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Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

Seventeen Years Later, Return to His Dark Materials: The Book of Dust: La Belle Sauvage by Philip Pullman

The-Book-of-Dust-Pullman-smallThe venerable Philip Pullman returns to the universe of the classic His Dark Materials series after 17 years with his latest fantasy, The Book of Dust: La Belle Sauvage. As a longtime fan of the saga, I thoroughly enjoyed this chance to return to his steampunk alternative “Brytain,” with its changeable daemons, anbaric lamps, peculiar gadgets, and peripatetic intellectuals. Opening this book felt like being wrapped in a blanket and having tea around a fire with old friends.

Surprisingly mature, well-mannered and handy eleven-year-old Malcolm Polstead is a natural spy, since working at his parents’ riverside inn gives him access to all manner of travelers and their gossip. When three dangerous visitors arrive, he’s swept into a secret war against the forces of arrogant religious authority.

Joining a shadowy resistance movement, he risks his life to protect a baby who’s prophesied to change the world. At first, this means thwarting villains’ attempts to kidnap her. But then a hundred-year flood devastates the town, and he must grab her from her cradle – already floating – and ride the surging waters in his trusty canoe, La Belle Sauvage, which is the title of this first volume in the series.

The baby herself? Her name is Lyra. Yes, The Book of Dust: La Belle Sauvage is a prequel.

The Book of Dust: La Belle Sauvage was published in October 2017 and spent 13 weeks on the New York Times bestseller list for YA Hardcover, finally slipping off at the end of January 2018. Yet I would argue that it isn’t really a YA book as conventionally understood, and that adults are its natural audience. After all, we are the ones most likely to revel in its slower pace and sly tendency to say one thing while meaning another.

Moreover, the official target audience for YA is 12 to 18, and teenagers are notorious for wanting to “read up” about people older than them. Malcolm’s age, at only eleven, would make him more naturally a “Middle Grade” hero. Yet the novel’s content is probably too subtle and sophisticated for such young readers.

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Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Birthday Reviews: Ray Nelson’s “Time Travel for Pedestrians”

Cover by Ed Emshwiller
Cover by Ed Emshwiller

Radell Faraday Nelson was born on October 3, 1931. Nelson has published under a variety of pseudonyms, including Ray Nelson, R. Faraday Nelson, and Jeffrey Lord. Nelson is also an artist.

Nelson’s novel The Prometheus Man received a special citation Philip K. Dick Award in 1983. In 2001 he was nominated for a Retro-Hugo in the Best Fan Artist category.

“Time Travel for Pedestrians” was published in Harlan Ellison’s Again, Dangerous Visions in 1972, and has been reprinted in the various versions of that anthology, but has not been published outside of that work.

While the framing device in Ray Nelson’s “Time Travel for Pedestrians” may have been transgressive in 1972, when it was first published, the combination of rumination on masturbation and drug trips seems self-indulgent at a forty year distance.

Going beyond the framing device, as least as much as possible, the story offers numerous past life regressions for Nelson’s narrator, each one set earlier than the one before, each focusing on the conflict between the spread of Christianity and its competing belief systems, and each ending with the death of Nelson’s protagonist.

Intriguingly, the further back in time the narrator finds himself, the more receptive he is of Christianity, starting with a new age paganism, eventually becoming a priest in the Inquisition, and finally taking dictation from Mary Magdalen. While Nelson’s reflections on each of these vignettes offers different views on religion and belief, the framing mechanism intrudes, raising the question of whether the narrator is actually reliving past lives or if everything is part of the drug trip he has initiated, and which undermines Nelson’s story.

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Birthday Reviews: Edward Wellen’s “Barbarossa”

Birthday Reviews: Edward Wellen’s “Barbarossa”

Since I realize I jumped the gun and moved Walter Jon Williams’s birthday up a couple of weeks with my Birthday Review published earlier today, here is someone who was actually born on October 2.

Cover by Kevin Davidson
Cover by Kevin Davidson

Edward Wellen was born on October 2, 1919 and died on January 15, 2011.

Most of Wellen’s publications were short stories and he was more active in the mystery field than in science fiction, although he began publishing in the genre in 1952 with the non-fact article “Origins of Galactic Slang” in Galaxy. In 1971 he published his only science fiction novel.

“Barbarossa” was initially published in the June 1973 issue of Vertex: The Magazine of Science Fiction, edited by Donald J. Pfell. It was reprinted in the anthology Fantastic World War II in 1990, edited by Frank McSherry, Jr.

Wellen briefly explores the fate of a Nazi U-boat commander who refused to surrender to the Allies when Admiral Doenitz gave the order following Hitler’s death at the end of World War II. Using every trick he could think of, Helmut Niemans managed to escape the Allies, jettisoning enough flotsam from the ship that it was believed to be lost. Instead, he spent the next twenty-odd years as a pirate, picking up crew as he could to replace the Germans who died, tried to escape, or mutiny.

