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Birthday Reviews: Charles Sheffield’s “Marconi, Mattin, Maxwell”

Birthday Reviews: Charles Sheffield’s “Marconi, Mattin, Maxwell”

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Galaxy May 1977-small Galaxy May 1977-back-small

Cover by Bonnie Dalzell

Charles Sheffield was born on June 25, 1935 and died on November 2, 2002. On two occasions, he published fiction under the name James Kirkwood when he had multiple stories appearing in a single issue of a magazine.

In 1979 Sheffield was a nominee for the John W. Campbell Award for Best New Writer. He went on to win the Hugo and Nebula Award for his novelette “Georgia on My Mind.” His novel Brother to Dragons won the John W. Campbell Memorial Award and his novel The McAndrew Chronicles received the Seiun Award. In 1998 Sheffield served as Toastmaster at Bucconeer, the Worldcon in Baltimore. From 1998 until his death, Sheffield was married to author Nancy Kress.

“Marconi, Mattin, Maxwell” was first published in the May 1977 issue of Galaxy, edited by James Baen. Sheffield included it in his 1979 collection Vectors. The story kicked off a series of ten short stories featuring Henry Carver and Waldo Burmeister, two lawyers in the future. In 2001, Sheffield collected all of the stories in Space Suits: Being the Selected Legal Papers of Waldo Burmeister and Henry Carver, Attorneys-at-Law, as Transcribed and Edited by Henry Carver, LL.B., and With a Special Introduction by Waldo P. Burmeister, LL.B. The story was also translated into German in 1980 for an appearance in Science-Fiction-Stories 80, edited by Walter Spiegl.

In “Marconi, Mattin, Maxwell,” Henry Carver is relating his relationship with the great inventor Gerald Mattin. The story is set up as a letter to an editor who is including a chapter about Mattin in a book about great scientists. Carver indicates that the letter provides the editor with the true story of Mattin rather than the sanitized version that Carver wrote for the book.

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Birthday Reviews: Mercedes Lackey’s “A Different Kind of Courage”

Birthday Reviews: Mercedes Lackey’s “A Different Kind of Courage”

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Cover by Richard Hescox
Cover by Richard Hescox

Mercedes Lackey was born on June 24, 1950.

Lackey has been nominated for the Lambda Award three times, winning for her novel Magic’s Price in 1991. Her novel The Ship Who Searched, written in collaboration with Anne McCaffrey, was nominated for the Seiun Award and her novel The Fire Rose was nominated for the Sapphire Award. In addition to her collaborations with McCaffrey, she has also collaborated with Joseph Sherman, Ru Emerson, and Mark Shepherd on the Bard’s Tale series, with Ellen Guon and Rosemary Edghill on the Bedlam Bard series, with husband Larry Dixon, Holly Lisle, Cody Martin, and Roberta Gellis on the SERRAted Edge series. Other collaborators include Dave Freer, Eric Flint, Andre Norton, Marion Zimmer Bradley, James Mallory, C.J. Cherryh, and others.

“A Different Kind of Courage” was Lackey’s first sale and originally appeared in Free Amazons of Darkover, a shared world anthology set in Marion Zimmer Bradley’s world of Darkover and edited by Bradley in 1985. The story was reprinted by Steven H Silver and Martin H. Greenberg in Magical Beginnings, an anthology of the first stories by various fantasy authors. In 1988, “A Different Kind of Courage” was translated for the German publication of Freie Amazonen von Darkover.

Rafi is an outcast, someone who doesn’t fit in anywhere and has failed at everything she has tried to do. After she was ejected from training as a Keeper, her father planned to marry her off to Lord Dougal, who has a reputation for having his wives killed. Rather than marry Dougal, she runs away and joins the Free Amazons, where she quickly discovers she has neither the strength, stamina, nor ability to be successful. Her partial training as a Keeper, however, causes her to be sent on a mission with Caro and Lirella, neither of whom want to be saddled with her. One evening, they sent her out to gather firewood, a task she also fails.

Upon returning to her companions, she finds that they have been attacked and, although they have defeated their attackers, both have horrible wounds. Rafi does what she can for them, overcoming her fear of their pack animals to use them to drag the women inside where she treats their wounds and keeps them warm. She also uses her Keeper training to reach out to seek additional help. She does what she can through the night, but by the time help arrives, Rafi is, herself, on the verge of death.

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Birthday Reviews: Eileen Gunn’s “Thought Experiment”

Birthday Reviews: Eileen Gunn’s “Thought Experiment”

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Cover by Jeremy Geddes
Cover by Jeremy Geddes

Eileen Gunn was born on June 23, 1945.

