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Birthday Reviews: Michael G. Coney’s “The Byrds”

Birthday Reviews: Michael G. Coney’s “The Byrds”

Changes
Changes

Michael G. Coney was born on September 28, 1932 and died on November 4, 2005.

Coney won the 1977 British SF Association Award for his novel Brontomek! and was also nominated in 1984 for his novel Cat Karina. In 1996, his story “Tea and Hamsters” made the ballot for the Nebula Award for Best Novelette and two of his stories, “Die, Lorelei” and “The Sharks of Pentreath” were nominated for Seiun Awards.

“The Byrds” first appeared in the 1983 anthology Changes, edited by Michael Bishop and Ian Watson. In 1985 Judith Merril selected it for inclusion in the inaugural volume of the Tesseracts anthology series of Canadian science fiction. Ursula K. Le Guin and Brian Attebery also included the story in The Norton Book of Science Fiction: North American Science Fiction, 1960-1990. The story appeared the following year in David G. Hartwell and Glenn Grant’s Northern Stars: The Anthology of Canadian Science Fiction. It made its most recent appearance in Mike Ashley’s The Mammoth Book of Awesome Comic Fantasy.

Michael Coney takes a look at mass hysteria in “The Byrds,” in which a Canada which is struggling with population problems sends out questionnaires to the elderly which encourage them to choose euthanasia. In one family, as Gran gets on in years, she refuses to kill herself and instead strips naked, paints herself like a bird, and straps on an anti-gravity belt before taking to the trees to the mortification of her family.

The family calls in a psychiatrist, Dr. Pratt, who seems more intent on writing papers, appearing on television, and generally making a name for himself than helping the family. As the word spreads about what Gran did, others begin doing the same and Gran becomes an unwilling and uncooperative guru for the movement following her lead.

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July-August 2018 Magazine of Fantasy and Science Fiction: A Review

July-August 2018 Magazine of Fantasy and Science Fiction: A Review

Magazine of Fantasy and Science Fiction July August 2018-small

Having just come out of the 1969 Retro-Reviews, AND Black Gate Book Club’s 1981 Downbelow Station, I wanted to dip into the modern SF/F scene a bit before starting the 1979 Retro-Reviews. I delved into Fantasy & Science Fiction, July/August 2018. I’ll be talking about the fiction and poetry in this review, spoiler-free, but skipping book review columns and such.

This is a somewhat special issue, with stories inspired by (or matching) the excellent Bob Eggleton cover art “Big Mars.”

“The Phobos Experience” by Mary Robinette Kowal

 
Darlene Ritika works on the Bradbury Space Center, orbiting Mars, in this alternate history tale. She is hiding a severe case of vertigo from her superiors and co-workers and gets called out by the Man to go to Phobos and find an entrance to a series of secret caves. They find a cave, but discover they are not the first people to be there. A slow-motion chase/fight ensues in the low gravity. With the heart of the story being such a slow scene, the story in its entirety seemed really rushed to me.

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Mage: The Hero Denied 12

Mage: The Hero Denied 12

Mage 12Before we begin this review, you might still be on the fence about whether or not to even start reading this series. If so, there’s a list of eight great reasons to start the series, with number 7 being the very best of them.

The way this last mini-series has been set up is that Matt Wagner will release four monthly issues, take a one-month break, release four more monthly issues, then another one-month break, four more monthly issues, a one-month break, then the final three issues. While this process allows everyone involved a bit more breathing room when putting out a regular series, it also ends up creating three extra-special cliffhangers. What that means for issue 12 is that we’re getting to the last special cliffhanger of the series before Matt Wagner finally powers through to the big finale.

It opens with Magda and Hugo stuck on a platform, being attacked by snake women. Last issue, we saw Magda’s Mary Poppins umbrella trick. This issue, we see her Penguin umbrella trick as she uses it as a gun to melt two of them before another one destroys it.

