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The Tears of Ishtar by Michael Ehart

The Tears of Ishtar by Michael Ehart

oie_351436BG5v7xydWhen my renewed interest in swords and sorcery was sparked a few years ago, one of the first and best books of new writing I found was The Return of the Sword, edited by Jason M. Waltz (reviewed at BG by Ryan Harvey). It’s filled with a passel of great stories and turned me on to several writers I follow closely to this day. Among them are Bill Ward, James Enge, and Bruce Durham. It’s the book that convinced me that there was a renaissance in heroic fiction and that it was worth blogging about.

One of the most intriguing stories, with imagery that’s stayed with me over the years, is “To Destroy All Flesh” by Michael Ehart. I wasn’t surprised to learn it was part of an ongoing series of linked stories. “Flesh” references characters and quests that clearly predate the action at hand.

Ehart’s protagonist, Ninshi, a woman from Ugarit in Bronze Age Syria, is enslaved by a flesh-eating demon, the Manthycore. She must provide corpses of warriors for the beast to devour. Her terrible master gave her immortality, great strength, and enhanced healing in order to carry out this task.

By the time I could see again, it had already begun to feed. As always, it started with the soft parts. The belly and the face were its favorites and because it fed so seldom, it showed little restraint. This time it chose to wear the head of a lion, which seemed to be well suited for the task.

It felt the force of my gaze, but did not react right away, engrossed in some particularly savory morsel from the belly of one of the corpses. I took care not to take note of which one. It is a matter of pride that I not look away, but I long ago learned to look without seeing.

She is sustained over the centuries of her servitude by the dream of freeing herself and forcing the Manthycore to restore her lover to life. That quest sets the stage for the tales collected in The Tears of Ishtar.

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Self-published Book Review: The Shard by Ted Cross

Self-published Book Review: The Shard by Ted Cross

If you have a book you’d like me to review, please see the submission guidelines here

Shard coverTed Cross’s The Shard takes place in a world of elves, dwarves, and humans. Millenia ago, dwarves and elves warred against one another with devastating losses on both sides. Only when it was almost too late did they realize that they had been tricked by the corrupted wizard Bilach, leaving themselves vulnerable to his conquering armies. They combined forces and defeated Bilach. Afterward, the remaining wizards created a tower called the Spire of Light, with a great crystal atop enchanted to encourage peace. Centuries later, the dragon came and destroyed the tower and the crystal. Now a new threat has appeared, and the only way to defeat it is to find the sole remaining shard of the crystal, hidden in the lair of the dragon who destroyed it.

Wisely, the author doesn’t lay out the ancient history quite so directly as I’ve done here. Told this way, it seems too simple, too familiar. Instead, the history is told in bits and pieces, not through the eyes of the elves or the dwarves, but through the perspective of the humans, who came late to the region and saw the coming of the dragon, but know little of the history behind what it destroyed. In a sense, the story is told backward, each new story a revelation farther into the past, shedding light on a new person’s or people’s origin and role.

At the center of the large cast of characters is Midas. A lord of a minor holding, he is still mourning the loss of his son Miros when he discovers that someone is attempting to spark a war between the humans and the elves. He knows right away that such an act is foolhardy, and he makes contacts with the elves in order to try to ease tensions. The elf lady Alvanaria is eager to help keep the peace, but ultimately it’s the appearance of a new threat that prevents humans and elves from going to war. An army of wyrmen is rapidly approaching, and it will take humans, elves, and dwarves to stop them. But first, Midas, his sons, Alvanaria, the wizard Xax, and their companions will need to retrieve the shard of the Spire of Light from the dragon’s lair.

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Short Speculative Fiction: An April Roundup

Short Speculative Fiction: An April Roundup

Lightspeed-Magazine-April-2015-475 Clarkesworld-103-475 The-Magazine-of-Fantasy-Science-Fiction-March-April-2015-475

Hi Black Gate Readers!

My name is Learned Foote. Here’s the first installment of a new monthly column on short fiction. I’ll branch out from fantasy, and discuss some sci-fi publications. Each month, I’ll read a bunch of magazines and then give some recommendations for stories I particularly enjoyed (original fiction only, no reprints). I’d love to hear from you: what do you think of these stories? What’s missing from this list?

This column includes stories from Lightspeed (Issue 59, April 2015), Clarkesworld (Issue 103, April 2014), and Fantasy and Science Fiction (March/April 2015). Lightspeed & Clarkesworld can be read for free online, and F&SF costs between $1-3, depending on whether you subscribe or purchase an individual issue. Click on the issue covers above for additional details.

Onto the stories!

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March Short Story Roundup

March Short Story Roundup

oie_2831152onP2pF5uThere are a whole lot of new-to-me goings on out there in the world of magazines and short fiction (see John O’Neill’s recent posts). So much so that I’m a little behind this month trying to catch up. I haven’t gotten to any of Beneath Ceaseless Skies most recent issues yet.

From a swords & sorcery perspective, the biggest — and potentially most interesting — new publication out there is Grimdark Magazine. The first issue, completely unbeknownst to me, appeared last fall. The third issue hit the virtual newsstand on March 25. Like the title says, it’s filled with grim and dark stuff.

