Admit it. You are singing this song in your head right now. And possibly craving fruit loops.
I’m a child of the 80s. And 90s. I’m technically a member of a little sliver generation in between Gen X and the Millennials, and even that depends on who wrote the chart you’re looking at. But the point is, Levar Burton was a pivotal figure in my childhood. First through “Reading Rainbow”, the long running and highly acclaimed literacy program for children on PBS, and then via “Star Trek: The Next Generation”. I still remember the first season of Reading Rainbow: it premiered in 1983, and I was an avid watcher. When “The Next Generation” premiered four years later, I was just at an age to appreciate it. So when I heard that Burton was launching a new podcast series for adults via Stitcher, I was quick to subscribe.
It has been an outstanding addition to my podcast feed.
Farway McCarthy’s mother is one of the most famous time travelers ever to record the past. Since she disappeared when he was a child, never returning from an expedition to ancient Egypt, his only hope of finding her again is by following in her footsteps and becoming a field agent for the Corps of Central Time Travelers himself. He’s his class’s valedictorian going into the final exam, so this dream lies within his grasp. There’s just one more simulation to ace.
But then the unthinkable happens. He fails.
Somebody must have rigged the simulation. He didn’t get nearly close enough to the actress playing Marie Antoinette for her to notice him. Plus, she had the gall to wink at him in that knowing way as the hologram of Versailles vanished around him and the warehouse reappeared. He’d been set up.
Far pleads his case to the Headmaster to no avail. Just like that, he’s expelled from the Academy instead of graduating. If someone from the past could guess you’re a visitor from the future, you’ve got no business being a Recorder. Such carelessness could undermine the whole fabric of time.
Far leaves his exam knowing he’ll never get the chance to time travel. Trapped in the present, he’ll never find his mother. He’ll never even get the chance to look.
“Subject Seven has been successfully redirected,” an anonymous memo informs the reader as Far faces his bleak new future.
That’s when a mysterious handwritten note invites Far to meet with a black-market trader. The Corps of Central Time Travelers aren’t the only ones who own time machines, it turns out. Far can captain one (the Invictus) by accepting the trader’s extortionate terms, which, of course, he does.
Terry Bisson was born on February 12, 1942. In addition to writing his only original novels and short stories, including Fire on the Mountain, Voyage to the Red Planet, and The Pickup Artist, Bisson has written several media tie-in novels and completed Walter Miller, Jr.’s Saint Leibowitz and the Wild Horse Woman.
He has won the Nebula Award for Best Short Story twice, for “Bears Discover Fire” and for “macs.” Both stories also won the Locus Poll. “Bears Discover Fire” also received the Hugo Award for Best Short Story and the Theodore Sturgeon Memorial Award. “macs” received the Grand Prix l’Imaginaire and the Xatafi-Cyberdark Awards for translations. In 1993, Bisson received the Phoenix Award from DeepSouthCon.
“Scout’s Honor” was first purchased by Ellen Datlow for the online ‘zine Sci Fiction, where it appeared in the January 28, 2004 issue. It was reprinted the next year in both the Hartwell/Cramer and the Dozois Year’s Best anthologies. Bisson included the story in his collection Greetings and the story was translated into Italian in 2008. It was short-listed for the Theodore Sturgeon Award.
Daniel F. Galouye was born on February 11, 1920 and died on September 7, 1976. His debut novel Dark Universe was nominated for the Hugo Award in 1962. In 2007, Galouye was recognized with the Cordwainer Smith Rediscovery Award.
Galouye’s stories have been collected in The Last Leap and Other Stories of the Super-Mind and Project Barrier. At least five collections of his works have been published in German translation over the years. Galouye published a total of five novels during his career, and numerous short stories beginning in 1952 and ending in 1970. His novel Simulacron-3 was adapted into the film The Thirteenth Floor in 1999. He also published under the pseudonym Louis G. Daniels.
“Sitting Duck” was published in the July 1959 issue of If, edited by Horace L. Gold. It was reprinted in the 1965 anthology The 6 Fingers of Time and Other Stories and a second time in Things from Outer Space, edited by Hank Davis, in 2016.
