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Getting Closer to Home: A Review of Milton J. Davis’ Saga Changa’s Safari

Getting Closer to Home: A Review of Milton J. Davis’ Saga Changa’s Safari

Changa's Safari-small Changa's Safari 2-small Changa's Safari 3-small

I have been a fan of Milton J. Davis’ saga of Changa Diop ever since I read the first volume, Changa’s Safari, back in 2010. All three volumes are published by MVmedia, LLC. They are:

Changa’s Safari: A Sword and Soul Epic (2010)
Changa’s Safari, Volume Two (2012)
Changa’s Safari, Volume Three (2014)

[Click on any of the images in this article for bigger versions.]

It’s no secret that Davis has been influenced by the father of the Sword and Soul brand of Heroic Fantasy, introduced to the world in the 1970s by the eminent author, Charles R. Saunders, creator of the Imaro novels, the first black, Sword and Sorcery hero and star of his own series.

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Fantastic, June 1965: A Retro-Review

Fantastic, June 1965: A Retro-Review

fantastic June 1965-smallAt last I return to an issue of Fantastic from the Cele Lalli era. Indeed, this is the very last issue of the Cele Lalli era.

The June issues of Amazing and Fantastic were the last published by Ziff-Davis. They were sold to Sol Cohen’s Ultimate Publishing, and resumed appearing as bimonthlies with the August Amazing and then the September Fantastic.

At this time they began publishing mostly reprints, drawing on the huge library of stories published originally in Amazing and Fantastic, for which they had, legally, unlimited reprint rights. (Eventually Cohen was forced or shamed into paying a small fee.)

Perhaps because this is the last issue before the transfer to new ownership, there are no features: no interior art, no book review, no editorial, nothing. The cover is by Gray Morrow, never a favorite of mine, illustrating Roger Zelazny’s “Thelinde’s Song.”

Click the image at left for a bigger version.

I don’t like it much – the color is a muddy red, and the menaced virgin on the altar isn’t very attractive. (Shallow of me, I know, but there you are!)

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July Short Story Roundup

July Short Story Roundup

Between Heroic Fantasy QuarterlySwords and Sorcery Magazine, and Beneath Ceaseless Skies, July was rich with fiction (nine stories, two poems, and a video treat), and some of it is pretty darn good. So let’s get started.

oie_105135GlDNN9g6Heroic Fantasy Quarterly #25, with beautiful banner art by Dana Martin, has the usual complement of stories and poetry, and, this month, a special bonus from editor Adrian Simmons.

Beast Hunter’s Song” by Michael A. Liguori, is about Sedrick the monster hunter’s second chance in life. Dragon hunters get all the glory, but the really dangerous and dirty work is done by the men bold and crazy enough to stalk the caverns of the Underlands for beasts that can swallow a dragon whole. Since the High Lord of Hunters decided there aren’t enough monsters left underground to hunt anymore, men like Sedrick have been reduced to guard duty.

When a Trogon, a beast “twice the size of a dragon, with two or three heads and terrible claws that could cleave an ox in half with a single swipe” ravages a city, the High Lord has no choice but to call Sedrick back to duty. While the plot is nothing out of the ordinary, there’s a wild inventiveness to Liguori’s underground world and its denizens. The end felt a little abrupt, but it could easily serve as an introduction to more adventures for Sedrick, which I would like to read.

In Linda Donahue’sWhite Elephants” Darius, sent to guard an Indian princess betrothed to the Persian emperor, becomes infatuated with his charge. When she and the priceless white elephant accompanying her are snatched by a roc, Darius is determined to rescue her. The thing is, neither the emperor nor the Indian king’s emissary care much about the princess; they just want the elephant rescued. There’s magic and mystery behind everything, and Darius is forced to make some dangerous choices along the road to save the princess. This is a solid adventure tale with a setting not used often enough in fantasy.

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Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part I

Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part I

Merlin2-smallMerlin1-smallA few months ago I wrote an article about H Warner Munn’s excellent books The King at the World’s Edge and The Ship From Atlantis. Munn wrote both in the 1930’s, although the latter was only published later. By all accounts he took a hiatus from professional writing to concentrate on raising a family and providing the financial security that entails.

His passion for writing had not totally subsided, and as his “day job” career wound down, Munn embarked upon what many consider to be his magnum opus: Merlin’s Ring. Please note that this article does contain a few spoilers, which are necessary to explain certain concepts.

The volume sat on my shelf for years, like so many under the “one day I’ll read it” tag, but having undertaken the previous two books in what is now considered the Merlin’s Godson Cycle, I felt obliged to start Merlin’s Ring.

