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The End of the Story: Sorceress of the Witch World by Andre Norton

The End of the Story: Sorceress of the Witch World by Andre Norton

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oie_324651kfYzNZDkAndre Norton’s Sorceress of the Witch World (1968) completes the trilogy begun with Three Against the Witch World and continued in Warlock of the Witch World. (Follow the links to read my reviews here on Black Gate). The trilogy itself is a continuation of Norton’s Witch World saga begun in Witch World and followed with Web of the Witch World.

The heroes of the first two novels, Simon Tregarth and his wife Jaelithe, mysteriously disappear at the beginning of the trilogy. Their triplets, born between Web of the Witch World and this trilogy, are searching for them. Each volume tells the adventures of one of the siblings, Kyllan, Kemoc, and Kaththea.

In Three, brothers Kyllan and Kemoc rescue their sister Kaththea from her forced induction into the ranks of the Witches and escape into the magically hidden eastern land, Escore. In addition, the warrior Kyllan’s talents are put to the test against a growing horde of vile enemies. In Warlock, the scholarly Kemoc travels across dimensions to rescue his sister from her evil suitor.

You can probably tell from the title that Kaththea herself takes center stage in Sorceress of the Witch World. For reasons related to her situation in the previous book, Kaththea is spiritually damaged. Sadly, for the reader that damage seems to have rendered her a little boring also. She narrates the entire story in a dull voice that distances the reader from the action.

At the end of Warlock, Kaththea lost most of her magical abilities. Now, fearing that stripped of her defenses she is vulnerable to control by the powers of Shadow, she decides she must return to the West and seek guidance from the very same Witches from whom she once fled.

While trying to cross the mountains back into the West Kaththea’s party is caught in an avalanche. She is taken prisoner by a hunter from the Inuit-like nomads, the Vupsall. She manages to escape from the tribe during a bloody attack on their camp by raiders. Armed with magical knowledge gleaned from the possessions of the tribe’s wise woman, she makes for a great ruined city nearby. Hoping to escape the forces of Shadow she still fears, she enters an old dimensional gate. She doesn’t know what lay on the other side, only hoping it will be some sort of sanctuary. What she encounters are tremendous dangers in an utterly alien world.

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A Modern Classic of Heroic Fantasy: The Sword of Demelza by J. E. Rogers

A Modern Classic of Heroic Fantasy: The Sword of Demelza by J. E. Rogers

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The Sword of Demelza-small

In the shadow of Fortress Demelza, the lives of three friends collide, forging an unlikely friendship. Devon, a young red fox, along with Erik and Emma, two young marsupials, learn that an evil king has gained control of a powerful sword. Under the king’s command, a demon thylacine and dragon lizards are burning villages and threatening the peaceful creatures of the countryside. In an act of desperation, the three friends realize they must put everything aside and join a rebel army whose main purpose is to end the reign of the king!
— from the back cover of The Sword of Demelza

And so it begins, this magical story — which was a ForeWard Clarion Reviews Book of the Year Finalist for 2013, and also received Honorable Mention in the 2013 Writer’s Digest eBook Awards.

It has been many a year since I read a fantasy written for middle graders, but this one was first brought to my attention during a comment “thread” in a Facebook group for indie authors. A few days later, it was highly recommended to me by an adult friend who found herself caught up in the characters, action, and adventure when reading some chapters to her young son, who was bedridden with the flu at the time. So I bought a copy for myself, stretched out on the couch the day it arrived, and got lost inside the story, just as my friend had. Like any good novel, whether it’s written for children, teens, or adults of any age, The Sword of Demelza picks you up, pulls you in, and takes you on a grand adventure.

J. E. Rogers’s first novel is driven by its characters, with the perfect balance of plot to keep the reader entranced by and invested in the overall story. Unlike so many novels, where formula and tired old clichés drive the story, The Sword of Demelza is something new and fun — partly because the setting, a fully-realized, alternate version of Australia, is so masterfully handled by Rogers. But it isn’t just the setting that draws you into this novel, like so many deeply woven fantasy stories, although the author has certainly done her homework — this wonderful novel is filled with great detail and research.

