Black Gate

Long before Emily Rose, or Emma Evans there was Regan MacNeil, a once normal little girl who became quite a handful thanks to an imaginary friend who, as it turned out, happened to be an ancient Mesopotamian demon king. It was just over 45 years ago, on December 26, 1973, movie-going audiences were treated to what would come to be known as one of the scariest horror movies of all time – The Exorcist.

Based on William Peter Blatty’s novel of the same name, The Exorcist tells the story of a little girl possessed by the demon Pazuzu and the priests charged with saving her soul. There are tales of people being so frightened of Blatty’s book that they keep it in a separate part of the house, like a garage, a linen closet, or even a freezer; because it’s common knowledge that ancient demon spirits go dormant in the cold and can’t manage closed doors.

The movie terrified audiences even more so, with some believing there was actual evil contained in the film stock. Looking at the adjusted, highest-grossing film list, so named as all totals are twizzled to account for inflation, The Exorcist bests even Avatar. It racked up $232 million in box office takings, over $900 million by today’s standards. What is even more fascinating is the profound difference 45 years has made in what audiences consider terrifying. In spite of the advancements in special effects technology that make some of The Exorcist scenes borderline comical by today’s standards, no movie since its premier has had such an effect on movie-goers.

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Long before new-age, flannel-wearing vampire Edward Cullen pouted and emo’d his way through not drinking blood in the Twilight series, there were the dangerously sexy boys from Santa Carla who introduced the 80’s to motorcycle-riding vampires with incredible fashion sense.

The Lost Boys premiered in the summer of 1987 with the tag line, “Sleep all day. Party all night. Never grow old. Never die,” basically summing up every 80’s kid’s deepest desires. Though The Hunger arguably provided vampires with their first 20^th century panache, Jason Patric and Kiefer Sutherland brought us the idea of a teen-vamps in all their dark, leather-clad, bad-boy glory; effectively changing the genre forever by then giving rise to the Joss Whedon-helmed television series Buffy the Vampire Slayer and its subsequent universe.

Two unfortunate and highly-forgettable sequels followed, neither of which managed to capture the magic of the first. Lost Boys – The Tribe (2008) saw the return of only one original cast member, Cory Feldman, and tried to make up for its shortcomings of pretty much ripping off the original plot, by throwing in a whole lot of skin. Lost Boys – The Thirst followed two years later with Feldman still in tow and fared slightly better with fans, but it was clear the whole concept either needed to be dropped, or get a reboot for the 21^st century.

And voila… here we go.

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We’re reported on haunted attractions which have patrons basically paying to be tortured, and we’ve seen an amusement park ride which simulates you being buried alive, both of which make us a tad worried about our fellow human beings and their increasing appetite for ‘extreme’ experiences. Apparently, our collective need to have our overloaded senses shocked even further has given rise to escape rooms that require 20-page liability releases and…

Well, and this…

Beginning January 27^th, the annual Goteborg Film Festival in Sweden will be offering up 32 “sarcophagus screenings” of Aniara, a Swedish-language apocalyptic sci-fi film.

What does this entail exactly?

Billed as “The World’s Most Claustrophobic Cinema,” the word “sarcophagus” in this case equals “coffin”. Eight volunteers per screening will be chosen to be shut into specially-made caskets outfitted with screens, speakers and oh yeah, air vents. You can check out the promo reel for this great big bucket of ‘nope’ after the jump below.

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As you might recall, in 2016 Sony Pictures decided the time was right to reboot the 1984 classic Ghostbusters using all female leads.

Oh, you don’t recall that?

That’s okay, because those of us who do would like to forget it.

But here we are, having barely shaken off the bacchanalia of the holidays, when BOOM, Variety hits us with this gem. Sony Pictures is having another go barely two years later.

News broke this week that Jason Reitman, son of Ghostbusters 1 & 2 director Ivan Reitman, is officially attached to direct a new Ghostbusters sequel. The film is said to be taking place in the original universe, and Reitman, like the rest of us, is ignoring the 2016 reboot entirely.

Reitman is also co-writing the screenplay with Gil Kenan (Monster House, Poltergeist), and Ivan Reitman’s Montecito Pictures is set to produce so we’re at least keeping this all in the family. Filming begins this summer and summer 2020 is targeted for release.

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This is every bit as awesome as it sounds.

As you likely are aware, we have to wait all the way until summer before getting to binge the next eight episodes of Netflix’s Stranger Things so we’ve spent quite a lot of time scrounging for clues on what to expect. Executive producer Shawn Levy already confirmed that season 3 would take place a year after season 2 during the summer of 1985. Steve has graduated from high school and is working at an ice cream shop in the Starcourt Mall, which is where we see him in the teaser trailer. Levy also indicated the romantic pairings of Eleven-Mike and Max-Lucas remained steady and also revealed this tidbit, “We ended season two with a clear signal that the Shadow Monster was not eliminated, and maybe he’s even identified his foe. And that darkness, and the battle that it requires, only grows in Season Three.”

David Harbour, who plays Sheriff Hopper, told The Hollywood Reporter that everyone on the cast was “taking a lot of risks.” These may or may not include Hopper’s new dynamic as Eleven’s adoptive father.

We also know that much like how Season 2 riffed on the release of the first Ghostbusters movie, Season 3 is aiming for something closer to traditional horror in its focus on movies from directors like John Carpenter (Halloween, The Thing), David Cronenberg (The Fly, Videodrome), and George Romero (Night of the Living Dead). We can only guess what that means for the residents of Hawkins, IN.

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