Ray Kirkland is a reporter in a world where something strange is happening, although nobody knows what it is. It impacts Kirkland directly when his wife suggests they take a look at a house that has suddenly appeared on a plot of land they were considering buying. Something about the house (4 kitchen, , 1½ bedrooms) seems off to him, but when he tries to investigate his editor suggests it is just a marketing ploy and tries to turn his attention another way.
Coincident to all this, Kirkland’s father-in-law is preparing for duck hunting season by building decoys and setting up duck blinds. The juxtaposition of the two threads allows the reader to see that the strange occurrences Kirkland is investigating are simply decoys created by an alien race.
John Carpenter has seen plenty of his films underperform when first released, only to turn into cult icons years later. But Big Trouble in Little China, Carpenter’s ninth feature film, didn’t just underperform. It was the biggest flop of his career up to that point, pulling in $1.1 million against a budget of $25 million. This ended Carpenter’s phase with the big studios and sent him back to the indie world.
Big Trouble in Little China started on the page as a Western set in 1899. It was rewritten for a modern-day setting by script-doctor (and Buckaroo Banzai director) W. D. Richter before Carpenter arrived. Carpenter sparkled up the screenplay with his love of screwball comedy characters and dialogue and took inspiration from Chinese martial arts fantasy movies like Tsui Hark’s Zu Warriors of the Magic Mountain. Out of this stew, Carpenter created what he called “an action adventure comedy Kung-Fu ghost story monster movie.” Something for everybody. Kurt Russell promised audiences in a promotional featurette that they’d definitely get their five-bucks’ worth.
But the final product baffled the executives at 20th Century Fox. The studio dumped the promotional marketing into the sewer, contributing to the movie’s massive box-office crash. But, according to the Law of John Carpenter Cult Movies, Big Trouble in Little China gained a second life on cable and video. By the mid-‘90s, when the Hong Kong martial arts fantasy/comedy genre blew up in North America, this ode to Kung Fu, movie serials, Chuck Jones, and clueless macho heroes had become a classic.
The Story
Jack Burton (Kurt Russell) is the tough-talking, hoagie-munching truck driver of the Pork Chop Express. He arrives in San Francisco and meets his buddy Wang Chi (Dennis Dun) for beer and pai gow. Jack drives Wang to the airport to pick up his friend’s fiancée, Miao Yin (Suzee Pai), who’s arriving from Beijing. But at the airport, a Chinatown street gang kidnaps Miao Yin to sell to a brothel. When Jack and Wang pull into Chinatown to search for her, they land in the middle of a war between the ancient societies the Chang Sing and Wing Kong — as well as an eruption of strange magic that leaves Jack Burton confused for … well, pretty much the rest of the movie.
John Shirley was born on February 10, 1953. Shirley’s novels include his debut, Transmaniacon, inspired by the Blue Öyster Cult song “Transmaniacon MC,” the Eclipsetrilogy, and Crawlers. He has written men’s adventure novels under the pseudonyms D.B. Drumm and John Cutter, as well as several film and comic tie-in novels.
Shirley won the Bram Stoker Award and the International Horror Guide Award for his collection Black Butterflies: A Flock on the Dark Side in 1999. That same year, he was the Author Guest of Honor at the World Horror Convention in Altanta. In addition to his career as a writer, Shirley has performed with the band The Screamin’ Geezers and has written lyrics for Blue Öyster Cult and an episode of Star Trek: Deep Space Nine.
Although John Shirley’s “Occurrence at Owl Street Ridge” was originally written for Strange Attraction, an anthology of stories based on the Dark Carnival sculptures of artist Lisa Snellings (itself inspired by the Dark Carnival writings of Ray Bradbury), the story first saw print in the program book for the 1999 World Horror Convention, held in Atlanta with Snellings as the Artist Guest of Honor and Shirley as the Author Guest of Honor. Shirley also included the story in his 2001 collection Darkness Divided.
The title “Occurrence at Owl Street Ridge” is, of course, a reference to Ambrose Bierce’s “An Occurrence at Owl Street Bridge,” and Bierce plays a minor role in the story, which is also modeled after Bierce’s tale of the attempted execution and escape of Peyton Farquhar. In this case, Shirley’s main character is Dana, a disaffected woman who has lost her job as an executive assistant because she was caught using her work computer for her hobby as an artist one time too many.