Less a story than a vignette showing how Niemens manages to continue adding to his crew, with a flashback to explain his history, Wellen fails to show how the ship manages to remain functional, although ever-decreasingly, through the years. He also doesn’t discuss how Niemens is able to avoid any sort of detection. Instead, the Commander is shown as a sad Captain Nemo, awaiting the revival of the Nazi ideology while he crews his boat with a rag-tag collection of slaves who don’t believe in his vision. Wellen also ignores the fourteen crewmen who were aboard the boat during World War II, and doesn’t clarify where their loyalties lie — whether to Niemens, the Reich, or simply remaining alive in their tight and smelly quarters.

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Autumn Short Story Roundup

Autumn Short Story Roundup

hfqIt’s been more than a piece, heck, even more than a while, since I’ve done one of these. I’m glad to be back because there’s been some really good short fiction published in the last couple of months. I’m not going to get to everything, but I am going to get to the best — Heroic Fantasy Quarterly 37 and Tales From the Magician’s Skull No. 2.

HFQ 37 has four stories and three poems. The continued use of evocative black and white art makes it my favorite looking ezine out there, but it’s the high quality of the stories that matters.

P. Djeli Clark kicks off the issue with the more-than-a-little grim “The Paladin of Golota.” Teffe is a young boy in the decaying town of Am Amara. He survives by robbing the corpses of the stream of warriors who have come to his town to fight the demon worms that infest the surrounding lands. Contrary to his fellow street kids, Teffe draws a line at cutting the throats of the wounded, instead waiting until they die on their own. This slight sense of honor leads him into a conversation with the fighter, Zahrea. She knew coming to Am Amara meant her death was likely, but came anyway.

“You’d die just to become a hero?” he asked.

She sat back and closed her eyes before saying: “Heroes give the world hope. They fill our tales and stories. There is a reason we do not make gods our heroes, but instead mortals who became more.”

Clark is a writer whose work I’ve admired very much in the past and this is my favorite story of the month. The story is grim, but unlike so many such stories, Clark not only provides a moment of grace in the darkness, but its entirety is built around that moment.

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Birthday Reviews: Walter Jon Williams’s “The Fate Line”

Birthday Reviews: Walter Jon Williams’s “The Fate Line”

Cover by Bob Eggleton
Cover by Bob Eggleton

Walter Jon Williams was born on October 215, 1953

Williams received the Nebula Award for best novelette in 2001 for “Daddy’s World” and for novella in 2005 for “The Green Leopard Plague.” In 1997 he won the Sidewise Award for Alternate History for his story “Foreign Devils.” His works have also been nominated for the Hugo Award, World Fantasy Award, Philip K. Dick Award, and Theodore Sturgeon Memorial Award.

“The Fate Line” was published in the Fred Saberhagen festschrift Golden Reflections in 2011, edited by Robert E. Vardeman and Joan Spicci Saberhagen. The story is set in the same universe as Saberhagen’s 1979 novel The Mask of the Sun and has not been reprinted.

Williams take on the setting is one of constantly shifting expectations. It opens with Perseus, the illegitimate son of one of the Ptolemaic pharaohs, plundering a tomb at the orders of his half-brother, the Pharaoh Ptolemy V Epiphanes, in order to find the wealth needed to fight the rebels and foreigners who threatened the dynasty. Perseus worries that both success or failure would bring about his own death, but when he found the immeasurable wealth of Ahmose, the founder of the eighteenth dynasty, he began to see a way out of his dilemma.

Williams quickly shifts the focus to Demetrios, a disentimed soldier who is working for the Quechuans of The Mask of the Sun in their time-war against the Tenocha. In one of the timelines, Cuzco-81, there is an Egyptian empire that threatens the Quechuans and Demetrios and a team are sent back in time to stop the Ptolemaic dynasty from establishing a foothold that lasts thousands of years. The team suffers almost instant failure when Demetrios meets Elpidos, a man who has knowledge about Demetrios, but who can’t share too much. Demetrios does realize that if he intends any harm to Ptolemy, the pharaoh will learn of it and Demetrios will fail.

Unable to return to his own time and knowing that his mission is stymied, Demetrios tries to figure out how to best establish himself in ancient Alexandria. Taking inspiration from his aunt, he sets himself up as a cheiromancer. When his predictions come true, he draws the attention of those close to the court and is eventually able to learn the secret of Ptolemy’s great luck, which ties in to Saberhagen’s novel, and come up with a way to siderail the timeline’s history without doing anything to harm the king.

