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Birthday Reviews: Kurt R.A. Giambastiani’s “Intaglio”

Birthday Reviews: Kurt R.A. Giambastiani’s “Intaglio”

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Cover by Gary Davis
Cover by Gary Davis

Kurt R.A. Giambastiani was born on December 4, 1958.

Giambiastini’s debut novel The Year of the Cloud was a finalist for the 2002 Endeavour Award. In addition to writing fiction, Giambastiani has performed as a violist in regional orchestras and works as a software developer.

“Intaglio” was published by Algis Budrys in the October 1995 issue of Tomorrow Speculative Fiction, issue #17. The story has never been reprinted.

Giambastiani’s story is set several years after a rebellion was put down on the planet Thessalon. The people of Thessalon and the city of Pellion, where the rebellion was centered, have mostly been ignored by the Central Military Forces, apart from a series of economic sanctions. The Commander of the forces that crushed the revolt, Gavin Price-George, however, takes a series of intaglios, three dimensional photographs which allow the viewer to see depth and perspective, following the revolt and has published them in the years since. To celebrate an anniversary, he returns to Pellion with a showing of his intaglios.

Price-George comes with a full military contingent and announces that he is not only throwing a party for the people of Pellion, but that trade restrictions will also be relaxed. Giambastiani’s story focuses on the differences between the way Price-George is greeted by the younger generation, which doesn’t have a memory of the war and the deaths, and the older generation, for whom the wounds are still fresh and the memories of their killed friends and families shade their dealings with Price-George. The art display drives that home as the younger generation is seeing old images, but the older generation is seeing pictures of their younger selves, often at moments of great anguish.

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Birthday Reviews: John Dalmas’s “In the Bosom of His Family”

Birthday Reviews: John Dalmas’s “In the Bosom of His Family”

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Cover by C.A. Beal
Cover by C.A. Beal

John Dalmas was born John Jones on December 3, 1926 and died on June 15, 2017.

Dalmas first book The Yngling was serialized in Analog in 1969 and published in book form in 1971. Dalmas began publishing regularly in the 1980s, producing the Fanglith books and The Regiment series, as well as many short stories. In addition to his career as an author Dalmas worked for the US Forest Service.

Dalmas originally published “In the Bosom of His Family” in the October 1989 issue of Pulphouse: The Hardback Magazine, Volume 5: Horror, edited by Kristine Kathryn Rusch. The story has never been reprinted.

Although “In the Bosom of His Family” is an horror story, the true horror of the tale doesn’t become apparent until near the end. It focuses on Charley Greer, part of a family of ranchers who have been settled in the valley for generations. Everything is done the “Greer Way,” including procreation. The eldest sons are expected to marry and have children while the younger sons are expected to remain single and stay on to help the family ranch. Charley is the second son and is helping out, but he is also dying of cancer and realizes his time is near.

Dalmas focuses on the familial ties and the sense of filial obligation, but Charley also sees his sister-in-law pregnant with a child who will follow in Charley’s role. Charley also reflects on his own uncle Charley, a younger brother who he never met, but whose life he is emulating and who he heard stories about from his grandfather and did his best to evoke his grandfather’s memories of him.

Seeing the life around him and the life expected for his potential nephew, Charley decides that rather than die on the ranch, as is the Greer way, he would head to the hospital, even if it meant an arduous trek overland since he didn’t want to have to ask for a ride. As Charley makes his way, it becomes evident that the Greer way is more than just tradition and Charley wasn’t just channeling his uncle, but rather there is an element of reincarnation at play and Charley’s life as a second son was a continuation of his uncle’s life, just as Charley’s nephew will be a reincarnation of him. Charley’s hope is that by dying far away from the ranch, he might be able to spare his nephew that fate.

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Galaxy Science Fiction, May 1954: A Retro-Review

Galaxy Science Fiction, May 1954: A Retro-Review

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Galaxy May 1954-small Galaxy May 1954-back-small

The cover of the May, 1954 issue of Galaxy Science Fiction is by Ed Emshwiller, specifically for Theodore Sturgeon’s story “Granny Won’t Knit.” I’ve only noticed a few covers in these early issues that are illustrations of the fiction within. More often, Editor H.L. Gold seemed to prefer unrelated covers for his magazine.

