Gene DeWeese was born on January 31, 1934 and died on March 19, 2012. DeWeese wrote several television and gaming tie-in novels, including work in the Lost in Space, Ravenloft, Star Trek, and Man from U.N.C.L.E. universes as well as original YA novels.
DeWeese has collaborated with Robert Coulson and has used pseudonyms including Jean DeWeese, Thomas Stratton, and Victoria Thomas. His novel The Adventures of the Two-Minute Werewolf was adapted into a television film. He served as a technical writer on the Apollo program.
“The Man in Cell 91” was published in Time Twisters, edited by Jean Rabe and Martin H. Greenberg and released in January 2007.
The title of the story, “The Man in Cell 91” provides a certain expectation for the reader as an unnamed man, alone in a cell, is suddenly visited by dreams or visions, each one showing people in despair at the moments of their deaths. Without any agency or understanding why, the man sees people starving to death, being killed in battle, and eventually a priest committing suicide because his sexual transgressions have been discovered, and one of the priest’s victims committing suicide.
As the man comes to an understanding, DeWeese begins to reveal his identity, providing the reader with their own sense of understanding. The story isn’t quite an alternate history, nor a secret history, but does offer a look at a potential alternative to our own timeline.
Four years ago, I posted an explanation of what I’m trying to do with my reviews for Black Gate. My stated goal was, and remains, to be someone who says to readers, “Here’s a book I think you’ll get a kick out of.” There were several people who did that for me, turning me on to books and authors I still hold dear, and I want to do that for others. Like most fans of something, I want to convince people the things I like are worth their time and are still relevant.
It can be hard to pierce the barrier built of cultural noise, the vast wealth of new fantasy being written every year, and the simple passage of time, and convince someone a book that’s fifty years old or more is worth his time. Pop culture reflects the larger society that produces it, and people want to see their concerns and interests in it. That people still read Sir Arthur Conan Doyle and Robert E. Howard more than eighty years after both their deaths, though, tells me it’s not a hopeless battle.
I’m not the only person doing this, not by any stretch of the imagination. Of particular interest has been the wealth of discussion about Appendix N that has taken place over the past five or six years on message boards, blogs, and podcasts. For the two of you who don’t know what Appendix N is, it’s a quirky list of fantasy and sci-fi books that inspired Gary Gygax, the primary creator of D&D. There are few works on it I haven’t got to, though I was recently taken to task for my negligence of A. Merritt.
The list was in the Dungeon Masters Guide. Back in the day, it didn’t mean too much to me, only because I’d already read most of the authors on the list, and so had most of my gaming friends. Still, it was cool to see Gygax liked the same books we did. Because so much of the present Appendix N conversation has tended to focus on gaming, something I don’t do anymore, I’ve mostly just listened. Other than a couple of conversations about individual books, I’ve sat off to the side.
Gregory Benford was born on January 30, 1941. He helped start the first science fiction convention in Germany, WetzCon, in 1956 and the first convention in Texas, Southwestern Con, in 1958. He received the Nebula Award for Best Novelette in 1975 for his collaboration with Gordon Eklund, “If the Stars Are Gods.” His novel Timescape received the Nebula Award for Best Novel, the John W. Campbell Memorial, Jr. Award, the Ditmar Award, and the British SF Association Award. It also loaned its name to a publishing imprint. Benford received a Phoenix Award from the Southern Fandom Confederation in 2004 and a Forry Award from LASFS in 2016. Benford was the Guest of Honor at Aussiecon Three, the 1999 Worldcon in Melbourne, Australia.
“Down the River Road” was included in After the King: Stories in Honor of J.R.R. Tolkien, edited by Martin H. Greenberg. Originally published in January 1992, the book and all the stories in it were translated into Dutch, Italian, and French. The story has not appeared outside of the original anthology.
Gregory Benford is best known as an author of hard science fiction, so while it might be surprising to come across his “Down the River Road” in a collection of stories honoring J.R.R. Tolkien, it isn’t surprising that underneath the fantasy veneer his world seems to have scientific underpinings. John is traveling on the dangerous river, trying to find his missing father. Along the way, he takes on a variety of odd jobs, during one of which he finds himself unloading a ship with the aid of Zoms, the reanimated dead. One of the Zoms could be his father, but he can’t be sure.