Meanwhile, the Umbra Sprite takes a dip in her pool of darkness in order to gather even more power, stating that “The Three” MUST be united for the plan to work. Of course, she still has no idea about who exactly composes “The Three,” although she’s fairly sure that Kevin and the Fisher King are two of them. Before submerging, she essentially places Karol in charge, warning her that “Sasha is a vain and vapid creature” and “Zophia (is) a slave to her own cruelty.” She then informs her most trusted daughter that all four of the remaining Gracklethorns must be prepared to fight and likely to die in the coming struggle. Given that she murdered one of her daughters in the previous issue, there’s no doubt that the Umbra Sprite is prepared to sacrifice all of them to achieve her goals. It’s also clear that the daughters so fear the Umbra Sprite that they’re willing to die rather than defy her.

Elsewhere, Kevin and Miranda are pursuing the mysterious imp. Despite knocking down some trees, Kevin loses not only the imp, but also the Questing Beast, who slips through a magic portal, sealing the portal behind itself. Even worse than losing their quarry, the magic mirror that Isis gave Kevin to stay in touch with Magda has been cracked.

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Birthday Reviews: Tanya Huff’s “Finding Marcus”

Birthday Reviews: Tanya Huff’s “Finding Marcus”

Sirius
Sirius

Tanya Huff was born on September 26, 1957.

Huff has won the Aurora Award twice. Her first Aurora was in 1988 for her short story “And Who Is Joah?.” She won the second in 2013 for the novel The Silvered. Huff has also been nominated for several Gaylactic Spectrum Awards as well as the William L. Crawford – IAFA Fantasy Award, the Sapphire Award, and the James Tiptree, Jr. Memorial Award.

“Finding Marcus” was written for the anthology Sirius: The Dog Star, edited by Martin H. Greenberg and Alexander Potter in 2004. The story was reprinted in 2007 in Huff’s collection Finding Magic and again in 2013 in the collection He Said, Sidhe Said & Other Tales.

Reuben is a dog in in “Finding Marcus.” As the title implies, he is attempted to find his master, Marcus, from whom he has become separated. Their separation is not a normal one, for several reasons. Marcus had been working on a project to find Gates between dimensions and when he was eventually successful, he brought Reuben with him. Unfortunately,  Marcus learned that the Gates are only one way and they would have to find and pass through several Gates before returning to their own world.

In their passage through the Gates, Reuben managed to acquire the ability to understand human speech, and speak as well, although whether he can speak to Marcus is left ambiguous. The worlds they pass through are a mixture of hi-tech, low-tech, and mid-tech, with our own timeline apparently considered mid-tech. The two became separated when they appeared in a low-tech marketplace and Marcus was accused of being a demon. In trying to escape, Marcus and Reuben learned that in order for a Gate to deposit them in the same location, the two had to be touching, leading to Reuben’s quest.

As Reuben focuses his quest on finding each Gate to take him to the next world and eventually Marcus, which Reuben knows will be the eventual outcome, Huff explores the pitfalls of being a dog alone in the world. The danger posed by people, either well-meaning or not, the hunt for food, the avoidance of traffic, and the seeming ever-presence of cats. Although Reuben is happy to be searching alone, he winds up connecting with a crow, Dark Dawn With Thunder, who can also speak and wants to hear Reuben’s story. Even as Reuben tries to push Dawn away, the crow insists on helping him find the next Gate, offering him advice and warnings from her position in the sky and forging a bond with Reuben that he refuses to acknowledge, just as he refuses to accept Dawn’s pessimistic view of the ultimate success of his quest.