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Birthday Reviews: Donald A. Wollheim’s “Blueprint”

Birthday Reviews: Donald A. Wollheim’s “Blueprint”

Cover by Hannes Bok
Cover by Hannes Bok

Donald A. Wollheim was born on October 1, 1914 and died on November 2, 1990.

Wollheim entered science fiction fandom at its birth and was responsible for a meeting in Philadelphia between New York and Philadelphia science fiction fans which is considered by some to be the first science fiction convention. He was a member of the Science Fiction League, founded the Fantasy Amateur Press Association (FAPA), and the Futurians. He was one of the Futurians not allowed into the first Worldcon as part of the “Exclusion Act.” In the 1940s, he began working as an editor as well as a writer, editing for Avon Books and later Ace before starting up his own line, DAW Books. From 1965 through his death, Wollheim edited an annual World’s Best SF anthology series.

In 1975, Aussiecon One, the 33rd Worldcon, presented Wollheim with a Special Award for being the “Fan Who Has Done Everything.” Wollheim was inducted into the First Fandom Hall of Fame in 1975 Wollheim won a World Fantasy Special Professional Award in 1981 for DAW Books and a Special Convention Award in 1986. He also won the Milford Lifetime Achievement Award in 1980, the I-Con Award and Forry Award in 1987. He and his wife, Elsie, earned a British Fantasy Special Award in 1984. In 2002, he was inducted posthumously into the Science Fiction Hall of Fame and in 2010, SFWA awarded him the Solstice Award, which was accepted by his daughter, Betsy. Wollheim was the Guest of Honor at Nolacon II, the 46th Worldcon in 1988.

Wollheim used a variety of pseudonyms, including Martin Borrow, Graham Conway, Millard Verne Gordon, David Grinnell, Martin Pearson, Allan Warland, W. Malcolm White, and Lawrence Woods. He collaborated, as author and editor, with George Ernsberger, Forrest J Ackerman, Terry Carr, Arthur W. Saha, C.M. Kornbluth, Robert A. W. Lowndes, John Michel, and Lin Carter.

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Birthday Reviews: September Index

Birthday Reviews: September Index

Sword-and-Sorceress-II-smaller Tomorrow Speculative Fiction 23 November 1996-small Doughnuts Blaylock-small

January index
February index
March index
April index
May index
June index
July index
August index

September 1, C.J. Cherryh: “The Unshadowed Land
September 2, Roland J. Green: “Strings
September 3, Jack Wodhams: “Freeway
September 4, Rick Wilber: “Greggie’s Cup
September 5, James McKimmey, Jr.: “Planet of Dreams
September 6, China Miéville: “Entry Taken from a Medical Encyclopedia

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Birthday Reviews: Theodora Goss’s “Singing of Mount Abora”

Birthday Reviews: Theodora Goss’s “Singing of Mount Abora”

Logorrhea
Logorrhea

Theodora Goss was born on September 30, 1968.

Goss has won two Rhysling Awards for Long Poem. The first was in 2004 for “Octavia Is Lost in the Hall of Masks” and the second for “Rose Child” in 2017. She has also twice been nominated for the Nebula Award, the Mythopoeic, the Seiun, and the World Fantasy Award, winning the last once. She has additionally been nominated for the William L. Crawford/IAFA Fantasy Award, the SLF Foundation Award, and the Compton Crook Stephen Tall Memorial Award.

Goss wrote “Singing of Mount Abora” for John Klima’s anthology Logorrhea: Good Words Make Good Stories in 2007. The story was picked up by Rich Horton for Fantasy: The Best of the Year, 2008 Edition and by Jonathan Strahan for The Best Science Fiction and Fantasy of the Year Volume Two. It was late reprinted in Lightspeed by John Joseph Adams in the July 2012 issue. The story won the World Fantasy Award for Best Short Fiction in 2008.

“Singing of Mount Abora” was written for an anthology in which all the stories are inspired by words that were the winning entries in the Scripps National Spelling Bee, so it is appropriate that Goss’s language is a feature in the story, which was based on the word “Dulcimer,” which won the contest for Kim Calvin in 1949. The story is also based on lines from Samuel Taylor Coleridge’s “Kubla Khan,” notably “ A damsel with a dulcimer/In a vision once I saw:/It was an Abyssinian maid/And on her dulcimer she played,/Singing of Mount Abora.”

Goss weaves together two tales set in three different times. The first is the story of Kamora, a woman in ancient China who has fallen in love with the Cloud Dragon, but cannot marry him until she convinces the Empress to let her leave. The second story tells of Sabra, a literature student who is beginning to fall in love with another student, Michael, much to her distant mother’s disdain. Both Kamora and Sabra must overcome obstacles set by the Empress or Sabra’s mother in order to have the chance to be with their loves.

