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Birthday Reviews: Stephen Robinett’s “A Penny’s Worth”

Birthday Reviews: Stephen Robinett’s “A Penny’s Worth”

Cover by Vincent di Fate
Cover by Vincent di Fate

Stephen Robinett was born on July 13, 1941 and died on February 16, 2004.

Until 1975, Robinette published using the name Tak Hallus. Although he has mostly used his own name since then, in 1976, he published the novel Mindwipe! using the pseudonym Steve Hahn.

“A Penny’s Worth” appeared in the March 1976 issue of Analog, edited by Ben Bova. It was the story’s only appearance.

Robinett created the lawyer Harry Penny for the story “A Penny’s Worth,” and Penny finds himself hired by a graduate student, Marshal Pierce, to defend Pierce against assault and battery charges. Although Pierce claims no recollection of assaulting Dr. Charles Morrow, there are two witnesses, Morrow’s wife and a neighbor, who saw the attack. The story follows Penny as he interviews witnesses and others with ties to Pierce and Morrow, to figure out what happened. The story is engaging, although the solution is telegraphed rather early on.

While Morrow and Pierce don’t know each other, there are several links between the two. Pierce worked as a graduate student for Ray Winslow, Morrow’s former, and now dead, partner. At one time Harry dated Nora, who went on to marry Winslow before leaving him for Morrow. Vernon Vernon, Pierce’s boss who fired him for stealing something after Winslow died, although Pierce claims he had Winslow’s permission to take it, also has ties to Morrow. What is clear to the reader from early on is that the medication Winslow had Pierce take somehow makes Pierce seek out Morrow to get vengeance for what Morrow did to Winslow.

Sometimes, however, plot isn’t the most important thing and so knowing the solution, rather than spoiling the story, provides a sense of foreshadowing. What caused the attack in this case is less important than Penny’s way of finding out what the reader has already figured out. His interviews with Nora, Morrow, and Vernon and his instructions to Pierce to help the boy avoid prison time for assault or worse, are the keys to the story and make it a very entertaining piece of fiction. Penny and his world seem as if they were developed to be an ongoing series, and Robinett would return to the character the following year in the novella “The Man Responsible.”

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Birthday Reviews: James Gunn’s “The Day the Magic Came Back”

Birthday Reviews: James Gunn’s “The Day the Magic Came Back”

Cover by Chris Moore
Cover by Chris Moore

James E. Gunn was born on July 12, 1923.

In 1976, Gunn received a Worldcon Special Convention Award at MidAmeriCon for his book Alternate Worlds: The Illustrated History of Science Fiction. The same year the Science Fiction Research Association presented him with the Pilgrim Award. He was recognized with an Eaton Award in 1982. In 1983, his book Isaac Asimov: The Foundations of Science Fiction won the Hugo Award for Best Nonfiction Book. He received the Clareson Award from the SFRA in 1997. He received the Moskowitz Award in 2000 and was named a SFWA Grand Master in 2007. In 2009, he was inducted into the First Fandom Hall of Fame. Gunn was one of the Guests of Honor at LoneStarCon 3, the 71st World Science Fiction Convention held in San Antonio, Texas in 2013. Two years later, Gunn was inducted into the Science Fiction Fall of Fame in Seattle.

“The Day the Magic Came Back” was purchased by Scott Edelman for Science Fiction Age and appeared in the January 1996 issue. Gunn later included the story in his collection Human Voices, originally published in 2002.

When world class physician Dr. Knowland is unable to cure 9-year-old Linda Constant’s disease, her family brought in their preacher, Mr. Alma, to the hospital to pray for her. As she slowly became better, Knowland had to admit that she was cured more by Alma’s prayer than by Knowland’s medicine, and Knowland went in search of the faith healer to learn his methods.

Although what Knowland learned was a conflict between belief and science, he approached Alma’s technique with an open mind, coming to the conclusion that Alma was influencing people’s health through an unknown, and not provable or necessarily reproducible, means. The realization produces a fear in Knowland not because he frets for his job, he admits that science needs something to fall back on, but rather because it destroys his understanding of the fundamental way the universe works. Even if his science and medicine continue to work, his universe has suddenly become too unpredictable for his tastes.

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Birthday Reviews: Cordwainer Smith’s “No, No, Not Rogov!”

Birthday Reviews: Cordwainer Smith’s “No, No, Not Rogov!”