Gunn’s story “Stable Strategies for Middle Management” was nominated for a Hugo Award in 1989 and the next year she received a Hugo nomination for “Computer Friendly.” Her collection Stable Strategies and Others, which included original works, was nominated or shortlisted for the Philip K Dick Award, the James Tiptree, Jr. Memorial Award, and the World Fantasy Award. Two original stories from the collection, “Nirvana High,” written with Leslie What, and “Coming to Terms” were nominated for the Nebula Award, with “Coming to Terms” winning the 2005 Nebula Award for Best Short Story.

Gunn published “Thought Experiment” in Jonathan Strahan’s 2011 anthology Eclipse Four: New Science Fiction and Fantasy. She subsequently included it in her collection Questionable Practices and Paula Guran selected the story for the anthology Time Travel: Recent Trips.

Ralph Drumm is an engineer given to performing the sort of “Thought Experiment” the story is named for. While sitting in a dentist’s chair having his teeth whitened, Drumm begins to muse on a way to achieve time travel and after returning home turns his thought experiment into a reality.

The story follows Drumm as he sight-sees through three different periods, a Wessex in the mid-fifteenth century where the inhabitants seem to speak a version of Anglo Saxon, a visit to Bethel, New York to see Woodstock in 1969, and to Washington, D.C. on April 15, 1865 to witness the assassination of Abraham Lincoln. For the most part, Drumm is only a witness to these events, although he senses hostility towards him on his repeated trips to Wessex, each spaced a year apart so he won’t have to worry about running into himself.

Gunn does bring up the idea of Drumm’s interference with history, not only when he tries to warn Lincoln about Booth’s impending assassination attempt, but on a more subtle level, simply by existing in times when he shouldn’t have. Gunn’s early description of Drumm as the first time traveler also foreshadows the possible existence of other, later time travelers.

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Mage: The Hero Denied #8

Mage: The Hero Denied #8

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Mage The Hero Denied 8-smallSo I’m starting work on my review for Mage: The Hero Denied #9, when I realize that, while I wrote a rather lengthy review of issue #8, I never got around to posting it. Expect the next review in the next week or so.

See the previous reviews in this series here.

Being a fifteen-issue series, issue #8 is obviously the halfway point for the story and as such we expect it to be something of a turning point. And while some parts of the story are very predictable for a mid-point chapter, this issue did manage to surprise me a few times. The two starting points are Magda waking up in the villains’ lair and Kevin facing the ogre that trashed his house. Magda gets the stereotypical James Bond treatment, where her enemy sets her up in a luxury suite and promises to provide her with every comfort before killing her. And Kevin gets pummeled by a monster. But then both story threads go in unexpected directions.

It starts with the way that Kevin handles the ogre. His focus here is on finding his family and since killing the ogre won’t help him in that goal, he refuses to fight back. The result is that the ogre starts tossing him around while Kevin just keeps asking where his family’s been taken. This isn’t the strike-first and ask-questions-later approach that we expect from Kevin. It’s the tactic of a more responsible hero who is controlling his rage so that he can achieve a more important goal than just defeating the monster.

The scene switches to Magda demanding to see her children. And here we see another parallel between Magda and the Umbra Sprite. She’s told that the Umbra Sprite values her daughters as much as Magda values her children. She’s then reunited with Hugo. And we’re left to wonder what’s happened to Miranda.

Back to Kevin, who continues to get pummeled by the monster, refusing to fight back until his questions are answered. But then he discovers that only Hugo and Magda were captured. Miranda is hiding in the rubble. Once he realizes that his daughter is there and could be harmed, he makes very quick work of the ogre, revealing that he could have easily killed the monster at any time.

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Galaxy Science Fiction, March 1954: A Retro-Review

Galaxy Science Fiction, March 1954: A Retro-Review

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Galaxy March 1954-smallThe March, 1954 issue of Galaxy Science Fiction features a cover by Ed Emshwiller. I’m not certain how easy it is to see, but I like how he added EMSH to the symbols in the background.

“The Telenizer” by Don Thompson — Langston is a reporter who becomes a target of someone with a telenizer. The device, once honed to someone’s brain waves, can change a person’s perception of reality. One countermeasure is drunkenness, but Langston opts for a neutralizing device that he can carry in a briefcase.

Langston starts a story on himself, beginning with an investigation on Isaac Grogan. Langston did an expose series on Grogan years ago on bribery and corruption, which eventually led to the man’s arrest.  Now that Grogan is free, he has motive for revenge. But there could be more at play than the obvious.

I like the premise and some of the action sequences; the story has a good pace. I couldn’t find much information on Thompson, which made me think the name could be a pseudonym for another author, given that this is the longest story in the issue. But I’m not turning up anything.

