Browsed by
Category: Reviews

The Complete Carpenter: Dark Star (1974)

The Complete Carpenter: Dark Star (1974)

Comments 10 comments

Dark-Star-Original-PosterJohn Carpenter, after a few years of relative silence, is back in current movie news thanks to a recent concert tour and the report that he’s once again associated with the Halloween franchise for the first time since producing Halloween III: Season of the Witch in 1983. Although we don’t know if Carpenter plans to get back in the director’s chair at some point, all this is still a reason to celebrate the career of a Titan of Genre, a global treasure and gift to science-fiction, horror, suspense, and action-movie lovers everywhere.

Today I’m inaugurating a feature-by-feature look at Carpenter’s eighteen theatrical feature films. We begin at the beginning: Carpenter’s USC student film that billowed into an accidental theatrical release — Dark Star, the Spaced-Out Spaceship.

The Story

The spacecraft Dark Star drifts through the twentieth year of its apparently infinite mission. The four crew members — accompanied by the cryogenically frozen body of the captain — use intelligent bombs to blow up unstable planets to clear the way for eventual colonization. And, hoo boy, has the crew gotten bored.

Talby (Dre Phaich, voiced by Carpenter) retreats to contemplating the stars through the ship’s dome; Pinback (Dan O’Bannon) tries to rally the crew by pestering them; Boiler (Karl Kuniholm) is into trimming his mustache and punching Pinback in the arm when nobody’s looking; and acting commander Doolittle (Brian Narelle) jams on homemade musical instruments and ponders the waves he left behind at Malibu. Pinback lets an alien captive loose on the ship and screws around with it. A bomb in the cargo bay refuses to disarm itself, Doolittle tries to stop it with a philosophical argument based on Edmund Husserl, Talby flies out the airlock, Boiler almost shoots Pinback in the head, and everyone dies when the bomb develops a god complex and detonates in the cargo bay anyway. John Carpenter went on to make eighteen more films, so apparently all this worked like a charm.

…

Read More Read More

Modular: Yggdrasill, the Roleplaying Game of “Viking Age” Adventure

Modular: Yggdrasill, the Roleplaying Game of “Viking Age” Adventure

Comments 13 comments

yggdrasillcoverRoutine visitors to this site might remember my survey of Poul Anderson’s works, a regular column that has been on indefinite hiatus for about two years now. Causes for this suspension have been 1. Anderson’s two-book Operation Chaos was an absolute drudge of a read, requiring a recovery period that only now might be over, 2. New responsibilities at home decreased available time for my recreational pursuits, 3. The time share for these recreational pursuits was almost wholly dominated by my weekly Pathfinder campaign, a campaign that now finally might be coming to an end.

It’s unlikely that, with increased time, though, I’ll be returning to the Anderson survey. This is because I’ll move onto running other games, one of which already is underway: Yggdrasill.

At first glance Yggdrasill caters to a niche crowd, and I’m certainly a member of that company. I am a Norse-phile. Within my close community, I am nearly alone in my passionate interest — but for one dear friend, who identifies as Norse neopagan. When I first learned about the game just over a month ago, I knew that this “blood brother” would play the game with me. I also guessed that some others in my community would try it out, as well, and they have.

But as I consider just how many other areas of the globe might have the dynamic of interest that I enjoy, I question how viable a business project Yggdrasill might be. Perhaps I shouldn’t: Vikings appears to be a popular TV show; perhaps that series inspired some gamers to go “full Viking.” The “northern thing” clearly is a mainstay of traditional fantasy gaming, an aspect derived from popular fantasy fiction. But in most games where efforts are made to make the northern atmosphere “authentic” — well, they’re not actually “games,” per se, so much as they are campaign settings and supplements, productions such as Lands of the Linnorm Kings in Pathfinder’s Inner Sea setting for Golarion, and The Northlands Saga in Frog God’s Lost Lands setting, and both of these properties actually are about single regions within much larger campaign settings. But with Yggdrasill the northern thing is the whole thing, and that’s catering to a specific taste indeed!

…

Read More Read More

A Bittersweet Twist on Conventional Fantasy: Every Heart a Doorway, by Seanan McGuire

A Bittersweet Twist on Conventional Fantasy: Every Heart a Doorway, by Seanan McGuire

Comments 2 comments

every-heart-a-doorway_seanan-mcguire-smallThe closing months of the year always bring a host of “Best of…” lists. This year I was delighted to see one of my personal top five making those lists: Every Heart a Doorway by Seanan McGuire. A departure from McGuire’s usual fare, Every Heart a Doorway is a bittersweet twist on conventional fantasy that neither shies from more dwells on the darker side of our encounters with the fantastic.

