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Category: Movies and TV

Deep Pockets, Abyssal Regions: Kong – Skull Island (2017)

Deep Pockets, Abyssal Regions: Kong – Skull Island (2017)

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Who among us is so tired at heart, so bereft of purpose, so bored with life, that we would not want to risk our lives shooting at enormous monsters with high-powered guns? Not me, for sure, and I’m sure you feel the same way. This vicarious pleasure is certainly part of the appeal of watching the giant-monster films that began with King Kong in 1933, and that really got going in the 1950s with The Beast from 20,000 Fathoms, Them!, and Godzilla.

I began watching these films as a young boy; as a boy, because of these iconic works, I felt that all that I needed to speed up my passage to manhood was a rampaging tyrannosaurus rex, and a bazooka. Fortunately, manhood eventually came to me through other means. Other boys, however, have grown up to make movies – in a handful of cases, to remake the favorite monster movies of their youths into multi-million dollar blockbusters.

Unfortunately, we’ve found that there are few films more disappointing than blockbuster remakes of modestly-budgeted originals. The 2010 Wolf Man doesn’t hold a candle to the 1941 original, the 2005 King Kong, like all Peter Jackson films, seems to go on forever, and although the makers of the 2014 Godzilla doubtless revere the 1954 original, their efforts will certainly never replace it as an iconic work that resonates for its time, and afterwards. What is needed is not to remake these now-classic stories, but to reconstruct them, to create something original out of them, that will force their familiar narratives into new and unexpected shapes.

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Goth Chick News: New Info on the Movie Adaptation of Doctor Sleep

Goth Chick News: New Info on the Movie Adaptation of Doctor Sleep

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Having taken a rather long hiatus from reading Stephen King novels, I tentatively put a big toe in back in 2013, due to my love for The Shining.

Doctor Sleep is King’s sequel to The Shining and as you may know from my past posts, I loved it, which is saying a lot. However, what wasn’t much of a shocker was that King almost immediately sold the movie rights to Warner Brothers, and that Academy Award-winning screenwriter Akiva Goldsman stepped up to adapt Doctor Sleep. After all, Goldsman has had plenty of experience adapting other high-profile books such as The Da Vinci Code, The Divergent Series: Insurgent, and The 5th Wave, though those last two were meh

However, we’ve now learned that following out-sized grosses on last summer’s movie adaptation of It, WB has put Doctor Sleep on the fast track. Mike Flanagan is set to direct the story, which picks up the life of tortured kid Danny Torrance (“Redrum!!”) now in his 40s and struggling with the same demons of anger and alcoholism that plagued his father and still haunted by the ghosts of the Overlook Hotel. Flanagan’s producing partner Trevor Macy will produce, along with Vertigo Entertainment’s Jon Berg.

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Happy National Gorilla Suit Day!

Happy National Gorilla Suit Day!

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It’s January 31, and that means it’s time to celebrate one our civilization’s greatest inventions–the gorilla suit!

On this holiday, we dust off that gorilla suit hanging in our closet and don it with pride. The idea is that you should do at least one thing in your regular schedule dressed up as a gorilla. Go to the store, go bowling, have a drink at your local bar, whatever.

National Gorilla Suit Day was invented by Mad Magazine cartoonist Don Martin. But of course the roots of this cultural phenomenon go way back to the beginnings of cinema, when early directors found that a man in a gorilla suit took direction much better than an actual gorilla.

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Movie of the Week Madness: Trilogy of Terror

Movie of the Week Madness: Trilogy of Terror

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Wednesday, March 5, 1975 dawned cool and cloudy in Los Angeles, as Sergeant Friday used to say. Among the usual topics of conversation that morning during snack break at my high school, one question predominated: Did you see that show last night?! The show in question was the previous evening’s ABC Movie of the Week: Trilogy of Terror. Yeah, that one. The one with the “Zuni fetish doll” that comes to life and wreaks havoc with Karen Black’s apartment, to say nothing of her epidermis.

The ABC Movie of the Week ran for six seasons, from 1969 to 1975, and was one of the first series comprised entirely of movies made specifically for television. Running once (in some seasons, twice) a week, and featuring the usual tv movie aggregation of performers, all fitting into the categories of has-been, never-was, and hoping-to-be (many of whom were shackled to the oars of some other ABC series, naturally), the Movie of the Week presented stories from all genres. Comedy, romance, romantic comedy, western, crime, social issue (unemployment, drug use, the problems of the young and of the aged, and alcoholism were… well, popular is the word, I guess, and 1972’s That Certain Summer is a genuine landmark, being the first American film of any sort to deal with homosexuality in a non-biased manner), disease-of-the-week (remember Brian’s Song?), and what used to be called the war between the sexes all made regular appearances.

