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The Claw of the Conciliator by Gene Wolfe

The Claw of the Conciliator by Gene Wolfe

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oie_164159RYRk8xECHaving set out to discuss The Claw of the Concilator (1981), the second entry in Gene Wolfe’s Book of the New Sun, I’m completely unsure of what to write. Oh, I can tell you what happened, even how some things happened, but I’m not sure I can tell you why a lot of things happened. It’s probably due to a lack of context as two books remain in the series, but I’m not totally sure about that. Much of the story is conveyed via weird encounters, dreams, memories, fables, and even the text of a play. It’s challenging to piece the parts together to form a linear narrative, let alone anticipate the tale’s direction, which remains nearly as mysterious at the conclusion as at the start.

At the end of the previous book, The Shadow of the Torturer, Severian and his companions were caught in a violent outburst among the crowd of people at the great gate exiting the city Nessus. Severian is now accompanied by Jonas, a man with “a jointed contrivance of steel” for a right hand. The others he traveled with, Dr. Talos, Baldanders, Jolenta, and Dorcas, were lost to him in the chaos. While intent on reaching Thrax to take up his assignment as the town’s executioner, Severian and Jonas still hope to find the others. Severian makes his way serving as itinerant headsman and torturer in several towns along the road. It is in the mining town of Saltus (its mine is the buried ruins of an ancient city) that we find Severian and Jonas as Claw opens.

After he carries out a pair of executions, Severian is lured into danger by Agia. Previously she had colluded in setting him up to be killed and robbed, resulting in her own brother’s execution. She had also stolen the powerful artifact, the Claw of the Conciliator, and hidden it on Severian. Having discovered it, he has begun to realize it can emit a powerful light, heal wounds, and even raise the dead. With it, he is able to survive and overcome the trap set for him.

Unfortunately it can’t keep him from falling into the hands of the rebel leader, Vodalus. This encounter leads to Severian and Jonas signing on with the rebels and being sent to the House Absolute, the secret palace of the Autarch. There he must deliver a message to another agent of the uprising. They will also find their friends there who have been hired to put on a play. Along the way things get extra weird.

By book’s end, Severian has still not reached Thrax. He has, though, explored the House Absolute, one of the coolest works of fantastical architecture. It is covered with lawns and gardens to keep it from be spied from the sky. Miles and miles of tunnels lie below it, some, perhaps, even reaching all the way back to Nessus. Even more mysterious than the secret passages and rooms that seem de rigueur for any self-respecting palace, is the Second House. Instead of just adding more hidden chambers, the Autarch’s mysterious aide, Father Inrie, added an entire new house within the very structure of the House Absolute.

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Birthday Reviews: Lawrence Schimel’s “Taking Action”

Birthday Reviews: Lawrence Schimel’s “Taking Action”

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Cover by Barclay Shaw
Cover by Barclay Shaw

Lawrence Schimel was born on October 16, 1971.

Schimel won the Rhysling Award for Long Poem in 2002 for “How to Make a Human.” In 2007, he shared the Gaylactic Spectrum Award for Other Work with Richard Labonte for their anthologies The Future Is Queer. Schimel has also been nominated for the James Tiptree Jr. Award and the Lambda Award. In addition to his collaboration with Labonte, he has edited multiple anthologies with Martin H. Greenberg and has collaborated on fiction with Mike Resnick, Billie Sue Mosiman, and Mark A. Garland. He has, on occasion, published using the pseudonym David Laurents.

Schimel published “Taking Action” in Mike Resnick’s anthology Alternate Warriors in 1993. The story has never been reprinted.

One of the issues with the anthology Alternate Warriors is that many of the individuals who became the focus of stories were known for their advocacy of non-violence. Someone who advocates peaceful means to achieve their goals must change so much to become a warrior that they are practically unrecognizable. Schimel manages to overcome that issue in “Taking Action” by offering a plausible reason for Martin Luther King, Jr. to use violence in his campaign for civil rights.

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Mysterious Stones, Hidden Gardens, and Small-town Secrets: Simon Strantzas’ Nothing is Everything

Mysterious Stones, Hidden Gardens, and Small-town Secrets: Simon Strantzas’ Nothing is Everything

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Nothing Is Everything Simon Strantzas-small Nothing Is Everything Simon Strantzas-back-small

Trade edition. Art by Tran Nguyen

Nothing is Everything
By Simon Strantzas
Undertow Publications (237 pages, $29.99 in hardcover/$17.99 in trade paperback/$4.99 digital, October 16, 2018)

Canadian writer Simon Strantzas is a talented and successful author of dark fiction, whose short stories have been favorably received by both readers and critics. Nothing is Everything, his fifth collection, assembles nine stories (five reprints and four originals), plus a new novella “All Reality Blossoms in Flames.”

