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The Series Series: The Ever-Expanding Universe by Martin Leicht and Isla Neal

The Series Series: The Ever-Expanding Universe by Martin Leicht and Isla Neal

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Mothership-small A Stranger Thing-small The World Forgot-small

Two publishers asked if we’d try something unusual. It was the same unusual thing — reviewing an entire trilogy in one go — for two different series and two different reasons.

One series, Brian Stavely’s The Emperor’s Blades, was about to conclude. The other, Martin Leicht and Isla Neal’s The Ever-Expanding Universe, had been published by one imprint as YA, and was being given a second chance as a series for adults by another imprint of the same house. Though I knew reviewing two trilogies in this way would reduce the number of posts I made to BG this year considerably, I was curious. So here we are.

The Ever-Expanding Universe follows the adventures of a daring young engineer whose dreams of interplanetary exploration and college, not necessarily in that order, seem at first to be dashed by a bout of teen pregnancy. Thanks to the cover copy, it’s no spoiler to tell you that the young engineer’s baby daddy and not-quite-boyfriend turns out to be of extraterrestrial ancestry, and the most contested commodities in a resource war between two alien species are the bodies of the girls at the near-earth-orbit boarding school for unwed mothers where Elvie Nara has gone to hide from her high school nemesis.

Is it worse when Cole Archer, the sort-of-boyfriend, turns out to be an alien commando, or when Cole’s definitely-girlfriend and Elvie’s aforementioned cheerleader nemesis Britta McVicker turns out to be one of Elvie’s classmates for prenatal yoga? The three of them, and an impressively varied passel of other gravid girls seriously irked at having been tricked by alien boyfriends, spend the first volume of the series, Mothership, dodging ruthless alien attackers and fleeing through a booby-trapped and sabotaged space cruise ship refitted as a high school.

It’s a delightful mix of suspense, fight scenes, engineering puzzles involving transitions from one gravity or atmospheric environment to another, slapstick comedy, social satire, secret history, and stuff blowing up real good, all delivered by a hilariously smart first-person-smartass narrator you want to see triumph. How could any SFF reader resist? How did we miss this series when it first came out? Why is it not already a classic of humorous science fiction?

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May Short Story Roundup

May Short Story Roundup

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oie_2824427axWPyjIhWell, sad to say, there are just not that many swords & sorcery stories to round up this month. The big guns, Heroic Fantasy Quarterly and Grimdark Magazine, (the latter delayed while they run the Kickstarter for their anthology, Evil Is A Matter of Perspective) were silent. Beneath Ceaseless Skies’ two May issues didn’t have anything that fit the S&S bill. None of the other magazines yielded stories to review either. Only the stalwart Swords and Sorcery Magazine came through, just like it does every single month for over four years now.

According to the online Merriam-Webster Dictionary, a skimmington is “a boisterous procession intended to ridicule an unfaithful spouse or a shrewish wife often with effigies and a mock serenade” and “The Skimmington” is the title of B.C. Nance’s story in this month’s issue of SSM. No one in town believes wealthy landowner Daegal’s claim that his wife, Esma, ran out on him. Alden, a man who once loved the missing woman, convinces his fellow citizens to conduct a skimmington parade out to Daegal’s estate. His hope is they can shame Daegal into revealing where Esma really is. While there’s a supernatural element to the tale, it could just as easily be set in any small pre-industrial town. In any setting, though, it would remain a well told story with a haunting ending.

“Rivenrock,” by Connor M. Perry (whose previous story in SSM, “Stragglers in the Cold,” I enjoyed very much), tells of Elegia, the reborn Shepherd of Night, and her lover, Darza. Together, they are searching for the Shepherd’s ancestral home, a place called Rivenrock. Their guide is a man named Averon Thorn whom neither fully trusts, even though he claims to be a supporter of their cause. The concluding spasm of violence is brutal and affecting, but it doesn’t really provide a satisfying conclusion to the story.

Behind the events of “Rivenrock” is an ongoing struggle between the Shepherd of Night and the Lord of Morning. Each appears to have been recently reborn after having been gone for sometime. The Lord seems to have come back earlier and wields more temporal and magical power at present. The Shepherd is still finding her way, thus her need to reach Rivenrock. It’s all very vague and makes following the story less than compelling.

So that’s all there is to review this month. As usual, you should go read them and let the authors and editor know what you think.