The premise of Every Heart a Doorway isn’t exactly new. Out in the countryside exists a boarding school for unusual children.These children are all children living in the “after” part, the “after” that comes after The End. Each student at Eleanor West’s School for Wayward Children has accidentally stumbled into an otherworld and then returned home to find themselves so changed that they can no longer fit in at home. Some of them are heartbroken at being kicked out of paradise. Some of them are traumatized by what they experienced there. Most of them hope to return to their individual worlds, somehow, by finding their Door again.

We find our own Door into this school through Nancy, a young woman who has just returned from one of several Lands of the Dead. Shortly after her arrival, another student is found dead and Nancy, along with her newly made friends, must find the killer before the school is closed or they become the next victims.

As a murder mystery, the plot itself isn’t innovative. It is well plotted and paced, but there are no real surprises here. It doesn’t need to be, though. The real strength comes from McGuire’s characterizations and the subtle, quiet tone to the work.

…

Read More Read More

Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part II

Atlantis, Vikings, and the Hordes of Kublai Khan: Merlin’s Ring by H. Warner Munn: Part II

Comments 0 Comment

terrortales-smallTime to come clean! When I published Part 1 of my review of Merlin’s Ring last year, it was not because the article was so massive that it had to be broken down into smaller parts. Rather, it’s because I was unable to finish the book promptly, and soon enough unforeseen circumstances left me deprived of my copy, wondering what happened to Gwalchmai and Corenice. John O’Neill suggested I proceed with what I had, and commit to completing the review later.

A replacement book was not an easy find. Mr Munn’s works are like hens teeth where I live. Honestly I have only ever, quite recently, come across one in a second hand book shop – alas it was The King of the World’s Edge, which is the book that caused me to seek out Merlin’s Ring in the first place!

Well, thanks to the internet and a service called Alibris, I finally received a replacement volume from Floridas. Not in as good a nick as my previous, pristine volume, but it is the first printing Ballantine version, which I suppose is something.

Part 1 of my review left off where Gwalchmai had joined forces with Joan of Arc, and became part of the army set to liberate Orleans. One has to appreciate the admiration for St Joan that Mr Munn must have had. His passion for the subject is strong, and the resultant detail a joy to read. My own knowledge of Joan of Arc has (until now) been somewhat sketchy. Pretty much the basics: when she lived, that she was burned as a heretic, and there have been a few recent movies about her.

While I can’t say whether Munn’s account is historically accurate, at least the recent movies have acquainted me with the subject of Joan of Arc. Munn’s Secondary characters are detailed and believable, with small quirks that can easily be believed. One example is Master Jean, the best marksman in France when it comes to the “hand cannon” (predecessor to a harquebus). The secret to his skill is cleverly woven into the plot, something rather mundane by today’s standards but so revolutionary, and risky, for a gunner in those days.

…

Read More Read More

Into the Maelstrom: Berserker: Shadow of the Wolf by Chris Carlsen

Into the Maelstrom: Berserker: Shadow of the Wolf by Chris Carlsen

Comments 5 comments

oie_2231022c1px60owRobert Holdstock is best known for his Ryhope Wood series that started with the 1981 novella “Mythago Wood,” later expanded into the 1985 World Fantasy Award-winning novel of the same name. He would go on to write another six books in the series before his untimely death in 2009. I have only read the novel Mythago Wood, but recommend it highly. It is a fascinating excursion into England’s myths, Jungian archetypes, and damaged familial bonds.

Many readers of the Ryhope books, a series lauded for its psychological depth and poetic style, don’t know that Holdstock wrote at least fifteen earlier novels under various pen names. As Richard Kirk, he contributed to the bloody Raven series (the first of which I reviewed here). His Night Hunter horror series, written as Robert Faulcon, ran to six books. Today, I’m going to look at Shadow of the Wolf (1977), the first of the Berserker trilogy of swords & sorcery novels set in historical Europe, and written under the name Chris Carlsen.

Harald Swiftaxe is a young Norse warrior raiding Ireland for the first time. Despite participating with nearly as much fury and relish as the rest of the warband he belongs to, he lets a monk live out of an odd sense of mercy he doesn’t understand. When he doesn’t rape a woman and kill her child, one of his companions nicknames him “the Innocent.”