Cover by Kelly Freas
Cover by Kelly Freas

Cordwainer Smith was born Paul Linebarger on July 11, 1913 and died on August 6, 1966. As Linebarger, his most famous work was Psychological Warfare. Frederik Pohl revealed that Smith was really Linebarger in an editorial that ran in the December 1966 issue of Galaxy

Smith was nominated for two Hugo Awards, first for the short story “The Game of Rat and Dragon” in 1955 and later for the novel The Planet Buyer in 1965. His novella “On the Storm Planet” was also nominated for the first Nebula Award. He posthumously won the Seiun Award three times, for his short fiction “Think Blue, Count Two” and “A Planet Named Shayol.” His third win was for the novel Norstilia, which was also a nominee for the Jupiter Award.

“No, No, Not Rogov!,” was originally purchased by Damon Knight and published in the February, 1959 issue of If. Judith Merril included the story in The 5th Annual of the Year’s Best S.-F. and Smith used it in his collection You Will Never Be the Same. Knight reprinted the story in the anthology Science Fiction Inventions and it was one of Smith’s stories in his collection The Instrumentality of Mankind. When Isaac Asimov and Martin H. Greenberg were selecting stories of The Great SF Stories 21 (1959), “No, No, Not Rogov!” made their cut. Jim Mann opened the NESFA Press collection The Rediscovery of Man: The Complete Short Science Fiction of Cordwainer Smith with the story. David G. Hartwell and Kathryn Cramer used it in The Ascent of Wonder: The Evolution of Hard SF. It most recently appeared in the Baen Books collection of Smith’s work, When the People Fell. “No, No, Not Rogov!” has been translated into French, German, Italian, and Spanish.

“No, No, Not Rogov!” is an indictment of the Soviet system. Smith tells about Soviet scientists N. Rogov and Anastasia Cherpas, whose professional competitiveness turns into respect and eventually a scientifically collaborative marriage. Whether or not they actually have any affection for each other can’t be determined from the story, although Cherpas does resent the crush that the scientist Gausgofer, who was sent to spy on them, develops on Rogov.

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July Short Story Roundup

July Short Story Roundup

oie_1083736EA4SAq7NIt’s that time again, folks. I’m taking a break from my ongoing reread of Glen Cook’s Black Company (6 books down, 4 to go!) to give you an update on the latest heroic fantasy short fiction. First, as usual, there’re the monthly two stories from Curtis Ellett’s Swords and Sorcery Magazine. The other source of stories this July is a collection from Howie Bentley. Most of the stories are reprints I’ve reviewed before, but there are some new things I’ll tell you about.

Issue 77 of Swords and Sorcery Magazine kicks off with “Gina,” the fiery (and bloody) story of a deadly young woman with the ability to control elementals. It’s by Gustavo Bondoni, an author whose work I’ve reviewed in the past. The story kicks off just as Gina is about to be “sacrificed to the fire-demons of Hell’s Gate.” Unfortunately for her captors, just as she steps off the precipice into the volcano’s mouth, they realize she is not the naked and defenseless slave they believe her to be.

Gina looked down again and smiled. She said a few words under her breath. Out loud she said: “Haggan,” and took that final step forward.

She did not fall.

The guard’s footsteps rang out behind her as the man realized that something had gone wrong and rushed towards her to correct it. Not only was he much too late, but he was also running in the wrong direction. Any intelligent person living in a city as infested with magicians as Hell’s Gate would have taken one look at the floating woman and run the other way.

Sadly, dungeon-keepers were not selected for their intelligence. The man kept coming as Gina turned back the way she’d come. A contemptuous flick of her arm brought a tongue of fire from the depths. A gesture sent it towards the rushing defender, who could do nothing but look down at his chest in horror as a searing lance thicker than his arm penetrated his sternum and emerged from his back.

Bondoni packs a lot of back story into this short work, as well as some solid, if not altogether surprising, character development. It successfully walks the line between feeling like something ripped from a longer work and a standalone effort. It manages to feel like an important incident from the larger story of Gina’s life, yet still work as a completely discrete story; something that makes me, as a reader, very happy.

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Birthday Reviews: Fran Wilde’s “How to Walk through Historic Graveyards in the Post-Digital Age”

Birthday Reviews: Fran Wilde’s “How to Walk through Historic Graveyards in the Post-Digital Age”

Cover by Gary Freeman
Cover by Gary Freeman

Fran Wilde was born on July 10, 1972.