Merlin’s Ring continues the tail of Gwalchmai, whom we last encountered in The Ship From Atlantis. The book was published by Ballantine in 1974 with a cover by Gervasio Gallardo. It appears to have been republished a few times under the same imprint and later by Del Rey, with the same cover, until 1981. (Click on the images at left and right for more detailed versions.)

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Cloud Sculptors, Dragon Riders, and an Unearthly Craps Game: Nebula Award Stories 3, edited by Roger Zelazny

Cloud Sculptors, Dragon Riders, and an Unearthly Craps Game: Nebula Award Stories 3, edited by Roger Zelazny

Nebula Award Stories Number Three-smallNebula Award Stories Three
Edited by Roger Zelazny
Pocket Books (193 pages, $0.75, February 1970)

It looks like there were 16 works of shorter fiction nominated for the 1968 Nebula awards. Seven of them appear in this collection. Although the Ballard story included doesn’t appear on the ballots I found listed at various reference sites.

In any event, there are some holes in my reading history represented here. I’ve read lots of Ellison over the years and a fair amount of Ballard. As for Leiber, Moorcock, McCaffrey and Delany, not so much. But there’s some great stuff here, by my reckoning, and a few good ones and one that was not so much.

PICKS

“The Cloud-Sculptors of Coral D,” by J. G. Ballard

As the title suggests, actual cloud sculptors are sculpting clouds in this one. At first they do it for small change and later for a wealthy and not-so-nice woman. Things fall apart at this point, in rather spectacular fashion.

“Gonna Roll the Bones,” by Fritz Leiber

Last things first. Leiber’s story has one of the best last lines I’ve read for a long time. And the story that precedes it isn’t half bad either. It’s actually quite good and deserving of an award. You could go wrong in so many ways when writing a story that’s just a play-by-play rendition of an unearthly craps game. But Leiber carries it off well.

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The Golden Age of Horror Seems to be Progressing Well: The Best Horror of the Year: Volume Seven

The Golden Age of Horror Seems to be Progressing Well: The Best Horror of the Year: Volume Seven

The Best Horror of the Year Volume Seven-smallLast year when I reviewed The Best Horror of the Year: Volume Six, I said that volume gave confirmation that we are currently living in a golden age of horror fiction, especially in short stories. This year’s The Best Horror of the Year: Volume Seven shows that this age is thankfully not ending for the foreseeable future.

As with the former editions, the seemingly inexhaustible Ellen Datlow had edited this volume. Among her many, many awards includes a very recent Bram Stoker for her horror anthology Fearful Symmetries, released last year. If you’re not familiar with any of Datlow’s anthologies they are (in my humble opinion) the gold standard of horror fiction. Datlow knows a good story!

As with previous editions, The Best Horror of the Year: Volume Seven showcases a plurality of different kinds of horror stories and styles, from old-fashioned supernatural yarns and psychological horror to Crypt-Keeper-style revenge tales. As I usually say in my review of anthologies, I’m not a fan of every story within, but each story here is without a doubt superbly written and executed.

This volume includes the usual horror “superstars” along with some very talented new blood. What I’m calling horror “superstars” are those few horror writers who unsurprisingly make regular reappearances in many of horror’s year’s best anthologies. In this volume this includes Nathan Ballingrud with his creepy tale “The Atlas of Hell,” about a mob boss seeking to track down a supposedly occultic book in the swamps of Louisiana, a “book” that turns out to be much more than bargained for. Ballingrud always has a very unique take on horror and this horrific story is no disappointment.

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The Retold Story of Etrian Odyssey Untold

The Retold Story of Etrian Odyssey Untold

Etrian Odyssey Untold-smallIn my previous post on Etrian Odyssey, I spent the majority of my time examining what the series did to revive the dungeon crawler genre, and attract a new generation of fans through the use of mixing modern and classic game design. By the time this post is up, the second game in the Etrian Odyssey Untold series will be out, and I wanted to take a look at how Atlus is giving old and new fans a revised take on the series.

Second Chances

Previously, I talked about how the Etrian Odyssey series was reviewed very harshly by most critics for the first couple of installments; the reason was that a lot of people didn’t want to play a dungeon crawler, and were hung up on the series’ hardcore difficulty. And to be fair, their complaints had some merit, due to the quirks of the series.

While Etrian Odyssey did make a lot of allowances compared to older dungeon crawlers, this was still a series that forced you to find the enjoyment in it. Enemy stats were scaled very high, and all it took was one bad battle to wipe out your party and lose all progress from your last save. While party composition wasn’t as complicated as previous series, a novice could still mess up early by not understanding good party compositions, and the game’s use of harvesting field points for items/money.

