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A Brainy Psychological Fantasy: Fireborne by Rosaria Munda

A Brainy Psychological Fantasy: Fireborne by Rosaria Munda

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Fireborne-smallUpon successfully overthrowing the cruel dragonborn families, the leaders of the Revolution imprison their previous masters to await trial. But the oppressed population is hungry for revenge. Vigilantes overrun the building and start to exact their own bloody justice.

Atreus, the new realm’s First Protector, discovers one group still in the process of murdering the Drakarch of the Far Highlands’ family. Only the dragonlord himself and his youngest son, a boy of about seven or eight, are still alive when Atreus arrives.

The Drakarch begs Atreus to spare his son. Atreus murmurs an order to a guard, who takes the boy away. Then he slits the dragonlord’s throat.

Lee, the Drakarch’s son, becomes the only member of the dragonborn caste to survive the Revolution. He grows up in an orphanage in Cheapside, where he befriends another orphan, Annie. No one knows who he really is. Even the First Protector, his savior, appears to have forgotten him. He knows he must keep his identity secret, but at the same time, he thirsts to regain the exalted position that had once been his birthright. Stripped of his privileges, Lee must fight for his rank like everyone else.

Now a teenager, Lee stands on the brink of attaining his dream: to become Firstrider, the best dragonrider in the land and commander of the dragon fleet. He has aced the entrance exam, been chosen by a dragon, and gained recognition as an elite rider. Now he must compete against the other top riders to prove he’s the best. Perhaps it’s ironic that Lee rides to serve those who killed his family. But if he can become Firstrider, not only will he win back the power that his father lost, but also he will prove himself to have been worthy of his birthright all along.

Prevailing over his classmates is Lee’s greatest concern, that is, until he learns that he isn’t the last remaining member of the dragonborn, after all. His cousin, with whom he played as a child, contacts him in secret. She reveals that members of the other dragonborn families escaped and created a refuge in another land. They have their own dragons and riders. Now the time has come for them to retake their ancestral country, restoring the old order.

Lee must choose. Will he defend the life he’s made for himself under the new regime? Or will he help the dragonlords recapture the possibilities he had thought were dead?

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Epic Science Fiction with a Spectacular Toolbox: Silver by Linda Nagata

Epic Science Fiction with a Spectacular Toolbox: Silver by Linda Nagata

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Silver Linda Nagata-small Silver Linda Nagata-back-small

Silver by Linda Nagata (Mythic Island Press, Nov 2019). Cover art by Sarah Anne Langton

Silver is the direct sequel to Edges, which is itself a continuation of Nagata’s Nanotech Succession series. In Edges, some of the heroes from Nagata’s earlier series decide to head back in from the frontier of human expansion in the Milky Way to the galactic region of Earth and its immediate environs. In this science fiction universe, the laws of physics are firm, and no one has figured out a way around the universal speed limit of light itself or the constraints of relativistic travel. This means distances and time spans are immense, and voyages are spread over centuries. It also means that as humanity spread itself into that emptiness, it became diffuse and attenuated and that the sharpest telescopes on the frontier give only clues but no answers about what has taken place in the intervening centuries on the cradle worlds of humanity.

Edges was the story of Urban’s ship and crew and what happened on their way home. As with most trips, things got complicated quickly. The expedition back to Earth ran afoul of an unwelcome passenger: Lezuri, a godlike intelligence that attempted to take over the ship and was only expelled at the apparent cost of Urban himself. Silver follows directly on the heels of this conflict. Urban has fled to a nearby world, to which Lezuri is bound as well. With limited resources, Urban has to find a way to both prepare for Lezuri’s eventual arrival and warn off his ship and crew, who assume he is dead.

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The Rise of Skywalker: A GREAT Ending to the Star Wars Saga

The Rise of Skywalker: A GREAT Ending to the Star Wars Saga

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SW_RisePosterEDITEDI was ten years old in the summer of 1977, and my dad took me to Cinema East that summer to see Star Wars (A New Hope). Cinema East, then on Broad Street in Whitehall, but now long gone, had 70 MM screenings. I think it was the biggest screen in town.