Returning home to share the news with her husband, Reuben, who is only working part time at the brewery, she comes across her four teenage kids, each with their own issues ranging from asthma to potential drug use to weight issues. Rather than getting the support she needs from her homelife, she only sees how miserable her entire family is.
RecipeArium
By Costi Gurgu
White Cat Publications (312 pages, $15.99 paperback, 2017)
When my Toronto-based colleague Costi Gurgu launched RecipeArium last year, I read the blurbs and early reviews and really had no idea what to expect from it. It sounded either like a novel or a tongue-in-cheek alien cookbook, and I wasn’t able to make it to any of Costi’s events to figure out which it was (even when one was at a conference I help organize). Me and this book were like ships in the night. Or it was avoiding me, to hide its secrets.
Okay, maybe that sounds a little crazy. But now that I’ve finally read RecipeArium… the novel is a little crazy. And it turns out I was sort of right, since it’s a mashup of a novel and a cookbook.
Laura Frankos was born on February 9, 1960. She has written the historical mystery novel St. Oswald’s Niche, and The Broadway Musical Quiz Book. Frankos has also written several short stories. She is married to author Harry Turtledove and is the sister to author Steven Frankos.
“A Late Symmer Night’s Battle” appeared in Esther Friesner’s Turn the Other Chick, part of her long-running Chicks in Chainmail series. It has not been reprinted.
As the title indicates, the story was inspired by the works of William Shakespeare. Frankos’s fairies are battlemaidens, currently living in a period of peace following their epic defeat of the reremice. They are working on their armor, training, and engaging in more amorous pursuits when their lands are unexpectedly attacked by bands of kobolds.
“Cover the back of your necks! It’s going for your necks!”
“Use the black hole gun!”
“I’m out of Hero Points!”
“Kill them! Kill them!”
“Argh!”
Yes the house is full of teens playing a review copy of indy game I Love the Corps, a self-consciously SciFi game which hits the notes of 90s Military SF, with a dose of Aliens, plus video games like Call of Duty and Mass Effect (the referee’s book has a handy appendix of inspirations, including music). The lads range from 12 through to 16, with my son Kurtzhau, 14, in the middle and in the thick of it refereeing an ambitious one-shot he’s crafted involving rebel humans and sinister uploading aliens, epic scale space dreadnoughts, and more twists than a sack-full of broken micro USB cables.
Mary Robinette Kowal was born on February 8, 1969. Originally a puppeteer, she began publishing fiction in 2004, with her first novel, Shades of Milk and Honey, arriving in 2010.
In 2008, she won the John W. Campbell Award for Best New Writers and has gone on to win the Hugo Award three times, each in a different category. In 2011, she won the Hugo for Best Short Story for “For Want of a Nail.” She won for Best Related work for season seven of Writing Excuses, a podcast she produces in collaboration with Brandon Sanderson, Dan Wells, Howard Tayler, and Jordan Sanderson, and in 2014 for her novelette “The Lady Astronaut of Mars.” She has served as both Secretary and Vice President of the Science Fiction and Fantasy Writers of America and continues to volunteer for the organization in various roles.
“Just Right” was Mary Robinette Kowal’s first sale, and it appeared in The First Line in Summer 2004.
On the surface it tells the story of a woman who is dealing with the strange eccentricities of her six year old son. Celia’s husband, Lou, usually handles the morning rituals because Celia leaves each day to teach school. With the start of Summer vacation, however, she has suddenly thrown into the morning domestic routine and learns that her son, Mason, likes to do things in very specific, seemingly childish ways. When Celia stop playing along, Mason throws a very atypical temper tantrum.
While “Just Right” seems like a slice of life tale, it really is a very effective short horror story. Celia doesn’t understand what is happening because she is missing a very basic piece of information.
The effectiveness of the story comes from the banality of Celia situation. Anyone with children has experienced the seemingly random meltdowns when a child doesn’t get its way and learns how to handle the child. In this case, Celia is learning that the typical methods of raising her son aren’t always effective, although she is unaware of the cause.