“Granny Won’t Knit” by Theodore Sturgeon — Roan works for his father, who runs a transportation company. Their society has strict rules around proper dress — hiding the bodies and hands of men and women. Families are organized into strict patriarchal units. Though he’s an adult, Roan hasn’t earned the right to begin his own family and remains under the guidance of his overbearing father.

Seemingly by accident, Roan transports himself into the presence of a young woman who has bare arms and hands. She teases him a bit as he flounders to leave. But in the days to follow, he can’t get her out of his mind and is determined to find her again.

Roan also draws closer to his grandmother, who remembers a culture no one speaks of. And she’s not convinced that the current technology for transportation is the best, considering its limitations to the planet Earth. Her strange views are unsettling, yet Roan sees reason in her thoughts and allows that he may be limited in knowledge.

I think this story stands the test of time. There’s not much that glaringly sticks out to make it a 1950s science-fiction story — at least nothing that comes to mind. It works well.

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Birthday Reviews: Jerry Sohl’s “Death in Transit”

Birthday Reviews: Jerry Sohl’s “Death in Transit”

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Cover by Ed Emshwiller
Cover by Ed Emshwiller

Jerry Sohl was born on December 2, 1913 and died on November 4, 2002.

In addition to science fiction, Sohl also wrote screenplays, including scripts for The Twilight Zone, The Outer Limits, and Star Trek, including the episodes “The Corbomite Maneuver,” “This Side of Paradise,” and “Whom Gods Destroy.” His episodes of The Twilight Zone were ghostwritten for Charles Beaumont, whose failing health meant he couldn’t deliver the scripts he had contracted for. He has published under the pseudonyms Nathan Butler and Sean Mei Sullivan as well.

“Death in Transit” was first published by Larry T. Shaw in the June 1956 issue of Infinity Science Fiction. It was first reprinted in 2003 in Sohl’s posthumous collection Filet of Sohl: The Classic Scripts and Stories of Jerry Sohl. It was published again in Science Fiction Gems: Volume Fourteen, edited by Gregory Luce in 2018.

In 2016 the film Passengers posited a spaceship on a lengthy voyage. Anyone who has seen it will find Sohl’s short story “Death in Transit” familiar.  The story opens with Sohl’s pilot, Clifton West losing his wife, Karen, when she falls down a ventilation shaft on the spaceship one year into a ten year voyage. Although West tries to deal with his loss, the loneliness on the spaceship begins to gnaw at him. He begins to look at the records for the passengers to decide who to wake up for companionship. Although he knows he should wake a man, and even settles on George Hedstrom, he develops an infatuation for Portia Lavester and wakes her, knowing it is a bad idea.

Sohl does not portray West’s actions as well-thought out and even as West tries to behave properly in light of what he did, trying to give Lavester the room she needs to get used to the idea that she has been awakened nine years earlier, West still comes across as creepy. When Lavester does begin to soften towards him, her response to him, even when she claims some affection, never seems quite right. She is aware that even if he hasn’t physically touched her, he has still violated her. Writing in 1956, Sohl did not portray his lone starship pilot as a hero, but clearly shows the horror felt by Lavester at his actions.

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Birthday Reviews: Jo Walton’s “Escape to Other Worlds with Science Fiction”

Birthday Reviews: Jo Walton’s “Escape to Other Worlds with Science Fiction”

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Cover by Gary Kelley
Cover by Gary Kelley

Jo Walton was born on December 1, 1964.

Walton’s novel Tooth and Claw won the World Fantasy Award in 2004. In 2008 she won the Prometheus Award for Ha’Penny. She won the Mythopoeic Award in 2010 for Lifelode. In 2012 her novel Among Others won the Hugo, Nebula British Fantasy Award, the Copper Cylinder Award, and the 2014 Kurd Lasswitz Preis. Her novel My Real Children won the James Tiptree Jr Memorial Award in 2015. She was presented with the Skylark Award from NESFA in 2017.

Originally published on Tor.com, “Escape to Other Worlds with Science Fiction” was selected by Gardner Dozois for his The Year’s Best Science Fiction: Twenty-Seventh Annual Collection. It was reprinted in the collection The Stories: Five Years of Original Fiction on Tor.com and was included in Patrick Nielsen Hayden and David G. Hartwell’s Twenty-First Century Science Fiction. Walton included it in her 2018 collection Starlings.