The term grimdark, lifted from Warhammer 40K, was originally one of opprobrium for a certain type of fantasy, and was later taken up as a badge of honor by its creators. For those who managed to miss all the talk about the subject a few years back, here’s a quick definition: grimdark fantasy is nihlistic/realistic storytelling that moves the genre forward/destroys the genre, and features characters with realistic motives/who are utterly vile. Whether you like or hate the fiction coming out under the rubric, Grimdark Magazine, by its very nature, is going to feature S&S.

Each issue is packed with original stories, interviews with some of grimdark’s leading lights, and reviews. The magazine has a definite point of view as stated by editor Adrian Collins in the first issue:

Grimdark Magazine started out as the identification of a gap in the niche ezine market coupled with an obsession with grim stories told in a dark world by morally ambiguous protagonists.

As far as I’m concerned, grimdark is just another marketing term, like splatterpunk was for supposedly extra-bloody horror back in the mid-1980s. As much as some writers and fans have claimed that grimdark is both about introducing more realism as well as being a revolt against black-and-white morality that they say saturates much fantasy, I don’t think it’s all that different from lots of what’s gone before (just check out any of Karl Edward Wagner or Michael Moorcock’s fantasies).

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Adventures In Near-Future Sci-Fi: Black Mirror

Adventures In Near-Future Sci-Fi: Black Mirror

Black Mirror White BearI don’t watch television. Or not, let’s say, broadcast television. Since the first X-Files video tape showed up, I have, instead, binge-watched episodic TV in irregular, spasmodic doses via VHS, DVD, and Netflix. I watch with my wife, and we’re not (to the shows) faithful: if a particular series bores us, we move on. Even Breaking Bad, after three seasons, felt like a joke gone on too long.

But Black Mirror. Holy cats!

It’s the best sci-fi you’ve never heard of.

A British show made for Channel Four, Black Mirror is the brainchild of one Charlie Brooker — whom you haven’t heard of, either. The series aired in the UK from 2011 through 2013. Based on that time span, you’d think it was a fabulous success spanning dozens of episodes. Only half true. Black Mirror consists of six shows total (plus a 2014 “Christmas Special,” which I have yet to see), and each is self-contained, a hermetic “What If?” often compared to Rod Serling’s Twilight Zone. The reference is not especially apt, but like Velcro and old chewing gum, it’s a label that seems to have stuck.

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How I Discovered David Drake by Accident: Confusion, Redliners, and Why I’m Glad I Made a Mistake

How I Discovered David Drake by Accident: Confusion, Redliners, and Why I’m Glad I Made a Mistake

david-drake
David Drake

Back in 2007, when I was getting ready to attend my first World Fantasy Convention in Saratoga Springs, New York, I was trying to remember a book.

I’d read it years earlier: a science-fiction thriller about colonists who unwisely set down on an alien planet with an environment so hostile that their top high-tech special forces are about as equipped to handle it as the Kardashian sisters if they were dropped onto the beaches of Normandy on D-Day. The planet is lush, tropical: at first blush very inviting, having all the necessary elements for survival. Only one problem: evolution on this planet has followed a very lethal trajectory, developing predators that would make our own Earthly alpha predators – tigers, sharks – seem like domesticated pets in comparison. The bottom of the food chain on this planet would eat the top of our food chain for a quick snack. A seemingly innocuous, pretty flower is likely concealing fly-trap jaws full of acid. If you get ten yards in this jungle environment still in possession of most of your limbs, you count your lucky stars that you’re still alive.

So. What was that book? Obviously, I turned to Google. And engaged in a pursuit most of us have at one time or another: search for a book without knowing the title or the author, hoping that I could locate the elusive text with the right combination of key words.

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Goth Chick News: Goth Chicks in Literature Rock Utterly…

Goth Chick News: Goth Chicks in Literature Rock Utterly…

image010It’s been three years – count them because I sure have – since I crushed on author Steven Roman over his first novel Blood Feud.

Back then I was all enamored due to the fact that Roman’s main character, Pandora (Pan) Zwieback, was a zombie-shooting, werewolf booting, leather clad heroine of a goth chick.

Finally, a book I could relate to.

Never mind that Blood Feud landed in the “young adult fiction” category either. Roman doesn’t insult readers of any age, with lip-nibbling, flannel-wearing whiners. These characters were a dark fantasy cross-over all the way, with nary a “romantic” slipped in there anywhere.

If Roman’s name sounds familiar it may be because before Blood Feud he was responsible for highly successful, but mainly fan-boy facing fare such as X-Men: The Chaos Engine Trilogy and Final Destination: Dead Man’s Hand, as well as appearing in anthologies such as Untold Tales of Spider-Man and Dr. Who: Short Trips.

I’m not knocking Roman’s horror chops – no way, not now.

But when you’re a guy taking on the persona of a sixteen-year-old goth girl and aiming your story at a young adult audience, you’re taking on a whole new level of imagination.

And Roman delivered in spades.

