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Self-published Book Review: Valley of Embers by Steven Kelliher

Self-published Book Review: Valley of Embers by Steven Kelliher

If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

Valley of Embers by Steven KelliherValley of Embers by Steven Kelliher is primarily the story of Kole Reyna and Linn Ve’Ran. Although Linn Ve’Ran is a skilled and dedicated hunter and warrior, she is not an Ember like Kole, a Landkist given power to control flame by the land. But the land from which Kole’s power comes is not the titular valley where Kole’s and Linn’s people live, but the desert from which their ancestors fled from the war between the Sages. Before he fell in battle, the King of Ember struck a bargain with the Sage White Crest to shelter his people in the valley. Separated from the desert for decades, those born as Embers are fewer and weaker each generation. Instead, some are gifted with the native Landkist power of the valley, the healing and dreaming of the Faeykin. But it is the Embers who are especially valued, to fight the Dark Kind who have returned, bearing the corruption of the Eastern Dark from whom the Emberkin fled years before.

Everyone wonders what had become of the White Crest, who was to be their protector. Some think that he fell shortly after the King of Ember, when he shattered the land to turn back the Eastern Dark. Others think that in his isolation, he is unaware of their plight, or thinks that they can handle things themselves, or is too busy fighting the far greater threat of the Eastern Dark. Since the night of his mother’s death while seeking out the White Crest and the dream he had of her fall, Kole has believed that the White Crest has turned against them, and it is he who sends the Dark Kind.

But while Kole is given permission to seek out the White Crest and get some answers, he is delayed when he suffers a grievous injury by a Sentinel, one of the Dark Kind’s lieutenants, who can convert humans to their cause. While he fights the darkness that seeks to turn him, Linn Ve’Ran gathers some friends and strikes out without him. Her party quickly runs into trouble when they encounter an army of Dark Kind besieging the Valley’s largest city, Hearth, and only half of them make it to the mountains where the White Crest dwells.

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Blogging Marvel’s Master of Kung-Fu, Part Three

Blogging Marvel’s Master of Kung-Fu, Part Three

Master_of_Kung_Fu_Vol_1_22Giant-Size_Master_of_Kung_Fu_Vol_1_2Master of Kung Fu #22 sees the welcome return of artist Paul Gulacy who came and went a bit in these early issues. The first half of the story sees Shang-Chi set upon by Si-Fan assassins at a Chinese restaurant in New York before infiltrating his father’s skyscraper base of operations. Fu Manchu has captured both Sir Denis Nayland Smith and Black Jack Tarr. Shang-Chi stows away aboard Fu Manchu’s private jet unaware of their destination. Once on the ground, he follows as his father’s minions lead their captives to a cave in the side of a mountain which has been filled with dynamite. Shang-Chi rescues the two Englishmen and prevents the detonation which would have seen Fu Manchu kill his archenemy in the same instant he destroyed Mount Rushmore. Doug Moench, like Steve Englehart before him, has an embarrassment of riches that are largely squandered with insufficient page count to fully develop his narrative. This would soon change, however, and make the series one of the finest published in the 1970s.

Most of Marvel’s Giant-Size quarterly titles were throwaways, much like too many of their special Annual editions, but Giant-Size Master of Kung Fu #2 was a 40-page epic designed to showcase both the character of Shang-Chi and the talents of the series’ writer and artist, respectively. Doug Moench had been harboring a desire to address racism and bigotry directly and a series with an Asian protagonist gave him the perfect forum to do so. Paul Gulacy now had the freedom to display martial arts fighting as well as moving displays of romance and longing relying solely on the power of his images in a string of panels that conveyed storytelling free of words. Even more significant is the fact that Gulacy’s depictions of lust and attraction never pandered to titillation as the artist evinced a mature understanding of the art form’s possibility. The fact that he was strongly influenced by cinema and Steranko’s pop art work of the 1960s take nothing away from the fact that Gulacy was coming into his own as an artist with this title.

