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Goth Chick News: Another Extreme Experience to Quell Our Overstimulated Psyches…

Goth Chick News: Another Extreme Experience to Quell Our Overstimulated Psyches…

Goth Chick News

We’re reported on haunted attractions which have patrons basically paying to be tortured, and we’ve seen an amusement park ride which simulates you being buried alive, both of which make us a tad worried about our fellow human beings and their increasing appetite for ‘extreme’ experiences. Apparently, our collective need to have our overloaded senses shocked even further has given rise to escape rooms that require 20-page liability releases and…

Well, and this…

Beginning January 27th, the annual Goteborg Film Festival in Sweden will be offering up 32 “sarcophagus screenings” of Aniara, a Swedish-language apocalyptic sci-fi film.

What does this entail exactly?

Billed as “The World’s Most Claustrophobic Cinema,” the word “sarcophagus” in this case equals “coffin”. Eight volunteers per screening will be chosen to be shut into specially-made caskets outfitted with screens, speakers and oh yeah, air vents. You can check out the promo reel for this great big bucket of ‘nope’ after the jump below.

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Godzilla Raids Again / Gigantis the Fire Monster (1955)

Godzilla Raids Again / Gigantis the Fire Monster (1955)

godzilla-raids-again-japanese-poster-1

It was disheartening to sum up the recent Godzilla anime trilogy, the only Japanese Godzilla films I never plan to rewatch. Even with the Hollywood mega-millions epic Godzilla: King of the Monsters only a few months away, the feeling of deflation within my favorite movie franchise made it necessary for me to plug a bit of hope into my schedule immediately. Not by watching a great Godzilla film, mind you, but by watching a mediocre Godzilla film. Why? Because it’s the best way to remember how even lesser entries in the series can offer some enjoyment. Like watching Godzilla actually move. This is a radical concept the anime filmmakers let slip past them.

Thus I present Godzilla Raids Again, a middle-of-the-road G-movie that’s mostly faded into obscurity despite its prime position as the first Godzilla sequel.

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Goth Chick News: Filed Under “Is This Necessary?”

Goth Chick News: Filed Under “Is This Necessary?”

Goth Chick Ghostbusters

As you might recall, in 2016 Sony Pictures decided the time was right to reboot the 1984 classic Ghostbusters using all female leads.

Oh, you don’t recall that?

That’s okay, because those of us who do would like to forget it.

But here we are, having barely shaken off the bacchanalia of the holidays, when BOOM, Variety hits us with this gem. Sony Pictures is having another go barely two years later.

News broke this week that Jason Reitman, son of Ghostbusters 1 & 2 director Ivan Reitman, is officially attached to direct a new Ghostbusters sequel. The film is said to be taking place in the original universe, and Reitman, like the rest of us, is ignoring the 2016 reboot entirely.

Reitman is also co-writing the screenplay with Gil Kenan (Monster House, Poltergeist), and Ivan Reitman’s Montecito Pictures is set to produce so we’re at least keeping this all in the family. Filming begins this summer and summer 2020 is targeted for release.

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Godzilla: The Planet Eater (2018) Brings the Anime Trilogy to a Dreary End

Godzilla: The Planet Eater (2018) Brings the Anime Trilogy to a Dreary End

godzilla-planet-eater-japanese-poster

This whole thing has been a lot of pixels over nothing.

Interesting possibilities glimmered in the first two films of the animated Godzilla trilogy, Godzilla: The Planet of Monsters and Godzilla: City on the Edge of Battle. But the final installment has arrived, premiering on Netflix this Wednesday, and now the whole enterprise reveals itself as a water-treading, self-proselytizing, character-inhibited, medium-wasting drag. This hasn’t been a bit of fun. There are no moments of elation or astonishment. In fact, Godzilla has hardly moved. I think the monster budged about ten feet the entirety of this last movie — and that includes during the climactic clash with Ghidorah, the only other kaiju to wander into the trilogy.