Forty-two years and seven movies later this past Saturday, one day before my son turned twelve, I took him to see Star Wars: The Rise of Skywalker. I have liked some of the series, and the ‘extra’ movies, and the animated shows. I didn’t like others. But I can value that generations have been able to share the Star Wars universe. That’s something powerful in our increasingly shallow culture.

I’m going to write a short, relatively spoiler-free post. I liked The Force Awakens, even though it seemed rather unoriginal. But after the second trilogy, which I didn’t care for, I was happy to enjoy a Star Wars movie again. And then came The Last Jedi. Had I not taken my son to see it, I probably would have either fallen asleep, or left before the end. It was a dull, plodding movie. And I feared the saga was going to limp to its final end.

But I’ve approached every Star Wars film with an open mind. I don’t have an agenda, or any strong feelings about it. I watched the first three movies, read a few books like Alan Dean Foster’s Splinter of the Mind’s Eye.  But I wasn’t overly big into Star Wars. I was more interested in fantasy than science fiction. I’d rather read Michael Moorcock, Terry Brooks, or Terry Pratchett, than dig deeper into Star Wars.

And The Rise of Skywalker was an excellent ending to the epic cycle. I don’t think they could have done a whole lot better in putting the original movie series to bed. It’s a movie about hope, redemption, courage, perseverance, honor, and commitment. It’s cool in our Dark Knight era of superhero movies (a genre created for kids and totally taken over by adults who really need to lighten up and examine their lives a bit), to denigrate uplifting, feel-good stories.

Rise is a return to the values, themes and messages of the original trilogy. It brings closure to a story begun over four decades ago. And it does it in a way that lets the movie-goer walk out of the theater satisfied. Especially someone who has been watching Star Wars for decades.

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Back to the Books for the Theater of the Mind

Back to the Books for the Theater of the Mind

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Johnny Dollar tradeI came to Old Time Radio late in life. My parents were born in 1940 and 1942, respectively. They remembered radio shows from their childhood, but the advent of television made more of an impact on them. During my teen years, one of our local UHF stations briefly picked up reruns of the jazz noir detective series Peter Gunn (1958-1961) in the mid-1980s and I was instantly hooked. A set of Peter Gunn episodes on VHS followed in 1989 from Rhino Records. Before long, I was hunting for Henry Kane’s well-written paperback tie-in and the goofy Dell Comic (where Pete tracks down villains trafficking in counterfeit collectible postage stamps). 2002 would bring the first DVD sets of Peter Gunn. By the time the entire series was on DVD, so was its companion series, Mr. Lucky (1959-1960); and then I discovered the imitation series, Johnny Staccato (1959-1960) which successfully blended concepts from both series before adding a healthy dose of angst-ridden method acting to the mix.

I couldn’t stop there of course, not with gray market sets of Peter Gunn‘s progenitor, Richard Diamond (1957-1960) and Mr. Lucky‘s successor, Dante (1960-1961) circulating among collectors. Eventually, I discovered a terrific, but nearly forgotten television adventure series, Hong Kong (1960-1961) and reached back to find Dante had actually preceded Mr. Lucky via an earlier series, Dante’s Inferno (1956). Having reached the end of the line for the uniquely sophisticated and stylish Golden Age of Television detective and adventure series that appealed most to me, I decided to venture into the largely unknown waters of Old Time Radio.

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Battle of the Sexes: Sword & Circlet Volume 1 by Carole Nelson Douglas

Battle of the Sexes: Sword & Circlet Volume 1 by Carole Nelson Douglas

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Art: Steven Hickman
Art: Steven Hickman

Art: Steve Crisp
Art: Steve Crisp

Art: Luis Royo
Art: Luis Royo

Earlier this year I wrote about two books by Carole Nelson Douglas which became known as the Kendric and Irissa duology. These eighties’ fantasy classics spawned a subsequent trilogy, The Sword and Circlet. Whilst I had this trilogy on hand, I thought a break was in order after completing my review of Six of Swords and Exiles of the Rynth. John had been enticing me to visit some other neglected volumes on my shelf through his ongoing Vintage Treasures posts which saw me breeze through some Wyndham and Vance (which I posted mini-reviews for, in the comments of each article). With this post, I am back to focus on Carole Nelson Douglas.