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What No Man’s Sky Can Learn from SFF Worldbuilding

What No Man’s Sky Can Learn from SFF Worldbuilding

If you follow video games, you likely have heard the hype surrounding No Man’s Sky, the space exploration game with a decided pulp science fiction aesthetic that promises a universe with a whopping 18 quintillion procedurally generated planets to discover.

Beautiful planetary vista number 976,234,501--but then, there are billions just as beautiful.

If there’s one thing in this game you’ll never be short of, it’s alien, picturesque vistas

Years of anticipation culminated in the game’s release on August 9, and on that day I, along with legions of frothing gamers, lit up my Playstation, grabbed the nearest 3-liter of Mountain Dew, slid my buttcheeks into the grooves of my favorite easy chair and settled in, happily anticipating a few hundred hours of wonder-stuffed fun.

Only. Well. The game. I mean. It’s. Well.

This video sums up what millions of gamers suddenly felt at once, and were suddenly silenced.

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A Fine Tribute to the Godfather of Weird Literature: The Mammoth Book of Cthulhu, edited by Paula Guran

A Fine Tribute to the Godfather of Weird Literature: The Mammoth Book of Cthulhu, edited by Paula Guran

The Mammoth Book of Cthulhu-smallWithin The Mammoth Book of Cthulhu, masterfully edited by Paula Guran, you will find a plethora of bewitching stories. Plenty of brilliant writers who contributed their talents incorporate Lovecraft’s universe into their tales. Others invent their own worlds and wink at the Godfather of weird literature.

One went so far as to sum Lovecraft up in a biography. In her piece “Variations on Lovecraftian Themes,” Veronica Schanoes shines an unforgiving light on Lovecraft’s racism and Anti-Semitism. That’s not to say Lovecraft has no redeeming qualities. Schanoes notes, for example. how he nurtured countless young writers through letters.

Contradictions abounded in Lovecraft’s life, and no one understands this more than Schanoes. Having thoroughly educated herself on her topic, her research delivers a punch to the gut. It makes you wonder if you can go on loving a writer knowing they valued hate.

On the subject of loving writers, you could say “A Shadow of Thine Own Design” by W.H. Pugmire is a love letter to Lovecraft. The story begins in the infamous city of Arkham. A young man named Malcolm Elioth meets an old woman named Edith Gnome. Ms. Gnome possesses a piece of artwork by the notorious Richard Upton Pinkman. Once the painting appears in the story, Lovecraft’s shadow looms over the stage. Yet, Pugmire makes the world his own by amplifying the grotesque power of the painting. The stunning description of Ms. Gnome’s baroque hell house shimmers off the page. Though Lovecraft’s beloved city and legendary painter play important roles in the tale, Pugmire constructs his own universe around them. And that’s what makes this tale so enjoyable.

Look no further than “Legacy of Salt” by Silvia Garcia-Moreno for an equally enjoyable piece. When Eduardo reunites with his relatives, who live in what seems like a time capsule, he desperately yearns to return to his lover in Mexico City. But Imelda, his enchanting and backward cousin, stabs a hook into his flesh. Their sordid waltz around their attraction is only one part of the story. The ancient rituals of Eduardo’s relatives, dating back to the time of the Aztecs, sear themselves into your memory. It’s not easy breaking away from a spiritual bond as strong as this one. Moreno-Garcia knows this well. This story haunts you.

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An Epic Finale for Ancient Opar

An Epic Finale for Ancient Opar

BOAO-cover-small2Hadon-front-final1Over forty years ago, Philip Jose Farmer published a pair of officially sanctioned books recounting the history of ancient Opar, the lost civilization familiar to readers of Edgar Rice Burroughs’ Tarzan novels. Opar was the first of the author’s lost cities that survived undiscovered in the African jungle until the noble apeman came along. Burroughs’ lost civilizations, like his alien worlds, were fantastic places of adventure that allowed the author to sharpen his satiric blade and skewer organized religion and politics alike.

