculate Scoundrels: That Tarantino-style Wuxia-80’s Heist-Fantasy Film… with Lizard People… you never knew you needed

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Immaculate Scoundrels (Flying Wizard Press, March 5, 2024). Cover by Brian Leblanc

There are lots of jokes associated with being GenX; so many, in fact, that arguably, the best joke is being GenX, period. I mean, multiple discussions of various generations literally provided lists and manage to forget that there actually is a group of people born between 1965 and 1980 at all!

But thanks to the odd 80s nostalgia of Stranger Things, Maverick, and the never-ending exploitat… er… expansion of the Star Wars franchise… the rather odd era of Big Hair, Nuclear Escalation, the birth of the Summer Blockbuster and a lot of pretty bitchin’ music is in vogue. It was an interesting, weird and contradictory time to grow up, with a lot of contradictory media and mixed messages (I’ll never forget seeing a literal “Say No to Drugs” commercial attached to the trailer for Porkys).

The end result was a generation marked for having a certain feral cynicism born of constant reminder from about age 13 that we were the “baby bust” and had zero political or economic influence and likely never would so just “go do you.” And any inclination otherwise probably ended with the dot.com crash, 9/11 etc. all hitting as most of us were 25 – 33, with 1/2 the generation still on a Clintonian hangover and the other half still believing Reaganomics had been a thing.

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A Really Impressive First Novel: The God of Endings by Jacqueline Holland

A Really Impressive First Novel: The God of Endings by Jacqueline Holland

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The God of Endings (Flatiron Books, March 7, 2023)

At this year’s Capricon I shared an autograph session with Jacqueline Holland. In the way of things, especially with customers sparse, I ended up signing a couple of my books for her and she signed a copy of her first novel, The God of Endings, for me. The novel was published in March 2023 by Flatiron Books, a fairly new imprint.

Jacqueline Holland got her MFA from the University of Kansas, studying with the wonderful Kij Johnson. She has published work in some impressive literary journals, like Big Fiction. This novel is fantasy, and she told me her next two novels will be science fiction. It’s a vampire novel, which is normally not my thing, but Jacqueline’s description made it sound intriguing, and not your standard vampire novel (certainly these are not sparkly vampires!) and it lived up to that.

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