Harald is a bit of an innocent, at least as innocent as a red-handed brigand can be. He may be a Viking at heart, primed and ready to kill and pillage, but he also longs to return to his father’s comfortable steading and Elena, the girl he plans to marry.

After leaving Ireland’s shores, Harald heads first for Elena’s town. Instead of a place of warm welcomes, he finds it destroyed and its people slaughtered. While he doesn’t discover his beloved’s body, when attacked by a wounded Berserker he does learn who annihilated the town. Even wounded near to death, Harald’s assailant almost proves too tough for him, but the young Viking survives and kills the raider.

…

Read More Read More

In 500 Words or Less: An Inheritance of Ashes is Absolutely Friggin’ Awesome

In 500 Words or Less: An Inheritance of Ashes is Absolutely Friggin’ Awesome

Comments 2 comments

an-inheritance-of-ashes-smallAn Inheritance of Ashes
By Leah Bobet
Clarion Books (400 pages, $9.98 in paperback/$9.99 digital, October 11, 2016)

The more I write, the harder it is for a novel to really get me excited.

Holy gods did Leah Bobet pull that off with An Inheritance of Ashes.

Though it won the Sunburst Award in the Young Adult category (and a bunch of other accolades) Inheritance has the darkness and intensity of an adult novel, much like The Hunger Games except much better written. The story opens with conflict, as young Hallie is forced to say goodbye to her uncle Matthias, who is finally being forced from their family’s farm and his ongoing feud with Hallie’s father. Flashforward eight years and Hallie is in a similar feud with her sister Marthe, as they struggle to survive in the post-apocalyptic world outside ruined Detroit. (Sidebar: it took me a while to realize Inheritance takes place in a world that once had advanced technology, and even longer to realize it’s actually our world — that’s how masterfully subtle Leah’s writing is, and how engaging her characters are.)

The feud between Hallie and Marthe perfectly captures the type of conflict you have when two loved ones are so afraid of disappointing or losing the other that they hold everything in, and then let the wound fester not because they hate each other, but because they love each other more than anything. But there is so much more to this novel than just that core relationship. There’s the cloud of a recent war against Twisted Things from another dimension, which claimed Marthe’s husband and crippled so many others. You have Heron, veteran of that conflict and secretly in possession of the weapon used to kill the Wicked God, which the military would kill to possess. How the world collapsed before the war is a mystery all its own. And every prominent side character captures your heart in different ways as they try to keep their community alive — because Inheritance is really a story about community coming together in the wake of devastation, to push back the darkness and survive despite pain, loss and disagreement.

…

Read More Read More

October Short Story Roundup

October Short Story Roundup

Comments 1 comment

oie_1554130bqieq2j7October brought another nice batch of heroic fantasy magazines to my electronic doorstep. Among them were regulars Swords and Sorcery Magazine and Heroic Fantasy Quarterly. A newcomer was the old-school paper-and-ink fanzine, Scrolls of Legendry (two issues in fact) from the hands of Swords of Steel maestro, Dave Ritzlin.

I am not sure I have ever heard mention of Swords and Sorcery Magazine outside this column or the blogs of the authors it publishes. While it hasn’t the professional look of Heroic Fantasy Quarterly or Beneath Ceaseless Skies, its commendable dedication to the genre deserves respect and recognition. For nearly five years now, Curtis Ellett has published two new stories each and every month and for that I am very grateful.

Issue #57’s first story is shy on swordplay, but heavy with poetical sorcery. “Ephemera” by David Bowles depicts a magical contest between a Mexican princess and a Japanese monk. In an alternate timeline, Japan has been conquered by the Aztec Empire. The story occurs during the celebration of Tanabata, the Star Festival. The event is a showcase of powerful Aztec magic, held in order to deter encroachment by the Ming Empire and inspire the inhabitants of Nippon.

…

Read More Read More

Oz’s Bag of Holding: Stephen King Edition featuring A Brief Guide, Fear Itself (with an essay by Fritz Leiber!), and Danse Macabre

Oz’s Bag of Holding: Stephen King Edition featuring A Brief Guide, Fear Itself (with an essay by Fritz Leiber!), and Danse Macabre

Comments 2 comments

danse-macabre-originalI have here a bag of holding. I am going to pull some things out of it now…

First up is:

A Brief Guide to Stephen King: Contemporary Master of Suspense and Horror by Paul Simpson (2014)

Funny how I came across this one. I was perusing the bookshelves in The Dollar Tree — all those overstocks and remaindered copies now relegated to the fate of being sold for a dollar.