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Amazing Stories, July 1962: A Retro-Review

Amazing Stories, July 1962: A Retro-Review

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Amazing Stories July 1962-smallBack to Cele Goldsmith’s tenure at Amazing/Fantastic. This is a pretty strong issue, with, notably and perhaps surprisingly, a strong “Classic Reprint” novelet, and a strong serial opener. (The shorter fiction is less impressive.)

The cover is by Lloyd Birmingham, a semi-regular at Amazing/Fantastic throughout the ’60s, who also had one cover for Analog, one for an Ace Double, and a couple more. But he was never well-known in the field. It illustrates the serial in this issue, part one of Keith Laumer’s A Trace of Memory, competently but not particularly specially. Interiors are by Birmingham again, Leo Summers, Virgil Finlay, Dan Adkins, and Austin Briggs.

Norman Lobsenz’s editorial discusses some evidence that may or may not support the Big Bang theory. (This was a couple of years before the discovery of the 3 degree background radiation of the universe.) The lettercol, “ … or So you Say”, features a long letter by Julian Reid complaining about two recent Mark Clifton stories (“Hang Head, Vandal!” and the serial Pawn of the Black Feet), following a very long defense of his work by Clifton himself.

This response may be the last thing Clifton ever published. (He died in 1963, and I am sure he published no more stories after “Hang Head, Vandal!”) I think Clifton gets the better of the argument, pointing out for one thing that Pawn of the Black Fleet (aka When They Come From Space) is a spoof, which Reid took altogether too seriously.

S. E. Cotts’s book review column, “The Spectroscope,” covers Damon Knight anthology A Century of Science Fiction, with very high praise for the stories, but some quibbling about Knight’s categorization of different aspects of the field; and J. F. Bone’s The Lani People, which Cotts considers not very original, but quite fun. There is a very brief “Benedict Breadfruit” squib by “Grandall Barretton” (Randall Garrett) … these are decidedly sub-Feghootian to begin with and this one is worse than usual. Ben Bova (or “Ben Ben Bova” as the TOC has it) contributes an article on “The Three Requirements of Life in the Solar System,” second in a four-article series on the possibilities of alien life, this one covering possibilities for life on other planets in our system.

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Sax Rohmer at Towers of London

Sax Rohmer at Towers of London

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51xCPS2lXQL._SY344_BO1,204,203,200_190px-FaceoffumanchuA couple weeks ago, I finally read Mr. Towers of London, the posthumously published memoirs of Harry Alan Towers, the unflappable veteran British radio/TV/film writer-producer with well over a hundred works to his credit. It wasn’t Towers’s first stab at writing his memoirs, but this final work was notable as his most personal.

Anyone who actually knows major figures in the entertainment industry is likely aware of some of the salacious stories of debauchery, sometimes even criminal activity, that are never far from the surface. Towers’s memoirs are unique for being perhaps the most honest ever committed to print. If he pulls any punches or whitewashes any parts of his adventures, he can surely be forgiven for what he does dish out about himself and others.

That said, the most disappointing part of the book for me is that he tells the reader very little about his experiences as a writer. I would have loved to have understood more about the more private side of his profession as the book places all of the emphasis on his role as a producer. Today, he is unfairly remembered as the producer of genre films and exploitation fare. While that accounted for much of his output after 1960, he was also a respected writer-producer of family drama who frequently cast some of the biggest stars in Hollywood in his radio, TV, and film productions.

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Book Review: Shackleton by Michael Smith

Book Review: Shackleton by Michael Smith

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The furthest south of the Nimrod expedition, 9 January 1909. From left to right: Jameson Boyd Adams, Frank Wild, and Ernest Shackleton pose for a self portrait at 88°23'S, only 97 geographical miles (178 km) from the South Pole.
The furthest south of the Nimrod expedition, 9 January 1909. From left to right: Jameson Boyd Adams, Frank Wild, and Ernest Shackleton pose for a self portrait at 88°23’S, only 97 geographical miles (178 km) from the South Pole.

