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Ten Things I Think I Think: October 2023

Ten Things I Think I Think: October 2023

A (Black) Gat in the Hand takes a week off for a somewhat Robert E. Howard-centric installment of Ten Things I Think I Think. Books, television, movies, and even a computer RPG are in the mix today.

1) Jules De Grandin is a new favorite

Being a Robert E. Howard guy, I am familiar with Weird Tales – home to much of his best work, including Conan, Kull, historical fiction, and Solomon Kane, among much more. But not being into horror, I don’t really read anyone else from ‘The Unique Magazine.’

But I recently bought the audiobook for The Horror on the Links. It is Volume One of The Complete Tales of Jules De Grandin. A few stories have been a bit much for me in the macabre category, but Seabury Quinn’s doctor-former Surete policeman is an Occult Detective version of Hercule Poirot. I am absolutely loving the mix. I’m nearing the end of this collection, and I’ll be listening to Volume Two next.

De Grandin is a French transplant to fictional Harrisonville, New Jersey. His Watson is Dr. Trowbridge, and they investigate both cases that have natural, as well as supernatural, solutions. Each audiobook is about 25 hours long, which is a lot of entertainment. Paul Woodson does a great de Grandin. There are over 90  stories – including one serialized novel. As a Poirot fan, I’m totally in on these. I’ve been kicking around the idea of a de Grandin/Nero Wolfe crossover.

 

2) “The Horror from the Mound” is Quite a Story

Sticking with horror, I was hoping to have an essay ready today for Robert E. Howard’s “The Horror from the Mound.” It’s a (then) contemporary Weird Western which also appeared in Weird Tales. I’d read it before, and with one foot in ‘today’ and one firmly in the mid 1600s, may be my favorite REH horror story. Still working on the essay.

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The Remarkable Pathos of Vlad Dracula Tepes

The Remarkable Pathos of Vlad Dracula Tepes

Good aftevenmorn (whensoever you read this article),

When last speaking of video game to series adaptations, I left off one extremely brilliant adaptation. This was for two reasons. The first was that it was an adaptation into an animated series, which means a great deal more improbable things would work due to the medium that made adapting a little easier. The second was, shamefully, I completely forgot it existed.

I am, of course, talking about Castlevania.

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Goth Chick News: The Ultimate October Watchlist from Peacock

Goth Chick News: The Ultimate October Watchlist from Peacock

Spooky season is upon us and that means it’s time to binge watch everything scary. From episodic favorites like American Horror Story and True Blood, to perennial films like Halloween (the original) and The Shining, the only thing better than filling up the month of October with all sorts of video goodness, is getting off the couch long enough to attend some haunted attractions. Though most streaming services pay some sort of homage to Halloween, I have to say I’m pretty darn impressed with the lineup being offered by Peacock TV for the month of October.

Now, the good news is that if you don’t have Peacock, you can purchase it for one month only (I checked), without cutting into your PSL budget. The channel is offering a month of unlimited watching that includes ads, for $5.99 and an ad-free version for $11.99, which is cheap when you see the lineup of films the channel has teed up especially for us horror fans.

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Ellsworth’s Cinema of Swords: Beware of Greeks

Ellsworth’s Cinema of Swords: Beware of Greeks

Xena and Hercules

If you were watching TV in the late ‘90s, it was pretty hard to avoid Kevin Sorbo’s Hercules series and its spinoffs, even if you wanted to. Despite its modest budget, unambitious stories, and mostly indifferent acting, this likable family-friendly series nonetheless found an audience devoted enough to sustain it through six TV seasons.

There was clearly a hunger for solid fantasy adventures, and Hercules fed that demand. In fact, the Herc series revealed so much demand for fantasy that to meet it, it generated the vastly superior Xena: Warrior Princess show, which is so good that we can forgive the much weaker Hercules show almost anything. Ki-yi-yi-yi-yi!

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Goth Chick News: No to Sociopath Training Films, But Yes to Guerilla Marketing

Goth Chick News: No to Sociopath Training Films, But Yes to Guerilla Marketing

Nicole Kidman can’t catch a break. The Academy Award-winning actress has become a meme queen with behavior that has made her the unintentional darling of social media. It probably started in 2001 when Kidman was photographed leaving her lawyer’s office after finalizing her divorce from Tom Cruise. There was the famous “seal clap” at the 2017 Oscars which was supposedly her trying to protect her rings, but which just looked downright weird. Then there was her reaction to Will Smith slugging Chris Rock at the 2022 Oscars. But it was Kidman’s ad for AMC which began running on TV and prior to the theaters’ main feature in September 2021 that has probably garnered the most snark.

The dramatic ode to cinema narrated by Kidman was meant to inspire audiences to return to theaters following Covid. In the ad, Kidman enters and sits alone in an empty AMC theater while delivering a monologue describing the pleasures of the moviegoing experience, such as the “indescribable feeling we get when the lights begin to dim and we go somewhere we’ve never been before.”

