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You Gotta Know When to Fold ‘Em

You Gotta Know When to Fold ‘Em

ODY-C 4-smallIn my review of issue #4 of Ody-C  I said that it might be my last. I read Issue #5 hoping to be proven wrong.

I wasn’t.

Artistically, Ody-C is still strong, and a lot of people out there are going to love it. I’m just not one of them. What I love about Homer and the direction Fraction and Ward are taking the work are two very different things. And that’s ok. That’s how re-creations work. But as someone who has far less time to read than things she wants to read, this is going to have to drop off the list for now to make room for something else.

And that in turn made me wonder: what is it that makes you, as a reader, stop reading? When I was younger I always finished books, even when I didn’t like them. I wanted to really dissect what I didn’t like about them. I’m also just too curious to go without finding out how a story ends.

As I’ve gotten older, though, the reasons I drop a book or series have multiplied. There are those that I simply don’t like, like Ody-C. There are those that I’ve just gotten tired of, like a TV series that shall remain unnamed but is in its tenth season and probably ought to go. Even the actors look tired of their parts, my favorite side characters are gone, and the sense of peril has completely drained away.

(OK I lied. It’s Supernatural. Bobby’s gone, Ellen and Jo are gone in a way I’m still angry about, and there are only so many times your main characters can die before it stops meaning anything. Also, I think they have run out of new monsters.)

And maybe it’s age leading to crankiness, but there are storylines and characters I’m getting tired of. I’m really, terribly bored with ‘very tough on the outside and won’t accept any help but deeply emotionally vulnerable on the inside with a load of childhood traumas’. Of all available genders. This makes reading entire genres difficult.

But again, these are my objections. What are yours? What makes you drop something: a show, a comic, a book? And what could bring you back to it?

Dragonfly: A Tale of the Counter-Earth at the Cosmic Antipodes by Raphael Ordoñez

Dragonfly: A Tale of the Counter-Earth at the Cosmic Antipodes by Raphael Ordoñez

oie_113524h6c8tSPCMuch of my reading is for sheer entertainment. It’s like a carnival ride: you pay your money, get whipped around a little, then deposited back on the ground. The next day a fond memory of the overall experience lingers on but the details have faded away. And that’s cool. I have never regretted the time or money spent on an Agatha Christie or Stephen King novel. I’ve passed many an enjoyable hour reading (or watching) a decent bit of fiction for a transient thrill. But sometimes, there’s something so compelling about about a book that I’m drawn to it again and again over the years.

There are certain books on my shelf that have an aura around them. Three that leap to mind are The Master and Margarita by Mikhail Bulgakov, The Last Coin by James Blaylock, and Faces in the Crowd by William Marshall. In each, the combination of prose, plot, and character drew me in so deeply that I feel the desire, for various reasons, to revisit them from time to time.

With the first, I’m looking each time to absorb and understand a bit more of Bulgakov’s dense work. It’s a great story, rich with ideas on art, politics, love, and religion. With the second two I recapture a bit of the sheer joy I felt the first time I encountered the vivid characters and utterly bonkers plots. When it comes to books in this class, I can remember when I first read them, under what circumstances, and where I got them (Science Fiction Book Club, The Forbidden Planet (NYC), and borrowed from the St. George Public Library, Staten Island). I suspect Raphael Ordoñez’ Dragonfly will get added to this list.

Dragonfly is the first of a planned tetralogy. In this day of calculated, mass-marketed, trend-following books, here is a self-published adventure, practically handcrafted, with cover, map, and interior art all done by Ordoñez himself. It tells of a young prince let loose in a world of steam engines, complacent aristocrats, and tunnel-dwelling workers, and a social order on the verge of being overthrown. Ordoñez’ style hearkens back to the likes of A. E. van Vogt and Jack Vance, as well as Edgar Rice Burroughs. Heck, as you can see from the cover, Dragonfly would look right at home on a shelf full of volumes from the Ballantine Adult Fantasy series.

