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Short Speculative Fiction: “Summer at Grandma’s House” by Hao Jingfang

Short Speculative Fiction: “Summer at Grandma’s House” by Hao Jingfang

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Lately I’ve felt like using this column to cover fewer pieces of fiction, but more in depth. So for the time being I’ll write about one story per column, picking my favorites from a given magazine.

In this month’s Clarkesworld, I very much enjoyed the short story “Summer at Grandma’s House” by Hao Jingfang, originally published in 2007, and translated into English by Carmen Yiling Yan.You can read it for free right now at Clarkesworld.

Briefly, what it’s about: a young man drifting aimlessly through life who visits his grandmother for the summer. This place is not what you’d expect: “The coffeepot is a penholder, the penholder is a lighter, the lighter is a flashlight, the flashlight is a jam container.” The story has to do with what he learns about the meaning of life in this house. From here on in, we delve into spoilers, so click on (either to the story or the rest of the column).

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The Blood of Martyrs: Gaunt’s Ghosts: Sabbat Martyr

The Blood of Martyrs: Gaunt’s Ghosts: Sabbat Martyr

Sabbat Martyr-smallI mentioned last time that, out of the Gaunt’s Ghosts series thus far, I found Straight Silver the closest thing to a weak link. I have to give credit where credit is due, though: any novel that sets up a book like Sabbat Martyr is a novel I’m glad to have found.

The Ghosts novels seem to be roughly divisible into broad arcs. The first three books, retrospectively collected as The Founding, where an introduction to the broad cast of characters and a training ground for Abnett to find his groove as an author of military science fiction. The second arc, The Saint, began with Honor Guard, and finds its completion and climax in Sabbat Martyr. Sabbat Martyr picks up on the spiritual themes of Honor Guard, as well as key subplots from Guns of Tanith and Straight Silver, and loops them all together into a book that is easily the best Ghosts novel so far, and stands among the best books of its type I’ve read.

There’s a brief page at the beginning of each book, excerpted from a later Imperial history of the Sabbat Worlds Crusade, that briefly gives us a big picture of how the overall war is going. Usually, these don’t have much direct relevance to the plot, and are mostly there for flavor. The one for Sabbat Martyr, though, informs us that the Crusade is overstretched, bogged down in an assault on the key fortress world Morlond, and vulnerable to counter-attacks along its flanks. Urlock Gaur, Chaos Archon, is engaged at the front, but his lieutenants are circling like sharks to exploit weakness in the Imperial position.

In short, the Crusade needs a miracle.

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September Short Story Roundup

September Short Story Roundup

oie_2021448ETqDlkzrHere we are again, friends, with a passel of new heroic fantasy tales to extol. And September was a splendid month for new stories. In fact, one is in contention for my favorite of the year so far…

…and I’ll start with that particular story: “Poor Bright Folk” by James Lecky in the latest issue of Curtis Ellett’s Swords and Sorcery Magazine, #44. Elathan is a bard of the Aos Si (more commonly called the Sidhe, or fey folk) traveling through the once brightly-colored land of Orialla. On entering a forest glade he meets a woman whose very appearance unnerves him:

Her hair hung in a long braid almost as far as her knees, deep lines marked her cheeks and forehead, yet she stood straight as a staff, her movements fluid and easy. Her clothing – a straight dress and a short cape – were a patchwork of various colours and materials, some smooth and strong, others coarse and faded.

The sight of her disturbed me in a way I could not give voice to and I wished for nothing more than to be away from this place and this strange woman.

Her name is Mual and when she asks him to play for her at her home he finds himself saying yes in words that seem to come from outside himself.

In Mual’s castle Elathan discovers she is working a vampiric sort of magic over her servants and now him. To escape her clutches and free his fellow captives the bard must use his wit and wiles. Lecky didn’t try, thankfully, to emulate some sort of old-timey style with his prose, yet “Poor Bright Folk” has the feel and resonance of the best fairy tales from out of the deeps of time.

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Sam Spade and the Pursuit of Empty Dreams

Sam Spade and the Pursuit of Empty Dreams

NOTE: The following article was first published on February 21, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

First FalconFalcon pbkMuch of what has been written about Dashiell Hammett’s The Maltese Falcon focuses on the novel as groundbreaking in its realistic portrayal of detective work. More in-depth literary studies tend to focus on the significance of Hammett’s shift in protagonist from the incorruptible and nameless Continental Op of his earlier work to the jaded self-portrait of the author as Sam Spade. In my view, this transition is primarily noteworthy in that Hammett’s protagonist changed from an idealized conception of the man he might have become had he remained a Pinkerton Operative (the Continental Op is based on Hammett’s boss during his stint with the Pinkerton Agency) to a more self-reflective portrayal of a man mired in moral conflict. Hammett’s own moral crisis would color his fiction from this point until he resolved his dilemma and settled into a life alternating his celebrity status with reclusiveness – a life whose one constant was Hammett’s complete lack of creative output for his remaining 27 years.

