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Mission of Gravity by Hal Clement

Mission of Gravity by Hal Clement

Astounding Science Fiction April 1953-smallOnce upon a time, there was a strand of science fiction called hard science fiction, dedicated to the exploration of scientific puzzles and more-or-less accurate studies of the physical sciences. The roots of this strand would seem to lie in the technology-focused stories of Jules Verne. Sometimes there’s an adventure involved (Larry Niven’s Ringworld), sometimes not so much (Robert Forward’s Dragon’s Egg). Whatever the type of story, in hard sf it was the science that occupied center stage. One of the foremost practioners of this style of science fiction was Hal Clement (1922-2002).

Hard science fiction still exists, obviously. Cixin Liu, Vernor Vinge, and Greg Bear are all writing science-heavy stories. Now, though, there’s less of the puzzle-solving variety, and a greater emphasis on exploring the effects of science on people and society. Larry Niven won a Hugo for the story “Neutron Star,” which hinges on its hero understanding how tides work. I’d be curious if anyone’s written a story like that in the last ten or twenty years. In his overview of The Best of Hal Clement, John O’Neill examined the possible causes for the decline in popularity of hard sf.

Clement published his first story, “Proof,” in 1942, while still an astronomy student at Harvard. After the Second World War (during which he flew 35 bombing missions as a B-24 pilot and co-pilot) he taught astronomy and chemistry at Milton Academy for many years. His first novel, Needle (1950), the story of a symbiotic space detective, was written in response to William Campbell’s claim that a true sci-fi mystery couldn’t be written. His third novel, and today’s subject, Mission of Gravity (1954), is an exemplar of hard science fiction at its diamond-hardest.

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A Wonderful Fantasy Novel for Young Adults: Protected By the Falcon by Erika M Szabo

A Wonderful Fantasy Novel for Young Adults: Protected By the Falcon by Erika M Szabo

Protected by the Falcon-small

Erika M Szabo is both a prolific author and artist, and owns Golden Box Books Publishing Services. Her numerous children’s books, such as MeToo, The Annoying Little Sister, A Basketful of Kittens, and Look, I Can Talk with My Fingers, are delightful and very successful, and many of them have been translated into Spanish.  A nurse by profession, she has written Healing Herbs for Nervous Disorders and Keep Your Body Healthy.

She also writes Young Adult Fantasy, such as Chosen by the Sword — Book Two in her series The Ancestors’ Secrets — and The Curse. A friend of mine recommended I connect with Erika and hire her to do the book cover for my Mad Shadows II: Dorgo the Dowser and The Order of the Serpent, as well as the interior design and layout, formatting and all the technical details that go along with publishing a book. Well, I linked up with her on Facebook and we got to talking, and right away I knew we were on the same page, no pun intended. So I sent her my manuscript, and she started working almost immediately. She even revised and polished up the original map I drew for Mad Shadows: The Weird Tales of Dorgo the Dowser.

While Erika went to work almost immediately, I purchased her Protected by the Falcon and started reading. I had never read a Young Adult Fantasy before (unless you want to count The Hobbit and the Harry Potter series.) Needless to say, as evidenced by this review, her novel was not what I was expecting. Indeed, it was a surprising pleasure to read because it was written and told so differently and in so many ways from the fantasy I usually read. Plus, Erika gave me something in her novel that will always keep me reading: believable characters I can relate to, care about, and even hate. I’ve even read a few of her children’s books, too. So let me tell you a little bit about Protected by the Falcon, and why I liked it. (By the way, Erika works hard and she works fast, too!)

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The Complete Carpenter: The Fog (1980)

The Complete Carpenter: The Fog (1980)

the-fog-blu-ray-coverIn my John Carpenter career retrospective, I’ve now crossed the Rubicon: moving past the director’s most famous and successful film and entering the 1980s, a decade his movies helped define and often looked far beyond … frequently to their initial box office detriment.

The decade opens with Mr. Carpenter in a slight quandary: when you just made the most profitable independent movie of all time (a record unbeaten until The Blair Witch Project more than twenty years later), there’s going to be a bit of pressure for the follow-up. Carpenter stuck with the horror genre for his next film, although a much different type than the realistic slasher of Halloween. Taking inspiration from classic ghost stories, the vengeful corpses of EC Comics, and a trip to Stonehenge, Carpenter and producer Debra Hill came up one of the best low-budget horror elevator pitches: magical fog brings pirate leper ghosts to unleash their wrath on a small seaside town. Yep, pirate leper ghosts.

