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Pellucidar on Screen: At the Earth’s Core … The Movie

Pellucidar on Screen: At the Earth’s Core … The Movie

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at-the-earths-core-1976-001-posterFew of Edgar Rice Burroughs’s books offer as much promise to modern filmmakers as At the Earth’s Core. The inner world of Pellucidar is vast and strange, and the potential to craft astonishing vistas from this concave land with a sun that never moves is immense. Plus, the tyrannical Mahars are ideally suited for realization as complex creatures using mo-cap.

However, nobody appears to be working on an At the Earth’s Core movie at the moment. For shame. We have to settle for a movie made in the last glory days of low-budget SF spectacle, before the advent of Star Wars. That shining era when rubber monsters, matte paintings, and Doug McClure ruled fantasy cinema.

The 1976 At the Earth’s Core isn’t a bad way to settle. For those who grew up with it, the movie still holds a special charm because of its colorful spectacle and practical effects. It had to sacrifice some of the fascinating parts of the setting of Pellucidar because of budget limitations, but it’s an accurate rendition of Burroughs’s plot.

At the Earth’s Core is second of a trio of mid-‘70s ERB adaptations from the team of producer John Dark and director Kevin Connor for Amicus Productions and American-International Pictures. The first and third films are a split adaptation of the novel The Land That Time Forgot, The Land That Time Forgot (1975) and The People That Time Forgot (1977). Dark and Connor produced two more fantasy films afterward, the ERB-esque Warlords of Atlantis (1978), made after they realized it was too expensive to mount a John Carter movie; and the mostly forgotten Arabian Adventure (1979).

Although I’m about to say many admiring things about At the Earth’s Core, it’s my least favorite of the Amicus-AIP Burroughs movies. The director shares my opinion: Kevin Connor has called the movie “clunky” compared to the other two, and it’s easy to see what he means in the studio-bound confines and the more awkward pacing and plotting. But it’s by no means a bad film, and when I place it a notch below The Land That Time Forgot and The People That Time Forgot, that isn’t a harsh slam. The special appeal of this vanished era of imaginative filmmaking is hard to resist.

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Adventures in Earth’s Prehistory: Jane Gaskell’s Atlan Saga, Part III

Adventures in Earth’s Prehistory: Jane Gaskell’s Atlan Saga, Part III

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Paperback Library (Frank Frazetta)
Paperback Library (Frank Frazetta)

Tandem edition
Tandem edition

Hodder & Stoughton (Denvil)
Hodder & Stoughton (Denvil)

Paperback Library (second printing)
Paperback Library (second printing)

Book Three (or Two, depending on the publisher) of Jane Gaskell’s Atlan Saga bears the same title as the series: Atlan. The previous volume(s), reviewed here (The Dragon) and here (The Serpent), left off where our heroine Cija married the “Dragon” General Zerd. Having just received the throne of the fabled continent of Atlan in a bloodless conquest, Zerd was crowned emperor, effectively making Cija empress.

Atlan commences with a brief introduction by a deserter called Scar, recounting preceding events with his own first person narrative as he legs his way to the capital. Meeting up with a bird-riding officer in search of a disguise, they switch places. Now mounted, Scar (and the introduction) fast forward to the capital where we encounter the Empress Cija.

Being empress is not all it is cracked up to be. Cija is still very much a loner and even though she’s surrounded by courtiers and handmaidens, she is lonely. Zerd’s wandering eye soon has him distracted by other women, leaving Cija to her own devices. Unto this scene arrives her old lover Smahil, and a brief tryst follows.

This is probably the right time to reveal a spoiler I’ve avoided in my previous reviews: Smahil is Cija’s half-brother. This is something Cija did not know when they first became lovers, but by the time he arrives in the capital, she is well aware of their familial relationship, yet is so desperately lonely she still shares her bed with him.

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Vintage Treasures: Watership Down by Richard Adams

Vintage Treasures: Watership Down by Richard Adams

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watershipdown“I announce,” read the Times of London’s review in 1972, “with trembling pleasure, the appearance of a great story.”

This is not the typical language of a contemporary book review, but then the book in question, Watership Down, was not a typical book. It was and is a fantasy with wide crossover appeal, a mythic adventure with rabbits as the principal characters. That’s right, rabbits: those long-eared good-for-nothings whom we humans largely dismiss as being dumber than a box of rabbit-sized rocks.