When one starts to read volume one of the Sword and Circlet Trilogy it becomes immediately clear that this is no afterthought, or clumsy tack on to ride the wave of success the first two books experienced.  Keepers of the Edanvant picks up almost immediately where Exiles of the Rynth left off, pausing only to provide a small prologue and recap of what had gone before.

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A Sci Fi / Fantasy Hybrid with a Middle Eastern Ambiance: Mirage by Somaiya Daud

A Sci Fi / Fantasy Hybrid with a Middle Eastern Ambiance: Mirage by Somaiya Daud

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Mirage Somaiya Daud-smallThe nameless young Andalaan boy has yet to reach his majority, so he doesn’t have his face tattoos yet. But that’s what makes him a perfect assassin. The evil Vath invaders won’t be able to trace him back to his family and tribe.

For his whole young life, the boy has known the cruelty of the Vath. If he kills their crown princess, he’ll win a cottage for his family and a husband for his sister. He knows it’s a suicide mission, but he accepts. He readies his weapon and goes to the event where the Vath heir appears.

She looks so much like his own people. Her blood is only half Vathek – her mother was a native of this planet. But she’s rumored to be even more vicious than her iron-fisted father.

He raises his blaster and fires twice.

Amina is an Andalaan girl on the verge of becoming a woman. On the night that she gains her majority, she goes to the festival with her family to have her face tattooed. This is one of the few Andalaan traditions that persist. And since the Vath have burnt the farmers’ fields, leaving no provisions for the upcoming winter, the whole tribe needs an excuse to come together and enjoy an evening of ritual, however brief.

But the ink on Amani’s face hasn’t even dried before a squadron of Vath droids burst into the gathering. They separate Amani and the other teenage girls from the rest of the tribe and make them stand in a line.

One by one, the robots move down the row, scanning the girls’ faces. One by one, the scanners flash a green light, clearing them with a beep.

Amina hasn’t done anything wrong. She hasn’t aided the rebels or raised a hand against the Vath. Still, when a droid scans her face, an alarm erupts and the robots seize her. They drag her away and load her onto a Vath spaceship even while the droids set fire to the building that holds her family and friends.

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Blogging Marvel’s Master of Kung Fu, Part Nine

Blogging Marvel’s Master of Kung Fu, Part Nine

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Master_of_Kung_Fu_Annual_Vol_1_1Master of Kung Fu Annual #1 was a reworking of what would have been Giant-Size Master of Kung Fu #5 had Marvel’s short-lived line of quarterly publications not been prematurely discontinued. As it stands it was the only King-Size Annual Marvel published for the series. Marvel Annuals were generally a mixed bag and this is no exception. A few select ones offered truly special longer stories which were a delight for loyal readers, but most were either hurriedly produced or generally disappointing tryouts for aspiring Marvel writers and artists to demonstrate their handling of established properties. Master of Kung Fu Annual fell in the former category with Doug Moench and Keith Pollard tossing off Shang-Chi’s first encounter with Iron Fist.

The story itself isn’t terrible, but Shang-Chi is almost a guest star in what is essentially an Iron Fist story that is centered on the character’s origins. The visit to the otherworldly dimension that Iron Fist calls home to take on an invasion force led by a sorcerer really seems to be more of a martial arts spin on Doctor Strange. The artwork utilizes some of Steve Ditko’s interdimensional concepts, but without any of his sense of abstract wonder. I was not acquainted with Iron Fist having a mystical background and the story did nothing to make me care much either way as it was clearly knocked off quickly by the overworked Doug Moench. Like the companion magazine, Deadly Hands of Kung Fu, this seemed largely a wasted opportunity. Fans of the character may be interested that there is a brief continuity reference to an ongoing storyline involving Daughters of the Dragon in the companion magazine which one suspects might have made for a more engaging crossover for Shang-Chi, although based on their crossovers in the magazine, perhaps it would have fared no better.