The Story

Antonio Bay, a sleepy coastal Northern California town where nothing happens, is preparing to celebrate its hundredth anniversary of being a sleepy coastal town where nothing happens. Then everything starts to happen at once when the ghosts aboard the Elizabeth Dane, a leper colony ship that sank near Spivey Point a century ago (timing!), slosh ashore in a shroud of thick, luminescent fog. It turns out Antonio Bay was founded on a double-cross that tricked the leper colony out of their gold and lured their ship with false beacons into wrecking on the shoals. The murderous specters and their pointy fishing tools make a mess out of the lives of folks in Antonio Bay, including lighthouse keeper and radio DJ Stevie Wayne (Adrienne Barbeau), the anniversary event organizer Mrs. Williams (Janet Leigh), a hitchhiking artist (Jamie Lee Curtis), and a priest who’s discovered the dreadful truth about the town’s history (Hal Holbrook).

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Space Viking by H. Beam Piper

Space Viking by H. Beam Piper

Analog November 1962 Space Viking-smallOver the past three-and-a-half years, I’ve written thirty-eight short story roundups (covering about 200 short stories) and one-hundred book reviews for Black Gate. The vast majority of what I’ve read has been swords & sorcery. As much as I love the stuff, I’m getting a little tired and I need to take a break. Not from reviewing, mind you, but S&S. A major point of reviewing was to get myself to read more, and I want to keep that up, but I need some variety.

With the encouragement of our esteemed editor, John O’Neill, I’m going to start by focusing on the science fiction books I devoured in my younger days, as well as some classics I missed the first time around (I just started Hal Clement’s Mission of Gravity). Books by C.J. Cherryh, Gordon Dickson, and Poul Anderson are among the first I’m thinking about reviewing. I hope we all have fun with this, and I’m looking forward to reading everybody’s own recollections about these works. So come along, and let’s get started with one of the foremost novels of the well-loved SF writer, H. Beam Piper: Space Viking (1963).

H. Beam Piper (1904-64) didn’t publish his first story until 1947. Until his death at his own hand, he published nearly thirty more stories and ten novels. Most were science fiction, but he also wrote several mysteries, and was a member of the Mystery Writers of America.

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The Valley of Gwangi Finally Reaches Blu-ray Because I Mistakenly Said It Never Would

The Valley of Gwangi Finally Reaches Blu-ray Because I Mistakenly Said It Never Would

valley-of-gwangi-frank-mccarthy-posterDuring my years of writing for Black Gate, I’ve repeatedly pointed out certain films aren’t available on Blu-ray or DVD … only to discover after I post the article that said films are already scheduled for a release. This happened again three weeks ago when I mentioned that the only Ray Harryhausen film still unreleased on the Hi-Def format was The Valley of Gwangi. I dug myself in deeper by predicting we wouldn’t see one for years because of how slowly Warner Bros. moves with its catalogue titles.

Yet here I am in possession of a Blu-ray from Warner Archive of The Valley of Gwangi and writing about it. Maybe I should start making gloomy declarations about the Blu-ray chances of other favorite movies, just to invoke the intervention of the muse who controls home video releases. (Melpomene, I believe.)

Everyone who loves movies probably has a specific film that seems as if it were made just for them. A Ray Harryhausen stop-motion giant monster in a Western? That’s what I call Ryan Harvey Niche Marketing. The only way The Valley of Gwangi could be more targeted to me is if 1) the monster was Godzilla, 2) Peter Cushing was one of the stars, and 3) Sergio Leone directed it. However, if such an event actually occurred, the shockwaves would’ve knocked Earth from its axial tilt and annihilated civilization. Perhaps it’s for the best we stopped at “Ray Harryhausen giant monster Western.”

Although The Valley of Gwangi has some of the flaws found in other Ray Harryhausen-Charles H. Schneer films (workmanlike direction, some stilted performances), it’s still one of the greatest dinosaur movies ever made, in the same league as One Million Years B.C. and Jurassic Park. Is Jurassic Park overall a superior movie? Yes, but in terms of creative dinosaur action, The Valley of Gwangi competes. The only dinosaur movie that ranks higher than these is the original King Kong.

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Magazine of Fantasy & Science Fiction, Volume 132, No. 3 & 4 (March/April 2017)

Magazine of Fantasy & Science Fiction, Volume 132, No. 3 & 4 (March/April 2017)

f&sf 132 3-4Full disclosure before we start this review: one of the contributing authors is a friend of mine, so take that part of the review with a grain of salt.