Wilde won the Andre Norton Award in 2016 for her debut novel, Updraft, which was also a Nebula Nominee and a winner of the Compton Crook Stephen Tall Memorial Award. She has also been nominated for the Nebula for her novella The Jewel and Her Lapidary and the short story “Clearly Lettered in a Mostly Steady Hand,” both of which were also nominated for the Hugo Award. Her story “Only Their Shining Beauty Was Left” was a nominee for the WSFA Small Press Award.

Wilde published “How to Walk Through Historic Graveyards in the Post-Digital Age” in the April 2015 issue of Asimov’s Science Fiction, edited by Sheila Williams. The story has not been reprinted.

Eleanor Reed is an embedded journalist, covering a war using implants which allowed her to submit her reports directly and her viewers to see what she saw, although the feed is censored in realtime by the army. Unfortunately, she is caught in an attack and injured. While recuperating at home, she spends time walking in St. Paul’s Kent Churchyard cemetery near her home in Chestertown, Maryland, with her rig seems to have developed a glitch. In addition to seeing what is there, she can apparently also see ghosts, particularly the ghost of the actress Tallulah Bankhead, who is buried in the cemetery.

However, the glitch in Eleanor’s implants began long before she arrived at the cemetery. When she was in country, she saw several of the members of the company she was embedded in when they died, and saw them leave their bodies. Although she is aware of the issue and trying to figure out exactly what is happening, using the ghost of Tallulah Bankhead as a test subject, she is also concerned that her handler, Ben, will learn about the images and try to use them for his own purposes, which she never really trusts.

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Birthday Reviews: Thomas Ligotti’s “The Last Feast of Harlequin”

Birthday Reviews: Thomas Ligotti’s “The Last Feast of Harlequin”

Cover by Stephen Gervais
Cover by Stephen Gervais

Thomas Ligotti was born on July 9, 1953.

Ligotti’s collection The Nightmare Factory won the British Fantasy Award and the Bram Stoker Award. He won additional Bram Stoker Awards for his novelette “The Red Tower” and his story “My Work Is Not Yet Done.” The latter work also earned Ligotti his first International Horror Guild Award. He won a second IHG for The Nightmare Factory. A translation of his collection Grimscribe: His Lives and Works won the Italia Award for International Novel.

“The Last Feast of Harlequin” was originally published in the April 1990 issue of The Magazine of Fantasy and Science Fiction, edited by Edward L. Ferman. Terri Windling and Ellen Datlow picked it up for the fourth annual edition of The Year’s Best Fantasy and Horror and Stephen Jones and Ramsey Campbell picked it for Best New Horror 2. Ligotti included the story in his collections Grimscribe: His Lives and Works. The Nightmare Factory, The Shadow at the Bottom of the World, and Songs of a Dead Dreamer and Grimscribe. Ferman and Kristine Kathryn Rusch used the story in The Best from Fantasy & Science Fiction: A 45th Anniversary Anthology. Jim Turner selected it for Cthulhu 2000: A Lovecraftian Anthology and Scott David Aniolowski selected it for Return to Lovecraft Country. Joyce Carol Oates used it in American Gothic Tales and Peter Straub included it in American Fantastic Tales: Terror and the Uncanny from the 1940s to Now. S.T. Joshi used the story in the anthology A Mountain Walked. The story has been translated into German twice as well as Italian and Finnish. It was nominated for the World Fantasy Award for Best Short Story.

Ligotti presents the research of an anthropologist into clowns in folk culture in “The Last Feast of Harlequin.” An anonymous source sends the professor a note about a strange festival in the town of Mirocaw that features people dressing as clowns. Unable to learn anything about the festival through normal sources, including exchanging letters with the state’s Department of Tourism, the professor forgets about the festival until chance brings him to the town and he learns that the festival is held during the Winter solstice, bringing it in conflict with the more traditional Christmas celebrations.

Returning for the actual festival, with very little knowledge of what to expect, the anthropologist tries to learn from the townfolk why they do what they do, only to find that every avenue of inquiry is a dead end. The villagers don’t know why they have the traditions, they just know that they follow them. In the process, he does realize that one of his old professors is living there, apparently a derelict in a part of the town, which at first doesn’t appear to participate in the festival, but later he learns does with different rules.