Many have speculated why Hammett’s creativity dried up when he and his muse and mistress Lillian Hellman had settled comfortably into something approaching unwedded bliss as the Nick and Nora Charles of the real world. My own opinion has been that once freed of the conflict of whether or not to walk a path of integrity or give in to the encroaching corruption that constantly assailed his world, Hammett had nothing further to draw upon for inspiration. Resolution was tantamount to becoming a spent force and Hammett was finished as a writer. The fact that he realized this dilemma was inescapable lies at the heart of both The Maltese Falcon and The Glass Key in their pursuit of empty dreams incapable of satisfying the characters whose lust is so great they are willing to die for or kill in their futile quests.

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Invading Aliens and Self-Aware Submarines: The Human Zero, Edited by Sam Moskowitz & Roger Elwood

Invading Aliens and Self-Aware Submarines: The Human Zero, Edited by Sam Moskowitz & Roger Elwood

The Human Zero-small

The Human Zero and Other Science Fiction Masterpieces
Edited by Sam Moskowitz & Roger Elwood
Tower Books (224 pages, $0.60, 1967)
Cover artist unknown

Most of the names in The Human Zero are well-known SF writers, with a few notable exceptions. Perhaps Chad Oliver is well-known to more avid SF fans than I, but I didn’t recognize the name. Then there’s the odd man out here — Erle Stanley Gardner. Who wrote a great deal of fiction in his day but is best known for introducing the character Perry Mason to the world.

Not much to see in this collection of eight stories, at least by my reckoning. Two of the stories managed an Okay rating and the rest of them didn’t cut it.

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Blogging Sax Rohmer’s The Wrath of Fu Manchu, Part One

Blogging Sax Rohmer’s The Wrath of Fu Manchu, Part One

Wrathdaw_fu_manchuThe Wrath of Fu Manchu was a 50-page short story serialized in five installments in The Toronto Star weekly supplement from January 26 to February 23, 1952 under the unlikely title Green Devil Mask. It was given its current title when Rohmer scholar, Dr. Robert E. Briney made it the centerpiece of a posthumous hardcover collection of previously uncollected short fiction, The Wrath of Fu Manchu and Other New Stories first published in the U.K. in 1973 by Tom Stacey. A U.S. mass market paperback edition from DAW Books followed in 1976. It was subsequently reprinted in Allison & Busby’s Fu Manchu Omnibus – Volume 5 in 2001. Titan Books will reprint the original collection as a trade paperback in March 2016.

The story was initially published only in Canada due to a copyright loophole. Rohmer had recently sold the option to the television rights to the Fu Manchu characters and was prohibited from publishing new works about the characters in Britain or the United States until the courts resolved a dispute over whether the literary rights transferred with the agreement. This situation persisted for the next five years until the literary rights were eventually restored to the author. The character was an easy money-maker for Rohmer at a time when his bank account was suffering. Rohmer’s desire to fly under the radar with the Canadian publication of the story likely accounts for his original decision to avoid using the name Fu Manchu in the title of the story.

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In the Trenches: Warhammer 40K: Gaunt’s Ghosts: Straight Silver

In the Trenches: Warhammer 40K: Gaunt’s Ghosts: Straight Silver

Straight Silver Dan Abnett-smallThe world of Aexe Cardinal has been largely separated from galactic civilization for several centuries. Their technology is roughly on the level of ours around the time of the First World War — which is significant, because for almost half a century, the dominant nations of the planet have been in a deadlock with the Chaos-tainted Republic of Shadik. Their war is fought between lines of trenches across an ancient, toxic no man’s land. In all the ways that matter, it is the First World War, amplified in scale, duration, and stakes.

And who better to break a deadlock than the Imperial Guard, spearheaded by the tough-as-nails bravos of the Tanith First-and-Only?

The title, Straight Silver, refers to the foot-long war-knives carried by all the Tanith. I typically imagine them looking something like the classic Swiss bayonet. It’s a fitting title, because the cramped spaces of trench networks offer plenty of opportunity for blade-work.

After the intense battles of Honor Guard and Guns of Tanith, though, Straight Silver feels like a quiet interlude. There’s still plenty of fighting, but the only encounter which really stood out to me was a last-ditch defense of an isolated manor occurring in the last 20-30 pages of the novel. There’s another lengthy sequence where Gaunt personally leads a team across no man’s land to take out a battery of massive bombardment weapons, and while it’s certainly solid, it doesn’t particularly stand out from the other, similar sequences in the series.

Part of the problem is that, in recreating the conditions of a World War One style deadlock, Abnett hasn’t really given the Shadik troopers any unique features to make them more than generic bad guys — not even funny hats. It’s also not specified exactly how Chaos has affected them. The Shadik Republic thus stands out among the Ghosts’ adversaries only for its blandness.