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Rich Horton on The Breaker Queen by C.S.E. Cooney

Rich Horton on The Breaker Queen by C.S.E. Cooney

The Breaker Queen-smallNot so very long ago, I finished all my tasks for the evening and kicked back in my big green chair with the latest issue of Locus, the news magazine of the SF & fantasy field. In Rich Horton’s short fiction column I found a pair of reviews of The Breaker Queen and The Two Paupers, the first two novellas in a new romantic fantasy series from our very own C.S.E. Cooney. Here’s what he said about the first one:

I’m a big fan of of C.S.E. Cooney’s work, so I’m very happy to point to two new, related, stories, available in electronic form from Fairchild Books. The Breaker Queen concerns Eliot Howell, a talented young painter, who has been invited to a party at Breaker House. He feels immediately out of place — the family is very rich and very privileged — and the friend who invited him is being unpleasant, but then he meets one of the maids and is instantly enchanted. For Breaker House exists in three worlds: the world of humans, the world of goblins, and Valwode, where Elliot’s maid Nyx is Queen. Elliot, even when made aware of the price one pays to visit Valwode, follows Nyx into her land, while she, simply desiring a dalliance with a mortal, finds that she may pay a price herself. It’s lovely and romantic, dark and sweet, erotic and thrilling.

The Breaker Queen is Book One of Dark Breakers. The second, The Two Paupers, was published on January 22, 2015. The pub date for the third has not yet been announced — but when it is, we’ll let you know all the details.

C.S.E. Cooney is a podcast reader for Uncanny Magazine; Mark Rigney interviewed her for us in late October. The two C.S.E. Cooney short stories we presented here, “Godmother Lizard” and “Life on the Sun,” consistently rank among the most popular pieces we’ve ever published. She is a past website editor of Black Gate, and the author of How to Flirt in Faerieland and Other Wild Rhymes and Jack o’ the Hills. Her newest collection, Bone Swans, is due out this summer.

The Breaker Queen was published by Fairchild Books on October 13, 2014. It is 80 pages, priced at $2.99 for the digital edition. No word on a print edition yet.

The Tears of Ishtar by Michael Ehart

The Tears of Ishtar by Michael Ehart

oie_351436BG5v7xydWhen my renewed interest in swords and sorcery was sparked a few years ago, one of the first and best books of new writing I found was The Return of the Sword, edited by Jason M. Waltz (reviewed at BG by Ryan Harvey). It’s filled with a passel of great stories and turned me on to several writers I follow closely to this day. Among them are Bill Ward, James Enge, and Bruce Durham. It’s the book that convinced me that there was a renaissance in heroic fiction and that it was worth blogging about.

One of the most intriguing stories, with imagery that’s stayed with me over the years, is “To Destroy All Flesh” by Michael Ehart. I wasn’t surprised to learn it was part of an ongoing series of linked stories. “Flesh” references characters and quests that clearly predate the action at hand.

Ehart’s protagonist, Ninshi, a woman from Ugarit in Bronze Age Syria, is enslaved by a flesh-eating demon, the Manthycore. She must provide corpses of warriors for the beast to devour. Her terrible master gave her immortality, great strength, and enhanced healing in order to carry out this task.

By the time I could see again, it had already begun to feed. As always, it started with the soft parts. The belly and the face were its favorites and because it fed so seldom, it showed little restraint. This time it chose to wear the head of a lion, which seemed to be well suited for the task.

It felt the force of my gaze, but did not react right away, engrossed in some particularly savory morsel from the belly of one of the corpses. I took care not to take note of which one. It is a matter of pride that I not look away, but I long ago learned to look without seeing.

She is sustained over the centuries of her servitude by the dream of freeing herself and forcing the Manthycore to restore her lover to life. That quest sets the stage for the tales collected in The Tears of Ishtar.