The issue starts with “Driverless” by Robert Grossbach, one of those “what if machines came to life” stories told in a near-future where driverless cars dominate the roadways. A few decades back, this would have been nothing but fanciful storytelling, but with recent advances in both artificial intelligence and driverless technology, it might actually be a problem that we have to deal with in the years to come.

“The Toymaker’s Daughter” by Arundhati Hazra takes a common story idea of toys magically coming to life and follows it through the real world consequences.

“Ten Half-Pennies” by Matthew Hughes is the first story in what promises to be an ongoing series about a wizard’s apprentice (the next story is actually advertised as set to appear in the May/June issue). Here we see a bullied child grow into a collection agent and then wizard’s apprentice, all the while maintaining his own moral code. Both the characters and the magic system are well-defined in this piece about honor and debt.

“The Man Who Put the Bomp” by Richard Chwedyk is the next novella in his award-winning Saur series. The basic premise is that miniature talking dinosaurs are designed by a genetic research firm and sold as pets. When problems arise with the saurs, production is discontinued and surviving saurs are relocated to shelters. The series concerns one such shelter and the wonderful assortment of odd characters (both saur and human) who live there. I’ve been listening to Richard Chwedyk read these stories for years and it’s impossible for me not to hear his voice in my head when I’m reading them. Not only do we learn about the man who put the “bomp” in these saurs, but we find out why they should never be placed behind the wheel of an automobile (the cover art by Bryn Barnard should give a hint as to how badly it can go). I’m seriously waiting for a collection of all these stories to appear somewhere and will keep you posted when it happens.

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Nightmare, Issue 51 (December 2016)

Nightmare, Issue 51 (December 2016)

nightmare-magazine-51-smallOne of the biggest advantages that digital magazines have over print magazines is that it’s very easy to keep digital editions available indefinitely. So if you discover a magazine starting with, say, issue 52, it’s easy to go back and purchase every back issue at “cover price.” Which is why, during my month-long wait between new issues of Nightmare, I can wile away the hours by reading from their extensive backlist.

My favorite story of the issue just happens to be the first, “I was a Teenage Werewolf” by Dale Bailey. This is part of a series of stories Bailey has written that take the titles of cheesy 1950s sci-fi/horror movies and uses them as springboards for brand new pieces (check out “Invasion of the Saucer Men,” “I Married a Monster from Outer Space,” and “Teenagers from Outer Space“). It’s bit of slow going at first, but we eventually get something that’s not only a story about a werewolf, but about how adults will use any excuse to restrict the freedoms of the young “for their own good,” all while doing almost nothing to actually protect them. If nothing else, read it for a prom scene that beats the prom in Carrie, hands-down.

Next up is “Blood Drip” by Brian Evenson (originally published in Granta), a story that plays nicely with the unreliable narrator trope. Coupled with a vague setting, the story feels timeless in both its themes and its surreal imagery.

“The Dark Edge of Life” by Livia Llewellyn, on the other hand, goes out of its way to define time and place as a “found document” style of story. We know that something terrible has happened and the story fills in enough blanks to scare, but not so much to bore us with detail. The added effect of presenting the story in fragments (suggesting that pieces of an original manuscript were either consumed in a disaster or purposefully destroyed) adds to the mystery.

Finally, “The Opera Singer” by Priya Sridhar (originally published in She Walks in Shadows) is a compelling take on the “deal with the devil” and possession tropes, told from the point of view of an aging woman asserting her will against … well, it’s not exactly a demon.

As always, you can go to www.nightmare-magazine.com and read all of these stories (as well as accompanying author spotlights) for free. But Nightmare is only able to continue showcasing this work with financial support, so why not drop $2.99 and buy an issue? If you like it, they’ll have plenty more back issues to sell you.


Michael Penkas has been writing horror, mystery, science fiction, and fantasy stories for years. His first mystery novel, Mistress Bunny and the Cancelled Client, is available in print and electronic editions. Learn more about his work at http://www.michaelpenkas.com/.