At the very top of my Books to Read shelf I have a slowly growing collection of Ace Doubles. I usually work my way forward numerically, starting with the D series, but will occasionally jump back a few if a new addition arrives. Thanks to this habit (and some other haphazard literary tastes) I am still, pleasantly, stuck within the Ace Double D range.
The next one in the schedule is a well preserved book with both sides by the same author, Robert Moore Williams. Ace Double D-427 comprises a “complete” novel, World of the Masterminds, and a collection of short stories, To the End of Time and Other Stories.
Robert Moore Williams wasn’t an author I was familiar with, although Black Gate readers will have encountered the oddmention of him, including a 2015 review by Rich Horton of the Ace Double The Star Wasps by Robert Moore Williams, paired with Warlord of Kor by Terry Carr.
Monte Cook was born on January 29, 1968. Cook has mostly focused his attention on the gaming sector, working for Iron Crown Enterprises on Rolemasterand Championsbefore moving to TSR, where he designed the game Dark•Matter.
After TSR was purchased by Wizards of the Coast, he was put in charge of the 3rd edition of Dungeons and Dragons. He left Wizards of the Coast and eventually started Malhavoc Press and published game supplements. Cook eventually founded another gaming company, Monte Cook Games.
“Born in Secrets” was published in the January 2000 issue of Amazing Stories, edited by Kim Mohan. The story is set in the world of Dark•Matter and the magazine had an essay about the game published alongside the story. Cook would publish a novel, Of Aged Angels, set in the same world the next year.
“Born in Secrets” tells the story of Jessie Campbell and Lewis McAndrews, two hydrogeologists working on a lengthy assignment in South Dakota when they stumble across an old sod house in the desert. Taking a break from their more pedestrian duties, and at Jessie’s urging, they explore the building and find some rusted tools and an old engraving metal platter.
Intrigued by their discovery, Lewis uses the internet to try to figure out what the German engraving means. Although he isn’t able to translate the entire thing, he does come across a reference to “Ministers of the Mind” and tries to learn what he can, sending e-mails to various websites. The few responses he receives are anything but enlightening and he shares them with Jessie before they abandon the mystery to return to their work.
Eventually, they are contacted by people who are tied to the Minsters of the Mind and learn that most of their wild speculations were true. They are now hosts to a second consciousness, which the Ministers believe is the next step in evolution.
Parke Godwin was born on January 28, 1929 and died on June 19, 2013. He received the World Fantasy Award in 1982 for his novella The Fire When It Comes. Godwin published the Arthurian novels Firelord, Beloved Exile, and The Last Rainbow as well as the Robin Hood novels Sherwood and Robin and the King. His Snake Oil series was a religious satire. He co-wrote the novels The Masters of Solitude and Wintermind with Marvin Kaye.
“The Night You Could Hear Forever” has only appeared in its original publication, the September/October 1992 issue of Pulphouse: A Fiction Magazine, edited by Dean Wesley Smith.
“The Night You Could Hear Forever” isn’t really a science fiction story, except in the way it describes the way people use technology. Its viewpoint character is located in Truckee, California and when he can’t sleep at night, he signs onto his ham radio equipment.
On the night Godwin describes, the atmospheric conditions are perfect and he is able to connect with other ham operators located in New Jersey, Utah, and Mississippi, each of whom are known to each other on the radio, but not in person, and only by the names of their states. In many ways, their relationship mirrors many relationships people now have online. Although the characters all have very different political views and backgrounds, they are able to remain friends, even as they disagree.
Unlike the online medium, using their voices allows them to get additional context and humanizes them. As they discuss the problems with the state of the country, they are joined by a new voice, from Maryland, who has not joined their nightly rap sessions, although Utah thinks the voice is familiar. Today’s world is mirrored in this story, although the technology has changed tremendously. The internet, however, causes anonymity without the sound of voices and inflection, so the friendship Godwin’s characters have managed to build despite their differences seems rarer in the modern era.