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Self-published Book Review: The Shard by Ted Cross

Self-published Book Review: The Shard by Ted Cross

If you have a book you’d like me to review, please see the submission guidelines here

Shard coverTed Cross’s The Shard takes place in a world of elves, dwarves, and humans. Millenia ago, dwarves and elves warred against one another with devastating losses on both sides. Only when it was almost too late did they realize that they had been tricked by the corrupted wizard Bilach, leaving themselves vulnerable to his conquering armies. They combined forces and defeated Bilach. Afterward, the remaining wizards created a tower called the Spire of Light, with a great crystal atop enchanted to encourage peace. Centuries later, the dragon came and destroyed the tower and the crystal. Now a new threat has appeared, and the only way to defeat it is to find the sole remaining shard of the crystal, hidden in the lair of the dragon who destroyed it.

Wisely, the author doesn’t lay out the ancient history quite so directly as I’ve done here. Told this way, it seems too simple, too familiar. Instead, the history is told in bits and pieces, not through the eyes of the elves or the dwarves, but through the perspective of the humans, who came late to the region and saw the coming of the dragon, but know little of the history behind what it destroyed. In a sense, the story is told backward, each new story a revelation farther into the past, shedding light on a new person’s or people’s origin and role.

At the center of the large cast of characters is Midas. A lord of a minor holding, he is still mourning the loss of his son Miros when he discovers that someone is attempting to spark a war between the humans and the elves. He knows right away that such an act is foolhardy, and he makes contacts with the elves in order to try to ease tensions. The elf lady Alvanaria is eager to help keep the peace, but ultimately it’s the appearance of a new threat that prevents humans and elves from going to war. An army of wyrmen is rapidly approaching, and it will take humans, elves, and dwarves to stop them. But first, Midas, his sons, Alvanaria, the wizard Xax, and their companions will need to retrieve the shard of the Spire of Light from the dragon’s lair.

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Short Speculative Fiction: An April Roundup

Short Speculative Fiction: An April Roundup

Lightspeed-Magazine-April-2015-475 Clarkesworld-103-475 The-Magazine-of-Fantasy-Science-Fiction-March-April-2015-475

Hi Black Gate Readers!

My name is Learned Foote. Here’s the first installment of a new monthly column on short fiction. I’ll branch out from fantasy, and discuss some sci-fi publications. Each month, I’ll read a bunch of magazines and then give some recommendations for stories I particularly enjoyed (original fiction only, no reprints). I’d love to hear from you: what do you think of these stories? What’s missing from this list?

This column includes stories from Lightspeed (Issue 59, April 2015), Clarkesworld (Issue 103, April 2014), and Fantasy and Science Fiction (March/April 2015). Lightspeed & Clarkesworld can be read for free online, and F&SF costs between $1-3, depending on whether you subscribe or purchase an individual issue. Click on the issue covers above for additional details.

Onto the stories!

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March Short Story Roundup

March Short Story Roundup

oie_2831152onP2pF5uThere are a whole lot of new-to-me goings on out there in the world of magazines and short fiction (see John O’Neill’s recent posts). So much so that I’m a little behind this month trying to catch up. I haven’t gotten to any of Beneath Ceaseless Skies most recent issues yet.

From a swords & sorcery perspective, the biggest — and potentially most interesting — new publication out there is Grimdark Magazine. The first issue, completely unbeknownst to me, appeared last fall. The third issue hit the virtual newsstand on March 25. Like the title says, it’s filled with grim and dark stuff.

The term grimdark, lifted from Warhammer 40K, was originally one of opprobrium for a certain type of fantasy, and was later taken up as a badge of honor by its creators. For those who managed to miss all the talk about the subject a few years back, here’s a quick definition: grimdark fantasy is nihlistic/realistic storytelling that moves the genre forward/destroys the genre, and features characters with realistic motives/who are utterly vile. Whether you like or hate the fiction coming out under the rubric, Grimdark Magazine, by its very nature, is going to feature S&S.

Each issue is packed with original stories, interviews with some of grimdark’s leading lights, and reviews. The magazine has a definite point of view as stated by editor Adrian Collins in the first issue:

Grimdark Magazine started out as the identification of a gap in the niche ezine market coupled with an obsession with grim stories told in a dark world by morally ambiguous protagonists.