As the world marks the centennial of World War One, it’s in danger of forgetting that the year 1914 saw the beginning of one of the most ambitious Antarctic expeditions ever launched, the Endurance expedition led by Ernest Shackleton. A complex and driven man, Shackleton’s accomplishments were overshadowed by personal failures and a global war.

There hasn’t been a full biography of Shackleton since 1985, so to mark the centennial, Polar exploration expert Michael Smith has come out with Shackleton: By Endurance We Conquer. This detailed, 440-page study traces Shackleton’s life from his Anglo-Irish roots through his early years at sea and his first Antarctic expedition as a member of Scott’s Discovery expedition.

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Game Review: Dead of Winter from Plaid Hat Games

Game Review: Dead of Winter from Plaid Hat Games

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dead-of-winter-boxColor me rotting-flesh green and call me thunderstruck. I believe I’ve been playing the best board game in my thirty years of dice rolling this week: the Plaid Hat Games survival horror magnificence that is Dead of Winter.

Ron Burgundy “That’s No Lie” seal of approval. I know I often write here with tongue probing my cheek, but this time I’m undeadly serious. Maybe it was just the subject matter, or how dark the game can get as desperation builds, but I found it my most enjoyable gaming session in memory.

I’m not just trying to squeeze in another gore-dripped Zombie-related post before Halloween, either. I was perfectly willing to let my one sad little movie post for the month be my fall contribution, but honestly, this game has taken over my brain like a Venusian virus brought back to Earth and I must write about it.

Like tabletop gaming with friends? Like Zombies? If either of these conditions = TRUE, you can read through all my blah blah questionable-humor blah blah blah, or you can get off the Internet, utilize your preferred mode of transport (I don’t care about your hair, that’s why God created baseball hats), go to your Friendly Local Game Store and grab this jewel so you can read the rules and play it over the course of Halloween all the more quickly.

You’re welcome.

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On the Road to Khurdisan: Brak the Barbarian by John Jakes

On the Road to Khurdisan: Brak the Barbarian by John Jakes

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oie_2702648M0L78hhBFor people of a certain age (the pushing-fifty crowd) John Jakes is probably best known for The Kent Family Chronicles, his massive series of massive books about American history and the mini-series made from the first one, The Bastard. Hearing that title said out loud on TV was a pretty shocking thing for us kids back in 1978.

It wasn’t until I was a little older that I discovered John Jakes had started his career as a real journeyman pulp writer. While working in advertising, he wrote science fiction, westerns, mystery, and horror stories for all the major genre magazines. His name appears on the contents page of Fantastic Adventures and Amazing Stories, as well as Tales of the Frightened (easily one of my favorite titles for anything ever).

While Robert E. Howard had created the basic template for swords & sorcery back in the 1930s, it wasn’t until several decades later that the genre really exploded. Fritz Leiber and Sprague de Camp labored throughout the 50s, but it’s in the early 60s that S&S really takes off. Suddenly, Lin Carter’s writing his Howard/Edgar Rice Burroughs mashups, Michael Moorcock’s inverting and mocking many of the field’s cliches while still writing exciting tales, and Andre Norton is expanding S&S’s vison beyond the too-common male thud and blunder.

In 1963, with “Devils in the Walls” published in Fantastic, Jakes introduced his own barbarian hero, Brak. In a 1980 preface to a new editon of the first collection of stories, Brak the Barbarian (1968), he wrote:

It was in the role of dedicated Conan fan that I wrote the first Brak tale, Devils in the Walls. In spirit, anyway, the story was a Howard pastiche, and I have acknowledged the fact more than once.

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Film Review: The Conjuring (Hallowe’en Post # 1)

Film Review: The Conjuring (Hallowe’en Post # 1)

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the conjuring doll“Before there was Amityville, there was Harrisville.”

Whatever you think of the Warrens as real people, they do make mighty fine fictional characters.