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Stories That Work: “Toppers” by Jason Sanford, and “Strange Waters” by Samantha Mills, from The New Voices of Science Fiction

Stories That Work: “Toppers” by Jason Sanford, and “Strange Waters” by Samantha Mills, from The New Voices of Science Fiction

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The New Voices of Science Fiction-small

Cover by Matt Dixon

If I consider types of stories as a Venn diagram, two of the circles are “entertaining stories” and “moving stories.” They overlap but a large number of stories are one but not the other.

By “entertaining,” I mean that the situation, characters, events and writing are sufficiently distracting that I fall into the story and forget I’m reading. When I get to the end I feel my time was well-spent, but I’m not particularly changed by the experience. The story was fun. It’s the reading equivalent of watching The Last Starfighter. A great example of entertaining works I’ve read lately were Martha Wells’ The Murderbot Diaries.

A “moving” story gets to me emotionally/intellectually at the end. The writing may also be entertaining (remember that the circles overlap), but how I feel when I walk away is different. I’m thoughtful, emotional even. The story changed me.  Saving Private Ryan or Schindler’s List are films that I’d say were “moving.” By my definitions, though, they weren’t “fun.” I can say a lot about those two stories, but I wouldn’t describe them as “entertaining” without a few caveats. Keye’s Flowers for Algernon moved me, as did Willis’s Lincoln’s Dreams and Leiber’s “A Pail of Air.”

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Galaxy Science Fiction, September 1954: A Retro-Review

Galaxy Science Fiction, September 1954: A Retro-Review

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Galaxy Science Fiction September 1954-small

Art by Ed Emshwiller

I find the cover of the September, 1954 issue of Galaxy Science Fiction a bit risque for Ed Emshwiller (a piece titled “Robots Repaired While U Wait”). Editor H. L. Gold produced a magazine that you wouldn’t have to hide from people, unlike other fiction offerings that had much more salacious artwork (please don’t attach any to this article, John). But you may have to keep this issue face-down around coworkers and family.

“The Man Who Was Six” by F. L. Wallace — Dan Merrol doesn’t know who he is anymore. Ostensibly, he’s Dan Merrol, but his body is unrecognizable, even to himself. After a horrific accident, doctors used an amalgamation of human donors to heal Dan’s broken body. With legs of different lengths, arms of varying bulk, and multi-colored hair, Dan’s become a laughable caricature of humanity. But it’s not just his body; his damaged brain was also rebuilt using slivers of other brains, giving him memories of lives he never lived. He wants to return to a normal life as a pilot and try to resume his marriage, if his wife could possibly still love the creature he’s become.

I like how Wallace examines Dan’s predicament. The initial confusion, the stages of grief in dealing with who and what he’s become. It maintains a somber tone but allows for lighter moments.

“A Start in Life” by Arthur Sellings — Em and Jay are robots raising two unrelated six-year-old children (a boy and a girl). Their world is confined, and there are no other humans to interact with. The children begin asking more questions about their world, and Em is hesitant to share anything new. The truth will come out eventually, but is this the right time, she wonders?

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Lost Classics of the Pulps: Guy Boothby’s The Curse of the Snake

Lost Classics of the Pulps: Guy Boothby’s The Curse of the Snake

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Curse of the SnakeThe Curse of the Snake is the Guy Boothby title I have been waiting years to read. I previously covered the five books in his Dr. Nikola series as well as his 1899 novel, Pharos the Egyptian for Black Gate. Boothby is an author whose works have fallen into relative obscurity, but his influence was quite pervasive. A contemporary of Sir Arthur Conan Doyle and Bram Stoker, he turned out works that stand up well against their more celebrated efforts. Most importantly, the influence of Dr. Nikola is felt heavily upon Sax Rohmer’s Fu Manchu series and the character of Ernst Stavro Blofeld from Ian Fleming’s James Bond novels. Boothby’s great flaw was that he was a prolific author of serialized novels who made no effort to correct inconsistencies when his works were published in book form. This hurt his reputation and, along with the speed with which he produced new works, unfairly suggested he was little more than a hack.

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