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The Public Life of Sherlock Holmes: Conan of Venarium

The Public Life of Sherlock Holmes: Conan of Venarium

Turtledove_Venarium2I’ve got a couple Holmes-related posts in the works, but am not done researching any of them (no, I don’t just make up my posts as I go: I actually put some thought into them; even if  it may not always appear so). Fortunately, I’ve got no shortage of other areas of interest that I can use to fill the gap (I still haven’t figured out how to get a baseball-related post here. Although, if I still had my copy of that Daryl Brock book.  Maybe something on W P Kinsella.).

The esteemed Ryan Harvey used to review Conan pastiches here at Black Gate. I am absolutely a Robert E. Howard and Conan fan. Perhaps you read this recent post? So, looking to indulge my non-mystery interest (I really want to write something on Tolkien’s Nauglamir, but it’s not even outlined yet), I turned to Conan.

Harry Turtledove is best known for his alternate history novels. I’ve read little Turtledove, so I can’t expound on them. However, one that I did read and enjoyed very much was The Guns of the South, which involves time-travelers bringing Robert E. Lee AK-47s, changing the outcome of the American Civil War (it’s better than it sounds). I definitely enjoyed it more than his other alt-Civil War book, How Few Remain.

Back in 2003, Turtledove joined the list of authors putting out Conan pastiches for Tor Books. Fans of Conan know that this line was quite hit and miss. Conan of Venarium was the 49th and last of the Tor originals, coming six years after the previous entry.

You can read Ryan’s review of that one, here. I’ll include a quote that I think sums up his thoughts on Venarium’s predecessor:  “I am glad to report that Conan and the Death Lord of Thanza is superior to Conan and the Mists of Doom. Unfortunately, that still ranks it as the second worst Conan novel I’ve read.”

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Pretty Deadly: The Song of Death-Faced Ginny

Pretty Deadly: The Song of Death-Faced Ginny

Pretty Deadly 1-smallI still remember the first time I read Sandman. I didn’t read comics back then: I thought of them as longer versions of the strips in the Sunday paper and didn’t give them much other thought. Then one day, I was sitting in the metal working classroom in High School, and Morley, a red-haired skinny punk rocker I still wish I had gotten to know better, handed me a comic book and said, “You should read this. It’s awesome.”

I knew from the cover, a strange collage that was both enticing and off-putting, it wouldn’t be what I expected. But I had no idea what I was in for. I didn’t like the art, and some of the references confused me, but otherwise, I was completely blown away. It was one of those life altering experiences: not only did I discover Neil Gaiman, I discovered comic books. That first volume completely changed the way I thought of storytelling and visual design, the way that myth and story could dance together, and the way the mythic and mundane could crash together.

Twenty years later, I had that experience again. Kelly Sue DeConnick and Emma Rios’ Pretty Deadly is a lush, gorgeous and lyrical graphic novel, a mythopoeic western that plays with the conventional gunslinger tropes while bringing in elements of horror and folklore. And what ties it all together is the song of Death-faced Ginny.

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Choice of the Petal Throne

Choice of the Petal Throne

petalthrone_fullIn my opinion, the hobby of roleplaying has only ever produced two fantasy settings to rival Middle-earth in terms of depth and creativity: Greg Stafford’s Glorantha and M.A.R. Barker‘s Tékumel. Of the two, I suspect Glorantha is the better known, at least in the roleplaying world, if only because the RPG with which it was long associated, RuneQuest, was very successful, particularly in Europe (where it was, at various times, more popular than even Dungeons & Dragons if you can believe it).

Tékumel, on the other hand, has languished in semi-obscurity, despite the fact that the RPG in which it first appeared, Empire of the Petal Throne, was published only a year after D&D, making it one of the most venerable of its kind. Part of the reason why that is the case is that, unlike most fantasy settings, Tékumel owes little to the histories or legends of the West’s Classical and Middle Ages. Instead, its primary inspirations are ancient Egypt, pre-Columbian Mesoamerica, and Mughal India – all seen through the lens of sword-and-planet writers like Edgar Rice Burroughs and Jack Vance. Consequently, the setting’s peoples, flora, fauna, mythologies, and elaborate social systems are quite unlike those to which most roleplayers (especially in North America) are accustomed. Add to that the unfamiliarity of Tékumel’s constructed languages – Barker was a professor of linguistics – and you have a recipe for supposed inaccessibility.

I think that’s a shame – and not just because I’m personally very fond of Tékumel.

The truth is that Tékumel’s “inaccessibility” is (mostly) on the surface. The names (like Mu’ugalávya and Tsatsayágga, to cite two examples) and scripts are intimidating at first, I’ll admit, but, with time and effort, they become much less so. The same is true of Tékumel’s lengthy imaginary history and its complex religions and societies. Once those initial barriers are overcome, what you’ll find is a fantastic setting filled with amazing opportunities for adventure, from treasure-hunting expeditions into subterranean labyrinths to cutthroat imperial politics to visitations to other planes of existence.

Even so, overcoming Tékumel’s initial alienness isn’t easy, as there is no straightforward way to learn about the setting, which is why I am so very pleased to see the release of Choice of the Petal Throne.

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