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Birthday Reviews: José Antonio Cotrina’s “Between the Lines”

Birthday Reviews: José Antonio Cotrina’s “Between the Lines”

Cover by Tarzo
Cover by Tarzo

José Antonio Cotrina was born on July 8, 1972.

Contrina’s novella “Salir de Fase” tied for the UPC Award for unpublished novella with Javier Negrete’s “Buscador de Sombras” in 2000. Contrina was also nominated to the Premio Ignotus for “Entre lineas.”

Entre lineas” was published in Gigamesh, 25 in May 2000, edited by Julián Díez. In 2007, it was translated into English by James Stevens-Arce as “Between the Lines” and included in The SFWA European Hall of Fame: Sixteen Contemporary Masterpieces of Science Fiction from the Continent, edited by James Morrow and Kathryn Morrow.

Alejandro is studying advertising at university when he happens to walk into the wrong professor’s office in “Between the Lines” and is informed that by doing so, he has enrolled himself in the course Advanced Reading Techniques, a class he has absolutely no interest in. Since he hasn’t filled out any paperwork, he ignores the professor and continues on with his life, studies, and job, forgetting about the strange incident until he receives a letter from the university informing him that he has an incomplete in the class.

When he goes to protest, the professor insists that he is in the class and is required to do the coursework in order not to fail. He is given a copy of The Little Prince and goes off to read it, closely, and make notes about the book’s text, the author, and anything else he can think of. When he returns to the professor to discuss the book, the professor throws aside his work, telling him that he hasn’t read between the lines. Alejandro attempts to re-read the book and suddenly realizes that if he ignores the actual text, but looks at the negative space between the words, he can read a different book. Once he comes to this epiphany, he can’t help but see the alternative text everywhere he looks. Cotrina opens up a whole new realm of literature, on par with Jorge Luis Borges’s “The Library of Babel” with this version of reality.

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Birthday Reviews: Robert A. Heinlein’s “Sky Lift”

Birthday Reviews: Robert A. Heinlein’s “Sky Lift”

Cover by W.E. Terry
Cover by W.E. Terry

Robert A. Heinlein was born on July 7, 1907 and died on May 8, 1988.

Heinlein won his first Hugo Award in 1956 for his novel Double Star. He subsequently won three more Hugo Awards for Best Novel for Starship Troopers, Stranger in a Strange Land, and The Moon Is a Harsh Mistress. Although he has never won a Nebula Award, despite four nominations, Heinlein was the first person designated a Grand Master by the SFWA, in 1975. In 1980 he received the Forry Award from LASFS. He has won the Prometheus Hall of Fame Award seven times, for The Moon Is a Harsh Mistress, Stranger in a Strange Land, Red Planet, Methusaleh’s Children, Time Enough for Love, “Requiem,” and “Coventry.” In 1978, I Will Fear No Evil won the Seiun Award. Heinlein has also won the Retro Hugo Award four times, for “The Man Who Sold the Moon,” Farmer in the Sky, “The Roads Must Roll,” and “If This Goes On…” Heinlein was Guest of Honor at three separate Worldcons, Denvention 1 in 1941, Seacon in Seattle in 1961, and MidAmeriCon in Kansas City in 1976. The only other person to be a Guest of Honor at three Worldcons was John W. Campbell, Jr. In 1998, he was a Posthumous Inductee into the Science Fiction Hall of Fame.

“Sky Lift” was first published by William L. Hamling in the November 1953 issue of Imagination. Heinlein included it in his collection The Menace from Earth in 1959. The story was selected by Damon Knight for A Century of Science Fiction and was included in Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Gregory Benford and George Zebrowski chose to include it in Sentinels: In Honor of Arthur C. Clarke in 2010 and it was also reprinted in New Worlds to Conquer, part of the Virginia Edition, which reprinted all of Heinlein’s works. In addition to its English language publications, it has been translated into Italian twice, first by Hilja Pini for Urania #306 and a new translation, also by Pini using the name Hilia Brinis, for Gamma #14. Fritz Steinberg translated it into German for Unternehman Alptraum. It has also been translated into French twice.

“Sky Lift” is a strangely titled story about a medical supply run to the planet Pluto which has to be conducted under extreme conditions due to the urgency to get supplies to the distant planet (the title used in its first Italian translation, “Accelerazione ‘3g’” is a much better title). Like Tom Godwin’s “The Cold Equations,” which would be published in Astounding nine months later, Heinlein achieves emotional impact by creating a situation heavily stacked against the protagonists, Joe Appleby and Lieutenant Klueger.