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OMG They Found It! Osprey’s The Catalaunian Fields AD451

OMG They Found It! Osprey’s The Catalaunian Fields AD451

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Osprey Catalaunian FieldsIt’s the one thousand, five hundred and fifty sixth anniversary of the Battle of the  Catalaunian Fields, otherwise known as the Battle of Chalons!

Not heard of it?

AD451. Just as the Roman Empire fades into the Dark Ages. At the Catalaunian Fields near Chalons, a grudging alliance of Romans and Germannic tribes confronts Attila the Hun’s confederation of Huns and yet more Germannic tribes.

Hundreds of thousands of warriors grind through a Ragnarok-grade battle on the scale of Waterloo but fought with cold steel… a battle so murderous that, in the morning, nobody much feels like doing any more fighting.

I’m fascinated by this forgotten battle — I’m even writing a YA Historical series that will put the hero in the midst of the mayhem — so I was overjoyed to receive a review copy of Osprey’s new book, The Catalaunian Fields AD451. Imagine, then, how I felt when, I discovered the chapter called, “The Battlefield Today.”

What? OMG they found it!

The location of this battle has been hotly debated for centuries. Now here’s an Osprey book casually pinpointing the battlefield and using it as the basis for its maps and diagrams!

And it’s convincing.

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Captain Alatriste by Arturo Pérez-Reverte

Captain Alatriste by Arturo Pérez-Reverte

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oie_21724427RUFUMWe

Was once a captain,
the story goes,
who led me in battle,
though in death’s throes.
Oh, senores! What an apt man
was that brave captain.
— E. Marquina, The Sun Has Set in Flanders

Spain’s Golden Age ran from roughly 1492, the final year of the Reconquista, until 1659 and the signing of the Treaty of the Pyrenees with France. During that period seemingly endless rivers of gold and silver from the kingdom’s colonies around the world flowed into its coffers. The disciplined soldiers of her vaunted tercios (commands of about 3,000 men) were respected and feared across Europe. Great cathedrals and palaces were built and painting and literature flourished as never before.

But a rot had set in, unseen by many, by the early 17th century. Inflation, corruption, expulsions of Jews and Moors, and endless wars would render Spain a mortally wounded empire that would slowly wither away over the subsequent two centuries. In 1623, though, Madrid is a glorious city of poets and dashing swordsmen. One of the greatest of the latter is Diego Alatriste y Tenorio, the hero of Captain Alatriste (1996) by Arturo Pérez-Reverte. It’s been a while since I reviewed a historical adventure, so I decided to dive into the first book in this still-running series.

Disappointed with the lack of information about the Golden Age in his daughter’s textbooks, Pérez-Reverte took it upon himself to write a book exploring that dramatic period. His most obvious inspiration were the swashbuckling historical romances of Alexandre Dumas. Undoubtedly influenced by two decades as a war correspondent, his exposure to the darkness of combat also permeates Captain Alatriste.

Alatriste is a veteran of years of conflict with Spain’s recalcitrant subjects in the Netherlands and the Turks, having run away as a drummer boy at the age of 13. Now, some thirty-odd years later, the recently ended truce with the Netherlands has brought him back to Madrid. Struggling to make a living with the only skills he posseses, Alatriste sells his sword and strong arm to whomever will pay. In the past he has been hired to kill one man’s rival at court, and the lover of another’s wife. In this novel, the first of seven to date, he and the Italian swordman, Gualterio Malatesta, are hired to waylay and rob two men. Initially told not to hurt the strangers too badly, they are later given conflicting orders to, in fact, kill them. During the attack Alatriste comes to believe things are not as simple as they seem, as well as being struck by the honor of one of his two intended victims. The rest of the novel involves the fallout from Alatriste’s decision to prevent the men’s deaths, as powerful men at the center of the Empire’s complex and corrupt power structure turn their attention to the veteran sell-sword. And that’s it. That’s pretty much the plot of Captain Alatriste.

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Prowling and Howling Through the Moonlit Forests of Lycanthropia: Thomas McNulty’s Werewolves!

Prowling and Howling Through the Moonlit Forests of Lycanthropia: Thomas McNulty’s Werewolves!

