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Mutants, Burger Creatures, and Genetically Engineered Sharks: Orbit 12, edited by Damon Knight

Mutants, Burger Creatures, and Genetically Engineered Sharks: Orbit 12, edited by Damon Knight

Orbit 12-smallOrbit 12
Edited by Damon Knight
Berkley Medallion (240 pages, $0.95, March 1974)
Cover by Paul Lehr

If I’ve got my story straight, there were 21 volumes of Damon Knight’s Orbit anthology series in all — and The Best of Orbit. The first of these saw the light of day in 1966.

Obviously, that puts this volume somewhere in the middle of the pack as far as the chronology goes. Reviewing is a subjective thing and we all like what like, but I’ve got to say that I wasn’t very impressed. I’ll start with a look at the two stories I liked, and move on to the many more that I liked less.

PICKS

“What’s the Matter with Herbie?,” by Mel Gilden

Nine stories into this volume and this is the first story that appealed to me. It’s a tale of two very alien aliens in a universe where strange aliens seem to be the norm. There’s not much to the plot but Gilden’s imaginative take and whimsical touch made it worth reading.

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The Ordinary World is a Myth: Marc Levinson’s The Box

The Ordinary World is a Myth: Marc Levinson’s The Box

The Box Marc Levinson-smallThe Box: How the Shipping Container Made the World Smaller and the World Economy Bigger
Marc Levinson
Princeton University Press (400 pages, $20.95, January 27, 2008)

Just finished reading The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger by Marc Levinson.

Stifle that big **YAWN** for a minute. Especially as a science fiction writer, I love these histories of ordinary technologies, because they remind you that “ordinary” is itself a myth. Some revolutions come with explosions and special effects and some sneak up on you, but they both change the world.

As Levinson himself says in the book’s introduction, shipping containers are just big aluminum shoeboxes, less esthetically interesting than a can of beans, but their effects were just as revolutionary as the microchip and the Internet, and they were probably more important in building the globalized economy we live in today.

Before containers, loading a single ship with cargo was backbreaking, labor-intensive sweatwork that could take multiple gangs of longshoremen a week or longer. Costs were high, efficiency was low, wages and working conditions were terrible, and corruption and theft were endemic. However, at the same time, traditional ports supported a culture of their own, with whole neighbourhoods, factories, and a complete way-of-life centered around them.

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Vintage Treasures: The Walking Drum by Louis L’Amour

Vintage Treasures: The Walking Drum by Louis L’Amour

WalkingDrum
I read this book so you don’t have to.

I read this book so you don’t have to.

Perhaps this review will make you want to read it.

Perhaps you shouldn’t.

It’s complicated.

The Walking Drum is the only medieval adventure written by Louis L’Amour, the mindbogglingly prolific author of a zillion Westerns. That alone makes it a retro must-read. A medieval romp by a horse-opera yarn-spinner who had also been a professional boxer and merchant seaman. How can we resist?

In actuality, the book is… odd. It fulfills expectations, both positive and negative, exceeds them, falls well short of them, and — ultimately — could have done with an edit before being released into the wild.

Reading it has made rethink my choice of reading matter (and also my strategy as a writer, but that’s for another article). Let me start from the beginning

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December Short Story Roundup

December Short Story Roundup

oie_1234817JcS2DZHcIt’s time for the last roundup of stories from 2015. The year went out in fine fashion. For the second time in only a few months Beneath Ceaseless Skies published a batch of good heroic fantasy. And while we’re in that interim between new issues of of both Heroic Fantasy Quarterly and Grimdark Magazine, genre stalwart Swords and Sorcery Magazine made its regular monthly appearance bearing a pair of new tales.

Before I get into the reviews, I thought I’d say a little about why I’ve made it a major part of my writing to review and publicize S&S short stories. While there have been good S&S novels (REH’s The Hour of the Dragon), okay ones (KEW’s Darkness Weaves), and bad ones (Lin Carter’s Thongor and the Wizard of Lemuria), the beating heart of the genre has always been short stories. From that opening blast of thunder in REH’s “The Shadow Kingdom” — and through the decades in the works of authors as diverse as C.L. Moore, Fritz Leiber, Michael Moorcock, and Charles Saunders — it’s been in short stories that the genre’s been best displayed.

The hallmarks of swords & sorcery are adventure, dark fantasy, horror, and a narrow focus on only a few characters, bound together in a narrative that reads like a shot of mainlined adrenaline. In the very best stories — KEW’s “Reflections for the Winter of My Soul,” for example — they’re all present. Not that there can’t be structural complexity, finely detailed characters, or exquisitely tooled prose, but it must be exciting. Detours into side-plots, passages meticulously describing feasts, too many secondary and tertiary characters all put brakes on the action. Limited to fifteen or thirty pages, the focus is on the protagonist and his or her immediate situation.