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The Animated Godzilla: Planet of the Monsters Mostly Does Its Job

The Animated Godzilla: Planet of the Monsters Mostly Does Its Job

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Go-ji-ra — a strange word with mythic resonance when it rolls off the tongue of native Japanese speakers. But it’s a tough sell as the English title of a 1950s monster movie. For the sake of global audiences, the Foreign Sales Department of Toho Studios gave their 1954 movie and its monster a Romanized name: Godzilla. It makes sense as a transliteration: the katakana character shi (シ) in Gojira (ゴジラ) can be Romanized as -dzi-, and the “R” sound in -ra (ラ) slides into an “L.” By happy accident — or sly intention — Toho baptized their behemoth with the word God at its front, hinting at a creature greater than life, dominant in a way no mere monster could be.

The highest compliment I can give to the new animated film, Godzilla: Planet of the Monsters (currently streaming on Netflix), is that it explores and explodes the “God” in Godzilla. Other movies in the series have emphasized the monster’s inscrutability and deity-like unstoppability. The first mention of Godzilla in the 1954 original comes from an old fisherman who speaks of a legendary beast that has kept his island in fear for centuries. Planet of the Monsters pushes this god(zilla)hood into the spotlight. Godzilla has literally conquered Earth, driving the scraps of humanity into exile in space, then transforming and ruling the planet’s ecosystem unchallenged for twenty thousand years. This is Godzilla Earth, where the monster is both creator and destroyer.

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Warlords of Atlantis: The Edgar Rice Burroughs Adaptation That Isn’t

Warlords of Atlantis: The Edgar Rice Burroughs Adaptation That Isn’t

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In December, my patience with North American video distributors at last ran out. If they refused to deliver Region A Blu-rays, and in some cases even DVDs, of movies from my beloved Hammer Film Productions, I needed to take drastic steps. Yes, I asked Santa Claus for a region-free Blu-ray player. Santa delivered as promised and I immediately ordered a Blu-ray of The Plague of the Zombies from Amazon.uk.

Next on the list … Warlords of Atlantis. It’s not a Hammer Film, but going region-free brings benefits like at last owning a copy of the fourth Edgar Rice Burroughs film from the team of director Kevin Connor and producer John Dark. It isn’t actually an Edgar Rice Burroughs adaptation, but in intent and most of the execution it might as well be.

Explain? Glad to. Connor and Dark made three low-budget movies in Britain based on ERB’s most popular science-fiction stories: The Land That Time Forgot (1975), At the Earth’s Core (1976), and The People That Time Forgot (1977). This Burroughs trio struck gold at the box-office, especially with adventure- and monster-loving kids. Connor and Dark planned a movie based on A Princess of Mars, this time working with EMI Films in co-production with Columbia.

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Oz Goes Thrift Shopping: “This is [bleeping] Awesome!”

Oz Goes Thrift Shopping: “This is [bleeping] Awesome!”

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On Wednesday, January 17, 2018, after I clocked out from work, I decided to do a 5 for 5: Hit all five of Med City’s thrift stores (at least that I know of) — 2 Goodwills, 2 Salvation Armys, and a Savers. I also dropped in at Nerdin’ Out, a store that specializes in collectible comic books and action figures.

It was a challenge, as I had just sprained my ankle that morning, and the walks down the aisles started to feel longer and longer as the day wore on. By the time the sun was setting, I had adopted the limping, shambling gait of the recently undead. But the increasingly incredible finds that I kept stumbling upon at one store after the other released enough adrenalin to keep me going — all the way until I got home, pulled off my snow boot, and found my ankle swollen to double its size.

Here (sharing only the finds that would be of particular interest to readers of this site) is my haul. Not all pickin’ days are this fruitful, I assure you. If they always turned out like today, hell, this is all I’d ever do.

From schlocky VHS horror flicks and classic sci-fi paperbacks to giant rubber snakes and other rare collectibles, today’s pick turned up treasures from across the entire spectrum of what I hunt for.

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Goth Chick News: Alien Roller Coast Goals (or What I Will Be Doing the First Time Chicago Is Snowed In)

Goth Chick News: Alien Roller Coast Goals (or What I Will Be Doing the First Time Chicago Is Snowed In)

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Contrary to what you may have heard from my fellow Black Gate staffers, I really was pretty good last year. I give Santa a lot of credit for ignoring the fake news which came out of our Chicago office about me hanging little bat skulls on the company tree and spray-painting all the candy canes black. Instead he decided to grant my two biggest wishes: for an HTC Vive virtual reality headset and the latest release of Planet Coaster to go with it.

Anyone who knows me knows I am absolutely mad for roller coasters and the game Planet Coaster by Frontier is, in my opinion, the quintessential environment for building the most extreme coasters and then watching with sadistic glee while your guests line up to ride it and promptly get sick afterwards. However, with the addition of the Vive VR, you can now personally line up to ride it and then get sick afterwards.

In other words, it rocks utterly.