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In the Beginning: The Thief of Forthe and Other Stories by Clifford Ball, edited by D.M. Ritzlin

In the Beginning: The Thief of Forthe and Other Stories by Clifford Ball, edited by D.M. Ritzlin

oie_24424197NL5TMljIt’s been a bit of a shock, even if a somewhat welcome one, to be done with Glen Cook after so many weeks. I’ve been so immersed in the world of the Black Company that it feels a little weird to be moving on. Fortunately, I was able to turn around and pick up the brand new collection containing all of Clifford Ball’s short stories. Who’s Clifford Ball, you ask? Well, let me tell you. Actually, let Dave Ritzlin tell you:

Little is known about Clifford Ball. His brief career as a writer began in 1937. Ball, a devoted reader of Weird Tales since 1925, was deeply upset by the suicide of Robert E. Howard the previous year. Presumably Howard’s death motivated him to pen sword-and-sorcery stories of his own in an attempt to fill the void left by the departed master. “Duar the Accursed” appeared in the May of 1937 issue of Weird Tales, and the influence of Howard was readily apparent.

Ball wrote two more S&S tales, followed by three non-S&S fantasies, and then vanished back into the audience from which he’d arisen. A short bio from Weird Tales stated he worked all sorts of jobs, including ditch digger, factory worker, and barkeep. According to Wikipedia, he might have been born in 1896 and probably died in 1947. And that’s it. That’s all that seems to be known about one of the earliest S&S writers.

All Ball’s S&S tales take place in the same land of ancient kingdoms, beautiful queens, conniving wizards, and demonic powers. The use of the same place names and gods in all three make it seem as if he was beginning to develop a coherent setting, but with so few stories the world doesn’t get the chance to come fully to life. As with Henry Kuttner’s Atlantis setting, Ball’s was headed in the right direction but he didn’t get the chance to achieve it, and it’s a shame. There’s a creative exuberance to these stories that make me wish Ball had carried on.

“Duar the Accursed” features its titular protagonist, and on the surface he’s an easily recognizable Conan clone. What makes him different is his mysterious past — he has no memory before awaking on a battlefield some years ago. Since then he’s taken to a roving life, but one shadowed by dark omens, including a raven that dogged his pirate galley and earthquakes that leveled a kingdom he ruled.

As the story begins he’s been captured by Queen Nione of Ygoth. He has come to her land to steal the fabled Rose of Gaon — “a jewel magnificent in size and beauty” — from the Black Tower. The tower, while housing the gem, also serves as the place of punishment for citizens guilty of crimes too horrendous to allow for a clean death. They are marched in and left to powers unknown for the execution of their sentences. Needless to say, though by unexpected means, Duar manages to escape his imprisonment and makes for the Rose of Gaon, by way of the Queen’s bedchamber.

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Birthday Reviews: Hideyuki Kikuchi’s “Mountain People, Ocean People”

Birthday Reviews: Hideyuki Kikuchi’s “Mountain People, Ocean People”

The Future is Japanese-small The Future is Japanese-back-small

Cover by Yuko Shimizu

Hideyuki Kikuchi was born on September 25, 1949.

Kikuchi published his first novel, Demon City Shinjuku in 1982 and his novel Black Guard was adapted into the film Wicked City in 1987. In addition to writing horror novels, Kikuchi has also published several manga. In addition to the series listed above, he also created Vampire Hunter D.

In 2012 Kikuchi’s short story “Sankaimin” appeared under the title “Mountain People, Ocean People,” in the 2012 anthology The Future is Japanese, edited by Nick Mamatas and Masumi Washington.

Set in the far future, “Mountain People, Ocean People,” as the title suggests, shows a world in which humanity has divided into two groups, one living in the mountains, the other under the sea.  Kikuchi’s main focus is on the mountain dwellers, who have developed the ability to fly, with hunters among them looking out for wind spiders and sky sharks. Among those is third-generation hunter Kanaan who is trying to surpass the reputations of his ancestors, although his father ultimately disappeared under a cloud of suspicion that Kanaan knows is unwarranted.