Set in the same world as Walton’s Small Change alternate history trilogy, “Escape to Other Worlds with Science Fiction” takes a look at the worldwide Depression that followed her World War II. Linda and Joan Evans live in relative squalor, barely making ends meet with Joan working as a secretary and having an affair with her married boss and Linda working a waitress at Bundt’s Germany Bakery in New York. While Joan tries to enjoy herself without worrying about the ramifications, Linda is constantly afraid that the Bundts will eventually replace her when their daughter is old enough to work in the bakery.

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Birthday Reviews: November Index

Birthday Reviews: November Index

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Cover by Michael Whelan
Cover by Michael Whelan

Cover by Frank R. Paul
Cover by Frank R. Paul

Cover by Jack Gaughan
Cover by Jack Gaughan

January index
February index
March index
April index
May index
June index
July index
August index
September index
October index

November 1, Zenna Henderson: “Troubling of the Water”
November 2, Lois McMaster Bujold: “The Hole Truth”
November 3, Neal Barrett, Jr.: “A Day at the Fair”
November 4, Kara Dalkey: “Bouncing Babies”
November 5, Janet Pack: “A Coin for Charon”
November 6, Catherine Asaro: “Echoes of Pride”

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Mage: The Hero Denied #13

Mage: The Hero Denied #13

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Mage The Hero Defined 13-small“Remember, Kevin, in the world of magic … things aren’t always as they seem!”

That’s a line from Mirth in this latest issue. This time, I’ll talk about what we see in this issue (spoilers), as well as what I think is really going on (double spoilers).

So, it opens with Mirth appearing before Kevin and Miranda, telling them that his power has been greatly reduced as Kevin’s power has grown. All he can do at this point is guide them to the Umbra Sprite’s lair and advise them along the way.

Meanwhile, Magda and Hugo are still wandering through the Umbra Sprite’s lair when they are approached by one of the Gracklethorns. This one is taken out rather easily with a can of magic hairspray. And by “taken out,” I mean killed, because Magda tells her son that they have to hide the body before they move on. They choose to hide in a closet and re-think their strategy, but the closet door that Magda opens leads into a vast cavern complex.

Back to Kevin and Mirth, with two pages of dialogue that I think gives away the game. Kevin mentions that Mirth’s hair has gone from white to black again, assuming that he has finally recovered from being trapped in a bank teller machine way back in the first series. Mirth mentions that the bandages that cover his legs (or specifically the spaces where his legs once were) are now also covering his arms, as he’s acquired new scars. He then ridicules Kevin for thinking that his one bat-strike against the Umbra Sprite in the second volume could have done anything more than annoy it.

Eventually, Mirth is able to dispel the illusion that hides the Umbra Sprite’s tower. Kevin manages to defeat a two-headed acid-spewing dragon and then Kevin, Mirth, and Miranda make their way into the cavern at the base of the tower. Of course, the caverns that they enter at the bottom of the tower look similar to the caverns that Magda and Hugo enter near the top of the tower, implying that they’ll meet each other somewhere in these caverns, probably next issue. It’s also significant that we see the imp hiding behind a rock, observing Kevin, Mirth, and Miranda.

The issue ends with Karol Gracklethorn, working in a rescue mission in her human guise, being approached by a one-legged hippie who announces that he is the Fisher King and that he knows she’s been looking for him. And that’s the issue.

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In 500 Words or Less: Moon of the Crusted Snow by Waubgeshig Rice

In 500 Words or Less: Moon of the Crusted Snow by Waubgeshig Rice

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Moon of the Crusted Snow-smallMoon of the Crusted Snow
by Waubgeshig Rice
ECW Press (224 pages, $14.95 paperback, $7.99 eBook, October 2, 2018)

At Can*Con this year, we held a panel titled “True or False: All Post-Apocalyptic Fiction is Derivative Crap.” Obviously, we chose the title to enflame diehard fans of the genre – but while I can’t speak for the rest of our programming team, I’ll freely admit that it takes a lot for a post-apocalyptic story to excite me these days. There are only so many stories you can tell in a world that’s collapsed without it feeling stale; even established properties like The Walking Dead are accused of being well past their prime. However, even as reviewers like me grumble about certain subgenres, authors manage to create something that’s fresh and exciting to show us up. Which means I have to say thanks(?) to Waubgeshig Rice, after binging his novel Moon of the Crusted Snow over the course of about three days.