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Goth Chick News: Kicking Off Spooky Season with a Ghost Story

Goth Chick News: Kicking Off Spooky Season with a Ghost Story


Ghost Story (Pocket Books paperback reprint, September 1, 1989)

When fall finally starts descending on Chicagoland there are a few rituals which are essential to getting me in the mood for Spooky Season. Granted, this time of year isn’t dramatically different from the rest of the year around here, considering. But there are certain things that ramp up the countdown to October 31st.

For example, a more than average quantity of gothic elements appears in the décor, the sweatshirts come out, and the scent of pumpkin candles permeates every room along with the music of Midnight Syndicate. September also finds me revisiting quite a few literary favorites as nothing sets the fall tone better than a good ghost story, and in this case, I mean that literally. Ghost Story by Peter Straub remains to this day, the only novel that scares the snot out of me every time I read it.

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Goth Chick News Reviews: How Did I Miss This Fab Vamp Film??

Goth Chick News Reviews: How Did I Miss This Fab Vamp Film??

Only Lovers Left Alive (Sony Pictures Classics, April 11, 2014)

Last week as I did research for my article about the upcoming reimagining of The Bride of Frankenstein, I stumbled across a vampire movie I had not only never seen but had never heard of, and the rarity of this occurrence cannot be understated. Vampires are my favs and though my crappy memory for names and dates means I’ll never consider myself an expert in the genre, I am proud to say that my experience of them in literature, movies, and folklore is pretty darn comprehensive. So, when I found the movie Only Lovers Left Alive (2013), there was nothing for it but to cancel all plans for the evening, order Door Dash, and tuck in to stream this title which had somehow eluded me for ten years.

The first thing to love is that the film cast was comprised of some incredible actors. Tilda Swinton and Tom Hiddleston play the two main characters Eve and Adam. But then there is Mia Wasikowska (Alice in Wonderland), the late great Anton Yelchin (Star Trek and Fright Night), Jeffrey Wright (Westworld), and the extraordinary John Hurt. The writer/director is Jim Jarmusch, who was also responsible for the zombie spoof movie The Dead Don’t Die (2019), which also starred Swinton, and who according to Jarmusch’s bio, is a bit of a muse of his.

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Goth Chick News: Here Comes Another Classic Monster Remake

Goth Chick News: Here Comes Another Classic Monster Remake

Much like fashion, movie themes come in repeatable waves, and if you wait long enough everything that was called “classic” will eventually come back around. Such seems to be the case with the classic movie monsters, originally made famous in the 1930’s and 40’s by Universal Studios. Recently we’ve seen The Invitation and The Last Voyage of the Demeter (Dracula), The Cursed (werewolf), and Birth/Rebirth (Frankenstein), but frankly, there are a whole list of projects currently in production which pay homage to the originals. Of late there have been industry announcements around titles such as Frankenstein vs Dracula, This Dark Endeavor: The Apprenticeship of Victor Frankenstein, and Feed to name a few. So, if you’re wondering if the bride of Frankenstein’s monster is going to get any love in the modern age, I’m here to tell you that she is.

A couple weeks back MovieWeb announced that Maggie Gyllenhaal was set to step behind the camera as the director of a remake of Bride of Frankenstein. Christian Bale was announced to be playing Victor Frankenstein, alongside Peter Sarsgaard (Gyllenhaal’s hubby) in a yet-to-be named starring role. There are rumors that in addition to directing, Gyllenhaal herself might play Elsa Lanchester’s iconic character, but I can’t find anything to substantiate this. The project, which is said to be titled The Bride, is set up at Netflix.

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The Film That Almost Killed Disney Animation: The Black Cauldron

The Film That Almost Killed Disney Animation: The Black Cauldron

The Black Cauldron (Disney, July 1985)

The Black Cauldron, an animated feature from Disney, was released on July 24th in 1985. It was one of a number of films I consulted on for the studio. At the time, it was purported to be the most expensive animated film ever made (though cheap by today’s standards). It had quite a turbulent history and almost killed off Disney animation entirely.

The film is based on two volumes of Lloyd Alexander’s Prydain series, a five-volume series of fantasy novels, aimed at the YA audience. Personally, I love these books. The story goes that Frank Thomas and Ollie Johnston, two of Disney’s “Nine Old Men,” recommended the books to Walt to adapt. Disney Studios acquired the rights back in 1971 and began adapting.

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Ellsworth’s Cinema of Swords: Deuces Wild

Ellsworth’s Cinema of Swords: Deuces Wild

The Swordsman II (Hong Kong, 1992)

In our last Cinema of Swords article, we talked about sequels gone wrong, follow-up films to surprise hits that just went off the rails. But sometimes, at the other end of the spectrum, you get sequels done right, movies that take the strengths of the first film in a series and then build and improve on them. As an example of this, I don’t think we can do better than three wuxia films from the early ‘90s, each of which managed to incorporate the good qualities of its predecessor and then exceed them. And it’s no coincidence that all three of these films were produced by that eclectic polymath of Hong Kong cinema, Tsui Hark.

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