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The Magazine of Fantasy & Science Fiction, August 1963: A Retro-Review

The Magazine of Fantasy & Science Fiction, August 1963: A Retro-Review

fantasy_and_science_fiction August 1963-smallHere’s an issue of F&SF from Avram Davidson’s tenure, and Davidson’s stamp is, to my eye pretty evident. It’s a reasonably significant issue simply in that it includes part of a Heinlein serial.

The features include a book review column by Davidson, in which he covers a piece of non-fiction by Patrick Moore and Francis Jackson on the possibility of Life in the Universe, some Burroughs reissues (Davidson, in recommending the books, writes “Hark! Is that the squeal of an angry throat?,” which later (slightly changed) became a story title for him), Walter Tevis’ The Man Who Fell to Earth (Davidson was unimpressed), a book on whales, and (very briefly) Cordwainer Smith’s You Will Never Be the Same, taking time to deny that “Cordwainer Smith” was ever a pseudonym of Robert Silverberg – and here I was, hoping that he would at long last reveal this in one of his bibliographic posts right here!

The cover is quite impressive – it’s by Ed Emshwiller, for Ray Nelson’s “Turn Off the Sky” – there’s a bit of a Richard Powers vibe to it, though it’s still of course Emsh… and a rare case where beautiful woman on the cover doesn’t look like his wife Carol.

There is also of course a science column by Asimov (“T-Formation,” a relatively weak outing, about large numbers), a Feghoot (about time travel and a couple of women of loose virtue – I’m sure you can guess the pun), a quite nice poem on the loss of the mystery of Venus due to Mariner II, by R. H. and Kathleen P. Reis; and, surprisingly, a letter column! Notable letters include one from James Blish complaining about the term “Science Fantasy” (“… stands as a warning that the author reserves the right to get the facts all wrong”); and one from a reader complaining about Davidson’s editorial hand and declining to renew his subscription – who was the reader? One E. Gary Gygax!

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Starvation Cheap & Primeval Thule

Starvation Cheap & Primeval Thule

Art by Klaus Pillon
Art by Klaus Pillon

Two Kickstarters that any adventure gamer should be involved with are ending in the next few days, and it’s long past time to call attention to them. Both might be of interest to writers as well, simply because the people behind them have created past efforts crammed with wonderful world-building and the tools for inspiring the same from their readers.

I’m referring to Sine Nomine’s Starvation Cheap Kickstarter, and Sasquatch Games’ Primeval Thule 5E Kickstarter. First up, because it’s over sooner, is Starvation Cheap.

Kevin Crawford IS Sine Nomine, the creative genius behind a whole raft of wonderful old school gaming products that can easily be plugged into modern games. From the start, everything he’s been involved with has been top-notch. You might have heard of Stars Without Number, or perhaps Silent Legions, or any  number of others that came from his fertile imagination. Layout and art are excellent, and so is editing (something you never notice unless it’s bad) but all of this fades into the background when you read the text and realize just how clever and inventive it all is. If you don’t believe me, download this free (also free of art) version of Stars Without Number and look at all the great world and setting generation tables. Story ideas just pop off of every page.

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The Speed Of Dark: Paksennarion vs. Autism

The Speed Of Dark: Paksennarion vs. Autism

A Dark coverWhile wandering the aisles of Powell’s Books in Portland, Oregon – the kind of store that first leaves my jaw on the floor, then leaves my irises doing swirls straight out of an animated Warner Brothers short – I found myself in the Fantasy & Sci-Fi aisle.

Can’t imagine how that happened. Especially when my shopping list could also have led me to Photography, Sports (Tennis), Literature, Horror (Anthologies), and “Unisex Apparel.” Suffice it to say that I wound up face to face with my old buddy, Elizabeth Moon. Plenty of space opera on those shelves, sure, but also the various editions of the trilogy that made her name, her Deed Of Paksennarion series, together with the two less popular follow-ups, Surrender None and Liar’s Oath.

Then came the surprises. Turns out, Ms. Moon has resurrected Paks’s world, and some few of the characters from the various Paksennarion books in Oath Of Fealty, Kings Of the North, etc.

I was sorely tempted. I was. But in the end, I decided to let my fond memories remain exactly that: fond memories. As books with second-world settings go, and especially of the sword-swinging variety, I rate the Paksennarion trilogy very highly indeed, and as for Surrender None, well, I flat out love it.

The risk of spoiling all those warm recollections was just too great.

Even so, I would have picked up one of those newer titles – risk be damned, you only live once – but then I chanced upon a Moon title that didn’t seem to fit with her other work. The cover was different, for one thing. Not illustrative. Conceptual. No high fantasy or space opera here. No, indeed. But it had to be speculative fiction of some sort, since this unlikely loner of a book, The Speed Of Dark, had won the 2004 Nebula Award.

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