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Birthday Reviews: John Kessel’s “The Franchise”

Birthday Reviews: John Kessel’s “The Franchise”

Fields of Fantasies
Fields of Fantasies

John Kessel was born on September 24, 1950

Kessel won the Nebula Award for Best Novella in 1983 for “Another Orphan” and a second Nebula Award for Best Novelette in 2009 for “Pride and Prometheus,” both of which were also nominated for the Hugo Award. “Pride and Prometheus” also earned the Shirley Jackson Award. Kessel’s “Buffalo” won the Theodore Sturgeon Memorial Award in 1992 and his “Stories for Men” won the James Tiptree Jr Award in 2003. He also won the Ignotus Award for a translation of “The Invisible Empire” in 2010. In 2006, Kessel was presented with the Phoenix Award for his Achievements by DeepSouthCon.

“The Franchise” was originally published in the August 1993 issue of Asimov’s Science Fiction, edted by Gardner Dozois, alongside Bruce McAllister’s baseball story “Southpaw” and Robert Frazier’s poem “Night Baseball.” Both Kessel and McAllister’s stories were alternate histories of baseball featuring Fidel Castro. “The Franchise” was reprinted in Nebula Awards 29, edited by Pamela Sargent and in Kessel’s collections The Pure Product and The Collected Kessel. The story was also included in W.P. Kinsella’s baseball anthology Baseball Fantastic in 2000. In 2014, Rick Wilber reunited “The Franchise” and “Southpaw,” which were both reprinted in his anthology Field of Fantasies: Baseball Stories of the Strange and Supernatural. “The Franchise” was nominated for the Nebula Award for Best Novelette and the Hugo Award for Best Novelette in 1994.

“The Franchise” is an alternate history in which George Herbert Walker Bush decides to parlay his college baseball experience into a baseball career. After floating around in the minors for several years without making a mark, he suddenly finds himself called up to play for the Washington Senators in the World Series when their first baseman is injured. Bush finds himself facing the ace pitcher for the New York Giants in several games, a phenom known as the Franchise named Fidel Castro.

The story is designed as a face-off between Bush and Castro, but it becomes clear very early that Bush is well out of his league and Castro is just playing with him. Castro’s ability to completely own Bush whenever he comes up to the plate, whether by striking him out or allowing him a moment of glory to reach base, is the Cuban ballplayer’s way of showing his contempt for Bush’s father, US Senator Prescott Bush. However, the struggle between George Bush and Castro is only the surface. The real struggle is between Prescott Bush and his son, a struggle which is just as lopsided as the one playing out on the baseball diamond.

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Romance in the Afterlife, Part 1: A Look at the Latest Volume in the Heroes in Hell™ Shared Universe, Lovers in Hell

Romance in the Afterlife, Part 1: A Look at the Latest Volume in the Heroes in Hell™ Shared Universe, Lovers in Hell

1 Lovers in Hell book cover-small

In Lovers in Hell, the overall story continues with the primary arc of Erra, the Babylonian God of Mayhem and Pestilence, and his Seven Sibitti warriors punishing the innocent and guilty alike, not to mention Satan’s obliteration scheme, designed to destroy all hope. Since love fosters hope, this book-length arc is about lost loves, lost hope, lost opportunity, and the plight of those whose lovers have been obliterated or want obliteration. The fear and temptation of obliteration spreads throughout hell, calling the Undertaker and all he stands for into question and putting more stress on those in Satan’s domains, while the Mortuary becomes dysfunctional and botches many resurrections. Some hope to avoid the purge by fleeing to the nether hells, where Judges reside who might save them. Others are wracked by fear of loss and go into hiding. This sounds pretty dark, but it does have a humorous note, primarily in the screw-ups plaguing all the infrastructure of infernity as people disappear and what they know, and what they knew, goes with them.

The plagues are evolving, the floods have left a new coastline to explore, and many displaced souls wander about, lost, confused and frightened. Lovers may have been separated in the disasters or shunted to a part of hell where they know no one, and lovers may have been torn apart by plagues or purges or human error. Oblivion is transitory, but Obliteration is forever: obliteration erases not only who you are but who you ever were, and yet … should obliteration be only partially successful, then those persons may not remember who they are or why they were sent to hell in the first place — or they may simply be gone, disappeared, leaving only physical clues behind that he or she had ever been. Obliteration is meant to show those Above (ie: Heaven) that Satan is on the case, making hell more hellish.