Having read and adored the book in my early teens, I determined it was time to share it with my twelve-year-old son, who still craves his daily dose of bedtime story. And why not? I’d get to read a tale I had not revisited for more than thirty-five years, and I’d get to gauge my son’s reactions every step of the way.

To say he was impressed would be an understatement. As we approached the closing chapters, he wanted extra, before-bed reading time, but in the same breath kept exclaiming how he didn’t want to finish. “Are there more books about Hazel and Bigwig?” he asked. “Are there?”

Spoilers follow. If by some terrible chance you, gentle reader, have not read Watership Down for yourself, then please, close this page. Go do something else. Purchase a copy of Watership Down, for example. You can always return here once you’ve read to “The End.”

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Hammer Films for Your Holiday Joy: Rasputin the Mad Monk

Hammer Films for Your Holiday Joy: Rasputin the Mad Monk

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happy-holidays-christopher-lee-rasputinWhen October disappears over the horizon, horror movie DVDs and Blu-rays go into hiding, and streaming services store their terror title watchlists away for another day. But a certain type of off-kilter movie survives through the end of the year. The winter holidays usher in bizarre “ironic” seasonal favorites. You’ll probably watch Die Hard. Me, I’m a fan of Batman Returns when it comes to dark festive cheer. And Gremlins. We can add The Krampus to the list of holiday-themed horror flicks. Your family may insist on National Lampoon’s Christmas Vacation, although if you’re of my mind you’d prefer your cartoony Christmas violence via Home Alone. Or In Bruges. The Lord of the Rings films have a certain holiday vibe, and the same goes for the Harry Potter saga. If you want to take in a Bond movie for the Yuletide, there’s On Her Majesty’s Secret Service … although you may wish to shut it off two minutes before the end.

But is there a place for Britain’s legendary Hammer Film Productions during Winter Solstice? After the 31st of October, do the Hammer DVDs and Blu-rays need to stay put by the Demon Elf on the Shelf?

No, I say! Hammer has a seasonal holiday treat, Rasputin the Mad Monk (1966). Okay, maybe only I consider it a holiday watch, but I’d like to share it with you.

Rasputin the Mad Monk is not a horror film. I have to make this clear upfront. Although released in many territories on a double bill with The Reptile and later paired with The Devil Rides Out on its first DVD release, Rasputin the Mad Monk is a historical melodrama with violent flourishes. Because the Hammer name is so synonymous today with “horror,” we forget that Hammer Film Productions was a busy studio that also put out comedies, science fiction, crime dramas, psychological thrillers, historical costume pictures, and adventure movies. Their reputation for horror ended up affecting the marketing of some non-horror fare: The Hounds of the Baskervilles (1959), a straight Sherlock Holmes adaptation, was sold with a drooling spectral wolfshead on the posters. Captain Clegg (1962), a swashbuckler about smugglers, was rechristened Night Creatures in the U.S. for no reason except that the distributor had that title lying around and wanted an excuse to use it.

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Unearthly Desires in an Unruly World: Cornelia Funke’s Living Shadows

Unearthly Desires in an Unruly World: Cornelia Funke’s Living Shadows

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reckless-the-petrified-flesh-small reckless-living-shadows-small reckless-the-golden-yarn-small

In Living Shadows, the second book in Cornelia Funke’s wondrous Mirrorworld trilogy (currently being repackaged and reissued in the US as the Reckless trilogy), death haunts every page. We follow Jacob Reckless, our protagonist, as he attempts to rid himself of the moth devouring his heart. Given to him by the Red Fairy whom he carelessly betrayed, it begins to fill his body with excruciating pain. He must find an ancient crossbow belonging to an infamous witch slayer and a willing volunteer to shoot him in the heart. An equally ancient spell cast on it enables a third shot to resurrect its victim. Unfortunately, someone else intends to keep it for himself, and when Jacob encounters his dauntless rival, the world as he knows it threatens to crush his bones.

Funke bakes a layer cake of darkness and unconditional love with a haunting fairy tale icing that keeps you embedded in the story. You fall in love with the characters and feel their deepest emotions. In particular, Jacob’s simmering romance with his eternal companion, Fox (whose real name you learn once again in this volume) ensnares you. The moments where it comes close to a boiling point make you remember why fairy tale romance has captivated readers since the first storytellers entertained their audiences.