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Werewolves! A Study of Lycanthropes in Film, Folklore and Literature-small Werewolves! A Study of Lycanthropes in Film, Folklore and Literature-back-small

Werewolves! A Study of Lycanthropes in Film, Folklore and Literature
By Thomas McNulty.
BearManor Media (215 pages, including Notes and Sources, Selected Werewolf Filmography, Bibliography, and Index; $19.95 in trade paperback, November 17, 2011)

Thomas McNulty’s Werewolves! is an insightful, informative and scholarly look at the legend and cinestory (film history) of werewolves.  Now, I consider myself a pretty fair hand when it comes to all things “lycanthropic,” but McNulty has me beat by a mile.  I learned about films I’d never heard of before, such as The Werewolf, a lost 1913 silent film; 1995’s Huntress: Spirit of the Night; and 2003’s Dark Wolf (which I have finally viewed and highly recommend.)

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Lovecraft’s Dreamlands Via Graphic Novel: Charles Cutting’s Kadath

Lovecraft’s Dreamlands Via Graphic Novel: Charles Cutting’s Kadath

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However, unlike Bill Haley, Lovecraft still owns his genre
However, unlike Bill Haley, Lovecraft still owns his genre
It's like the lovechild of Brighton Pavilion and Portmeirion as raised by Michael Moorcock
It’s like the lovechild of Brighton Pavilion and Portmeirion as raised by Michael Moorcock

HP Lovecraft is a bit like Bill Haley; he arguably created his own genre, but few people now consume his work for simple pleasure.

Just as modern people typically discover Rock and Roll through [your favourite band here], they come to the Cthulhu Mythos through Charles Stross’s Laundry Files(*), through the madness of the Cthulhu Fluxx cardgame, or through the roleplaying game Call of Cthulhu.

Kids…? Well my daughter (8) has a plush Cthulhu who spends most of his time in the naughty corner for trying to eat the faces of the other toys.

Nobody, typically, just happens to pick up an HP Lovecraft book. If they do, they probably bounce. Let’s just say that speculative fiction has produced better stylists and that “of his time” is proving to be less and less able to explain away his racism.

However, unlike Bill Haley, Lovecraft still owns his genre. He pretty much nailed Cosmic Horror, and though we have chipped off racist carbuncles, all the tropes still bear his mason’s mark.

This means that Lovecraft’s Mythos serves the the same function in the Geek community as the Classical world served amongst educated Victorians. They would remark on somebody being “Hector-like”, we joke that our  pasta bake “turned into a Shoggoth”.

This creates the interesting problem that the our shared subculture leans heavily on a set of texts that are increasingly unreadable for both literary and ethical reasons!

The answer, of course, is to retell the stories in other media, which is where books like Charles Cutting’s graphic novel Kadath come in.

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Logical Swords & Sorcery: The Tritonian Ring by L. Sprague de Camp

Logical Swords & Sorcery: The Tritonian Ring by L. Sprague de Camp

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oie_1461552JKlZM7ZLLyon Sprague de Camp’s first published story was “The Isolinguals” in 1937. During the 1930s and 40s he became a significant author, writing dozens of stories and numerous novels. His time travel novel Lest Darkness Fall (1939) is considered a classic and is still read today. Alongside such genre standard bearers as Robert Heinlein and Isaac Asimov, he is considered one of the authors responsible for bringing greater sophistication to science fiction. He was the fourth Grand Master as chosen by the Science Fiction Writers of America in 1979, and in 1984 he was given the World Fantasy Award for Life Achievement. His 1996 autobiography, Time and Chance, won a Hugo Award. In his lifetime he was well-regarded and successful.

To call de Camp a polarizing figure is an understatement. His control over Robert E. Howard’s Conan character for so many years, his ham-fisted editing of Howard’s stories, his ruthless strangling of any effort to get pure, unadulterated Conan into print, raised the ire of readers. For an incredibly detailed history of de Camp’s relationship with REH’s work and legacy, I highly recommend tracking down Morgan Holmes’ 16-part series, “The de Camp Controversy.”

De Camp first encountered the character of Conan when his friend Fletcher Pratt tossed him a copy of Conan the Conqueror. According to Lin Carter, de Camp “yielded helplessly to Howard’s gusto and driving narrative energies.” In 1951 de Camp decided to try his own hand at Howardian swords & sorcery and wrote The Tritonian Ring. He sold it to the clunkily-titled magazine Two Complete Science-Adventure Books. 