Maybe someone else (e.g. Rich Horton) has more information.

“The Littlest People” by Raymond E. Banks — Space labor forces are shipped cheaply by placing people in stasis while being shrunk to just a few inches in size. John’s father is the personnel director on an asteroid and meets with Mr. Mott, who arrives with new people available for hire. As John wanders the ship, he finds one of the little people — a woman — lying on the floor.

He picks her up and means to tell Mr. Mott, but there’s a bit of chaos at that moment, and John pockets her. Later, his sister brings the tiny woman (whom she names Gleam) out of stasis by accidentally injuring her leg. So John begins caring for Gleam like a pet while she bemoans her uselessness because of her permanently injured leg.

This is a really intriguing tale by Banks, and aside from some physical violence, it’s a good coming-of-age story.

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Birthday Reviews: Octavia E. Butler’s “The Book of Martha”

Birthday Reviews: Octavia E. Butler’s “The Book of Martha”

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Cover by Barry D. Marcus
Cover by Barry D. Marcus

Octavia E. Butler was born on June 22, 1947 and died February 24, 2006.

Butler earned a Hugo Award in 1984 for her short story “Speech Sounds.”  In 1985 her novelette “Bloodchild” received both the Hugo and the Nebula Award. She received a second Nebula Award in 2000 for the novel Parable of the Talents. In 2010 she was posthumously inducted into the Science Fiction Hall of Fame. She received the SFWA’s Solstice Award in 2012. Kindred: A Graphic Novel Adaptation, based on her 1979 novel Kindred, earned her and Damian Duffy a Bram Stoker Award in 2018. She had several other award nominations as well.

Butler’s sold “The Book of Martha” to Ellen Datlow for publication in SciFiction on May 21, 2003. David G. Hartwell and Kathryn Cramer picked the story up for Year’s Best Fantasy 4 the following year and in 2005, Butler included it in the second edition of her story collection Bloodchild and Other Stories. It was reprinted by Marleen S. Barr in Afro-Future Females: Black Writers Chart Science Fiction’s Newest New Wave Trajectory, published by Ohio State University Press and finally in Peter S. Beagle’s anthology The Secret History of Fantasy.

One of the questions theologians argue with regard to God’s nature is why an omnipotent and benevolent God would permit evil in the world. In “The Book of Martha,” Octavia E. Butler explores that question in a dialogue between Martha, an African-American writer, and God, who has summoned her to allow Martha to make a single change to humanity in an attempt to improve it.

Among the givens of Butler’s world is that God is insistent that humans have free will. Because of this, God’s omniscience doesn’t exist. When Martha asks God to help her model behavior based on her change, he can advise based on experience (and possibly earlier similar experiments), but God claims not to know the consequences for sure.

The discussion not only explores the law of unintended consequences, but also takes on what qualities a leader should have. Martha was chosen for the job not only because of her life experiences, but also because she cares about people and is worried that she might inadvertently cause harm. When Martha raised the question of creating a Utopiean society, the conversation turns to deconstructing what a Utopia would actually entail.

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Goth Chick News Reviews Stephen King’s The Outsider

Goth Chick News Reviews Stephen King’s The Outsider

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Stephen King The Outsider-small Stephen King The Outsider UK-small

If it seems like I’ve been talking about Stephen King a lot lately, you’re right. King has experienced a significant renaissance over the last few years, not only cranking out quite a lot of fresh new stories but seeing his work both old and new getting treatments for the large and small screen.

The Book Hub recently tallied up all the King tales about to be part of your entertainment lineup.

Movies

  • It: Part 2
  • Revival
  • Pet Sematary
  • Firestarter
  • Hearts in Atlantis
  • My Pretty Pony
  • Doctor Sleep
  • Drunken Fireworks (based on the short story from The Bazaar of Bad Dreams)
  • The Talisman
  • The Stand

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Birthday Reviews: Cleve Cartmill’s “Huge Beast”

Birthday Reviews: Cleve Cartmill’s “Huge Beast”

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Cover by George Salter
Cover by George Salter

Cleve Cartmill was born on June 21, 1908 and died on February 11, 1964. Cartmill also used the name Michael Corbin, when he had two stories appearing in the same issue of Unknown Worlds in 1943.

He is perhaps best known for his story “Deadline,” which appeared in the March 1944 issue of Astounding Science Fiction. The story was discussed at Los Alamos, where Edward Teller noted that Cartmill had described aspects of their research in detail. The discussion led to an FBI investigation into Cartmill, Campbell, and some other science fiction authors. Cartmill is said to have had a low opinion of the story, himself.