Theirs being the central romance in the story differentiates the series from so many others in the YA genre. Love triangles enchant their biggest fans and ensure the longevity of a series, but there comes a time when devoted YA readers roll their eyes. Focusing on one relationship betwen two compelling characters who fear each other’s deaths more than their own allows your imagination the freedom to savor their journey. When villains get in the way of their love, it’s just as fun of a ride, if not more.

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Modular: A New Kind of Monster Manual: Volo’s Guide to Monsters

Modular: A New Kind of Monster Manual: Volo’s Guide to Monsters

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volos-guide-to-monsters-wotc-smallAt this point there have been scads of manuals with monsters for Dungeons & Dragons, going all the way back to the ’70s and that little booklet titled Monsters and Treasure. But last month a new kind of Monster Manual for 5th Edition Dungeons & Dragons crept onto the scene, and it’s different from any official D&D monster book that I’ve ever held.

You don’t often see the word “innovative” anywhere close to the word “monster” but I think I might just have to try it: this is an innovative look at how to use monsters in a D&D game. And if 5e isn’t your thing, it could be of use in most retro-clones and related D&D-like games as well. It could help your local DM bring the game’s monsters to more terrifying life.

It’s not just about monsters as stat blocks. It even begins with a framing story, in that it’s purportedly a lore book from a scholar of the fantastic and bearer of unlikely names, Volothamp Geddarm. Some reviewers seem to have been disappointed that Volo’s own comments (as well of those of a dissenting scholar) are only peppered through the manual, having seemingly missed that a manual written entirely by a biased and unreliable narrator might render all its information questionable while in game.

The book is divided into six broad sections, and, unlike the 5e Monster Manual itself, is well-indexed. Not only is there an index of monster stat blocks, there’s a list of the lairs in the book, and Appendix C provides listings of creature by type, by challenge rating, and by environment. Hopefully somewhere online there’s an official listing of ALL 5e monsters listed by these categories, for the ones in this book cover only the creatures included within.

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The Blue Lamp by Robert Zoltan

The Blue Lamp by Robert Zoltan

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oie_19158312fpr312tLet me confide a secret I have never told anyone before: sometimes, when I’m reading a story, and I’m all by myself, especially if it’s night and the only illumination is from my reading light, I’ll read out loud. And do voices. I’ll only read the dialogue out loud, reading the rest silently so it’s like I’m creating my own radio show. I like to think it sounds pretty cool. It’s definitely fun. When Robert Zoltan Szeles began telling people he was hard at work on an audio version of his story “The Blue Lamp,” I was jazzed.

“The Blue Lamp” first appeared in Heroic Fantasy Quarterly #26 last year, as written by Robert Zoltan (a name, you have to admit, is pretty awesome for penning S&S). I liked it very much and reviewed it favorably in my October 2015 Short Story Roundup:

A catman, a mothwoman, and an eerie blue lamp figure in Robert Zoltan’s very fun and self-illustrated (well one picture anyway) “The Blue Lamp.” For any fan of S&S those three things should be enough to make you read the story. We know what we like and when we seen it we flock to it like, well, moths.

For those wanting to know more it’s simple: two friends — a tattoo-covered barbarian called Blue, and the poet (and master swordsman) Dareon Vin — get into a fight. Wandering into the big city by himself, Blue ends up looking into the wrong magic blue lamp. When Dareon goes out to find him, unexpected things start to happen. The two physically and temperamentally mismatched heroes bring to mind a certain pair from classic S&S, but only enough to be good fun, not reeking of thievery.

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In 500 Words or Less: The King in Darkness by Evan May

In 500 Words or Less: The King in Darkness by Evan May

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the-king-in-darkness-by-evan-may-smallThe King in Darkness
By Evan May
Renaissance Press (267 pages, $14.99 trade paperback/$2.99 digital, July 21 2015)

I haven’t had much luck with writing by Canadian authors set in Canadian cities, regardless of genre — which isn’t to say that those sorts of novels aren’t generally good. I’ve just had bad luck, I think, which started with the Canadian literature I was forced to read in university, and led me until recently to avoid speculative fiction set in, say, Toronto or Vancouver.