Farmer, in notable contrast, was interested in using Burroughs’ concepts as a springboard for more realistic and decidedly more adult adventures. Farmer’s histories are peopled with conquerors and king-makers who are not just noble savages, but also savage rapists and murderers. His Opar novels opened Tarzan fans’ eyes to the antediluvian kingdom of Khokarsa. While the sword & sorcery boom of the 1960s and 1970s flooded bookshelves with immoral and amoral barbarians, Farmer set his work apart by treating the material as realistically as possible. His characters die tragically and sometimes prematurely. Sexual intercourse leads to unplanned pregnancies that alter people’s lives as it changes the course of a kingdom’s destiny.

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Summer Short Story Roundup: Part Two

Summer Short Story Roundup: Part Two

oie_2363515CoUyIq9mIt turns out there were lots and lots of really good horror and science fiction short stories published this summer. Not as much swords & sorcery as I would have liked, but a bunch of good stories nonetheless. This week I’m going to give you a glance at roundup regular, Grimdark Magazine. I’m also going to take a look at two mags new to the roundup: the recently revived Weirdbook (read about the relaunch here), and newcomer Red Sun Magazine. You can read last week’s reviews of Heroic Fantasy Quarterly, Swords and Sorcery Magazine, and Cirsova at this link.

Right from the gitgo, I knew Grimdark Magazine #8 was going to be a “disappointment.” In the foreword, Editor Adrian Collins wrote “Issue #8 has a focus on sci-fi fiction, something I feel has been a bit lacking from GdM over the first two years (can you believe it’s been two years?).” It’s not like I hate sci-fi (though I find myself reading practically none at all anymore), it’s just that after last week’s thunderous blast of adrenaline-pumping, sword-swinging, monster-killing action, that’s what I was hoping for more of.

In its short life, Collins has made GdM a consistently exciting publication, and GdM #8‘s two sci-fi stories are not bad at all. The first, “Viva Longevicus” by Brandon Daubs, is about genetically engineered pets going very, very wrong. It’s told by a colonel in the U.S.S. AeroCorps sent to investigate an infestation on a colonial world. A monster hunt on an alien world just isn’t the most original plot, but if it’s told with verve and intensity (and just the right amount of crazy), it can be a blast to happily while away a few minutes on. This is one of those.

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Enter: The Midnight Guardian

Enter: The Midnight Guardian

51FJ8Q35TMLDarkman_film_posterJohn C. Bruening makes a smashing debut as a novelist with a hardboiled pulp yarn that is so good, it immediately makes you set the author to one side with a handful of other standouts currently working in the New Pulp field.

The Midnight Guardian: Hour of Darkness frequently put me in mind of Sam Raimi’s underrated 1990 film, Darkman in that it is likewise evocative of The Shadow and Doc Savage and is set in a world familiar to readers of Dashiell Hammett and those who love old Warner Bros. gangster pictures of the 1930s (and Universal horrors and serials of the same decade). While much of The Midnight Guardian is the work of an author well-versed in the vocabulary and mythology of the pop culture of the last century, it is also the creative construct of a first-rate storyteller who has denied himself and his audience for far too long.

Pulp means a lot of things to different people. For purists, it is exclusively the fiction (adventure, crime, thriller, western, romance, war, humor) published in pulp magazines (not slicks) in the 1920s through the 1950s. For others, pulp fiction is any fast-paced, action-packed story with stock characters and situations set in a world decidedly less sophisticated, but much more visceral  than our own.

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A Scare You Straight Post-Apocalyptic Nightmare: B.C. Bell’s Bipolar Express

A Scare You Straight Post-Apocalyptic Nightmare: B.C. Bell’s Bipolar Express

Bipolar Express-smallI’m a big fan of B. Chris Bell’s film-noirish, pulp fiction stories, and his wonderful novel, Tales of the Bagman Volume 1, The Bagman Vs The World’s Fair, and Tales of the Bagman, Volume 3, all published by Airship27 Productions (and previously reviewed by me here at Black Gate.) So I jumped at the first chance I had to read his excellent, and very hard to pigeon-hole, Bipolar Express. Now, when I say it’s hard to pigeon-hole, I mean it. You can’t slap a label on this one, folks. But I will say this — it’s an important novel: serious, with that element of scary realism, gallows humor and touch of madness that will keep you laughing while the story shakes you up.