Ed and Lorraine Warren — dark-forces-battling demonologists associated with such notoriously famous cases as the Amityville Horror — provide us with supernatural sleuths who fit comfortably in the tradition of such occult detectives as Doctor Abraham Van Helsing, Carnacki the Ghost Finder, and John Thunstone. That the Warrens are real people and the cases they have investigated are allegedly true does add another compelling dimension to the whole enterprise.

But I’m not here to debate whether the Warrens’ adventures were bona fide excursions into paranormal realms or just elaborately staged (and profitable) hoaxes. I’m here to review The Conjuring — the 2013 horror film purportedly based on the Warrens’ 1971 investigation into the Perron family’s troubled Rhode Island farmhouse. I am meeting it on its own terms, not as a docudrama, but as a fright flick.

Still, I’ll make a few observations about the “based on a true story” conceit, which is wrung for full effect in opening and closing montages. Judging from interviews, the scriptwriters — twin brothers Chad and Carey W. Hayes — certainly give the impression that they buy in to the Warrens’ whole shtick, or are at least pretty open-minded to it. However, that clearly did not constrain them only to crafting a straight-ahead historical re-enactment. To the contrary, their prime focus is to use the original case as a springboard for launching wall-to-wall scares at an audience hungry for terror of the supernatural kind. They start out eerie, sprinkling in events that may well be straight out of the case file, and then liberally follow those up with any tried-and-true horror effect that will “get” the audience. It is a film full of “gotchas.”

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The Solar Pons – Fu Manchu Connection

The Solar Pons – Fu Manchu Connection

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200px-OTSolarPonsOmnibusExpoloits_of_solar_ponsMy colleague Bob Byrne has already introduced many new readers to August Derleth’s wonderfully tongue-in-cheek exploits of the unlikely-named Sherlock Holmes-inspired consulting detective, Solar Pons of Praed Street.

Derleth loved tossing in nods to mystery works outside of Sir Arthur Conan Doyle’s fictional universe. These included three memorable encounters with Sax Rohmer’s insidious Dr. Fu Manchu.

“The Adventure of the Camberwell Beauty” was the first of the appearances to see publication in 1958. The story presents an unnamed Dr. Fu Manchu hiring the celebrated consulting detective to recover Karah, his beautiful young ward, who has been abducted by his archenemy, Baron Corvus. The tale is set in the early 1930s and although the first chronicled, it is not our heroes’ first encounter with the Devil Doctor.

Structured as a tribute to Rohmer’s 1933 novel, The Bride of Fu Manchu, the story reveals Karah (named for Rohmer’s Karamaneh) as the granddaughter of the Devil Doctor. Showing a nice bit of fidelity to Rohmer’s early tales, the unnamed Doctor resides in an underground Thames-side lair in Limehouse.

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Firefly Friday – Firefly: The Game

Firefly Friday – Firefly: The Game

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Firefly-The-Game

Ever want to just buy a ship and take off into the night sky, making your own rules and living a life that was truly free? Firefly: The Game (Amazon) gives you the chance to do just that, if you think you’re up for it.

On the off chance that you’ve been in a coma for the last decade: Firefly was a tragically short-lived television series created by Joss Whedon. After his success on Buffy: The Vampire Slayer and Angel, he turned to science fiction, creating a series that can best (but simplistically) be described as “cowboys in space.” The series centered around a spaceship crew living on the fringe of society, taking jobs of questionable legality while trying to stay off the radar of the government. It was cancelled before all 13 of the episodes even aired, but fan enthusiasm resulted in a feature film, Serenity, that gave some measure of closure for fans.

But, as so often happens in our little world of fandom, even that was not the end of the story. In a few short episodes, Joss Whedon had created a rich and dynamic universe of rugged heroes who traveled the expanse between worlds just trying to find a job, work the job, get paid, and keep flying. It has continued in a number of forms, from comic books to board games. As I’ve mentioned before, my shelves contain a number of these related materials. (More than I typically care to admit.)

It’s hard to overstate how great this short television series was … And it’s equally hard to overstate how well Firefly: The Game captures the feel of trying to make your way out in the black, even if that means you have to misbehave a bit.

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