As far as I’m concerned, grimdark is just another marketing term, like splatterpunk was for supposedly extra-bloody horror back in the mid-1980s. As much as some writers and fans have claimed that grimdark is both about introducing more realism as well as being a revolt against black-and-white morality that they say saturates much fantasy, I don’t think it’s all that different from lots of what’s gone before (just check out any of Karl Edward Wagner or Michael Moorcock’s fantasies).

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Adventures In Near-Future Sci-Fi: Black Mirror

Adventures In Near-Future Sci-Fi: Black Mirror

Black Mirror White BearI don’t watch television. Or not, let’s say, broadcast television. Since the first X-Files video tape showed up, I have, instead, binge-watched episodic TV in irregular, spasmodic doses via VHS, DVD, and Netflix. I watch with my wife, and we’re not (to the shows) faithful: if a particular series bores us, we move on. Even Breaking Bad, after three seasons, felt like a joke gone on too long.

But Black Mirror. Holy cats!

It’s the best sci-fi you’ve never heard of.

A British show made for Channel Four, Black Mirror is the brainchild of one Charlie Brooker — whom you haven’t heard of, either. The series aired in the UK from 2011 through 2013. Based on that time span, you’d think it was a fabulous success spanning dozens of episodes. Only half true. Black Mirror consists of six shows total (plus a 2014 “Christmas Special,” which I have yet to see), and each is self-contained, a hermetic “What If?” often compared to Rod Serling’s Twilight Zone. The reference is not especially apt, but like Velcro and old chewing gum, it’s a label that seems to have stuck.

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How I Discovered David Drake by Accident: Confusion, Redliners, and Why I’m Glad I Made a Mistake

How I Discovered David Drake by Accident: Confusion, Redliners, and Why I’m Glad I Made a Mistake

david-drake
David Drake

Back in 2007, when I was getting ready to attend my first World Fantasy Convention in Saratoga Springs, New York, I was trying to remember a book.

I’d read it years earlier: a science-fiction thriller about colonists who unwisely set down on an alien planet with an environment so hostile that their top high-tech special forces are about as equipped to handle it as the Kardashian sisters if they were dropped onto the beaches of Normandy on D-Day. The planet is lush, tropical: at first blush very inviting, having all the necessary elements for survival. Only one problem: evolution on this planet has followed a very lethal trajectory, developing predators that would make our own Earthly alpha predators – tigers, sharks – seem like domesticated pets in comparison. The bottom of the food chain on this planet would eat the top of our food chain for a quick snack. A seemingly innocuous, pretty flower is likely concealing fly-trap jaws full of acid. If you get ten yards in this jungle environment still in possession of most of your limbs, you count your lucky stars that you’re still alive.

So. What was that book? Obviously, I turned to Google. And engaged in a pursuit most of us have at one time or another: search for a book without knowing the title or the author, hoping that I could locate the elusive text with the right combination of key words.

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Goth Chick News: Goth Chicks in Literature Rock Utterly…

Goth Chick News: Goth Chicks in Literature Rock Utterly…

image010It’s been three years – count them because I sure have – since I crushed on author Steven Roman over his first novel Blood Feud.

Back then I was all enamored due to the fact that Roman’s main character, Pandora (Pan) Zwieback, was a zombie-shooting, werewolf booting, leather clad heroine of a goth chick.

Finally, a book I could relate to.

Never mind that Blood Feud landed in the “young adult fiction” category either. Roman doesn’t insult readers of any age, with lip-nibbling, flannel-wearing whiners. These characters were a dark fantasy cross-over all the way, with nary a “romantic” slipped in there anywhere.

If Roman’s name sounds familiar it may be because before Blood Feud he was responsible for highly successful, but mainly fan-boy facing fare such as X-Men: The Chaos Engine Trilogy and Final Destination: Dead Man’s Hand, as well as appearing in anthologies such as Untold Tales of Spider-Man and Dr. Who: Short Trips.

I’m not knocking Roman’s horror chops – no way, not now.

But when you’re a guy taking on the persona of a sixteen-year-old goth girl and aiming your story at a young adult audience, you’re taking on a whole new level of imagination.

And Roman delivered in spades.

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