Godzilla fought Ghidorah — and for the first time ever, I didn’t care.

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Is Jack Reacher Today’s Tarzan?

Is Jack Reacher Today’s Tarzan?

TarzanFor me Tarzan was always a movie, and sometimes a TV character. I knew intellectually that the stories were based on books. I even knew that the books were written by Edgar Rice Burroughs. But for me, at that time, it was all about the John Carter of Mars books. I did finally read one of the later Tarzan novels, Tarzan the Untamed, and while I liked it, it wasn’t enough to woo me away from Burroughs’ SF writing.

I’ve always been aware of Tarzan as a character icon, of course, the early 20th-century version of the noble savage. I’ve written about him before. I mention him as far back as 2014, one of my earliest posts for Black Gate, when I was looking at swords and ERB. More recently I’ve looked at him as an iconic character in the same vein as Sherlock Holmes and Robin Hood, characters which keep turning up on both big and small screens.

It’s only lately that I’ve actually started reading the books. Amazon had one of these get all 26 novels for $2.99 deals and it seemed stupid not to get them. So far I’ve read the first two, Tarzan of the Apes, and The Return of Tarzan. In general, they’re a lot of fun, and I’ve found them a lot less racist and a lot less misogynistic than I’d anticipated, given the time period of the writing. There’s definitely stuff that makes me either cringe or roll my eyes, but as I say, not as much as I expected.

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A Smattering of Sexbots

A Smattering of Sexbots

sexbot vibrate pulse Liberty Antonia Sadler for Metro.co.uk

Sexbots are as ubiquitous today as Starbucks. My Google news feed overruns with stories on sexbot brothels. No modern genre, especially animated ones, can feel properly inclusive without a sexbot gumming up the moral works, which in some cases might not be a euphemism.

‘Twasn’t always so. Sexbots go back a surprisingly long way in the arts but were seldom allowed to explicitly ply their trade after a spectacular introduction. They appear for the first time, as far as I can discover, exactly where stereotypes suggest: in the France where ladies don’t wear pants, the underground world of Parisian pornography.

You’ve never heard of Alphonse Momas, and not merely because he wrote under a zillion pseudonyms, but during his free hours from his job at the Seine prefecture, he was the leading purveyor of pornography to fin de siècle France. Millenials didn’t invent sex and neither did the baby boomers. Momas’ titles are like a catalog from the modern explicit upwelling of anything goes 1970s porn: Mistress of His Son, The Notebooks of Miss Callypia, The Woman with Dogs, Bloody Buttock, Fetish Lovers, The Eater of Men, The Virgin Fall.

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Goth Chick News: The Stranger Things Kids Wrap Gifts for Stranger Things Fans

Goth Chick News: The Stranger Things Kids Wrap Gifts for Stranger Things Fans

Stranger Things cast

This is every bit as awesome as it sounds.

As you likely are aware, we have to wait all the way until summer before getting to binge the next eight episodes of Netflix’s Stranger Things so we’ve spent quite a lot of time scrounging for clues on what to expect. Executive producer Shawn Levy already confirmed that season 3 would take place a year after season 2 during the summer of 1985. Steve has graduated from high school and is working at an ice cream shop in the Starcourt Mall, which is where we see him in the teaser trailer. Levy also indicated the romantic pairings of Eleven-Mike and Max-Lucas remained steady and also revealed this tidbit, “We ended season two with a clear signal that the Shadow Monster was not eliminated, and maybe he’s even identified his foe. And that darkness, and the battle that it requires, only grows in Season Three.”

David Harbour, who plays Sheriff Hopper, told The Hollywood Reporter that everyone on the cast was “taking a lot of risks.” These may or may not include Hopper’s new dynamic as Eleven’s adoptive father.