This is a novel of truths and wisdom that casts an observant eye on a certain segment of society many of us don’t like to think about: alcoholics, drug addicts, rehab centers and asylums. Bipolar Express has much in common with The Man with the Golden Arm, The Lost Weekend, and Trainspotting, with a macabre touch of Philip K. Dick to add a whole other level to the novel. It’s a “scare you straight,” post-apocalyptic story with a science fiction element that I won’t spoil for you: is what’s happening to the characters reality? Or is it all a shared hallucination? This would make one hell of a freaking movie! It’s also quite a wild ride. I’m not even sure how to tell you about it. So first I’m going to tell what Chris says about it, and then I’m just going wing it from there.

A misdiagnosed mentally ill man spends thirty days in a mental institution. Four years later he finds himself rescued from his own destructive impulses by his fellow patients, who inform him that the magnetic poles have begun to shift, just as they have every 250,000 years. Regardless of the truth, now he’s trying to survive the worst winter in Chicago history along with his mentally ill friends, a man with no fingers, and a cannibal dog. And, if the cold, starvation and illness don’t kill him, there’s a gang roving the city that will. Along the way he’ll discover magnetism affects the behavior of birds, elephants, ants, even humans. And then there are those ‘radioactive’ rays in the sky… this is a novel about failure, redemption, and the end of a world.

Okay, now it’s my turn. And whether or not you think I’m writing in any sort of logical order is your problem.

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Summer Short Story Roundup: Part One

Summer Short Story Roundup: Part One

oie_167123Q3w3KW4VA veritable torrent of potent heroic fantasy short stories came out of the interwebs this summer. So many, in fact, for the first time ever I have to break the roundup into two parts. This week I’ll tell you about Swords and Sorcery Magazine, Heroic Fantasy Quarterly, Lackington’sand Cirsova. All together there are twelve stories and three poems (including the nearly six thousand-word first part of an epic poem). Next week I’ll review Grimdark Magazine, Weirdbook, and newcomer, Red Sun.

Swords and Sorcery Magazine #54 kicks off with “The Witch House” by Jamie Lackey. A young girl named Elinor, escaping a forced and bound-to-be loveless marriage, forces herself on the Witch of the Wood as her new apprentice. That’s it. It’s well written, and I’d actually be interested in reading about the characters if the plot went somewhere, but as it stands it’s too insubstantial to merit much notice.

Time Is a Lady’s Unerring Blade,” by Stephen S. Power, is a nasty piece of work. Erynd, an ex-prisoner, has plotted her revenge against one of the captors who tortured and crippled her.

Anyone can buy a soul. Even the meanest villages have dealers now, and prices remain low, thanks to the border wars five years ago. To buy a specific soul, though, Erynd has to deal with a ghost taker.

Having found her target, Erynd intends to see his soul stripped from him bit by painful bit. Not a lot happens, but there are sufficient hints of a larger context for the story that intrigued me and left me wondering about the story’s larger world and history.

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I Want to Believe: A Review of A Vision of Fire by Gillian Anderson & Jeff Rovin

I Want to Believe: A Review of A Vision of Fire by Gillian Anderson & Jeff Rovin

A Vision of Fire-small A Vision of Fire-back-small

We have this long history of actors trying to make a name for themselves through other creative endeavors, and it seems to be getting popular. Actors jumping into the music industry, like Kiefer Sutherland, David Duchovney and Malin Akerman. Actors exploring the world of visual art (Anthony Hopkins is an avid painter, I learned recently). And there are a lot of actors who try their hand at writing. And I don’t mean cookbooks (no disrespect to Gwyneth Paltrow) but writing fiction, which takes a little more talent and skill.

As my inaugural post here at Black Gate I want to talk about Gillian Anderson, specifically her debut novel A Vision of Fire, which she co-wrote with NYT-bestselling author Jeff Rovin. As the blurbs on the back of the book jacket say (click the image above right to sample them), the idea of Agent Dana Scully writing speculative fiction is enough to get our attention, even if expectations aren’t particularly high. But luckily for us, it turns out Anderson knows what she’s doing.

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