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Goth Chick News Reviews: The Box Jumper by Stoker Award Winner Lisa Mannetti

Goth Chick News Reviews: The Box Jumper by Stoker Award Winner Lisa Mannetti

The Box Jumper-small

‘Magic’ is the operative word for this moody novella. The magic of Harry Houdini serves as an overriding backdrop here, but another kind of magic permeates these pages — the magic of fine writing. Don’t expect the usual linear plot, because there is no direct narrative. Vivid dreams, surreal images, hypnotic memories, all serve to flesh out an unsettling tale that sweeps us into a new fictional dimension.
— William F. Nolan, author of Logan’s Run

If those words from one of my favorite authors weren’t reason enough for me to immediately seek out The Box Jumper, then the prospect of Harry Houdini and Sir Arthur Conan Doyle together again in the golden age of 1920’s séances would certainly have done the trick.

I am surprised I didn’t hurt myself in the dash.

In her latest, engagingly disturbing novella, Bram Stoker Award Winner Lisa Mannetti transports us to the post-WW I-era where Spiritualism was one of the fastest growing religions, and tricksters knew no bounds when it came to roping in the willing, the gullible and the curious.

There Mannetti introduces us to Leona Derwatt, one of Houdini’s (fictional) mistresses who was also his assistant onstage and off. Houdini takes Leona into his confidence, teaching her the intricacies and secrets of his magic, and teams with her as they confront and expose the many fraudulent psychics and mediums of the time.

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Part Gothic, Part Sword and Sorcery, and Part Horror: Andrew P. Weston’s Hell Bound

Part Gothic, Part Sword and Sorcery, and Part Horror: Andrew P. Weston’s Hell Bound

Hell Bound-smallHell Bound
By Andrew P. Weston
Perseid Press (464 pages, $23.85 paperback/$8.90 digital, November 5, 2015)
Cover art and design by Roy Mauritsen

Hell Bound is the latest novel by Andrew Paul Weston, best-selling author of The Guardian series, The Cambion Journals, and The IX, (which I reviewed for Black Gate here.) Hell Bound is also the latest novel in the Heroes in Hell shared-world universe, created by author/publisher Janet Morris.

The main character in Hell Bound is Daemon Grim, Satan’s bounty hunter, also known as the Reaper. Not only does he hunt down any damned soul in Hell who gets on the wrong side of His Satanic Majesty, he has the power to visit our world and harvest those who belong in Hell, souls Satan wants in Hell now. Grim can travel between Earth and Hell using a special sickle or scythe that can open portals between the two realms. This scythe also possesses a powerful weapon called God Grace’s, which gives Grim the ability to utterly destroy souls. Since there’s no death in Hell as we know it, (the Damned are already dead) there is instead Reassignment, a twisted version of resurrection handled by an unsavory character known only as the Undertaker. However, there is Oblivion — total obliteration into non-existence. Grim’s weapon gives him the power to send souls howling into eternal nothingness.

The plot concerns Grim’s mission to track down Doctor Thomas Neill Cream, the English physician who in real life was the brilliant and infamous Lambeth Poisoner. Cream has been stealing long-hidden relics and angelic weapons from the Time of the Sundering, when Satan and his followers were cast out of Heaven. All history and knowledge of the Sundering is banned in Hell, but Cream may have illegal access to Satan’s bureaucratic network.

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Haunted Bushes, Serial Killers, and Mysterious Strangers: Algernon Blackwood’s The Listener and Other Stories

Haunted Bushes, Serial Killers, and Mysterious Strangers: Algernon Blackwood’s The Listener and Other Stories

The Listener and Other Stories-smallThe Listener and Other Stories
By Algernon Blackwood
1907/1917

The Listener and Other Stories was Blackwood’s second fiction collection. It was published a year after the first one, The Empty House and Other Ghost Stories. It contains “The Willows,” a novella that’s arguably one of his best known works and one whose reputation is well deserved. The rest of the collection doesn’t come off quite as well as the previous one but it has some good moments.

“The Listener”

An understated story, as with so much of Blackwood’s fiction. As the story progresses the narrator, who lives in a boarding house that isn’t exactly the Ritz, has various odd experiences and seems to be coming apart at the seams. Well done, but for some reason it didn’t really work for me.

“Max Hensig — Bacteriologist and Murderer”

No supernatural or weird content in this one but it’s not a bad effort. Max Hensig is a sort of prototype of the Hannibal Lecter type of serial killer, who happens to like poisoning people. Plays out as a cat and mouse game between the killer and a reporter.