We also know that much like how Season 2 riffed on the release of the first Ghostbusters movie, Season 3 is aiming for something closer to traditional horror in its focus on movies from directors like John Carpenter (Halloween, The Thing), David Cronenberg (The Fly, Videodrome), and George Romero (Night of the Living Dead). We can only guess what that means for the residents of Hawkins, IN.

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“The Gaze” on YouTube

“The Gaze” on YouTube

The Gaze

It’s always nice to see a well-made short film reach an audience. A short has a different structure and feel from a feature, and a good one is a very distinct pleasure. I get to watch a number every year at the Fantasia film festival; too rarely beyond. But one of the shorts from this past summer’s Fantasia has just been made available to a wider audience. “The Gaze,” written and directed by Ida Joglar, has been selected by the multi-platform horror brand ALTER for its YouTube channel. You can watch it there now. Here’s the film’s official synopsis:

After a late night in the laboratory where she works as a research assistant, Mayra has no recollection and suspects she has been sexually assaulted by her renowned boss. When she tells her friend about the incident, she is confronted with doubts. As time passes she becomes further distressed as she discovers she may have a power she never knew about. When she once again finds herself alone in the lab with her predatory boss, her power manifests itself to an explosive end.

My review of it is here.

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Goth Chick News: Carrie White Joins Twitter and It’s Awesome

Goth Chick News: Carrie White Joins Twitter and It’s Awesome

Carrie at the Prom

Let’s be honest, social media can be a serious bummer sometimes. If you’re active on all the various platforms then you know that for every adorable puppy video there’s at least one or more trolls who can’t help but spread negativity. Between mean-spirited memes and the general lack of empathy for fellow human beings it’s enough to make you pack it in and decide it just isn’t worth being that ‘connected’.

But then something like this happens.

Someone in the Twitterverse decided to create an account and assume the persona of Stephen King’s telekinetic, introverted teenager Carrie, made famous in his very first novel and played by Sissy Spacek in Brian De Palma’s 1976 film adaptation.

The account has only been up since December 4, but it went from having 8 followers a few days ago, to 86 as of this morning, and the goal seems to be to give voice to some of Carrie’s inner musings while reminding us all there are still fun people out there.

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Rodan, The 1956 Flying Monster Who Colorized the Godzilla-verse

Rodan, The 1956 Flying Monster Who Colorized the Godzilla-verse

rodan-2019-poster

The trailer for Godzilla: King of the Monsters, the direct sequel to the 2014 US Godzilla and the third installment in the Warner Bros. “Monsterverse” series after Kong: Skull Island, arrived earlier this week. It’s beautiful kaiju madness, even without Debussy’s dulcet tones rolling beneath it. King Ghidorah appears in all its auriferous splendor, charging into Godzilla in a jaw-dropping final shot meant to bring tears to my eyes. It succeeded. Our own Nick Ozment has some thoughts about it he put up yesterday which you should check out.

I’m tempted to proclaim the wonders of King Ghidorah, but I’ve already given the three-headed space dragon plenty of attention in a post about Ghidorah, The Three-Headed Monster, the 1964 film that’s essentially the template for the upcoming Godzilla movie. So as an alternate, I’m going to talk about the other monster who has money shots in the trailer: Rodan, one of the oldest of Toho Studio’s monsters. Specifically, I’m going to look at Rodan’s debut, a self-titled showstopper from 1956 and the first Toho kaiju film in color.

Sora no Daikaiju Radon (“The Giant Monster of the Sky, Rodan”), which Toho titled Rodan for US foreign sales to avoid confusion with the chemical element radon,* was released the year after the first Godzilla sequel, Godzilla Raids Again. The second go-around for Godzilla was financially successful, but not the earth-shaker of the original. Toho didn’t think there was more to mine from Godzilla and wouldn’t return to the Big G until King Kong vs. Godzilla eight years later. But Toho executives were willing to bet theatergoers would show up to see a destruction spectacle with an new type of monster … especially if was IN TECHNICOLOR! Or Eastmancolor.

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