Go-ji-ra — a strange word with mythic resonance when it rolls off the tongue of native Japanese speakers. But it’s a tough sell as the English title of a 1950s monster movie. For the sake of global audiences, the Foreign Sales Department of Toho Studios gave their 1954 movie and its monster a Romanized name: Godzilla. It makes sense as a transliteration: the katakana character shi (シ) in Gojira (ゴジラ) can be Romanized as -dzi-, and the “R” sound in -ra (ラ) slides into an “L.” By happy accident — or sly intention — Toho baptized their behemoth with the word God at its front, hinting at a creature greater than life, dominant in a way no mere monster could be.
The highest compliment I can give to the new animated film, Godzilla: Planet of the Monsters (currently streaming on Netflix), is that it explores and explodes the “God” in Godzilla. Other movies in the series have emphasized the monster’s inscrutability and deity-like unstoppability. The first mention of Godzilla in the 1954 original comes from an old fisherman who speaks of a legendary beast that has kept his island in fear for centuries. Planet of the Monsters pushes this god(zilla)hood into the spotlight. Godzilla has literally conquered Earth, driving the scraps of humanity into exile in space, then transforming and ruling the planet’s ecosystem unchallenged for twenty thousand years. This is Godzilla Earth, where the monster is both creator and destroyer.
K.D. (Kathy Diane) Wentworth was born on January 27, 1951 and died on April 18, 2012. Wentworth was nominated for the Nebula Award four times, for the short stories “Burning Bright,” “Tall One,” and “Born Again” and for the novelette “Kaleidoscope.” Wentworth published two novels in the Heyoka Blackeagle series and two novels in the House of Moons Chronicles. She also co-wrote two of the novels in the Jao Empire series in collaboration with Eric Flint and two stand-alone novels.
“Her Fair and Unpolluted Flesh” was published in Treachery and Treason, edited by Laura Anne Gilman for Roc in 2000. It has never been reprinted.
K.D. Wentworth creates a religion which based on the holy scripture of the play Hamlet in “Her Fair and Unpolluted Flesh.” Based on what Father Benedicto and Father Frederick say, the religion is extremely misogynistic, claiming that women are soulless and have no reason to learn to read or do anything useful.
Set in a nunnery of ophelias, the women are trained to follow in her tragic footsteps to honor the glory that was the character of Hamlet. One of the sisters is to be selected to participate in a ritualistic drowning and is placed into the care of the young, and unsure Father Frederick.
From a Certain Point of View
By Various Authors
Del Rey (400 pages, $35.00 hardcover, $14.99 eBook, October 2017)
I’m a massive Star Warsfan and grew up loving the Expanded Universe novels. My first exposures to writing greatness were people like Timothy Zahn, Christie Golden, and Kevin J. Anderson. When Disney announced that the Expanded Universe wasn’t canon anymore, I was pissed like a lot of people, and as much as I’ve enjoyed the new films, I couldn’t bring myself to read any of the new fiction.
Is that petty and stupid? Probably, especially when you consider the caliber of writers who are being brought on to write the new EU. And that if I’m ever at a career level to be offered a spot in that canon, I’ll probably take the deal.
So I finally shook off my old-timey stubbornness and bought a copy of the new anthology From a Certain Point of View. Big surprise: I have mixed feelings about it.
On the one hand, there are some amazing stories here. “Master and Apprentice” by Claudia Gray shows the ghost of Qui-Gon Jinn visiting Obi-Wan Kenobi before he takes Luke to Mos Eisley, and it’s touching and tragic because Qui-Gon knows what’s about to happen to his former apprentice. Wil Wheaton reminds us about the sacrifices of the average rebel in “Laina,” and Nnedi Okorafor brings us into the mind of the Death Star’s dianoga in “The Baptist.” There’s a great combination of writers, including a few Star Wars veterans (Christie Golden among them) and the likes of Ben Blacker, Mur Lafferty, Chuck Wendig, and more.