The novella just didn’t work for me. Maybe because, as a short story lover, my suspension of disbelief isn’t built for that length, especially when, as is the case here, the plot seems to drag on without any substantial development. But this might be an unfair assessment on my part, and other readers may well enjoy it.

Being more at ease with tales of standard length, I’d like to mention four stories which struck me as particularly accomplished.

“In This Twilight” is a fine, introspective piece featuring a young woman haunted by a tragic memory from her past, who, driving back to her hometown on a bus, finds a glimpse of hope for a better future.

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Birthday Reviews: James H. Schmitz’s “The Vampirate”

Birthday Reviews: James H. Schmitz’s “The Vampirate”

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Cover by Frank R. Paul
Cover by Frank R. Paul

James H. Schmitz was born on October 15, 1911 and died on April 18, 1981.

Schmitz was nominated for the Hugo Award in 1962 for Best Short Fiction for his story “Lion Loose” and in 1967 for the novel The Witches of Karres. In 1966, he had four Nebula nominations for his short story “Balanced Ecology,” the Novelettes “Planet of Forgetting” and “Goblin Night,” and for the novella “Research Alpha,” co-written with A.E. van Vogt.

“Vampirate” was first published in Science-Fiction Plus in December 1953. It was the magazine’s final issue and the last science fiction magazine edited by Hugo Gernsback. When Eric Flint and Guy Gordon included it in their collection of Schmitz’s stories, Telzey Amberdon in 2000, they changed the story’s title to “Blood of Nalakia.”

Lane Rawlings is a slave who learned a secret about her master, the Nachief of Frome, and made the mistake of sharing that secret with two other slaves. The three of them find themselves on a ship with the Nachief heading for an unnamed planet, where he intends to kill all three of them. Before they can land, however, their ship comes under attack. While Lane and the Nachief survive, the other two slaves are killed. Lane escapes her master and manages to convince Frazer, the only person on the island where they landed, that the Nachief is a sort of vampire.

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Birthday Reviews: Robin D. Laws’s “Brainspace”

Birthday Reviews: Robin D. Laws’s “Brainspace”

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Amazing Stories, 1/05
Amazing Stories, 1/05

Robin D. Laws was born on October 14, 1964.

Laws is probably best known as a game designer, beginning with input on Over the Edge in 1992. He went on to help with the foundation of Daedalus Games and the publication of the Shadowfist collectible card game and the associated Feng Shui RPG. He subsequently wrote for a variety of games and created Hero Wars and The Dying Earth Roleplaying Game. His game Hillfolk won the 2014 Diana Jones Award.

Laws published “Brainspace” in the January 2005 issue of Amazing Stories, edited by Jeff Berkwits. The story had not been reprinted since its original appearance.

“Brainspace” is told over a period of seven months as Laws’s narrator realizes that he is living a completely lonely life in his apartment building, not making connections with any of his neighbors, and simply moving through his daily existence. When he decides to grab a burger at the local O’Dell’s fast food chain, he recognizes the guy in line with him as being from his apartment and they strike up a conversation, leading to a new friendship.

Over the months of the story, the narrator gains a group of friends, all of whom live in the building, and begins to recognize and chat with his other neighbors. He also becomes aware that against all odds, everyone in the building had begun eating at O’Dell’s, to the complete exclusion of any other fast food restaurants. An interest in the concept of lucid dreaming leads him to believe that O’Dell’s has someone managed to infiltrate advertising into the dreams of everyone who lives in the building.

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October Is Hammer Country: Hands of the Ripper (1971)

October Is Hammer Country: Hands of the Ripper (1971)

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Hands-of-the-Ripper-poster-1“You can’t cure Jack the Ripper!”

Hammer Film Productions was a different place in the 1970s than in the 1950s and ‘60s. And although it was generally a less artistic place after in-house development stopped and the original producers left, it wasn’t an awful place. It’s similar to third season original Star Trek: more bad episodes than before, but what’s good is still damn good. You got “The Way to Eden,” but you also got “The Enterprise Incident.” With Hammer, you got the dreadful The Horror of Frankenstein, but you also got Hands of the Ripper — which, for my money, is Hammer’s best horror film of the decade. It was originally released on a double bill with Twins of Evil, making it the last great Hammer double feature.