The story of Kamora and the Cloud Dragon reads like a fable. Kamora is in service to the Empress who won’t let her leave until she can find someone who will entertain her as much as Kamora has. Kamora goes on a quest, starting with her uncle, the man who made her dulcimer. Known for his cleverness, he sends her to a distant mountaintop where she can meet the Stone Woman who may be able to help her, for the right price.

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The Complete Carpenter: Vampires (1998)

The Complete Carpenter: Vampires (1998)

vampires-1999-one-sheet-posterEscape from L.A. was almost the final film in John Carpenter’s career. He wasn’t enjoying filmmaking as much as he once did, and retirement was looking more attractive. There was also a depressing feeling that movie trends were passing him by — the master’s students had started to take over genre filmmaking. But when Largo Entertainment approached him about directing an adaptation of John Steakley’s 1990 novel Vampire$, the director couldn’t resist the chance to take another crack at making a Western using another genre. The popularity of vampire films had surged in the late 1980s and through the ‘90s. One of the biggest vampire movie hits and a significant influence on the approaching superhero boom of the 2000s, Blade, came out the same year as Vampires.

Blade is arguably one of the problems Vampires ran into when it was released the day before Halloween. Although opening strong at #1, Vampires suffered an enormous second week drop and barely made back its production budget in the US. Younger audiences apparently wanted to see the slick black trenchcoat vampire-hunting heroics of Wesley Snipes in a modern city rather than a grungy ode to Italian Westerns starring James Woods. (The CinemaScore rating of audience reactions to Vampires was a dismal D+. Blade got an A-.) The film that horror magazines had touted throughout the year as John Carpenter’s comeback ended up hastening his retirement.

The Story

Jack Crow (James Woods) is the leader of a vampire-slaying squad working for the Vatican to eradicate the plague of bloodsuckers across the southwestern US. After his team wipes out a vamp nest in New Mexico, the master vampire (Thomas Ian Griffith) slaughters all of Crow’s team while they’re boozing it up at a nearby motel. Only Crow and Montoya (Daniel Baldwin) escape. They take along Katrina (Sheryl Lee), a prostitute who was bitten by the vampire. Crow plans to use Katrina to track down the master and kill him. The Vatican assigns a new priest to work with Crow, Father Adam Guiteau (Tim Guinee), as they hunt for the powerful vampire, who is none other than Jan Valek, the first vampire ever created. Valek is seeking for an object hidden somewhere in the Southwest that will allow him to complete his original reverse exorcism and become the first vampire capable of walking during the day. Crow and Guiteau hunt desperately while Montoya becomes ensnared by Katrina.

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Birthday Reviews: S.N. Lewitt’s “Festival”

Birthday Reviews: S.N. Lewitt’s “Festival”

Cover by Nicholas Jainschigg
Cover by Nicholas Jainschigg

S.N. (Shariann) Lewitt was born on September 29, 1954. She has also published as Rick North and Gordon Kendall, the latter in collaboration with Susan Shwartz.

Lewis has published under her full name as well as her initials. Her novels include original works such as Angels at Apogee, Rebel Sutra, and Memento Mori, as well as the Star Trek novel Cybersong. She collaborated with Shwartz on the novel White Wing and has written two books in The Young Astronauts series as Rick North.

“Festival” appeared in the Summer 1994 issue of Pirate Writings, edited by Edward J. McFadden. It was reprinted in The Best of Pirate Writings: Tales of Fantasy, Mystery & Science Fiction, also edited by McFadden.

Lewitt has set “Festival” on an alien world settled by humans. The early settlers found the world to be an inhospitable place with a jungle that seemed practically sentient and intent on destroying the colony. Eventually, technological means were invented to keep the jungle from encroaching on the colony and at the same time a raucous annual festival emerged, which invariably resulted in the deaths of some of the revelers. Secret Societies sprung up to find those who died in the revels and take their bodies outside as a tribute to the jungle.

Sandro is preparing not only for the festival, donning a costume like all the other revelers, but also for his induction into the Red Men’s Society. The story talks about his preparations and then goes into a lengthy flashback to give the reader the history, intentionally vague, of the planet and the festival, before connecting Sandro to his sponsor for membership in the Red Men’s Society, his co-worker Chema. The two men go out on patrol, looking for the bodies of the dead to drag out into the jungle while wearing full environmental suits so they won’t have to worry about their own exposure.

The short length of the story combined with its flashback nature gives it a disjointed feel. Lewitt is not able to give sufficient coverage to either the origins of the colony’s culture nor to Sandro and his desire to become part of the Red Men’s Society or his reaction to the secrets he is exposed to. While his reaction to those secrets is one which seems completely human and normal, it doesn’t seem to take the colony’s values into consideration.

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