Every once in a while I make a “find,” but on this occasion, it was looking like there was good reason none of these books had sold for their original double-digit cover prices. The thought actually went through my head, “Too bad you never come across a book by Stephen King in here.” A moment later, King’s name caught my eye! Turns out it was a book not by but about King. Still, it was too much of a sign to ignore, so I bought it.

A Brief Guide is as advertised: a brief, workmanlike bibliography of all King’s work through 2014, with synopses of each. Opens with a short bio. Not a must for shelves of diehard King fans, but I actually found I had plowed through the whole book in two sittings — so it succeeded in its professed purpose as a succinct overview of the author’s career. Every King book, film and TV adaptation, and comic book is covered (indeed, even tie-ins like video games are included). While the synopses are quite short, the author livens it up a bit by including tidbits here and there relating a work to events in King’s own life at the time or King’s opinion or the reaction of critics.

…

Read More Read More

Reading Ellen Datlow’s The Best Horror of the Year, Volume Eight

Reading Ellen Datlow’s The Best Horror of the Year, Volume Eight

Comments 0 Comment

the-best-horror-of-the-year-volume-8-smallDespite me not being a horror writer (or much of a reader, or a movie watcher), it surprises me that about a quarter of my posts end up touching on horror in some way. That being said, I am trying to crack to horror code, to see what makes it work, mostly because I’d love to have additional tools in my writerly toolbelt, and partly because I just like to figure stuff out.

I recently finished reading Ellen Datlow’s The Best Horror of the Year, Volume 8 and thought I’d put my musings to paper (or electrons). In the interests of full disclosure, I appeared in her Best Horror of the Year, Volume 6 and may have gotten an honorable mention in Volume 2. That being said, I’ve got no other interest in this book — I just wanted to read the anthology and talk about it. Make of that what you will.

Now, it doesn’t take much of a definitional search to find the totally intuitive statement that horror fiction seeks to provoke shock, fear, repulsion or loathing. A bit more searching unearths the definition of weird fiction, the cousin of horror, which blends horror, fantasy and science fiction. I’m not trying to be academic or coy with my thoughts on Datlow’s 8th Best of the Year. This kind of grounding was necessary (for me) to fully take in what I was reading.

Why’s that? Ask most anthologists (or for that matter magazine editors who put 8-12 stories per month in an issue) what their concerns are, very often you’ll hear balance.

When I read a Gardner Dozois Year’s Best SF, I know he will balance space opera, with near future, with far future, with alternate history, with literary SF, with military SF, etc, etc. That is to say, like SF, horror has its own sub-genres and each one comes with its own conventions. You may be very disappointed if you read a literary SF story expecting to apply the conventions of military SF to your reading. I didn’t want my inexperience with the horror field to detract from my read of this year’s best.

…

Read More Read More

Saga’s The Starlit Wood Sings!

Saga’s The Starlit Wood Sings!

Comments 8 comments
Hardcover: 400 pages (October 18, 2016)
Hardcover: 400 pages (October 18, 2016)

The Starlit Wood is an anthology of new fairy tales edited by Dominik Parisien and Navah Wolfe, and published by Saga Press.

It is, first of all, beautiful.

Beautiful to look at (just LOOK!), yes, but also to touch. So much care was poured into the initial aesthetics here; it is a book to fall in love with on sight. It has the appearance of both a very ancient — possibly magical — tome in a wizard’s tower, and of a peculiar stained glass window.

Is the image in the glass a tree that is also a doorway? Or is it that, on the other side of the window, there is a tree that is a doorway? And through that doorway, gold and flame.

The people who will love this book will love it before opening it, for the cover keeps its promises.

It begins with the Introduction. They wanted, wrote editors Wolfe and Parisien, for their authors to “move beyond the woods” of a traditional fairy tale. Now, in some stories this means “removing a piece traditionally viewed as integral to the story,” and in others, “putting a character as geographically far as possible from his or her original setting, as Little Red Riding Hood in the desert.” Perhaps most exciting of all (to me, anyway), it still other stories it means “exploring lesser-known or even newly discovered fairy tales.”

What they invite you into — that doorway through the tree, into flame? — is “an adventure that’s strangely familiar, and startlingly different.” And like the cover’s promises, Wolfe and Parisien make good their welcome.

…

Read More Read More