Jack the Ripper has fueled many mystery and horror films. Hammer visited the topic in their pre-Gothic days in a 1950 period crime drama, Room to Let. It wasn’t until 1971 that the studio gave the Ripper the full horror treatment. Two treatments, in fact. Hands of the Ripper was shot at the same time as Doctor Jekyll and Sister Hyde, a sex-change twist on Stevenson’s novel set during the Whitechapel killings. Weird as the Sister Hyde idea may sound, it’s Hands of the Ripper that takes the dramatically more challenging and interesting approach to Jack the Ripper. Rather than set the story during the original killings in the late 1880s, the screenplay by L. W. Davidson (from an original story by Edward Spencer Shrew) shifts forward fifteen years to Jack the Ripper’s daughter, teasing a spirit possession story and giving the Ripper’s gory hands and misogynistic rage to a young woman.

Hands of the Ripper was shot at Pinewood Studios with Hungarian director Peter Sasdy in the director’s chair. Sasdy already had a history with Hammer. He directed the best of the Dracula sequels starring Christopher Lee, Taste the Blood of Dracula (1969); but in 1971 he was coming off Countess Dracula, a bizarrely boring movie based on the story of Countess Elizabeth Bathory. Re-teamed with producer Aida Young, who worked with him on Taste the Blood of Dracula, Peter Sasdy recovered and made one of his best movies. Young was one of the few women producers in England at the time, and her other Hammer films include Dracula Has Risen From the Grave and When Dinosaurs Ruled the Earth. Considering she produced Sasdy’s best films, the two must have shared a powerful creative partnership.

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Birthday Reviews: Stephen Gallagher’s “God’s Bright Little Engine”

Birthday Reviews: Stephen Gallagher’s “God’s Bright Little Engine”

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Cover by Michelle Prahler
Cover by Michelle Prahler

Stephen Gallagher was born on October 13, 1954.

Gallagher received the British Fantasy Award for his 2004 collection Out of His Mind and in 2007, he earned the International Horror Guild Award for Short Fiction for his story “The Box.” He has also been nominated for the Bram Stoker Award and twice for the World Fantasy Award. In addition to his fiction, Gallagher is also a writer for television, developing the series Eleventh Hour and Crusoe. He wrote the Doctor Who serials “Warrior’s Gate,” starring Tom Baker, and “Terminus,” during Peter Davison’s tenure.

Gallagher originally published “God’s Bright Little Engine” in Peter Crowther and Edward E. Kramer’s 1995 anthology Tombs. Gallagher also included the story in his 2004 British Fantasy Award-winning collection Out of His Mind.

In “God’s Bright Little Engine,” Helen is an elder-care nurse whose life is focused entirely, and not entirely by her desire, on her patients. In her run-down apartment she has built one of her few relationships with Big Andy, the slow-witted handyman who lives below her. Their relationship, such as it is, appears to be based on his infatuation with Helen and Helen’s need to have someone fix things around her apartment.

The story revolves around the emptiness in Helen’s life. She doesn’t particularly like her job, although she is apparently good at it, she doesn’t like her run-down apartment, and she sees Big Andy solely in terms of someone she can exploit because he likes her. The status quo takes a turn for the worse when Helen returns home to find some repairs had been done to her apartment while she was at work. Following a confrontation with Big Andy, who clearly had found her spare key, she also discovers that he has been spying on her through the floorboards of her apartment.

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Birthday Reviews: Sandra McDonald’s “Fir Na Tine”

Birthday Reviews: Sandra McDonald’s “Fir Na Tine”

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Cover by Matt Stewart
Cover by Matt Stewart

Sandra McDonald was born on October 12, 1966.

McDonald won the Lambda Award and the Rainbow Award for her collection Diana Comet and Other Improbable Stories. Her novel The Outback Stars was nominated for the Compton Crook/Stephen Tall Memorial Award and she has been nominated for the James Tiptree Jr. Memorial Award four times. She has won the Silver Moonbeam Award for her children’s mystery novel Mystery of the Tempest.

“Fir Na Tine” was originally published in the February 2005 issue of Realms of Fantasy, edited by Shawna McCarthy. The story was also selected by Paula Guran for inclusion in her Best New Paranormal Romance published in 2006.

As a young girl visiting Florida with her family, Lucy was kissed by a strange boy who sent heat through her entire body. As Lucy grows older and goes off to college, she finds that none of the boys she dates or kisses come close to the fire she remembered from that first kiss. Eventually, she finds Steven, who is everything she wanted, and they begin a passionate affair.

When she catches him cheating, he explains that he was doing so for her own good, so that the fire inside him wouldn’t destroy her, which in this case may actually have been true, but it doesn’t help the situation. Lucy and Steven work out an arrangement that they both feel they can live with, even if it doesn’t give either of them entirely what they want or need. Eventually, Steven goes off to become a fireman and Lucy forges her own life, again looking for someone who could literally enflame her.