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Nine – “The Golden Flask”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Nine – “The Golden Flask”

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NOTE: The following article was first published on June 15, 2010. Thank you to John O’Neill for reprinting these early articles so they are archived at Black Gate which has been my home for nearly 6 years and 270 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

golden flaskRomer_-_Mystery“The Golden Flask” was the eighth installment of Sax Rohmer’s serial, Fu-Manchu. First published in The Story-Teller in May 1913, it later comprised Chapters 21-23 of the novel, The Mystery of Dr. Fu-Manchu (initially re-titled The Insidious Dr. Fu-Manchu for North American publication). Rohmer added brief linking material to the start of this episode for its book publication in an effort to tie the story closer together with its immediate predecessor. “The Golden Flask” is unique in not being centered upon Dr. Petrie’s infatuation with Karamaneh, but rather upon our heroes’ obsession with bringing Dr. Fu-Manchu to justice.

The story harks back to “The Zayat Kiss” in being set in motion with Nayland Smith and Dr. Petrie correctly identifying Henry Stradwick, Lord Southery as the next target of assassination, but being too late to prevent his death. Lord Southery’s physician, Sir Frank Narcombe believes the peer to have expired from heart failure. Oddly, Smith states that neither he nor Petrie represents the official police. A reason for this blatant deception is never given and must be concluded as an error on Rohmer’s part. Reference is made to both Smith and Petrie possessing a supernatural ability to detect Fu-Manchu’s presence at the scene of Lord Southery’s death despite the absence of any clues pointing to foul play. When Petrie describes Smith as looking like “a man consumed by a burning fever,” the reader is completely willing to suspend disbelief and go along with Rohmer’s frenzied paranoia. It is the same mania that captivated Petrie (and, by extension, the reader) at the start of “The Zayat Kiss.”

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Blogging Marvel’s Master of Kung Fu, Part One

Blogging Marvel’s Master of Kung Fu, Part One

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MOKF15Special Mavel Edition is a little remembered comics reprint title of the early 1970s. Its fifteenth and penultimate issue dated December 1973 featured the debut of a new series, Master of Kung Fu. Marvel’s timing was perfect as Bruce Lee was now a major star at the U.S. box office and David Carradine’s Kung Fu series was a critical and ratings success on the small screen.

Marvel had optioned the rights to Sax Rohmer’s Fu Manchu characters several years before when Pyramid paperback reprints of the 13 Rohmer novels were selling strong thanks to the popularity of the Christopher Lee film series. Marvel already had their own Fu Manchu clones in the form of the Yellow Claw and the Mandarin, but Master of Kung Fu gave them the opportunity to build a contemporary martial arts title out of a sequel to Rohmer’s highly influential thriller series.

Conceived by Steve Englehart and Jim Starlin, the decision to incorporate Sax Rohmer’s characters was at the insistence of Marvel editor Roy Thomas. Englehart enlisted the aid of Robert E. Briney, publisher and editor of The Rohmer Review fanzine to ensure the continuity was consistent with Rohmer’s long-running literary series.

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The Further Adventures of Cija the Goddess: Jane Gaskell’s Atlan Saga, Part II

The Further Adventures of Cija the Goddess: Jane Gaskell’s Atlan Saga, Part II

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Orbit Futura Cover
Orbit Futura Cover
Pocket Books Cover (Boris Vallejo)
Pocket Books Cover (Boris Vallejo)

A Tale of Two Books

Back in December I wrote about Jane Gaskell’s classic 1960’s fantasy novel The Serpent. We pick up the story with a book that’s been published here and there as the second in the series, The Dragon.

Calling this Book Two is a bit of a misnomer, as certain publishers have included this slim volume as part of The Serpent. For our purposes (and because the Orbit Futura series I have at hand separated them into two distinct volumes), I am referring to it as a separate book. My copy weighs in at 206 pages of small print, continuing the exploits of our reluctant heroine, the young goddess Cija.

The two-book split is preferable in at least one sense, in that it acts as a visual divide that emphasizes events in the tale.

You see, our heroine is growing up. From her secluded upbringing we saw her blunder from point to point in The Serpent. She was naïve and had a skewed sense of the real world, having had only books — chiefly romances and sagas — to help her form opinions in her youth. One got the distinct impression that life happened to Cija.

That kind of inherent fatalism starts to change in The Dragon.

Of course, there’s another advantage to having two editions – awesome cover art. I would love to know who painted the covers of the Orbit Futura series, but the artist isn’t credited. One needs a magnifying glass to appreciate it fully, but the cover of The Dragon is not only captivating, in my humble opinion, but also shows that the artist has done his homework, as it depicts events within the book almost as accurately as the author’s fine prose.

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