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The Series Series: The Girl with Ghost Eyes by M.H. Boroson

The Series Series: The Girl with Ghost Eyes by M.H. Boroson

The Girl with Ghost Eyes-smallHere’s a great problem to have:

Your first novel just appeared in bookstores a couple weeks ago, and you’re getting ready to host an author event. It’ll be a night of martial arts movies that inspired your story of a Daoist exorcist priestess battling malevolent ghosts in 1890’s San Francisco Chinatown. You’ll have a full house. You’re all set to give opening remarks, to field questions, and to sign autographs. Lots and lots of autographs. There’s just one problem.

The book has sold out.

Not just at all your local bookstores. Not just at the local warehouses of the big distributors. At the offices of the press that published you, and at all of Amazon, too.

Your word of mouth is so strong, an entire print run’s worth of readers couldn’t wait for author events or the holidays. They had to have your book right now. Your publisher is scrambling to print a second run to satisfy all that glorious demand, but it won’t come in time for this night’s autographing.

Man, I would love to have a problem like that. But if it couldn’t happen to me, I’m delighted that it did happen to my longtime friend M.H. Boroson.

I want to tell everybody at Black Gate how awesome The Girl with Ghost Eyes is, but I can’t pretend to objectivity about this book or its author. How can I be objective about a friend who’s been important to me since we met at 14 in a writing summer camp? I’ll have to let Publishers Weekly, and all those other review outlets that are notoriously stingy with starred reviews, do that whole objectivity thing in my stead. Brilliant, dazzling, wonderful, thrilling, say various objective reviewers who haven’t known Matthew for two-thirds of their lives. Glad they got that all those adjectives checked off for me, because really, those words do belong in any review of The Girl with Ghost Eyes.

What I can do is tell the readers who gather here why this book they might not immediately realize is for them is exactly the kind of book Black Gate readers love.

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PC Gaming Review: Endless Legend

PC Gaming Review: Endless Legend

Endless_LegendMy first experience with 4x gaming (“eXplore, eXpand, eXploit, and eXterminate”) was a 1989 fantasy game called Warlords. I have many fond memories of the Orcs of Kor and super-mobile wizards and played the bits out of it for about a year, in fact the game probably holds some kind of personal record for cost per hour in gaming in fractions of pennies. I’ve played them off and on ever since, and settled into being a solid Sid Meier fan sometime around Civ III. I’ve played just about everything he’s put out since. Frankly, he’s the king of 4x.

Sid’s throne is resting on an unsteady dais these days, as Amplitude, an upstart indie publisher, captured my imagination and my heart with Endless Legend. Legend is a fantasy 4x that expertly weaves ideas, art, and gaming interface into a synergistic RPG RTS whole that tests brain, bladder, and sometimes marriage (Me: “Just one more turn, hon.” Wife: “So, three hours, then?”). Auriga, the world of Endless Legend, is a place I have a great deal of trouble leaving.

It’s a fascinating tableau, once part of a high interplanetary civilization known as the Endless. They’re gone now – Auriga suffered some planetary catastrophe and the races are just now getting themselves back on their feet. While they have mostly forgotten their higher days, there are ruins filled with secrets that may give you an advantage as you rebuild.

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Beyond the Immediate Shiver: The Rim of Morning by William Sloane

Beyond the Immediate Shiver: The Rim of Morning by William Sloane

The Rim of Morning-smallAccording to either Google or Oz the Great and Powerful (I forget which, and for God’s sake, don’t look behind that curtain!), over 300,000 books are published in the United States every year. That’s over 800 a day, every day, day in and day out.

Most, of course, are utterly worthless and are destined to vanish without a trace almost immediately (see Sturgeon’s Law), and given the magnitude of this never-ceasing flood of words, even worthy books by fine writers will inevitably go out of print sooner or later — most likely sooner.

But here’s the thing — even when they drop out of print, books that are good enough are remembered, and sooner or later, like Marely’s Ghost or that particularly embarrassing anecdote that your mother loves telling at every family gathering (especially when a new significant other is present), the good ones come back.

Hence The Rim of Morning: Two Tales of Cosmic Horror, an omnibus volume reprinting two novels that William Sloane wrote a long time ago: To Walk the Night (1937) and The Edge of Running Water (1939). The books have been reprinted a few times, mostly in paperback, over the more than seventy five years since their first appearance, but the last editions were over thirty years ago under the Del Rey imprint (see the hardcover and paperback editions in a previous BG post here.)

Sloane was not exactly prolific; the two novels collected here are the only ones he ever wrote (or are at least the only ones that were ever published; I for one am hoping that there’s a big trunk somewhere, stuffed with manuscripts that he never bothered to mail in.) Shortly after writing them, Sloane launched a literary career of impressive solidity, especially coming from a man who had mostly given up writing himself. He started his own publishing house, edited a pair of science fiction anthologies, taught at the prestigious Bread Loaf Writer’s Conference for over twenty five years, and eventually became the managing director of Rutgers University Press, a position he held until his death in 1974.

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