“Huge Beast” was originally published in the Summer 1950 issue of The Magazine of Fantasy and Science Fiction, edited by Anthony Boucher and J. Francis McComas. They included the story in The Best of Fantasy and Science Fiction in 1952, when the magazine was only three years old. In 1953, the story was translated and published in the first issue of the French magazine Fiction.

Loren Prater is working in his lab when a small creature suddenly materializes in front of him. At first taken for an animal, the alien quickly announces that he is a golen from a distant planet who has sought out Prater as the only person who can help his race avoid extinction.

The golen is an adorable creature and Prater can’t but help to reach out and scratch the creature’s ears. The golen, in return, is not only able to teleport (wirtle), but it can also share almost holographic imagery with Prater, showing the scientist the golen home world as the golen explains their ecological disaster. The golen’s story of the invading Hugh Beasts doesn’t quite add up and Prater realizes that the golen is trying to gain Prater’s assistance to annihilate mankind. The story then comes down to whether Prater can outwit the golen or if the golen can trick Prater into helping it.

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Black Gate Book Club, Downbelow Station, Third Discussion

Black Gate Book Club, Downbelow Station, Third Discussion

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Welcome to the second round of discussion on C.J. Cherryh’s classic 1981 novel Downbelow Station. New to the program? Check out the first and second rounds. We lose Chris on this one, perhaps a casualty of a bad Jump from the Beyond. Fletcher and myself carry the standard of the Black Gate Book Club as best we can!

Adrian S.

DBS5

Third round! And it is appropriate that I just started book 3 of DbS.  I’m on page 190, so I have surpassed my previous record of 169.

What can I say at this point? Well, my guess that conspicuously-absent Admiral Mazian was, in fact, behind the destruction of several company/neutral stations has borne out to be true!  I guess the big game is to try to force the Union to take control of these damaged stations and spread themselves too thin?  And to put all their resources at a station called Viking—the only 100% working station in Union space, I guess?  And to attack/destroy/cripple it and thus break the Union.

Of course, Union seems to be playing the same trick — forcing the refugees all to Downbelow Station, which has now become the one 100% working station in Company space.

So that’s what the power-players are doing, and everyone else is just running around between their feet.

I like how Cherryh illuminates parts of the plot, then occludes other parts. The sudden retreat of Mazian’s fleet from the Viking attack — was it due to Ambassador Ayer’s orders, or some other factor?

But again, I have to say that Jon Lukas, who does the right things for the wrong reasons, is still coming off as one of the only active people in the book. Honestly, how hard is it to get on the goddam PA system and say “Yes, the fleet is coming, no we are not all gonna die, keep calm and carry on.” Hard enough that only Jon Lucas can do it and keep Downbelow Station from tearing itself apart in a panic!

Satin, the Downer now working on Downbelow Station, is also active in that she is following her vision-quest thing regardless of what the older Downers and the Lukas-men and everyone else thinks.

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Birthday Reviews: Lloyd Arthur Eshbach’s “The Valley of Titans”

Birthday Reviews: Lloyd Arthur Eshbach’s “The Valley of Titans”

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Cover by Leo Morey
Cover by Leo Morey

Lloyd Arthur Eshbach was born on June 20, 1910 and died on October 29, 2003.

Eshbach founded Fantasy Press in 1946 and ran it for 9 years, publishing nearly fifty books, including titles by Doc Smith, Stanley Weinbaum, Jack Williamson, A.E. van Vogt, Robert A. Heinlein, L. Sprague de Camp, and others.

Eshbach’s novel The Land Beyond the Gate was nominated for the Compton Crook Stephen Tall Memorial Award. In 1988, he received the Milford Award for Lifetime Achievement, the Gallun Award for contributions to science fiction, and the First Fandom Hall of Fame Award. In 1949, he was the pro Guest of Honor at the Cinvention, the 1949 Worldcon in Cincinnati and in 1995, he was the Publisher Guest of Honor at the World Fantasy Convention.

Originally published as by “L.A. Eshbach,” “The Valley of Titans” originally appeared in the March 1931 issue of Amazing Stories, edited by T. O’Conor Sloane. It was Eshbach’s fourth published story. Interestingly, underneath his byline, the magazine touted him as “Author of ‘A Voice from the Ether’,” which wouldn’t appear until the May issue of the magazine. In 1968, Ralph Adris reprinted the story in the March issue of Science Fiction Classics.

“The Valley of Titans” is less a story and more a travelogue. Eshbach’s narrator, James Newton, has been sent to fly over the Himalayas to discover what has happened to several missing airplanes. His own plane is forced down in an horrific storm and he discovers a lost valley high in the mountains. This valley has less in common with the Himalayan Shangri-La (and actually pre-dates Hilton’s novel by two years) and more in common with the Plateau of Arthur Conan Doyle’s The Lost World.

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