Ellery Queen Mystery Magazine, Vol. 149, Nos. 1 & 2 (January/February 2017)

Ellery Queen Mystery Magazine, Vol. 149, Nos. 1 & 2 (January/February 2017)

ellery_queens_mystery_201701-02So how are things going in “The World’s Leading Mystery Magazine?” Quite well, as it turns out, despite some significant format changes that began in the January/February 2017 issue. To save on printing and shipping costs, they’ve made the switch from monthly to bi-monthly issues, but made up for it by providing twice as many pages per issue, meaning that long-time subscribers won’t have to sacrifice a single page of mystery goodness. This issue, for example, has seventeen tales of crime and deduction.

It opens with “A Slaying Song Tonight” by Vicki Weisfeld. Honestly, I had trouble keeping track of all the characters in this one, so that the revelation of “whodunnit” kind of turned into “whowuzzthat.” Basically, one of a group of Christmas carolers commits a murder on their caroling route and it’s up to two of those carolers to suss out the guilty party.

“Flowing Waters” by Brendan Dubois was easily my favorite story of the whole bunch, concerning a military veteran who deals with her PTSD by adopting a dog who’s seen her own share of violence. Don’t feel ashamed if you cry by the end of this one.

“The Twelve Days of Dunwich” by Barbara Nadel provides a rare turn into supernatural territory with a crime story in which the narrator is the victim, who is dead … but not quite gone.

“The Children of Espiritu Santo” by David Dean concerns a gang that’s terrorizing a small town, specifically a church where a possible holy relic has recently been discovered.

“After Closing Time” by Nova Lee Maier is another one of those “plot to murder the spouse goes horribly awry” stories, complete with an appropriate O. Henry-style twist at the end.

“Night Terrors” by Owen Leddy is another standard trope story, this time it’s the one about the man who dreams of committing a murder every night, unsure why he’s plagued by the recurring dreams and terrified that those dreams will soon come true.

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Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

Asimov’s Science Fiction, Vol. 41, Nos. 1 & 2 (January/February 2017)

asimovs_science_fiction_201701-02This year marks the 40-year anniversary of Asimov’s and this issue not only includes a brief recap of the magazine’s history in an editorial, but also comments from each of the contributing authors about when they first read the magazine and what it means to them.

Check out the cover art by Maurizio Manzieri. That’s a scene from the first story in the magazine, “Crimson Birds of Small Miracles” by Sean Monaghan. On the surface, the story is about a father taking his two daughters to see the beautiful mechanical birds of the title, but there is also a much deeper and more touching story at work here, illustrating the truth that some tragedies will continue to follow us into the future, no matter how many advances we make with technology.

Next is “Tagging Bruno” by Allen M. Steele, a tale set in the future and on another world, yet concerned with current debates on wildlife preservation. Sure, it gets a little preachy, but the characters are all well-defined and the ending has just a tinge of fun irony to it.

“Still Life with Abyss” by Jim Grimsley starts with that old science fiction trope of the parallel universe and reverses the standard story. It’s set in a research station that monitors activities in all of the parallel universes. Of course, there are the usual “What if?” universes (America lost the Revolution, the South won the Civil War, the Nazis won World War II), but also all of the small changes in individual people’s lives. The idea is that we all have alternate paths that our lives might have taken and on some parallel world, we did. But the research team has discovered one man, one solitary man in all the recorded multiverse, whose life NEVER deviates from a single course, no matter what happens around him.

“Fatherbond” by Tim Purdom follows a group of human colonists who arrive on a new world, only to discover that another race of aliens has already arrived and is forbidding anyone to colonize it. The argument against colonizing is an interesting one. While there is no intelligent life native to the planet, intelligent life might naturally evolve there over hundreds of millions of years. So colonization is wrong not because it would displace current inhabitants, but rather because it would interfere with the natural evolution of future inhabitants. Obviously, some of the humans feel differently and the aliens’ motives aren’t as pure as initially stated.

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February Short Story Roundup

February Short Story Roundup

oie_13616139DhBwLErAnother month, another roundup of solid swords & sorcery short fiction for your enjoyment. Follow along for a look at February’s offerings.

Swords and Sorcery Magazine Issue 61 kicks off its sixth year of publication with a bang; actually, a pair of bangs. The first little explosion comes in the form of a group of friends making stupid decisions in Tom Lavin’s “Trouble in the Viscount Tavern.” Deon surprises his friends Tenny and Ruald with a strange book left behind by an inn guest. Though its cover advertises it as Giselder Farnbrak’s Herbs and Homely Cooking, inside are spells. Despite misgivings from Deon, the others start to read some out loud for a lark. Lavin’s description of the resulting horrors is bone-chilling.

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