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Standing on Zanzibar

Standing on Zanzibar

Ken Lam confronts-small

Toronto police constable Ken Lam confronts the perpetrator of the Yonge Street van massacre,
April 23, 2018. The driver left his vehicle and repeatedly “drew” his cellphone as if it were a
firearm, 
pointing it and shouting at Lam to shoot him. Without firing a shot, the constable
forced the 
suspect to the sidewalk and handcuffed him.

This year marks the 50th anniversary of the publication of John Brunner’s Stand on Zanzibar. Besides its wonderful title (say it aloud!), the 1968 novel is worth remembering for its author’s uncanny predictions of what 21st century culture and technology might look like.

I use the word “predictions” hesitantly, since I feel that too often we lend a sort of second-rate legitimacy to authors who write stories of the future when we focus on such of their predictions that may have, in some way or other, “come true.” Jules Verne “predicted” the submarine, H.G. Wells tank and aerial warfare, E.M. Forster the internet, and so on. It becomes a form of damning with faint praise. If we focus on an author’s talent for alleged “prediction,” we can overlook the extent to which in expostulating futures, these authors actually wrote about their own time, and did so with insight and creativity. From this point of view, the extrapolations that didn’t “come true” are just as meaningful as those that did, but by focusing on just the “accurate” predictions, by depicting these writers as somehow Nostradamus-type prophets, we make clear that they’re not being judged for their literary value. Instead, they have been relegated to a room separate from that of the genuine canon of literary greats, their predictive ability categorizing each of them less as a genuine creative artist than as a clever algorithm, like a particularly well-programmed weather app.

Indeed, the SF genre is full of talented artists who remained within the genre and never particularly got their due as literary writers: the iconic status that such prolific genre authors as Ray Bradbury, Arthur C. Clarke, and Harlan Ellison now enjoy was gained not when they wrote specifically “literary” books, but when they skipped that step and when straight into writing scripts for well-regarded films and TV shows, a kind of canonization into popular culture (reinforced by the knowledge that in these cases, their art gained them large paycheques) that any literary writer would envy.

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Birthday Reviews: John Langan’s “The Unbearable Proximity of Mr. Dunn’s Balloons”

Birthday Reviews: John Langan’s “The Unbearable Proximity of Mr. Dunn’s Balloons”

Cover by Alamy.com
Cover by Alamy.com

John Langan was born on July 6, 1969.

Langan’s novel The Fisherman received the Bram Stoker Award for Best Novel. His earlier collection Mr. Gaunt and Other Uneasy Encounters was also nominated for the award. The story version of “Mr. Gaunt” as well as his story “On Skua Island,” were both nominated for the International Horror Guild Award. Langan serves on the Board of Directors for the Shirley Jackson Award.

He wrote “The Unbearable Proximity of Mr. Dunn’s Balloons” for Jack Dann and Nick Gevers for the anthology Ghosts by Gaslight. Published in 2011, the story has never been reprinted.

“The Unbearable Proximity of Mr. Dunn’s Balloons” is the story of Mark Stephen Chapman, an author who has arranged to spend the summer at the home of Parrish Dunn, a spiritualist whose home, and especially the strange balloons he decorates it with, are intriguing to Chapman. On his way up to Dunn’s estate, Chapman meets Cal and Isabelle Earnshaw, who are also on their way to spend time with Dunn. Cal is dying and has hopes that Dunn can ease his passage.

The majority of the story is told as a series of conversations between Isabelle and Chapman, although occasionally Langan includes a page from Chapman’s journals, as Chapman shared much about his past with Isabelle. Chapman also talks about his life with Cal, who regrets not having lived the full life he sees Chapman as having had. The most enigmatic of the characters is Dunn, who appears occasionally, but rarely interacts with Chapman until the story’s denouement.

Until the end of the story, there is little fantastic that occurs. Dunn’s treatment of Cal and Cal’s response are all physical in nature, whether or not Dunn is an actual spiritualist or a charlatan. Chapman never really develops a relationship with Dunn and finds himself uncomfortable around the paper balloons. Eventually, when Isabelle decides she wants to take Cal away from Dunn, Chapman serves to distract him and learns the truth about Dunn’s balloons and why they are so disturbing, although Langan does not indicate why others have not felt the same concern about them.

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