Clearly I’ve been missing out, though; a while back I read the first of Linda Poitevin’s Grigori Legacy novels and loved it, and now I’ve hit gold with a second spec fic novel set in a Canadian city: The King in Darkness, the debut novel from Evan May, which takes place in our mutual home of Ottawa.

I’ve considered and abandoned the idea of writing a story set in Canada’s capital several times, always worried about the political essence of Ottawa creeping into the work. May manages to write a novel that uses the physical setting of Ottawa in interesting ways — including the grounds around Parliament and the University of Ottawa — while avoiding any of the baggage that our fair city might bring to the narrative. For an Ottawa resident, recognizing locations is like a video game’s Easter eggs; if you know nothing about Ottawa, you don’t lose anything, either, thanks to May’s clear descriptions.

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Red Sonja 0

Red Sonja 0

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red-sonja-0Red Sonja first appeared in the pages of Conan the Barbarian back in the 1970s. Her distinct red hair, iconic chain mail bikini, and total indifference to absurdity quickly made her a fan-favorite. She next appeared in a string of solo adventures for Marvel Feature before getting promoted to her own series. Unfortunately, stories about a woman in a bikini fighting psychedelic monsters just became too silly and sexist as the She-Devil with a Sword made her way into the 1980s. A few years back, some hack wrote a bunch of articles for Black Gate about the glory days of Red Sonja, lamenting that she would never again be as crazy or as fun as she was in her 70s heyday.

Never say never.

Amy Chu and Carlos Gomez are heading up a new Red Sonja series in 2017 and, as a sort of pre-holiday treat, they’re offering a sixteen-page intro story at the super-low price of 25 damned cents. That’s cheaper than a lot of the original Red Sonja issues ran and I’m pretty sure they’re losing money due to printing costs alone. But they’re hoping that potential new readers will risk a quarter on a story that motivates them to stick around for the regular series. Will this gambit pay off? Time will tell.

The issue starts off with a splash page of Red Sonja running up a crumbling stairway, sword drawn in either hand, threatening a Godzilla-sized demon. It’s a badass introduction to our heroine. Or it would be, except for the fact that our first view of the She-Devil with a Sword is an upskirt shot. And Sonja’s not wearing panties. And that’s why I won’t be including panel shots with this review.

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Last of a Series… For Now: The Sea of Time by P.C. Hodgell

Last of a Series… For Now: The Sea of Time by P.C. Hodgell

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oie_1362841tq9cvryr
Baen finally does right by Jame and Hodgell

Earlier this year I promised myself I would finally finish all the volumes in P.C. Hodgell’s Kencyrath series so far. I did that yesterday, with my completion of The Sea of Time (2014). I’m really enjoying the series and book 7 is a blast. Regular readers will be shocked to read my one complaint: it’s too short. Before I explain that, let me fill you in on the book and tell you all about its good points.

First, one more time, the setup:

Thirty thousand years ago, Perimal Darkling began to devour the series of parallel universes called the Chain of Creation. To fight against it, the Three-Faced God forged three separate races into one: feline-like Arrin-Ken to serve as judges; heavily-muscled Kendar to serve as soldiers and craftsmen; fine-featured humanoid Highborn to rule them. For 27,000 years, the Kencyrath fought a losing battle, one universe after another falling to the darkness. Three thousand years ago, the High Lord Gerridon, fearful of death, betrayed his people to Perimal Darkling in exchange for immortality. Fleeing yet again, the Kencyrath landed on the world of Rathilien. Since then, they haven’t heard from their god and Perimal Darkling has seemed satisfied to lurk at the edges of their new home. Monotheists trapped on an alien world with many gods, the Kencyrath have had to struggle to make a life on Rathilien.

Now, the power of the Three-Faced God seems to be reappearing. The Kencyrath believe that only the Tyr-ridan, three Highborn reflecting the three aspects of their god — destroyer, preserver, and creator — will be able to defeat Perimal Darkling. Jame, raised in the heart of Perimal Darkling, is fated to be the Regonereth: That-Which-Destroys.

At the end of the previous book, Honor’s Paradox, series heroine, Jame, had survived all the tests and trials thrown at her by the curriculum and her enemies at the Kencyrath military academy, and was promoted to second year cadet.  The Sea of Time opens with Jame arriving at the Southern Host. The Host is the main force of Kencyrath soldiers, hired out to the wealthy city of Kothifir.

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