Having spent more hours than I can to count immersed in Planet Coaster since its first release in 2016, I consider myself pretty adept at creating fanciful yet heart stopping coasters in the virtual world. But today, I must bow to the guru, the sensei, the ultimate Jedi Master of Planet Coaster, super-fan Hin Nya.

Nya has utilized Planet Coaster to create Aliens: The Ride, a 15-minute experience that takes you on a virtual trip through the scariest theme park attraction (n)ever made.

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The Last Jedi: The Creature of the Lagoon Trashes the Toxic Tropes (Porg is a Verb)

The Last Jedi: The Creature of the Lagoon Trashes the Toxic Tropes (Porg is a Verb)

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“Don’t try to porg me!”

(Spoilers after the cut. But seriously, if that matters to you, look at the date! You should have seen the movie by now.)

I liked The Last Jedi.

We liked The Last Jedi: my wife, my 14yr old son, my 10 yr old daughter, and me, I liked it.

It wasn’t prose Military Science Fiction, so we didn’t hold it to the standards of a Tanya Huff or Jack Campbell novel. Nor was it Mundane SF, so those bombs didn’t bother us. Rather, we sat down and enjoyed it the way we also enjoyed Guardians of the Galaxy.

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“BLEEP this! BLEEP this also! And this in particular. BLEEP this guy…!”

It was less EC Tubb than the last instalment, and more (according to my son) like an RPG campaign that kept changing GMs and (so I reckoned) flipflopping between Traveller and FATE.  My daughter loved seeing girls having adventures (though, being 10, she rather takes this for granted), liked the light saber fights, and also the porgs. (“Porg” is now a verb in our house, as in, “Don’t try to porg me into giving you more chocolate ice cream.”)

I’ll admit I also enjoyed the very thing that seems to have upset so many knee-jerk critics: it went through the tropes the way the Creature of the Lagoon goes through scenery and people in that hilarious NSFW mashup on YouTube:

BLEEP this! BLEEP this also! And this in particular. BLEEP this guy…!

Mysterious But Significant Parentage went up in a puff of wasted fan theories. As did Dark Lord, Wise Mentor, Heroic Sacrifice Saves the Day, Ancient Wisdom, Epic Redemption.  (“BLEEP this guy, BLEEP those books, BLEEP in particular this tree…“)

The movie even trashed some of the things fans mock about Star Wars. The Jedi really aren’t the good guys. Darth Emo really is a boy in a stupid mask.

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Peplum Populist: The Last Days of Pompeii (1959)

Peplum Populist: The Last Days of Pompeii (1959)

last-days-of-pompeii-1959-posterIn August of the first year of the reign of Emperor Titus Flavius Caesar Vespasianus Augustus, the volcano Vesuvius erupted in the south of Italy and destroyed the cities of Pompeii and Herculaneum. Thousands of lives were lost. Out of the fire, ashes, and pyroclastic flows, an Italian film subgenre was born.

The 1959 film The Last Days of Pompeii (Gli ultimi giorni di Pompei) is the most famous of the many journeys Italian cinema has taken into the story of Vesuvius’s first-century eruption. Ostensibly based on Edward Bulwer-Lytton’s bestselling 1834 novel, the movie is a sword-and-sandal (peplum) riff that departs freely from its source so it can work as a vehicle for new megastar Steve “Hercules” Reeves. Reeves was at the height of his stardom and the peplum genre was also approaching the summit of its commercial success. There were loopier and cheesier days ahead for sword-and-sandal movies — I would argue more fun days — but for class and cash, The Last Days of Pompeii is a pinnacle. It lumbers sometimes under the weight of trying to appear like a serious prestige picture, but the lust for action entertainment carries it along. If you want to watch a dead serious epic from the same year, you have Ben-Hur. If you want to watch masses of polystyrene walls and pillars rain down on the cast and a hero slay lions and crocodiles, stay here.

Mario Bonnard is credited with directing The Last Days of Pompeii, but he fell sick on the first day of production. The man who took over the job was the assistant director, Sergio Leone. Yes, that Sergio Leone. Leone already had extensive experience working on Hollywood epics shot in Rome, including Quo Vadis. He proved he could helm a big feature with The Last Days of Pompeii, and soon after landed his first credited director job on another peplum, the fantastic romp The Colossus of Rhodes (1961), which I humbly submit is the pest peplum of all time. Two years later, Leone jump-started the genre that would surpass sword-and-sandal movies as the Next Big Thing in Italy with his Western, A Fistful of Dollars.

Although the eruption of Vesuvius is the reason the film was made, its story works as an ancient Roman drama even without the volcano. This isn’t a modern disaster film where the volcano is a constant subject of speculation with the actual on-screen disaster consuming the entire last third. Vesuvius appears in a few matte paintings and receives almost no mention again until the last ten minutes, when it interrupts the finale in the amphitheater to become the big curtain-closer. Forget the former plot, everybody run away!

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