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Did the Butler Do It? Dean R. Koontz’s A Werewolf Among Us

Did the Butler Do It? Dean R. Koontz’s A Werewolf Among Us

A Werewolf Among Us-small A Werewolf Among Us-back-small

A Werewolf Among Us
by Dean R. Koontz
Ballantine Books original paperback edition (211 pages, $1.25, January 1973)
Cover art by Bob Blanchard

Wow — check out that price! $1.25! Hard to believe, isn’t it?

I can’t recall exactly how I discovered this enjoyable mash-up of two very different genres. I was probably hanging out in one of the many bookstores that were, in those days, like Starbuck’s: one on almost every other street corner. We had the big chain stores like Kroch’s & Brentano’s, and Walden’s (later Waldenbooks) here in Chicago, of course, among smaller, local chains like Barbara’s Bookstore (still around), and then later we had The Stars My Destination and The Fantasy and Science Fiction Book Shop, two of the best book stores I’ve ever patronized. Crown Books came along in 1977, founded by Robert Haft, and then Barnes & Noble emerged, followed by the rise and fall of Border’s Books and Music, plus a chain called Books-A-Million, which I haven’t seen around in a long time. There were also scores of “Mom and Pop” operations, selling both new and used books, and you could go into any Sears-Roebuck, Marshall Field’s, Montgomery Ward, Woolworth’s, Post-Office News, drug store, and candy store and find books of all kinds. In the early 1970s I worked across the street from a small but very eclectic book store called Brainfood, and I’d spend my 30-minute lunch break (often extended beyond that time), browsing and shopping.

It was the best of times. Period.

Then along came the internet and Amazon.

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Comedy in Fantasy: The Ebenezum Trilogy by Craig Shaw Gardner

Comedy in Fantasy: The Ebenezum Trilogy by Craig Shaw Gardner

A Malady of Magicks-smallThe late Terry Pratchett left a large gap in the Comedic Fantasy genre which, for many, may never be filled. Love him or hate him (I have found myself doing both over the years), he pretty much defined the field.

I first came across Craig Shaw Gardner not long after I read The Colour of Magic. Giving away my age here, but when I read The Colour of Magic I think only the third Discworld book, Equal Rights, has just been published. Needless to say, like anything new, different and — more precisely — successful, there was demand for more of the same. Enter Craig Shaw Gardner. While I doubt they were consciously trying to emulate Pratchett, it is possible that Gardner’s publisher may have drawn a parallel of sorts, and decided to try and brand his novels in a similar way.

Thus it was that I encountered A Malady of Magicks, which immediately caught my eye with its familiar cover style. The cover blurb:

In which a wizard with a nose for magic gets a very bad cold…

was intriguing. Add to that a Josh Kirby cover and one can start to see the parallels, intended or not. I didn’t buy the book, but made a mental note of it, and saw that in due course books two and three appeared: A Multitude of Monsters and A Night in the Netherhells respectively. Others followed.

I was of course looking at the British versions, published by Headline in 1988 and 1989 and as mentioned, all with Josh Kirby covers. The series was originally published in the US by Ace in 1986 and 1987, with the first book, A Malady of Magicks, reprinted three times in 1986.

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Amazing Stories October 1960: A Retro-Review

Amazing Stories October 1960: A Retro-Review

Amazing Stories October 1960-smallAt the 2015 Worldcon, Sasquan, one of the dealers had a nice stash of old magazines. I bought a bunch of Goldsmith-era Amazings and Fantastics. This is one from quite early in Cele Goldsmith’s editorial career. Indeed, Norman Lobsenz’s editorial calls it “the first issue of the “new” Amazing that we have been talking about.”

He adds “There is one problem facing us … the constant shortage of first-rate stories.” This is a point he would make other times in editorials (and in the letter column), to a greater degree than I have ever seen from an editor in the pages of a magazine.

The cover here is by Alex Schomburg. The interiors are by two of the greatest artists in the field’s history, Virgil Finlay and Ed Emshwiller, and a name I didn’t recognize, Bernklau, who seems to have been active in the field only from 1959 to 1961 (in a variety of magazines). He was probably the Art Bernklau who did covers for Beacon Books in the same period.

Besides the editorial, the features include S. E. Cotts’ book review column, the Spectroscope; a science article by Lester Del Rey, “Homesteads on Venus,” and the lettercol, “Or So You Say.”

Cotts opens the book review column be celebrating that the column has more space. There is mention of SF in other media: an article in the National Review (“SF seems a strange bedfellow for such a right-wing magazine” says Cotts – a curious remark), SF on TV (Twilight Zone), on record, and an opera. This last is Harry Martinson’s Aniara (music by Karl-Birger Blomdahl). Martinson eventually (quite controversially) shared a Nobel Prize for literature.

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