So let’s take a quick look at the stories in Lovers in Hell, in the order in which they appear.

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Birthday Reviews: Peter David’s “Alternate Genesis”

Birthday Reviews: Peter David’s “Alternate Genesis”

Cover by Roger Stine
Cover by Roger Stine

Peter David was born on September 23, 1956.

Peter David’s novel Star Fleet Academy: Worf’s First Adventure received the Golden Duck Award for Middle Grades in 1994 and his Star Trek novel The Rift was nominated for a Prometheus Award by the Libertarian Futurist Society. In addition to his science fiction and fantasy, David has written for several comic books, including The Incredible Hulk, Aquaman, Supergirl, and Spider-Man 2099. His television career includes scripts for Babylon 5, Young Justice, and the creation of Space Cases with Bill Mumy. His work in comics has earned him an Eisner Award, a Wizard Fan Award, a Julie Award, and a GLAAD Media Award. In 2011, he was named a Grandmaster by the International Association of Media Tie-In Writers.

“Alternate Genesis” first appeared in the June 1980 issue of Isaac Asimov’s Science Fiction Magazine, edited by George H. Scithers. It was reprinted by Jim Reeber and Clifford Lawrence Meth in 1997 in the anthology of Jewish science fiction Stranger Kaddish.

David uses the structure of the opening verses of Genesis as the format for his shaggy dog story “Alternate Genesis,” in which God creates the world in a topsy-turvy manner, following the guidelines in Genesis, but naming things differently so darkness became daytime and light becomes nighttime with fish created in the sky and birds in the sea, only correcting that latter when it shows itself to be unsustainable.

In this version of creation God, a woman, creates Eve in her own image, but when Eve asks for a mate, God ignores her, providing no response or explanation to Eve for the lack of a mate like the ones given to all of the other animals. Eventually when Eve renounces God, God sees fit to offer an explanation, the entire point of the story.

Had David relied on just the one punchline at the end, “Alternate Genesis” would not have worked, being too long a set-up for a single joke. The topsy-turvydom of creation, however, allows the long set-up to work and even distracts from the clues to the final joke, making it a much stronger piece.

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Galaxy Science Fiction, April 1954: A Retro-Review

Galaxy Science Fiction, April 1954: A Retro-Review

Galaxy Science Fiction April 1954-small Galaxy Science Fiction April 1954-back-small

The April, 1954 issue is one of the more remarkable issues of Galaxy Science Fiction, in my opinion. I’m amazed at the quality of the stories. There have been many good issues, of course, but this is one of those rare issues that jumps out at me. It’s like watching a beloved TV series where a few episodes really stand out. It’s the nature of art, I suppose. Every piece is its own and affects people differently; some may enjoy it, some may reject it, some may be confused, some may be enlightened. And the same artist might create multiple pieces that evoke different reactions from the same person. Rather than ramble on about my thoughts on art, I’ll return to the topic of this article and review the fiction.

“The Midas Plague” by Frederik Pohl — In Morey’s world, consuming is mandatory. Houses, clothes, and food must be purchased and used to meet quota. There must not be waste. Those at the high-end of society have low quotas and can live the high-life of one-room houses, perhaps without any cars. But those at the low-end of society struggle in consuming enormous mansions, luxury cars, and so much of material products and food that there aren’t enough hours to consume it all. Morey only works one day per week because the demands of consuming take the rest of his time. Robots have helped to create a world where there is an abundance of everything, forcing the quotas in order to avoid waste and support the massive production.

Morey’s wife Cherry comes from a well-off family who has very little to consume. She loves Morey, but it’s a difficult adjustment to his lower-class life of consuming so much. Morey tries to help her by consuming more, but they’re not making their quotas.

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