Lucy’s hopes of reconciling with Steven are dashed when he drowns while trying to rescue someone. At his funeral, however, she learns that his fire captain is also a Fir Na Tine, a man of fire, although he is engaged to someone else. Even as Lucy begins to date normal men, she now tries to learn what she can about the Fir Na Tine, until an encounter with one who she is trying to help nearly kills her. Despite thinking she knows what she is doing, Lucy is clearly in danger. McDonald has withheld an important piece of information from both Lucy and the reader that explain what the Fir Na Tine are actually looking for, and what Lucy can’t give them, despite her desires.

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Birthday Reviews: William R. Forstchen’s “The Truthsayer”

Birthday Reviews: William R. Forstchen’s “The Truthsayer”

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Cover by James Warhola
Cover by James Warhola

William R. Forstchen was born on October 11, 1950.

Forstchen is a professor of American History, specializing in military history, the Civil War, and the history of technology. He may be best known in science fiction circles for his The Lost Regiment series and for a series of alternate history novels co-written with Newt Gingrich. Forstchen has also collaborated on fiction with Larry Segriff, Raymond E. Feist, Jaki Demarest, Greg Morrison, Andrew Keith, Ben Ohlander, Christopher Stasheff, and John Mina. He has collaborated with Bill Fawcett, Jennie Ethell Chancey, and Donald V. Bennett on non-fiction.

“Truthsayer” originally appeared in Susan Shwartz’s anthology Arabesques: More Tales of the Arabian Nights, in 1988. In 2007, it was translated into French as “Le diseur de vérité” for publication in the anthology Fantasy 2007, published by Bragelonne.

Forstchen retells the story of the fall of the empire of Khwarazm and the flight of Muhammad Shah from his empire in “Truthsayer.” Historically, Ala ad-Din Muhammad incurred the wrath of Chinggis Khan by murdering a Mongol ambassador who sought to establish trade between the Mongol and Khwarezmian empires. Chinggis led armies into Khwarezm to exact vengeance and the Mongol armies, led by the Mongol general Subutai, destroyed the empire, murdering millions while Muhammad fled, eventually to die of disease on an island in the Caspian Sea.

In Forstchen’s version, Muhammad is accompanied by Ali, a Truthsayer. In this world, Truthsayers, of whom Ali is the last of a long line, have the ability to tell if someone is telling the truth, and the inability to lie. At the same time, they have a magic to evoke the truth from people. Muhammad makes rare use of Ali’s ability, but includes him on his flight from the Mongols. In the end, Muhammad abandons his entourage and Ali learns from the Khwarazm general Maluk that Muhammad feared and hated Ali for the truth the man had forced the shah to confront.

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Birthday Reviews: Robert J. Howe’s “The Little American Man: A True Pelvic Story”

Birthday Reviews: Robert J. Howe’s “The Little American Man: A True Pelvic Story”

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Cover photo by Beth Gwinn
Cover photo by Beth Gwinn

Robert J. Howe was born on October 10, 1957.

Howe’s fiction has appeared in numerous magazines and anthologies, including Black Gate 14 (with “The Natural History of Calamity”). He co-edited the anthology Coney Island Wonder Stories with John Ordover. Howe served as Secretary of the Science Fiction and Fantasy Writers of American from 2010-2012. He is married to SF editor Eleanor Lang.

“The Little American Man: A True Pelvic Story” is a surreal tale set in Latin America. Pilar is a prostitute who notes that she likes the American client she has recently had who pays, doesn’t try to romance her, and doesn’t take up too much of time. A pregnancy scare forces her to visit her physician, Doctor Escobar, and his examination reveals that while not pregnant, a tiny version of the American man is living inside her. Although Escobar offers to remove the squatter, Pilar refuses.

Over the next several weeks, Pilar changes her business model from turning tricks to allowing people to view the little American man inside her. As time progresses, the man begins decorating his surroundings and adding furnishings, although neither Pilar nor Howe seem particularly curious about the method he has for obtaining his décor. Although Pilar does ask him about his plans and his name, he refuses to answer any of her questions and she allows them to pass.

In the course of the story, Doctor Escobar give his diagnoses of the little American man’s presence as “uterocolonialism,” which seems a reasonable interpretation of his actions, even if his presence seems benign. However, no matter how little direct impact he seems to have on Pilar, his very presence appears to make changes to her as she is unable to conduct her traditional business and she realizes that she is aging more rapidly than she should. By the time Pilar asks Doctor Escobar to remove the little man, it is too late.

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