Part of the appeal right away was the slow, gradual way that Rice builds tension in this story. We’re introduced to a focused cast of characters in an Ontario indigenous reserve, where people are already used to living minimally – so when the Internet and satellite TV go down, no one balks, since it happens all the time. When the phone and power lines follow, the reader is probably getting more nervous than the characters … until they figure out something has gone really wrong and have to decide how the community will cope.

But things are kept ambiguous right to the end, so much so that we never find out the cause of Moon’s apocalypse. Since the novel never leaves the reserve, we only hear about society’s collapse tangentially, from a handful of characters who escape the chaos. In fact, there’s a lot that gets unanswered by the end of the novel, including the fate of several key characters. But Rice doesn’t make it feel like we’re left hanging; instead, it’s part of the overall uncertainty of the novel, and a reflection of how life is rarely packed up neatly, even when things aren’t collapsing.

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Birthday Reviews: Shane Tourtellotte’s “A New Man”

Birthday Reviews: Shane Tourtellotte’s “A New Man”

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Cover by Dominic Harman
Cover by Dominic Harman

Shane Tourtellotte was born on November 30, 1968.

Tourtellotte was nominated for the John W. Campbell Award for Best New Writer in 2000 and his novelette “The Return of Spring” was nominated for a Hugo Award in 2002.

Tourtellotte has collaborated with Michael A. Burstein and edited an anthology in honor of Hal Clement.

“A New Man” was originally published in the October 2003 issue of Analog Science Fiction and Fact, edited by Stanley Schmidt. It is part of Tourtellotte’s First Impressions series of short stories and has only been reprinted on Tourtellotte’s website.

The main focus of “A New Man” is Josh Muntz’s return home after thirteen years. Muntz attacked three women, killing one of them, but was deemed insane and has spent the last thirteen years in a mental institution. A new technique has allowed the grafting of someone else’s mind onto Josh’s in order to alleviate the violent tendencies that caused him to commit the attacks. Tourtellotte looks at the impact Josh’s crimes and his return have on him and his family.

Tourtellotte gives Josh every advantage he can. In addition to the procedure, he has follow-up visits with both a psychologist and a physician who want to see him succeed. They’ve arranged for him to have a job with a boss who is happy to overlook his past if he does his job, and he has a home to live in with his still-married parents. At the same time, Tourtellotte puts obstacles in his path. While his mother is supportive, his father has a hard time accepting what his son has done and remains distant. Josh himself feels the need to apologize to his victims and their families, despite the advice of his team.

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Birthday Reviews: John Helfers’s “The Final Battle”

Birthday Reviews: John Helfers’s “The Final Battle”

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Cover by John Howe
Cover by John Howe

John Helfers was born on November 29, 1972.

Helfers has been nominated for the Hugo Award, both times in the Best Related Work category. In 2009 he and Lillian Stewart Carl were nominated for The Vorkosigan Companion: The Universe of Lois McMaster Bujold and in 2013, he shared a nomination with Martin H. Greenberg for I Have an Idea for a Book…: The Bibliography of Martin H. Greenberg. While Helfers has written numerous short stories and novels, he is perhaps best known as an editor for Tekno Books and Five Star Press and he has worked on many anthologies which did not include his name on the cover. He has collaborated on fiction with Jean Rabe, Russell Davis, and his wife Kerrie L. Hughes. His editing collaborations are too numerous to mention. He has also published works under the house name James Axler.

“The Final Battle” was published in Martin H. Greenberg’s anthology Merlin in 1999. The story has never been reprinted.

In Helfers’s story, Merlin, recently escaped from his confinement by Nimue, is shown to be a tremendously powerful magic user. Rather than showing Merlin participating in rituals to call down lightning, the magic Merlin does is almost an afterthought. A wave of his hand conjures a massive castle and, once inside, he uses magic as readily as anyone else would use breathing. Difficulties occur when he grafts himself onto a familiar, a sparrow, who flies out and discovers that Arthur’s nemesis, Mordred, is approaching Merlin’s castle. Mordred’s casual destruction of the sparrow and Merlin’s bond to it warns the magician of Mordred’s intent and that Arthur’s bastard is more powerful than Merlin expects.

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